| Photos (see all 45 | slideshow) | Videos (see all 2) |
| Sun. Sept. 14 | 4:00 PM | AMC |
| Clint Eastwood | ... | Frankie Dunn | |
| Hilary Swank | ... | Maggie Fitzgerald | |
| Morgan Freeman | ... | Eddie Scrap-Iron Dupris | |
| Jay Baruchel | ... | Danger Barch | |
| Mike Colter | ... | Big Willie Little | |
| Lucia Rijker | ... | Billie 'The Blue Bear' | |
| Brian F. O'Byrne | ... | Father Horvak (as Brian O'Byrne) | |
| Anthony Mackie | ... | Shawrelle Berry | |
| Margo Martindale | ... | Earline Fitzgerald | |
| Riki Lindhome | ... | Mardell Fitzgerald | |
| Michael Peña | ... | Omar | |
| Benito Martinez | ... | Billie's Manager | |
| Bruce MacVittie | ... | Mickey Mack | |
| David Powledge | ... | Counterman at Diner | |
| Joe D'Angerio | ... | Cut Man | |
| Marcus Chait | ... | J.D. Fitzgerald | |
| Tom McCleister | ... | Lawyer | |
| Erica Grant | ... | Nurse | |
| Naveen | ... | Pakistani | |
| Morgan Eastwood | ... | Little Girl in Truck | |
| Jamison Yang | ... | Paramedic | |
| Dean Familton | ... | Ref #1 | |
| Dr. Louis Moret | ... | Ref #2 | |
| V.J. Foster | ... | Ref #3 | |
| Jon D. Schorle II | ... | Ref #4 | |
| Marty Sammon | ... | Ref #5 | |
| Steven M. Porter | ... | Ref #6 | |
| Ray Corona | ... | Ref #7 | |
| Lo Ming | ... | Rehab Doctor (as Ming Lo) | |
| Miguel Pérez | ... | Restaurant Owner | |
| Jim Cantafio | ... | Ring Doctor #1 | |
| Ted Grossman | ... | Ring Doctor #2 | |
| Ned Eisenberg | ... | Sally Mendoza | |
| Marco Rodríguez | ... | Second at Vegas Fight (as Marco Rodriguez) | |
| Roy Nugent | ... | Fan in Vegas | |
| Don Familton | ... | Ring Announcer | |
| Mark Thomason | ... | Radio Commentator | |
| Brian Finney | ... | Irish Fan #1 (as Brian T. Finney) | |
| Spice Williams-Crosby | ... | Irish Fan #2 | |
| Kim Strauss | ... | Irish Fan #3 | |
| Rob Maron | ... | Irish Fan #4 | |
| Kirsten Berman | ... | Irish Fan #5 | |
| Susan Krebs | ... | Rehab Nurse | |
| Sunshine Chantal Parkman | ... | Rehab Nurse #2 | |
| Kim Dannenberg | ... | Rehab Nurse #3 | |
| Eddie Bates | ... | Rehab Resident | |
| rest of cast listed alphabetically: | |||
| Nina Avetisova | ... | VIP Girl | |
| Christopher Gilbertson | ... | Additional Voices (voice) | |
| Michael Bentt | ... | Boxer (uncredited) | |
| Bruce Gerard Brown Jr. | ... | Boxer (uncredited) | |
| Jude Ciccolella | ... | Hogan (uncredited) | |
| Kimberly Estrada | ... | Perez / Maggie's fourth opponent (uncredited) | |
| Ricky Pak | ... | Las Vegas Bout Timekeeper (uncredited) | |
| Vladimir Rajcic | ... | Yugoslavian judge (uncredited) | |
| McKay Stewart | ... | Sparring Boxer (uncredited) | |
| Melissa Verdugo | ... | Church Goer (uncredited) | |
| Jaerin Washington | ... | Jamaican Boxer Cornerman (uncredited) | |
Directed by | |||
| Clint Eastwood | |||
Writing credits(WGA) | ||
| F.X. Toole | (stories from Rope Burns) | |
| Paul Haggis | (screenplay) | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| Paul Haggis | .... | producer | |
| Robert Lorenz | .... | executive producer | |
| Gary Lucchesi | .... | executive producer | |
| Robert Moresco | .... | co-producer (as Bobby Moresco) | |
| Tom Rosenberg | .... | producer | |
| Albert S. Ruddy | .... | producer | |
Original Music by | |||
| Clint Eastwood | |||
Cinematography by | |||
| Tom Stern | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
Casting by | |||
| Phyllis Huffman | |||
Production Design by | |||
| Henry Bumstead | |||
Art Direction by | |||
| Jack G. Taylor Jr. | |||
Set Decoration by | |||
| Richard C. Goddard | |||
Costume Design by | |||
| Deborah Hopper | |||
Makeup Department | |||
| Deena Adair | .... | hair stylist | |
| Janice Alexander | .... | hair stylist (as Jan Alexander) | |
| Nancy Hancock | .... | makeup artist (as Nancy Worthen-Hancock) | |
| Tania McComas | .... | key makeup artist | |
| Carol A. O'Connell | .... | key hair stylist | |
| Jay Wejebe | .... | makeup artist | |
| Buffy Zerefski | .... | makeup artist (uncredited) | |
Production Management | |||
| Tim Moore | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Katie Carroll | .... | second second assistant director | |
| Ryan Craig | .... | additional second assistant director (as Ryan D. Craig) | |
| Robert Lorenz | .... | first assistant director | |
| Donald Murphy | .... | second assistant director | |
Art Department | |||
| William A. Barry | .... | set dresser | |
| Brian Bilson | .... | on-set dresser | |
| Pam Cartmel | .... | art department coordinator | |
| Elixandro Diaz Jr. | .... | plaster foreman | |
| Elixandro Diaz Jr. | .... | plaster supervisor | |
| Bill 'Kauhane' Hoyt | .... | scenic artist | |
| Gary A. Lee | .... | set designer | |
| Michael Muscarella | .... | construction coordinator | |
| Scott Nifong | .... | assistant property master | |
| Joseph G. Pacelli Jr. | .... | set designer | |
| Michael Sexton | .... | property master | |
| Christopher Kelley Snow | .... | assistant to production designer (as D. Christopher Johnson III) | |
| James R. Lord | .... | carpenter (uncredited) | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| Bub Asman | .... | co-supervising sound editor | |
| Christopher Boyes | .... | sound re-recording mixer | |
| William Cawley | .... | first assistant sound editor (as Bill Cawley) | |
| Vincent Cirilli | .... | ProTools engineer | |
| Lucy Coldsnow-Smith | .... | supervising dialogue editor | |
| John T. Cucci | .... | foley artist (as John Cucci) | |
| Gloria D'Alessandro | .... | dialogue editor | |
| Joe Divitale | .... | foley editor (as Joseph B. Divitale) | |
| Michael Dressel | .... | supervising foley editor | |
| Juno J. Ellis | .... | adr supervisor | |
| Sean England | .... | digital archivist | |
| Jonathan Fuh | .... | boom operator | |
| Tony Gray | .... | sound utility | |
| David Grimaldi | .... | sound effects editor (as Dave Grimaldi) | |
| Tom Hartig | .... | second boom operator | |
| Tom Johnson | .... | sound re-recording mixer | |
| Jason King | .... | sound effects editor | |
| Nicholas Vincent Korda | .... | adr editor | |
| Nicholas Vincent Korda | .... | supervising adr editor | |
| Bruce Lacey | .... | sound effects editor | |
| Brian Magerkurth | .... | sound mix technician (as Brian D. Magerkurth) | |
| Steve Mann | .... | sound editor | |
| Steve Mann | .... | sound effects editor | |
| Walt Martin | .... | sound | |
| Chuck Michael | .... | sound effects editor | |
| Kimberly Morrell | .... | adr assistant | |
| Alan Robert Murray | .... | supervising sound editor | |
| Blu Murray | .... | assistant sound editor | |
| Kevin Murray | .... | sound apprentice | |
| Rob Nokes | .... | additional sound recordist | |
| Dan O'Connell | .... | foley artist | |
| Thomas J. O'Connell | .... | adr mixer | |
| Carin Rogers | .... | dialogue editor | |
| Ronald G. Roumas | .... | sound re-recordist | |
| Jurgen Scharpf | .... | sound mix technician | |
| Michael Semanick | .... | sound re-recording mixer | |
| Tony Sereno | .... | sound mix technician | |
| Karen Spangenberg | .... | dialogue editor | |
| Shawn Sykora | .... | foley editor | |
| David Wolowic | .... | assistant sound editor | |
| Paul Virostek | .... | additional sound recordist (uncredited) | |
Special Effects by | |||
| H. Barclay Aaris | .... | special effects crew | |
| Ante Dugandzic | .... | special effects technician | |
| Steve Riley | .... | special effects coordinator (as Steven Riley) | |
| Dominic V. Ruiz | .... | special effects | |
Visual Effects by | |||
| Darin McCormick-Millett | .... | digital opticals producer: Pacific Title and Art Studio | |
| Liz Radley | .... | video & computer graphics supervisor | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| Bob Wiatr | .... | digital effects artist: pacific title digital | |
Stunts | |||
| Minerva Adams | .... | stunts | |
| Michael Bentt | .... | stunts (as Michael A. Bentt) | |
| Tamara Bossett | .... | stunts | |
| Christina Cox | .... | stunts | |
| Daniele Doobenen | .... | stunts | |
| Kimberly Estrada | .... | stunts | |
| Maritza Franco | .... | stunts | |
| Rosine 'Ace' Hatem | .... | stunts (as Rosine Ace Hatem) | |
| Nick Hermz | .... | stunts | |
| Nicola C. Hindshaw | .... | stunts | |
| Mimi Lesseos | .... | stunts | |
| Joni Podesta | .... | stunts | |
| Cynthia Prouder | .... | stunts | |
| Bridgett Riley | .... | stunts | |
| Mikee Stafford | .... | stunts | |
| Buddy Van Horn | .... | stunt coordinator | |
| Boni Yanagisawa | .... | stunts | |
Camera and Electrical Department | |||
| Kevin Barrera | .... | rigging electrician | |
| Buzzy Burwell | .... | set lighting technician | |
| Stephen S. Campanelli | .... | camera operator | |
| Stephen S. Campanelli | .... | steadicam operator | |
| Trevor Carroll-Coe | .... | film loader | |
| Bill Coe | .... | assistant camera | |
| Bill Coe | .... | camera operator: "a" camera | |
| Matthew A. Del Ruth | .... | assistant camera | |
| Ross Dunkerley | .... | gaffer | |
| Sean Higgins | .... | rigging gaffer | |
| Terry Kramer | .... | electrician | |
| Bobby McMahan | .... | assistant camera | |
| Roger Meilink | .... | rigging best boy | |
| Morten Petersen | .... | rigging electric gang boss | |
| Charles Saldana | .... | key grip | |
| T. Daniel Scaringi | .... | key rigging grip | |
| Bruce D. Spellman | .... | grip | |
| Ken Sylvester | .... | electrician | |
| Andrew Towne | .... | set lighting technician | |
| Paul Varrieur | .... | camera operator: "b" camera | |
| Doug Wall | .... | best boy grip | |
| Merie Weismiller Wallace | .... | still photographer | |
| James D. Wickman | .... | dolly grip | |
| Brian Minzlaff | .... | additional electrician (uncredited) | |
Casting Department | |||
| Susan Grennan | .... | casting associate | |
| Geoffrey Miclat | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lynda Foote | .... | costume supervisor | |
| Becky Gelbart | .... | set costumer | |
| Jennifer Parker | .... | costumer | |
| Jack Taggart | .... | head ager and dyer | |
| Cathie Valdovino | .... | costumer: Mr. Freeman | |
Editorial Department | |||
| Michael Cipriano | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Gary Roach | .... | assistant editor | |
| Kurt Smith | .... | color timer | |
Music Department | |||
| Robert Fernandez | .... | scoring mixer | |
| Donald Harris | .... | music editor | |
| Lennie Niehaus | .... | conductor | |
| Lennie Niehaus | .... | orchestrator | |
| David Potaux-Razel | .... | composer: song "Solferino" | |
Transportation Department | |||
| Robert aaron Brown | .... | driver | |
| Jim DePue | .... | transportation captain | |
| Paulie DiCocco III | .... | driver: Hilary Swank | |
| Robert Gaskill | .... | personal driver: Mr. Freeman | |
| Roy A. Grace | .... | driver | |
| John Magoo McGivern | .... | driver | |
| Kevin Norwood | .... | driver generator operator | |
| Beau Reed | .... | driver | |
| John Sagray | .... | driver | |
| Paul Tumber | .... | driver: Ms Swank | |
Other crew | |||
| Kokayi Ampah | .... | location manager | |
| Mary Aymar | .... | assistant: Mr. Ruddy | |
| Ilsa Berg | .... | assistant: Mr. Lucchesi | |
| Michael Bilog | .... | first assistant accountant | |
| Judith M. Brown | .... | studio teacher | |
| Doug Burch | .... | adr voice | |
| David Cervantes | .... | production assistant | |
| Gerry De Leon | .... | assistant: Ms. Swank | |
| Don Dinkins | .... | boxing technical advisor (as 'Boxing' Don R. Dinkins) | |
| Don Familton | .... | boxing technical advisor | |
| Jessica Franks | .... | production assistant | |
| Jason Gondek | .... | production accountant | |
| Susan Grennan | .... | production assistant | |
| David Halver | .... | location consultant: LA (as DJ Halver) | |
| Susan Hartmann | .... | assistant production coordinator | |
| Judie Hoyt | .... | production executive: Malpaso (as Judie G. Hoyt) | |
| Eva Jensen | .... | studio teacher | |
| Michael Judd | .... | production assistant | |
| Don Kincade | .... | set production aide | |
| Mable Lawson-McCrary | .... | script supervisor | |
| Matt Lindquist | .... | voice: boxing announcer | |
| Deana Lou | .... | assistant: Mr. Eastwood | |
| Lance McDaniel | .... | assistant: Mr. Ruddy | |
| Greg Newman | .... | production assistant | |
| Scooter Perrotta | .... | set production assistant | |
| Quentin Pierre | .... | assistant: Mr. Freeman (as Quentin A. Pierre) | |
| Lucia Rijker | .... | boxing technical advisor | |
| Grant Roberts | .... | weight trainer: Ms. Swank | |
| Hector Roca | .... | boxing technical advisor | |
| Jenniphur Ryan | .... | assistant: Mr. Eastwood | |
| Gian Sardar | .... | assistant: Mr. Haggis | |
| Elizabeth Schlater | .... | assistant: Mr. Rosenberg | |
| Taffy Schweickhardt | .... | payroll accountant | |
| Ptah Shabaf | .... | key assistant location manager | |
| Karen Shaw | .... | production coordinator | |
| Michelle L. Shuffett | .... | medical technical advisor (as Michelle L. Shuffett M.D.) | |
| Miker Stovall | .... | production assistant | |
| Diana Taffolla | .... | post-production accountant | |
| Donovan Terranova | .... | assistant location manager | |
| Mark Thomason | .... | stand-in | |
| John Trujillo | .... | craft service assistant | |
| Joseph Hampton | .... | production assistant (uncredited) | |
| Paula Kucharski | .... | production office assistant (uncredited) | |
Thanks | |||
| Anjelica Huston | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
Clint Eastwood is a man of faith. He is an artist who is confident and experienced enough to have a deep faith in the audience that he is trying to reach. He is also a master of omission, of the left-out detail/line, trusting in his gut that his audience is willing to participate in his films by exercising their imaginations; that they never want any aspect of the story to be 'dumbed-down' for ready consumption. In fact, his trust in the audience to use their own minds to fill in gaps is like a gift of part ownership in the film. "Million Dollar Baby" is a beautiful gift, and a masterpiece if film-making.
Eastwood plays Frankie Dunn, an elder boxing coach, manager, and expert 'cut man' who runs a gym and is learning Gaelic on the side. He's a nice enough guy, but he can't seem to shake the guilt from ghosts in his past (some we're in on, some not quite). His guilt/shame is a constant just beneath the surface and gives him something of a cold exterior, sometimes frozen. Yet, as played by Eastwood, you know Dunn's aware of his own plight, but just doesn't know how to melt the ice. Or more importantly, if he's deserving of such a meltdown.
Enter Maggie Fitzgerald (Swank). She's a thirty-something trailer trash woman from southwest Missouri. An unlikely hero for sure. But for my money, Maggie is this generation's Rocky. That may seem an easy, simplistic, and over-reaching comparison, but the parallels are deep, obvious and myriad. Like many people, Maggie's dream (being a professional boxer) is always just out of reach, yet she cannot give it up. She works as a waitress to make ends meet (or at least the ends are almost touching), but spends all her spare time training. Like Dunn, Maggie has her own ghosts haunting her, and through these ghosts they bond tighter than super glue. The heart and work (incalculably huge amounts) that Swank put into becoming Maggie are unnoticeable. It's a silly phrase but it's as if she was born to play this part. It fits like a glove. The real life parallel of her relationship to Eastwood no doubt played a part in her ability to connect with the character's relationship to Dunn. Yet this in no way diminishes her accomplishment. She is brilliant.
Morgan Freeman plays Dunn's right-hand man (Scrape) at the gym, and reprises a role similar to Red from "Shawshank Redemption". He also voices the omniscient narration to the story, a la Red. Like Dunn and Maggie, he's similarly bruised, but somehow less deeply. He's there when both of them need support and helps to bring them together. I can think of nobody acting in film today who can embody kindness and wisdom through friendship and support better than Freeman. He also serves to bring in another Eastwood trademark 'Banter'. Even when themes are heavy, Eastwood's sense of humor is never entirely absent and he and Freeman have a good time with each other, as did Bacon and Fishburne in "Mystic River". These three characters together create a beautiful and true, albeit small, family unit Eastwood's lifelong themes and 'blurring of lines' are on full display: good vs. evil, right vs. wrong, the role of violence, redemption, guilt/shame over previous acts, even god and death. Never one for easy answers, his version of the truth lies in the shadows, quite literally. Cinematographer Tom Stern crafts characters in shadow, shifting in and out of light. There is a grey area between the light and the dark where something approaching truth lies waiting, and this is where Eastwood takes us, then leaves us there to ponder. "Million Dollar Baby" is a shadow play. As accomplished as "Unforgiven" and "Mystic River", yet even more personal, this film is a triumph of human storytelling. As Bacon's character says in "Mystic River", " and the hits just keep on comin'."