Das Leben der Anderen (2006)

Director:

Florian Henckel von Donnersmarck

Writer:

Florian Henckel von Donnersmarck (written by)

Release Date:

23 March 2006 (Germany)

Genre:

Drama | Thriller

Tagline:

Before the Fall of the Berlin Wall, East Germany's Secret Police Listened to Your Secrets

Plot:

In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.

Plot Keywords:

Actress | East Germany | Surveillance | Party | Germany

Awards:

Won Oscar. Another 60 wins & 21 nominations

Cast

Martina Gedeck	...	Christa-Maria Sieland
Ulrich Mühe	...	Hauptmann Gerd Wiesler
Sebastian Koch	...	Georg Dreyman
Ulrich Tukur	...	Oberstleutnant Anton Grubitz
Thomas Thieme	...	Minister Bruno Hempf
Hans-Uwe Bauer	...	Paul Hauser
Volkmar Kleinert	...	Albert Jerska
Matthias Brenner	...	Karl Wallner
Charly Hübner	...	Udo
Herbert Knaup	...	Gregor Hessenstein
Bastian Trost	...	Häftling 227
Marie Gruber	...	Frau Meineke
Volker Michalowski	...	Schriftexperte (as Zack Volker Michalowski)
Werner Daehn	...	Einsatzleiter in Uniform
Martin Brambach	...	Einsatzleiter Meyer

Also Known As:

The Lives of Others (UK) (USA)
Das Leben der Anderen - Die Sonate vom guten Menschen (Germany) (working title)
De andras liv (Finland: Swedish title) (Sweden) [sv]
La vida de los otros (Argentina) (Spain) [es]
A Vida dos Outros (Brazil) [pt]
A mások élete (Hungary) [hu]
Baskalarinin hayati (Turkey: Turkish title) [tr]
Chaiyim shel acherim (Israel: Hebrew title) [iw]
De andres liv (Denmark) [da]
La vida dels altres (Spain: Catalan title) [ca]
La vie des autres (France) [fr]
Le vite degli altri (Italy) [it]
Muiden elämä (Finland) [fi]
Oi zoes ton allon (Greece) [el]
Teiste elu (Estonia) [et]
Zivoty tých druhých (Slovakia) [sk]
Zivoty tech druhých (Czech Republic) [cs]
Zycie na podsluchu (Poland) [pl]

MPAA:

Rated R for some sexuality/nudity.

Runtime:

137 min

Country:

Germany

Language:

German

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Germany:12 | Czech Republic:12 | USA:R | Argentina:13 | Finland:K-11 | Sweden:7 | UK:15 | Ireland:15A | Singapore:M18 | Hong Kong:IIB | France:Unrated | Australia:MA | Netherlands:12 | Portugal:M/16 | Canada:14A (Ontario) | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Italy:T | South Korea:15 | Malaysia:U | Spain:7 | Brazil:12 | New Zealand:M | India:A | Norway:11

Filming Locations:

Altes Stadthaus, Klosterstraße, Berlin, Germany

Company:

Arte

Trivia:

All the listening/recording props used in the film are actual Stasi equipment on loan from museums and collectors. The props master had himself spent two years in a Stasi prison and insisted upon absolute authenticity down to the machine used at the end of the film to steam-open up to 600 letters per hour.

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): Throughout the film, Wiesler is addressed as "Hauptmann" - Captain. However, during the scene when Lt.-Col. Grubitz is looking for him after Christa's interrogation, Grubitz asks if "Colonel" Wiesler has left.

Quotes:

Hauptmann Gerd Wiesler: Madam?
Christa-Maria Sieland: Go away. I want to be alone.
Hauptmann Gerd Wiesler: Madam Sieland?
Christa-Maria Sieland: Do we know each other?
Hauptmann Gerd Wiesler: You don't know me, but I know you. Many people love you for who you are.
Christa-Maria Sieland: Actors are never "who they are."
Hauptmann Gerd Wiesler: You are. I've seen you on stage. You were more who you are than you are now.
Christa-Maria Sieland: So you know what I'm like.
Hauptmann Gerd Wiesler: I'm your audience.
Christa-Maria Sieland: I have to go.
[...]

Movie Connections:

Referenced in "Yperoha plasmata: Tis Aristeras kai tis Proodou... (#1.18)" (2008)

A wonderful film that deserves a wide audience

I saw this film in its North American premiere in a packed theater at the Toronto Int'l Film Festival this past week and was pleased to be part of a standing ovation at the end for the director and star, who were both on hand.

"The Lives of Others," set in East Germany not long before the fall of the Berlin Wall, tells the moving story of a police investigator forced to confront himself and the work he does. In a society poisoned by secrecy, fear and the abuse of power, a number of the movie's characters -- artists, actors, writers -- must look deep inside and decide what they are made of; none more so than the investigator.

This is a movie that took me to a place and time that felt very authentic, for a tale that was very satisfying.

Ulrich Muhe, who plays the investigator, is mesmerizing, and the young director is to be applauded for this, his first full-length film. Some have compared "The Lives of Others" to Coppola's "The Conversation" but the two have completely different story arcs and are only superficially similar.

Both my companion and I felt this was our favorite of the six films we had a chance to see at the festival.