War of the Worlds (2005)

User Rating:

6.6/10   

Director:

Steven Spielberg

Writers (WGA):

Josh Friedman (screenplay) and
David Koepp (screenplay) ...

Release Date:

29 June 2005 (USA)

Genre:

Action | Adventure | Sci-Fi | Thriller

Tagline:

They're already here.

Plot:

As Earth is invaded by alien tripod fighting machines, one family fights for survival.

Plot Keywords:

Alien | Tripod | New Jersey | Fight | Peanut Butter

Awards:

Nominated for 3 Oscars. Another 12 wins & 19 nominations

Cast

Tom Cruise	...	Ray Ferrier
Dakota Fanning	...	Rachel Ferrier
Miranda Otto	...	Mary Ann
Justin Chatwin	...	Robbie
Tim Robbins	...	Harlan Ogilvy
Rick Gonzalez	...	Vincent
Yul Vazquez	...	Julio (as Yul Vázquez)
Lenny Venito	...	Manny the Mechanic
Lisa Ann Walter	...	Bartender
Ann Robinson	...	Grandmother
Gene Barry	...	Grandfather
David Alan Basche	...	Tim
Roz Abrams	...	Herself
Michael Brownlee	...	TV Reporter, Osaka
Camillia Sanes	...	News Producer

Also Known As:

Out of the Night (USA) (working title)
Party in Fresno (USA) (fake working title)
La guerra de los mundos (Argentina) (Mexico) (Peru) (Spain) (Venezuela) [es]
La guerre des mondes (Canada: French title) (France) [fr]
Война миров (Russia) [ru]
Dünyalar savasi (Turkey: Turkish title) [tr]
Guerra dos Mundos (Brazil) [pt]
Krieg der Welten (Germany) [de]
La guerra dei mondi (Italy) [it]
La guerra dels mons (Spain: Catalan title) [ca]
Maailmade sõda (Estonia) [et]
Maailmojen sota (Finland) [fi]
Rat svetova (Serbia) [sr]
Rat svjetova (Croatia) [hr]
Samkarota omi (Georgia) [ka]
Världarnas krig (Sweden) [sv]

MPAA:

Rated PG-13 for frightening sequences of sci-fi violence and disturbing images.

Runtime:

116 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Taiwan:PG-12 | Switzerland:14 (canton of Zurich) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | France:U | Malaysia:U | Chile:Y7 | Spain:13 | Canada:PG (Nova Scotia) | Iceland:16 (video rating) | South Korea:12 | New Zealand:M | Germany:12 (f) | Japan:U | Australia:M | UK:12A | USA:PG-13 | Ireland:12A | Finland:K-15 | Hong Kong:IIA | Singapore:PG | Czech Republic:12 | Netherlands:12 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Iceland:14 | Argentina:13 | Philippines:PG-13 | Peru:14 | Canada:13+ (Quebec) | Norway:15 | Portugal:M/12 | Brazil:12 | Sweden:11 | Mexico:B

Filming Locations:

20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA

Company:

Paramount Pictures

Trivia:

Director Trademark: [Steven Spielberg] [Music]score by John Williams.

Goofs:

Miscellaneous: When Ray, Rachel and Robbie are driving in the mini van out of town, through the interstate traffic, Ray's steering inputs don't always match the direction of the van as seen out of the van's rear window. At one point, Ray definitely steers to his right and the van obviously moves to the left.

Quotes:

[first lines]
Narrator: No one would have believed in the early years of the 21st century that our world was being watched by intelligences greater than our own; that as men busied themselves about their various concerns, *they* observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water...

Movie Connections:

Featured in 2006 MTV Movie Awards (2006) (TV)

Soundtrack:

Nobody Move

A good take on the Wells story. Better than the 1953 classic in some ways

First - a quick rebuttal: The peanut butter sandwich which seemed to stick to the window impossibly. This was a very visually interesting scene. In fact, the scene was shot from inside the house, and Cruise was shot in reflection against the window - so there is no problem here other than the reviewer not thinking what they were seeing through.

Now on to the review...

This film follows Tom Cruise - playing a not-very-adult divorced father - and his two kids through the Wellsian version of The War of the Worlds. Despite the fact that the film focuses exclusively on the harrowing experiences of this somewhat dysfunctional family, in a very basic way it preserves the elements of the original novel. As with Wells' book, a science savvy viewer will pick up on the biological plausibility of the main plot and realize the brilliance of Wells original points. Scientifically educated viewers will also recognize the geological impossibility of it. Neither of these facts should detract from the entertainment value of this interesting and exciting film. After all, it is a testament to Wells' genius that a novel written nearly 100 years ago still holds our attention today, and is still regarded as an intelligent take on improbable events.

An alien species, about which nothing is really known, has been planning to take over and terraform earth for millenia, or perhaps much longer. Using unknown technology, they manage to emplace operatives in enormous tripod machines equipped with horrendous weapons that basically carbonize any life forms they take aim at. The tripods had been implanted deep in the earth long before the advent of our species. There simply is no stopping the invasion. Cruise, whose character is not really built for heroism, digs deep into his soul to protect his children as they attempt to make it to Boston to reunite with his estranged wife and her new family.

Before I discuss the technical merits of the film, and the lavish production values, I feel that I need to make a comment on Dakota Fanning. Ms. Fanning gives one of the best performances I have ever seen a sub-12 year old give in The War of the Worlds. She is a match for Cruise, and actually manages to steal several scenes from him. The acting in this film is uniformly good, but Fanning really stood out.

Spielberg and his team make seemingly impossible film visions come alive in a uniquely well realized manner. War of the Worlds is one of the most visually stunning films I have seen in a long time. Though I would not call the special effects innovative, they are, more importantly, convincing and never over-done. The nearly first person story telling technique is both original and effective, and the non-heroism of Cruise's character makes for a much more compelling plot than I expected to see. There are indeed some problems with believability, but let me ask - why would anybody go to this film expecting something more realistic than a fairy tale?

Recommended for Wells fans, fans of the original 1953 adaptation, and action sci-fi fans. Mildly recommended to the average cinema-goer.