| Photos (see all 59 | slideshow) | Videos (see all 2) |
| Rory Cochrane | ... | Charles Freck | |
| Robert Downey Jr. | ... | James Barris | |
| Mitch Baker | ... | Brown Bear Lodge Host | |
| Keanu Reeves | ... | Bob Arctor | |
| Sean Allen | ... | Additional Fred Scramble Suit Voice (voice) | |
| Cliff Haby | ... | Voice from Headquarters (voice) | |
| Steven Chester Prince | ... | Cop | |
| Winona Ryder | ... | Donna Hawthorne | |
| Natasha Valdez | ... | Waitress | |
| Mark Turner | ... | Additional Hank Scramble Suit Voice (voice) | |
| Woody Harrelson | ... | Ernie Luckman | |
| Chamblee Ferguson | ... | Medical Deputy #2 | |
| Angela Rawna | ... | Medical Deputy #1 | |
| Eliza Stevens | ... | Arctor's Daughter #1 | |
| Sarah Menchaca | ... | Arctor's Daughter #2 | |
| Melody Chase | ... | Arctor's Wife | |
| Leif Anders | ... | Freck Suicide Narrator (voice) | |
| Turk Pipkin | ... | Creature | |
| Alex Jones | ... | Street Prophet | |
| Lisa Marie Newmyer | ... | Connie | |
| Wilbur Penn | ... | Medical Officer #1 | |
| Ken Webster | ... | Medical Officer #2 | |
| Hugo Perez | ... | New Path Staff Member #1 | |
| Rommel Sulit | ... | New Path Staff Member #2 | |
| Dameon Clarke | ... | Mike | |
| Christopher Ryan | ... | New Path Resident #1 | |
| Leila Plummer | ... | New Path Resident #2 | |
| Jason Douglas | ... | New Path Farm Manager | |
| Marco Perella | ... | Donald | |
| rest of cast listed alphabetically: | |||
| Jack Cruz | ... | Police Officer (uncredited) | |
Directed by | |||
| Richard Linklater | |||
Writing credits(WGA) | ||
| Philip K. Dick | (novel "A Scanner Darkly") | |
| Richard Linklater | (screenplay) | |
Produced by | |||
| George Clooney | .... | executive producer | |
| Ben Cosgrove | .... | executive producer | |
| Erin Ferguson | .... | co-producer | |
| Jennifer Fox | .... | executive producer | |
| Sara Johnson | .... | associate producer (as Sara Greene) | |
| Tommy Pallotta | .... | producer | |
| John Sloss | .... | executive producer | |
| Jonah Smith | .... | producer | |
| Steven Soderbergh | .... | executive producer | |
| Erwin Stoff | .... | producer | |
| Anne Walker-McBay | .... | producer | |
| Palmer West | .... | producer | |
Original Music by | |||
| Graham Reynolds | |||
Cinematography by | |||
| Shane F. Kelly | (director of photography) | ||
Film Editing by | |||
| Sandra Adair | |||
Casting by | |||
| Denise Chamian | |||
Production Design by | |||
| Bruce Curtis | |||
Set Decoration by | |||
| Joaquin A. Morin | |||
Costume Design by | |||
| Kari Perkins | |||
Makeup Department | |||
| Katina Gilkey | .... | hair stylist | |
| Darylin Nagy | .... | hair department head | |
| Darylin Nagy | .... | makeup department head | |
Production Management | |||
| Susan Kirr | .... | unit production manager | |
| Ravi D. Mehta | .... | executive in charge of production (uncredited) | |
Art Department | |||
| Rodney Becker | .... | lead | |
| Brad Blei | .... | set dresser (as Bradley Blei) | |
| Raymond Consing | .... | storyboard artist | |
| Fred Daniel | .... | art department coordinator | |
| Melanie Ferguson | .... | on-set dresser | |
| Erick Garibay | .... | assistant property master | |
| Ian Sebastian Kasnoff | .... | construction coordinator | |
| Kara Sutherlin | .... | lead scenic | |
| Pierre Vial | .... | set dresser | |
| Stefan Wilcox | .... | property master | |
| Bart Bryant | .... | carpenter (uncredited) | |
| Jarrette Moats | .... | property assistant (uncredited) | |
Sound Department | |||
| Ethan Andrus | .... | production sound mixer | |
| Gregg Barbanell | .... | foley artist | |
| Wayne Bell | .... | additional sound effects editor | |
| Paul Berolzheimer | .... | additional sound effects editor | |
| Ajae Clearway | .... | adr editor | |
| Ajae Clearway | .... | dialogue editor | |
| Tom Hammond | .... | sound designer | |
| Tom Hammond | .... | sound re-recording mixer | |
| Tom Hammond | .... | supervising sound editor | |
| Justin Hennard | .... | sound designer | |
| Justin Hennard | .... | sound effects editor | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Thomas J. O'Connell | .... | adr mixer (as Tom O'Connell) | |
| Jeremy Peirson | .... | sound re-recording mixer (as Jeremy Pierson) | |
| Jason Piatt | .... | foley mixer | |
| Tom Sturgis | .... | boom operator (as Tom 'Sturge' Sturgis) | |
| Michael Swanner | .... | utility sound | |
| Peter Germansen | .... | sound engineer: ICON (uncredited) | |
| Bob Kellough | .... | additional sound effects recordist (uncredited) | |
Special Effects by | |||
| Steve Krieger | .... | special effects coordinator | |
| Randy E. Moore | .... | special effects coordinator (uncredited) | |
Visual Effects by | |||
| Richard Gordoa | .... | visual effects supervisor | |
| Josh Novak | .... | lead compositor: main title sequence | |
| Jerry Poynton | .... | digital post-production manager (as Jerome Poynton) | |
| Ruedi Schick | .... | digital film recording supervisor | |
| Randy Cole | .... | 3D modeler and compositor (uncredited) | |
| Bob Sabiston | .... | animation software (uncredited) | |
Camera and Electrical Department | |||
| Tod Campbell | .... | loader | |
| Matt Cowan | .... | best boy grip | |
| Matt Lankes | .... | still photographer | |
| Mikey Reyes | .... | grip | |
| Robert B. Reynolds | .... | chief lighting technician | |
| Peter Simonite | .... | first assistant camera | |
| Josh Taylor | .... | assistant chief lighting technician | |
| Atom Vyvial | .... | key grip (as Aaron Atom Vyvial) | |
| Ralph Watson | .... | camera operator | |
| Patrick B. Coate | .... | camera production assistant (uncredited) | |
| Wes Dixon | .... | electrical intern (uncredited) | |
| Donald R. Howe Jr. | .... | additional second assistant camera (uncredited) | |
| Peter Simonite | .... | camera operator (uncredited) | |
| Ezra Venetos | .... | grip (uncredited) | |
Casting Department | |||
| Scout Masterson | .... | casting associate: Los Angeles | |
| Beth Sepko | .... | local casting | |
| Sheila Steele | .... | casting associate: Austin | |
Costume and Wardrobe Department | |||
| Melanie Armstrong Fletcher | .... | costume supervisor | |
Editorial Department | |||
| Christopher Roldan | .... | first assistant editor | |
| David Gil Jr. | .... | post-production assistant (uncredited) | |
| Ryan Gronquist | .... | post-production assistant (uncredited) | |
| Charles Harrison | .... | editorial intern (uncredited) | |
| Allegra Kolber | .... | apprentice editor (uncredited) | |
| Kate Ridgway | .... | editorial intern (uncredited) | |
| Yusef Svacina | .... | post-production assistant (uncredited) | |
| Jessica Tong | .... | editorial intern (uncredited) | |
Music Department | |||
| Bruce Colson | .... | musician: violin | |
| Jonathan Dexter | .... | musician: cello | |
| Jason Elinoff | .... | musician: viola | |
| The Golden Arm Trio | .... | featured performer: score | |
| Erik Grostic | .... | musician: upright bass | |
| Buzz Moran | .... | score mixer | |
| Buzz Moran | .... | score recordist | |
| Nic Ratner | .... | music supervisor | |
| Graham Reynolds | .... | musician: various instruments | |
| Graham Reynolds | .... | score mixer | |
| Graham Reynolds | .... | score recordist | |
Transportation Department | |||
| Ronnie D. Chambers | .... | transportation coordinator (as Ronald D. Chambers) | |
| Russell E. Scott | .... | picture cars | |
| Jesus F. Tellez | .... | transportation captain | |
Other crew | |||
| Molly Ainsley | .... | additional staff assistant | |
| Peter Atherton | .... | location manager | |
| Janey Bergam | .... | assistant: Keanu Reeves | |
| Shannon Blackburn | .... | production secretary | |
| Dominic Cancilla | .... | production coordinator | |
| Eric Cepeda | .... | additional staff assistant | |
| Casey Chapman | .... | additional staff assistant (as Lauren Casey Chapman) | |
| Erik Davis | .... | consultant | |
| Gil Dean | .... | animal wrangler | |
| Lisa Del Dotto | .... | assistant craft service | |
| Wes Dixon | .... | additional staff assistant | |
| Colin Edlund | .... | craft service | |
| Sonia Farrell | .... | assistant: Woody Harrelson | |
| Michael P. Garza | .... | title designer: end titles | |
| David Gil Jr. | .... | additional staff assistant (as David Gil) | |
| Leigh Green | .... | additional staff assistant | |
| Erin Hagerty | .... | assistant: Mr. Smith and Mr. West | |
| Heather Hanna | .... | additional staff assistant | |
| Charles Harrison | .... | additional staff assistant | |
| Marshall Hopkins | .... | additional staff assistant | |
| Katherine Isham | .... | additional staff assistant | |
| Marike Jainchill | .... | staff assistant (as Marike Z. Jainchill) | |
| Tatiana Jitkoff | .... | additional staff assistant | |
| Jesse Johnston | .... | executive: Thousand Words | |
| Allegra Kolber | .... | staff assistant (as Allegra McCoy) | |
| Sarah Lankenau | .... | staff assistant | |
| Jonathan Lethem | .... | consultant | |
| Stephanie Lewis | .... | executive: Thousand Words | |
| Stephen Light | .... | assistant production office coordinator | |
| Melody Lloyd | .... | set medic | |
| Taylor Lovell | .... | additional staff assistant | |
| Kirsten McMurray | .... | staff assistant | |
| Morgan Miles | .... | production accountant | |
| Jarrette Moats | .... | additional staff assistant | |
| Kimberly Murphy | .... | staff assistant (as Kim Murphy) | |
| Jubal Palmer | .... | assistant: Winona Ryder | |
| Jennifer Ramirez | .... | additional staff assistant | |
| Mike Reyes | .... | additional staff assistant | |
| Jimmy Rich | .... | assistant: Robert Downey Jr. | |
| Kate Ridgway | .... | additional staff assistant | |
| Brandon Roberts | .... | additional staff assistant | |
| Ryan Ross | .... | additional staff assistant | |
| Brooke Satrazemis | .... | script supervisor | |
| Steven Schaefer | .... | additional staff assistant | |
| Scott Snyder | .... | additional staff assistant | |
| Yusef Svacina | .... | additional staff assistant | |
| Jessica Tong | .... | additional staff assistant | |
| Sef Tsauousis | .... | staff assistant | |
| Fernanda Valentina | .... | additional staff assistant | |
| Dustin Weaver | .... | assistant location manager | |
| Tara Weaver | .... | support staff: Woody Harrelson | |
| Jenni Wieland | .... | assistant production accountant | |
| Tracey Zemitis | .... | unit publicist | |
| David Appelbaum | .... | office intern (uncredited) | |
| Loreto Caro-Valdes | .... | intern: production office (uncredited) | |
| Tai-San Choo | .... | office intern (uncredited) | |
| Jeff Guerrero | .... | additional set production assistant (uncredited) | |
| Sandy Lizaola-Hernandez | .... | physical production coordinator (uncredited) | |
| Jamie Preyer | .... | location intern (uncredited) | |
Thanks | |||
| Bobby Bates | .... | thanks | |
| Louis Mackey | .... | dedicatee: in eternal memory | |
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I am not a huge Linklater fan. His films usually give me a good laugh(Slacker, Dazed and Confused) or they present interesting concepts that will stir up good conversation(Waking Life) or they are for children(School of Rock). I don't consider him a great filmmaker but I would consider him an interesting storyteller and probably a great guy to talk to.
A Scanner Darkly changes everything. Even though Phillip K. Dick wrote it, Richard adapted the screenplay perfectly. I found that the film ran like a combination of Tarantinoesque chronology(Pulp Fiction, Reservoir Dogs) and a Nolanesque confusion(Memento). The rotoscoping animation was used perfectly to highlight the cinematography. I left the theater with a sort of David Lynchish feel(Lost Highway, Mullholland Drive) but the plot lines were actually sewn up more neatly.
Having seen the film only once, in no way am I saying that A Scanner Darkly compares with the films I've mentioned, but with multiple viewings I am guessing that I may rank it somewhere close.
I can certainly see how someone that has never taken any psychedelics or ingested any type of psychotropic substance might feel less enthusiastic about some of the themes but I can't see them denouncing the film for that reason.
If you have ever gone on a "trip" then you will be instantly able to relate to some of the particular scenes.
I thought that everyone acted brilliantly in their particular roles. Keanu's agent should win some sort of award. Mr. Reeves is not in any way a credit to Shakespeare but his agent always seems to find certain roles that suit Keanu's tendencies.
I think it is undoubtable that this film becomes a cult classic. I hope it fares well at the box office because I would like to believe that the world is starting to appreciate good film more than it has of late.
If you enjoy a good "mind-bender" of a film that doesn't stop resonating in your head until days after you have seen it, then A Scanner Darkly is for you. If you go to the theater simply for spoon-fed entertainment, see this film anyway and hopefully you will wake up and have an original thought some time soon.