| Photos (see all 25 | slideshow) | Videos (see all 13) |
| Martina Gedeck | ... | Christa-Maria Sieland | |
| Ulrich Mühe | ... | Hauptmann Gerd Wiesler | |
| Sebastian Koch | ... | Georg Dreyman | |
| Ulrich Tukur | ... | Oberstleutnant Anton Grubitz | |
| Thomas Thieme | ... | Minister Bruno Hempf | |
| Hans-Uwe Bauer | ... | Paul Hauser | |
| Volkmar Kleinert | ... | Albert Jerska | |
| Matthias Brenner | ... | Karl Wallner | |
| Charly Hübner | ... | Udo | |
| Herbert Knaup | ... | Gregor Hessenstein | |
| Bastian Trost | ... | Häftling 227 | |
| Marie Gruber | ... | Frau Meineke | |
| Volker Michalowski | ... | Schriftexperte (as Zack Volker Michalowski) | |
| Werner Daehn | ... | Einsatzleiter in Uniform | |
| Martin Brambach | ... | Einsatzleiter Meyer | |
| Hubertus Hartmann | ... | Egon Schwalber | |
| Thomas Arnold | ... | Nowack | |
| Hinnerk Schönemann | ... | Unterleutnant Axel Stigler | |
| Paul Faßnacht | ... | Onkel Frank Hauser (as Paul Fassnacht) | |
| Ludwig Blochberger | ... | Benedikt Lehmann | |
| Paul Maximilian Schüller | ... | Junge mit Ball | |
| Susanna Kraus | ... | Andrea | |
| Gabi Fleming | ... | Prostituierte 'Ute' | |
| Michael Gerber | ... | Zahnarzt Dr. Czimmy | |
| Fabian von Klitzing | ... | Tagesschausprecher | |
| Harald Polzin | ... | Wächter | |
| Sheri Hagen | ... | 'Martha' 1991 | |
| Gitta Schweighöfer | ... | 'Anja' 1984 | |
| Elja-Dusa Kedves | ... | 'Anja' 1991 | |
| Hildegard Schroedter | ... | 'Elena' 1984 | |
| Inga Birkenfeld | ... | 'Elena' 1991 / BStU-Mitarbeiterin | |
| Philipp Kewenig | ... | Christas Verhafter | |
| Jens Wassermann | ... | 'Rolf' Andi Wenzke-Falkenau | |
| Ernst-Ludwig Petrowsky | ... | Bandleader | |
| Manfred Ludwig Sextett | ... | Band | |
| Kai Ivo Baulitz | ... | Buchverkäufer | |
| rest of cast listed alphabetically: | |||
| Ralf Ehrlich | ... | Kollege in der Stasi-Kantine (uncredited) | |
| Klaus Münster | ... | Erich Mielke (voice) (uncredited) | |
Directed by | |||
| Florian Henckel von Donnersmarck | |||
Writing credits | ||
| Florian Henckel von Donnersmarck | (written by) | |
Produced by | |||
| Quirin Berg | .... | producer | |
| Claudia Gladziejewski | .... | delegate producer: Bayerischer Rundfunk | |
| Dirk Hamm | .... | co-producer | |
| Florian Henckel von Donnersmarck | .... | co-producer | |
| Max Wiedemann | .... | producer | |
Original Music by | |||
| Stéphane Moucha | |||
| Gabriel Yared | |||
Cinematography by | |||
| Hagen Bogdanski | |||
Film Editing by | |||
| Patricia Rommel | |||
Casting by | |||
| Simone Bär | |||
Production Design by | |||
| Silke Buhr | |||
Art Direction by | |||
| Christiane Rothe | |||
Set Decoration by | |||
| Frank Noack | |||
Costume Design by | |||
| Gabriele Binder | |||
Makeup Department | |||
| Tamar Aviv | .... | assistant makeup artist: extras | |
| Annett Schulze | .... | makeup artist | |
| Sabine Schumann | .... | makeup artist | |
Production Management | |||
| Oliver Berger | .... | assistant set manager | |
| Lisa Kolodzik | .... | unit production manager | |
| Tom Sternitzke | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Claudia Beewen | .... | assistant director | |
| Katharina Hofmann | .... | second assistant director | |
Art Department | |||
| Olaf Kronenthal | .... | property master | |
| Michael Roggemann | .... | draughtsman | |
| Christian Sitta | .... | assistant production designer | |
| Klaus Spielhagen | .... | film architect | |
| Gonda Hinrichs | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Eva Claudius | .... | adr editor | |
| João Da Costa Pinto | .... | foley editor | |
| Detlef Halaski | .... | adr mixer | |
| Andrea Koschmieder | .... | dialogue editor | |
| Jörn Poetzl | .... | foley artist | |
| Hubertus Rath | .... | sound re-recording mixer | |
| Oliver Schnug | .... | boom operator | |
| Philipp Sellier | .... | foley recordist | |
| Christoph von Schönburg | .... | sound designer | |
| Christoph von Schönburg | .... | supervising sound editor | |
| Arno Wilms | .... | production sound mixer | |
Special Effects by | |||
| Hans Seck | .... | special effects coordinator | |
Visual Effects by | |||
| Maik Strauch | .... | color timer | |
Stunts | |||
| Alister Mazzotti | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Nicolay Gutscher | .... | assistant camera | |
| Hagen Keller | .... | still photographer | |
| Michael Röska | .... | gaffer | |
| Jürgen Ruge | .... | rigging gaffer | |
Casting Department | |||
| Marcel Dykiert | .... | extras casting assistant | |
| Iris Müller | .... | extras casting | |
| Kirstin Plotz | .... | casting assistant | |
Editorial Department | |||
| Julie Bargeton | .... | assistant editor | |
| Sylvain Coutandin | .... | post-production assistant | |
| Ute Lingner | .... | film lab manager | |
| Stefan Müller | .... | managing director film lab | |
| Gabriela Schultze | .... | sales manager film lab | |
| Olivia Retzer | .... | assistant editor (uncredited) | |
Music Department | |||
| The City of Prague Philharmonic Orchestra | .... | orchestra | |
| Adam Klemens | .... | conductor | |
| Philipp F. Kölmel | .... | music recordist: pre-production | |
Other crew | |||
| Oliver Berger | .... | assistant set manager | |
| Thomas Duchnicki | .... | location scout | |
| Wolfgang Rhaden | .... | production accountant | |
| Eva Simonet | .... | press attaché: France | |
| Sally Steele | .... | publicist | |
| Nicole Wolfarth | .... | researcher | |
| Martin Zillger | .... | location scout | |
Thanks | |||
| Erna Baumbauer | .... | special thanks | |
| Jörg Stempel | .... | special thanks | |
| Mahée Thorak | .... | grateful thanks | |
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| El diputado | Die Stille nach dem Schuß | Die Blechtrommel | Edvard Munch | Boy A |
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After several light features (like the highly successful "Good-bye Lenin"), who evoked a popular nostalgia, it was about time that the dark past of the DDR is finally the topic of a movie. Not that I condemn light entertainment. There surely were plenty of happy times for the people in the DDR as well as in every other society. But, just like in the Biedermeier time at the beginning of the 19th century in middle Europe, the DDR was controlled by an omnipresent secret service, the Stasi, which forced people to be quiet about their true feelings. Considering this, the cry for the good old' times is simply inappropriate.
The movie tells the story of Stasi agent Wiesler (brilliant Ulrich Mühe), who follows his guidelines with chilling accuracy. His newest assignment is to wiretapping famed author Georg Dreyman (Sebastian Koch) and his companion, actress Christa-Maria Sieland (Martina Gedeck). Listening to their conversations, he gets more and more caught in their lives.
Wiesler, as he is played here by Ulrich Mühe, is not an individual, but a symbol for the whole system, where people did everything they were told to do. Clad only in gray and brown, filmed in stark and cold light, he's at first not capable of feelings. On the other hand Dreymann and Sieland represent the anti-Establishment, the intellectuals, who were severely hunted, arrested and killed by the government.
The most frightening aspect here is the banality of it all. The offices are bleak, the people talk about bugging operations etc. with a frighting causality. These men in grey look, talk and behave like boring civil servants, and their approach, the "normality" of their job makes it terribly chilling.
Director Florian Henckel-Donnersmarck is also able to recreate a feeling of constant observance and spying. In a disturbing scene a harmless joke becomes the center of suspicion and fear. We can glimpse how it must have been for citizens of the DDR, to live with constant suppression of their free will and opinion.
As important it is, not to forget the good things and memories people might have of their past, it's also important not to forget or to reduce the impact and fear that this regime put on their people for 40 years.