Watchmen (2009)

User Rating:

7.8/10   

Director:

Zack Snyder

Writers (WGA):

David Hayter (screenplay) and
Alex Tse (screenplay) ...

Release Date:

6 March 2009 (USA)

Genre:

Action | Drama | Mystery | Sci-Fi | Thriller

Tagline:

This city is afraid of me. I've seen its true face.

Plot:

In an alternate 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.

Plot Keywords:

1985 | Vigilante | Murder | Conspiracy | Investigation

Awards:

1 win & 1 nomination

Cast

Malin Akerman	...	Laurie Jupiter / Silk Spectre II
Billy Crudup	...	Dr. Manhattan / Jon Osterman
Matthew Goode	...	Adrian Veidt / Ozymandias
Jackie Earle Haley	...	Walter Kovacs / Rorschach
Jeffrey Dean Morgan	...	Edward Blake / The Comedian
Patrick Wilson	...	Dan Dreiberg / Nite Owl II
Carla Gugino	...	Sally Jupiter / Silk Spectre
Matt Frewer	...	Edgar Jacobi / Moloch the Mystic
Stephen McHattie	...	Hollis Mason / Nite Owl
Laura Mennell	...	Janey Slater
Rob LaBelle	...	Wally Weaver
Gary Houston	...	John McLaughlin
James M. Connor	...	Pat Buchanan (as James Michael Connor)
Mary Ann Burger	...	Eleanor Clift
John Shaw	...	Doug Roth

Also Known As:

Watchmen: The IMAX Experience (USA) (IMAX version)
Los vigilantes (Peru) (Venezuela) [es]
Хранители (Russia) [ru]
Cei ce vegheaza (Romania) [ro]
Cuvari (Croatia) [hr]
Les gardiens (Canada: French title) [fr]
Strázci - Watchmen (Czech Republic) [cs]
Strazcovia (Slovakia) [sk]
Valvurid (Estonia) [et]
Varuhi (Slovenia) [sl]
Watchmen (Greece) [el]
Watchmen (Japan: English title) [en]
Watchmen (Turkey: Turkish title) [tr]
Watchmen (Norway) [no]
Watchmen - Die Wächter (Germany) [de]
Watchmen - Les gardiens (France) [fr]
Watchmen - Los Vigilantes (Peru) (poster title) [es]
Watchmen - Los vigilantes (Argentina) [es]
Watchmen - O Filme (Brazil) [pt]
Watchmen - Os Guardiões (Portugal) [pt]
Watchmen - Straznicy (Poland) [pl]
Watchmen: Az örzök (Hungary) [hu]

MPAA:

Rated R for strong graphic violence, sexuality, nudity and language. (also director's cut and ultimate edition)

Runtime:

162 min | 186 min (director's cut) | 215 min (ultimate cut)

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | DTS | Dolby Digital

Certification:

USA:R (certificate #44894) | Czech Republic:15 | Australia:MA | South Korea:18 | UK:18 | Netherlands:16 | Ireland:18 (original rating) | Finland:K-15 | Singapore:R21 | Singapore:M18 (edited for re-rating) | New Zealand:R16 | Ireland:16 (re-rating on appeal) | Canada:13+ (Quebec) | Germany:16 | Canada:18A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Portugal:M/16 (Qualidade) | Japan:R-15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | Brazil:18 | Philippines:R-13 (MTRCB) | Norway:15 | Spain:18 | Portugal:M/16 | France:-12 | Iceland:16 | Hong Kong:IIB (cut version) | Hong Kong:III (IMAX DMR version) | Italy:VM14 | Sweden:15 | Argentina:16 | Peru:18 | Mexico:C | USA:R (director's cut) (certificate #45165) | USA:R (Ultimate edition) (certificate #45166) | Denmark:15 | Austria:16 | South Africa:16LV | Chile:18 (original rating) | Chile:Y7 (re-rating)

Filming Locations:

Bloedel Floral Conservatory, Vancouver, British Columbia, Canada

Company:

Warner Bros. Pictures

Trivia:

Zack Snyder cast Matt Frewer after working with him on Dawn of the Dead (2004) and Stephen McHattie after working with him on 300 (2006).

Goofs:

Crew or equipment visible: In the scene where Rorschach drops his journal through the letterbox of The New Frontiersman, a crew members shadow is clearly visible to the right of the screen as the Owlship arrives and clearly moves to drop Rorschach's Journal into the letterbox.

Quotes:

Dan Dreiberg: Maybe this was a political killing?
Rorschach: Maybe. Or maybe someone's picking off costumed heroes.
Dan Dreiberg: Um. Don't you think that's maybe a little paranoid?
Rorschach: That's what they're saying about me now? That I'm paranoid?

Movie Connections:

Featured in 81st Annual Academy Awards (2009) (TV)

Soundtrack:

Protest

We All Watch the Watchmen

Let's get this out of the way - Watchmen the movie is not as good as the graphic novel.

Zack Snyder's Watchmen is not your average graphic novel adaptation. Unlike with 300, which was short and sharp and shallow and easy to adapt, the original Watchmen is incredibly dense and, as written, unfilmable. So Snyder did something very smart - he didn't even try. What he did instead was to take the world of Watchmen and rebuild it in a way which made a virtue of this new medium (film) rather than try to cram the graphic novel into a cinematic form.

Nowhere is this approach more obvious than in the film's title sequence. A wonderfully composed collage of images depicts scenes from the universe of Watchmen in a way which is only possible in the movies. In this way, we are subconsciously introduced to a world where costumed heroes are a part of everyday culture and brought, in a stylish and fluid way, from the original days of the Minutemen to those of the Watchmen. This introduction is cinematically perfect and is indicative of the heights which the Watchmen movie is perfectly capable of achieving but not quite capable of sustaining.

Watchen is a brave film for a major studio to make and without a doubt it would not exist in its present form without the success of 300. It is incredibly dark (both in tone as well as shooting style) with events that would be anathema to any other superhero story. The less you know about the story, the better so there will be no spoilers here but suffice to say Watchmen's version of a happy ending is a far cry from the Hollywood norm.

Snyders brings his unique approach to action to bear on Watchmen, expanding on the action scenes in the comic without making it feel too redundant. His efforts are ably supported by the incredibly game cast, excellent cinematography and near perfect visual effects - this film is incredible to look at but also manages to create an entire world in a way which most superhero stories never do. The attention to detail in even the smallest scenes is commendable and the dense flashback structure means the same attention is paid to the presentation of full and complex characters.

Snyder has made a film which is gorgeous to look at, agreeably violent, well written, wonderfully designed and features some of the best small scale action sequences ever committed to celluloid. But, naturally, not everything is perfect. Most of the performances are excellent, with a cast of relative unknowns who manage to distinguish themselves despite constantly competing with overbearing effects and design. Patrick Wilson, in particular, does great work with a difficult role as Nite Owl, while Jackie Earle Hayley is blistering as Rorschach. Unfortunately in a film which could have done with a strong female presence, neither Carla Gugino nor Malin Ackerman make much of an impression, despite having quite a lot of screen time. Synder's musical cues are another bone of contention - often pushing the tone of the film into the realm of parody. And the ending... well let's just say it cheapens the experience in search of the lowest common denominator and the whole package suffers. On a related note, neither of the stories major revelations are handled that well. These moments were genuinely shocking in the graphic novel but are almost glossed over in the film.

Don't get the wrong impression, Watchmen is a good film, sometimes a great film. Snyder has managed to make a movie which is a terrifically well balanced compromise between accessibility and fidelity. That anyone can sit down in the cinema and experience a distillation of the Watchmen universe in just 163 minutes is a marvel. It does not deliver the depth of feeling and connection of the novel but that is more a matter of the differences in the media than a failure on the part of the film.

On its own merits, Zack Synder's Watchmen is a dark and twisted tale peopled with complex characters whose motivations are not obvious even to themselves. It is a solid film, sometimes rising into the extraordinary, and deserves to be successful. This is not Alan Moore's Watchmen but it is a competent extension of the universe into another medium and a worthy cinema-going experience.