In South Boston, the state police force is waging war on Irish-American organized crime. Young undercover cop Billy Costigan is assigned to infiltrate the mob syndicate run by gangland chief Frank Costello. While Billy quickly gains Costello's confidence, Colin Sullivan, a hardened young criminal who has infiltrated the state police as an informer for the syndicate is rising to a position of power in the Special Investigation Unit. Each man becomes deeply consumed by their double lives, gathering information about the plans and counter-plans of the operations they have penetrated. But when it becomes clear to both the mob and the police that there is a mole in their midst, Billy and Colin are suddenly in danger of being caught and exposed to the enemy - and each must race to uncover the identity of the other man in time to save themselves. But is either willing to turn on their friends and comrades they've made during their long stints undercover? Written by
Vera Farmiga was one of the only actors who didn't watch Infernal Affairs, the movie this is based on. Madolyn is inspired by multiple characters, so Farmiga thought it would be confusing for her. See more »
When Frank picks up a Bic lighter at the luncheonette counter after talking to young Collin, you can see the "BIC" in yellow on the plastic part of the lighter. Bic didn't mark their lighters on the plastic until a few years ago. See more »
I got this rat, this gnawing, cheese eating fuckin' rat and it brings up questions... You know, see, Bill, like you're the new guy. Girlfriend... Why don't you stay in the bar that night I got your numbers. Social Security numbers. Everybody's fuckin' numbers.
Is there something that you just wanna go ahead and ask me? 'Cause I'll give you the fuckin' answer, all right? Frank, look at me. Look at me. I'm not the fuckin' rat. Okay? I'm not the fuckin' rat.
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The title doesn't appear on screen until nearly 20 minutes into the movie. See more »
Now I know that 'The Departed' is based off of the Hong Kong movie 'WuJianDao', but Scorsese really grabs hold of a great story and brings it to the American Screen. My father grew up in Boston and when we walked out of the theater he couldn't stop talking about how authentic the environment and attitude was. Then there's the acting in which the lead actors (Nicholson, DiCaprio, Damon) not only give stunningly entertaining performances, but you become engulfed in each one's perspective and dilemmas. The smaller roles that of (Baldwin, Walberg, Sheen) are supporting roles that remind me of Jesus Quintana from 'The Big Lebowski', by this I mean that their screen time is limited but they make lasting impressions that you cherish each and every scene they are in, Alec Baldwin especially. The story itself starts off with the basic intro of the players and the setting, but you'll find yourself slowing following each and every plot twist and rooting back and forth for the good guys and for the bad guys. If you're a Scorsese fan, which I am, I think you will appreciate this film. You can clearly see the Scorsese touch ranging from the cinematography and of course the music, it's great to hear "Gimme Shelter" again, but "Comfortably Numb" played in so well. It's another gangster flick from Scorsese, yet this one stands alone because feels so fresh and most would agree Scorsese does gangster films the best; so why not let him. Oscar worthy, the acting I certainly hope; this is DiCaprio's best role since 'The Aviator' which was his best role since 'Gangs of New York', am I seeing a pattern here. But my lasting impression wasn't concerned with the politics of the golden statue; my lasting impression was that I had sat through 2 and half hours of brilliant and especially entertaining storytelling. Thank you Mr. Scorsese.
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