| Videos (see all 3 NEW) |
| Maria Bello | ... | Adèlle | |
| Sean Bean | ... | James | |
| Maurice Roëves | ... | Dafydd | |
| Sophie Stuckey | ... | Sarah | |
| Abigail Stone | ... | Ebril | |
| Richard Elfyn | ... | Rowan | |
| Casper Harvey | ... | Young Dafydd | |
| Eluned Jones | ... | Doctor | |
| Gwenyth Petty | ... | Librarian | |
| Robin Griffith | ... | Police Inspector | |
| Mike Keggen | ... | Rib Skipper | |
| Tonya Smith | ... | Main Stumblehead Martyr |
Directed by | |||
| John Fawcett | |||
Writing credits(WGA) | ||
| Simon Maginn | (novel "Sheep") | |
| Stephen Massicotte | (screenplay) | |
Original Music by | |||
| Edmund Butt | |||
Cinematography by | |||
| Christian Sebaldt | (director of photography) | ||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Robyn Ray | |||
| Suzanne Smith | (as Suzanne M. Smith) | ||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| Andrew Grant | (supervising art director) | ||
| Ed Walsh | |||
Costume Design by | |||
| Ffion Elinor | |||
Makeup Department | |||
| Erin Ayanian | .... | makeup artist: Ms. Bello | |
| Zoe Brown | .... | hair stylist: dailies | |
| Sue Ignatius | .... | chief makeup artist | |
| Sarah Monzani | .... | hair designer | |
| Sarah Monzani | .... | makeup designer | |
| Elizabeth Phillips | .... | makeup trainee | |
| Maralyn Sherman | .... | prosthetic makeup artist | |
| Simon Thompson | .... | chief hair stylist | |
| Christine Whitney | .... | hair stylist: dailies | |
| Christine Whitney | .... | makeup artist: dailies | |
Production Management | |||
| Candice Fonseca | .... | production manager | |
Art Department | |||
| Mark Adams | .... | scenic painter: dailies | |
| Mark Agbaba | .... | scenic painter | |
| Nurey Al-Kahzrajie | .... | art department trainee | |
| Steve Allaway | .... | carpenter: dailies | |
| Stanley Apperley | .... | plasterer (as Stan Apperley) | |
| Ron Bead | .... | stagehand: dailies | |
| Marc Beros | .... | scenic painter (as Mark Beros) | |
| Lee Biggs | .... | chargehand carpenter | |
| Roy Biggs | .... | stagehand: dailies | |
| Dennis Bovington | .... | carpenter: dailies (as Dennis Bovingdon) | |
| Dave Bowman | .... | carpenter: dailies | |
| Alan Briant | .... | prop storeman | |
| Peter Brown | .... | carpenter: dailies | |
| Temple Clark | .... | storyboard artist | |
| Jamie Davies-Evans | .... | scenic painter | |
| Gary Davies | .... | stagehand | |
| Philippe Delestre | .... | scenic painter: dailies (as Phillipe Delestre) | |
| Gary Evans | .... | stagehand | |
| James Fennessy | .... | scenic painter: dailies (as Jim Fennessy) | |
| Juan Fernandez | .... | carpenter: dailies | |
| Andrew Forrest | .... | stand-by props (as Andy Forrest) | |
| Mary Gibbs | .... | art department trainee | |
| Andy Good | .... | carpenter: dailies | |
| Claire Grainger | .... | prop buyer | |
| Richard Grant | .... | scenic painter: dailies | |
| Les Hall | .... | carpenter | |
| Kate Halsall | .... | trainee prop buyer (as Kate Elizaberth Halsall) | |
| Darren Hayward | .... | chargehand carpenter | |
| Gary Hedges | .... | carpenter: dailies | |
| Kenny Hill | .... | stagehand: dailies | |
| Nick Holmes | .... | scenic painter: dailies | |
| Mike Houseman | .... | construction manager | |
| Geoff Hubbard | .... | carpenter: dailies (as Martin Hubbard) | |
| Mark Kinrade | .... | stagehand: dailies | |
| Nigel Kirk | .... | scenic painter: dailies | |
| Rowanna Lacey | .... | assistant art director | |
| William Lawlor | .... | carpenter (as William Lawler) | |
| Terry Law | .... | carpenter | |
| Shay Leonard | .... | stand-by props | |
| Jo Littlejohn | .... | assistant prop buyer | |
| Kevin Lloyd | .... | stagehand: dailies | |
| Anthony Lyle | .... | stagehand: dailies | |
| John Malham | .... | scenic painter: dailies | |
| Dan Maslen | .... | storyboard artist | |
| Leon McCarthy | .... | stand-by carpenter | |
| Matthew McDonnell | .... | art department trainee | |
| Dave McGill | .... | stagehand: dailies | |
| Nathan Middleton | .... | scenic painter: dailies | |
| Richard Miller | .... | stagehand: dailies | |
| Richard Mills | .... | property master | |
| Stephen Morris | .... | plasterer | |
| Mark Overall | .... | carpenter | |
| Justin Overhill | .... | stand-by painter | |
| Neil 'Dulux' Palfreman | .... | carpenter (as Neil Palfreman) | |
| Robert Parks | .... | carpenter: dailies | |
| Jo Riddell | .... | art department assistant | |
| Lester Rowbotham | .... | stand-by carpenter (as Lester Rowbottom) | |
| Guy Rutter | .... | chargehand painter | |
| Don Santos | .... | dressing props | |
| Russell Sargent | .... | carpenter: dailies (as Russ Sargent) | |
| Dave Stachini | .... | stagehand: dailies | |
| Paul Stewart | .... | carpenter: dailies | |
| Sam Stokes | .... | stand-by art director | |
| Graham Thomas | .... | carpenter | |
| Andrew Tombs | .... | plasterer (as Andy Tombs) | |
| William Treend | .... | carpenter: dailies | |
| Gareth Weames | .... | carpenter: dailies | |
| Frazer Williamson | .... | carpenter: dailies (as Frasier Williamson) | |
| Mark Williamson | .... | carpenter: dailies | |
| Andrew Wilson | .... | dressing props | |
| Bradley Woodbridge | .... | scenic painter: dailies | |
| Colin Woodbridge | .... | carpenter: dailies | |
| Leslie Wylie | .... | carpenter: dailies (as Les Wylie) | |
Sound Department | |||
| Stuart Bagshaw | .... | additional foley recordist | |
| Howard Bargroff | .... | sound re-recording mixer | |
| Courtney Bishop | .... | adr recordist | |
| Owen Bleasdale | .... | additional foley editor | |
| Richard Conway | .... | sound facility manager | |
| Matthew Desorgher | .... | boom operator | |
| Dan Green | .... | dialogue editor | |
| Tirso Guinon | .... | theatre assistant mixer | |
| Miha Jaramaz | .... | theatre assistant mixer | |
| Dan Johnson | .... | sound re-recording mixer | |
| Melissa Lake | .... | foley artist | |
| Ben Meechan | .... | sound effects editor | |
| Zak Melemendjian | .... | adr recordist (as Peter Melemendjian) | |
| Michael Miller | .... | adr recordist | |
| Bernard O'Reilly | .... | sound effects editor | |
| Joseph Paines | .... | sound trainee | |
| Jeremy Price | .... | senior sound supervisor | |
| Simon Price | .... | supervising dialogue editor | |
| Jess Richards | .... | sound trainee (as Jessica Richards) | |
| John Rodda | .... | production sound mixer | |
| Lionel Selwyn | .... | foley artist | |
| Matthew Skelding | .... | adr recordist | |
| Barnaby Smyth | .... | foley supervisor | |
| Andrew Stirk | .... | adr recordist | |
| Graeme Stoten | .... | adr recordist | |
| Jason Swanscott | .... | foley artist | |
| David Turner | .... | sound technical manager (as Dave Turner) | |
| Lauren Ana Walker | .... | dialogue editor (as Lauren Walker) | |
| William F. MacPherson | .... | sound mixer (uncredited) | |
| Timothy Pearson | .... | foley artist (uncredited) | |
| James Perry | .... | adr recordist (uncredited) | |
| Noel Vought | .... | foley artist (uncredited) | |
Special Effects by | |||
| David Harris | .... | special effects supervisor | |
| Graham Hills | .... | special effects technician (uncredited) | |
| Carolyn Matini | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Peter Bach | .... | head of production: Clear | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Melissa Butler Adams | .... | lead digital compositor: Clear (as Melissa Butler-Adams) | |
| James Clarke | .... | scanning and recording: Framestore CFC | |
| Joe Cleave | .... | systems development: Framestore CFC | |
| Paul Doogan | .... | scanning and recording: Framestore CFC | |
| Chris Eborn | .... | visual effects technical operator: Clear | |
| James D. Etherington | .... | lead digital compositor: Clear (as James Etherington) | |
| Adam Gascoyne | .... | visual effects supervisor: Clear | |
| Joe Godfrey | .... | scanning and recording: Framestore CFC | |
| Dianne Gordon | .... | data operator: Framestore CFC | |
| Charlie Habanananda | .... | data operator: Framestore CFC | |
| Aeon Henderson | .... | digital compositor: Clear | |
| Simon Hughes | .... | digital film supervisor: Clear | |
| Simon Hughes | .... | senior lead digital compositor: Clear | |
| Jack James | .... | digital cleanup artist: Framestore CFC | |
| Jayson King | .... | 3D animator: Clear | |
| Kevin Lowery | .... | scanning and recording: Framestore CFC | |
| Grant McKean | .... | digital compositor: Clear | |
| Maria Michalopoulou | .... | data operator: Framestore CFC | |
| Stuart Nippard | .... | data operator: Framestore CFC | |
| Dan Perry | .... | scanning and recording: Framestore CFC | |
| Laura Ricketts | .... | visual effects line producer: Clear | |
| Jeremy Sawyer | .... | compositor: Framestore CFC | |
| Adam Seeley | .... | 3D animator: Clear | |
| Matina Skouteri | .... | scanning and recording: Framestore CFC | |
| Marcus Wood | .... | digital compositor: Clear | |
| David J. Zimmerman | .... | data manager: Clear (as David Zimmerman) | |
| Alistair Hamer | .... | film mastering engineer (uncredited) | |
| Adam Hawkes | .... | digital clean-up (uncredited) | |
| Jan Hogevold | .... | production executive: Framestore CFC (uncredited) | |
| Ryan Knowles | .... | digital film recordist (uncredited) | |
| Paola Varvaro | .... | digital cleanup artist (uncredited) | |
| Stephen Willey | .... | systems engineer (uncredited) | |
| Annabel Wright | .... | digital cleanup (uncredited) | |
Stunts | |||
| Gary Connery | .... | stunt performer (as Garry Connery) | |
| Kali Connery | .... | stunt performer | |
| Ruth Jenkins | .... | stunt performer | |
| Kim McGarrity | .... | stunt performer | |
| Gareth Milne | .... | stunt coordinator | |
| Ray Nicholls | .... | stunt performer | |
| Wally Crowder | .... | stunt coordinator (uncredited) | |
| Levan Doran | .... | water stunts (uncredited) | |
| Luke Kearney | .... | water stunts (uncredited) | |
| Peter Pedrero | .... | water stunts (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Thomas L. Carter | .... | casting assistant (as Tom Carter) | |
| Brendan Donnison | .... | adr voice casting | |
| Belinda Blight | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Maxine Brown | .... | costumer: dailies | |
| Vikki Illing | .... | costumer: dailies (as Vicky Illing) | |
| Leigh Nicol | .... | costume supervisor | |
| Nicola Rodd | .... | costume assistant | |
Editorial Department | |||
| Marcus Alexander | .... | digital intermediate producer: Framestore CFC | |
| Anna Bolt | .... | post-production coordinator | |
| Kerry Downing | .... | digital lab editor: Framestore CFC | |
| Emanuele Giraldo | .... | assistant editor | |
| Steve Harrow | .... | post-production manager: Steeple Post Production Services | |
| Adam Inglis | .... | colorist: Framestore CFC | |
| Eddy Kolkiewicz | .... | negative cutter: Reel Skill Film Cutting (as Eddie Kolkiewicz) | |
| Mike Morrison | .... | digital grading assistant: Framestore CFC | |
| Andrew Robinson | .... | negative cutter: Reel Skill Film Cutting | |
| Richard Rowntree | .... | assistant to post-production manager: Steeple Post Production Services | |
Music Department | |||
| Geoff Alexander | .... | conductor | |
| Geoff Alexander | .... | orchestrator | |
| Edmund Butt | .... | music score producer | |
| Liz Gallacher | .... | music supervisor | |
| Allan Jenkins | .... | music editor | |
| Peter Manning | .... | orchestra leader | |
| Rosie Perry | .... | assistant to music supervisor | |
| Mike Ross-Trevor | .... | score recordist (as Mike Ross Trevor) | |
| Kirsty Whalley | .... | music editor | |
| Toby Wood | .... | music scoring mixer | |
| Mikael Carlsson | .... | executive soundtrack producer (uncredited) | |
| Dashiell Rae | .... | temp music (uncredited) | |
Transportation Department | |||
| Gerard Baldwin | .... | driver: stand-by props | |
| Vince Bartlett | .... | driver: props | |
| Wayne Burkett | .... | driver: makeup | |
| Maurice Campbell | .... | unit driver | |
| John Coleman | .... | unit driver | |
| Matt Evans | .... | driver: camera (as Mat Evans) | |
| John Hauge | .... | unit driver | |
| Gary Hudson | .... | driver: costume | |
| Mat Hudson | .... | driver: generator and 3-way | |
| Alyson Illingworth | .... | unit driver | |
| Mike Keeble | .... | unit driver | |
| Karen Moran | .... | unit driver | |
| Paul Newman | .... | unit driver | |
| Graham Pearson | .... | unit driver | |
| Stephen Quick | .... | transportation captain: Isle of Man | |
| Richard Thomas | .... | driver: bus | |
| Kevin Veness | .... | driver: grip | |
| Micky Webb | .... | driver: special effects (as Mickey Webb) | |
| Alan Rogers | .... | minivan driver (uncredited) | |
Other crew | |||
| Tack Baldwin | .... | head of safety (as Tack R. Baldwin) | |
| Johnny Bamford | .... | location manager: Devon | |
| Oliver Barron | .... | production runner (as Ollie Barron) | |
| Dan Bell | .... | safety | |
| Alexander Berner | .... | creative consultant | |
| Eddie Booth | .... | location manager: Isle of Man | |
| Belinda Braghittoni | .... | safety | |
| Nick Cain | .... | representative: Isle of Man Film | |
| Robin Craine | .... | production assistant | |
| Sarah Crompton | .... | assistant: Mr Anderson ) | |
| Sarah Crompton | .... | assistant: W.S. Anderson | |
| Matt Curtis | .... | title designer | |
| Andrew Gwyn Davies | .... | assistant production coordinator (as Andrew Gwyn-Davies) | |
| Rob Deacon | .... | unit publicist: Premier PR | |
| Jules De Barsham | .... | location manager | |
| Jules De Barsham | .... | location scout | |
| Alex Downie | .... | representative: Isle of Man Film | |
| Hilary Dugdale | .... | representative: Isle of Man Film | |
| Katie Elson | .... | location assistant: Isle of Man | |
| Andrew Fingret | .... | legal advisor: Cains Advocates, Isle of Man Film | |
| Karen Fryer | .... | continuity trainee | |
| Phil Gates | .... | location manager: Isle of Man | |
| Rory Gilmartin | .... | script editor | |
| Hannah Godwin | .... | assistant production coordinator | |
| Judy Goldberg | .... | assistant: Jeremy Bolt | |
| Charlie Goodson | .... | safety | |
| Jacky Holding | .... | assistant accountant (as Jacky Holding) | |
| Chris Ingram | .... | set runner | |
| James Ingram | .... | assistant: Sean Bean | |
| Non Jones | .... | accounting assistant | |
| Roger Kendall | .... | health and safety advisor | |
| Claire L. Kenny | .... | assistant accountant (as Claire Kenny) | |
| Rowan Laidlaw | .... | assistant to director | |
| Emma Lightbody | .... | representative: Gasworks Media Limited | |
| Sirish Malde | .... | production auditor: Malde & Co. | |
| Lisa Marsden | .... | insurance: Media/Professional Insurance | |
| Sarada McDermott | .... | production coordinator | |
| Richard Miller | .... | unit nurse | |
| Charles Moore | .... | production counsel: Wiggin & Co | |
| Della Moore | .... | production accountant | |
| Martin Moszkowicz | .... | management representative: Constantin Film | |
| P.J. Mountford | .... | production runner | |
| Clive Noakes | .... | laboratory contact: DeLuxe London | |
| Elisabeth Pinto | .... | production assistant | |
| Ian Pollington | .... | location manager: London | |
| Helen Revington | .... | unit nurse | |
| Julia Rounce | .... | base runner | |
| Richard Rowntree | .... | library material researcher | |
| Lara Sargent | .... | post-production accountant | |
| Johannes Schlichting | .... | assistant: Robert Kulzer | |
| Dorothy Sewell | .... | unit nurse | |
| Natalie Sharpe | .... | production runner | |
| Leonard Singer | .... | representative: Isle of Man Film | |
| Kate Smith | .... | assistant to director | |
| Peter Smith | .... | assistant location manager: Isle of Man | |
| Tonya Smith | .... | acting coach: Ms. Stone | |
| Anne Marie Speed | .... | dialogue coach: Ms. Stuckey (as Anne-Marie Speed) | |
| Elizabeth Tremblay | .... | script supervisor | |
| Jane Trower | .... | assistant accountant | |
| Doug Vale | .... | unit nurse | |
| Thomas Walters | .... | production assistant (as Tom Walters) | |
| Judith Windsor | .... | dialogue coach: Ms. Stuckey | |
| Henry Woolley | .... | location manager: London | |
| Kathryn Donovan | .... | electronic press kit (uncredited) | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
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| The Woods | Pon | Heavenly Creatures | A Map of the World | Notes on a Scandal |
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Look, I would just like to add my voice to this. I wrote the novel, Sheep. The film is 'adapted' from my book the exact same way a pile of rubble is 'adapted' from a house. My book is a slow, serious thriller on the theme of contamination, of land, of food, of livestock, and of minds. It is about ritual purity, conformism and the category-error that is literal biblical belief. It is, in short, about something. None (NONE!) of the filmmakers had read it, they just had a script based on another script, and were highly indignant when my agent suggested they actually read the original.
The film takes some of the visual gestures that animate the book (sheep diseases, religious mania etc), but then scoops out all the surrounding connective tissue, everything that makes the book make sense, replacing it with some kind of pulp which looks to me as if the writer was shaken violently awake in the middle of the night and asked to regurgitate the story lines from the last five horror movies he had seen, except his notes got all scrambled up - the result being a sort of plot-pudding, full of screaming and running about and unexplained (unexplainable) twists.
No disrespect to anyone, and I know what sort of pressures the screenwriter was under, but the film does not, in any sense, 'adapt' Sheep, the novel. It is a careful, thoughtful book, with a meticulously worked plot. It is also (I am informed) extremely scary, which the film of course, despite its most strenuous (and very, very noisy) efforts, fails completely to be. The book is not about some vague Disneyfied version of Welsh mythology (nice and safe and distant in these troubled times), it is about Christianity, the Bible: about what happens when religion turns to madness. The scariness is in the waiting, the hinting, the accumulation of detail, drip by drip. It is about fearing, dreading, while something unfolds which cannot be understood until it is too late. I may not have succeeded in any of this, but I was trying. The film just flaps about from one random thing to another, papering over the cracks with tiresome 'shock' effects and Maria Bello screaming.
Copies of Sheep are hard to track down now without paying a lot of money, but I would love it if the people who were disappointed in the film were to read the book. Please don't judge the book (or any of my other books) because you didn't like The Dark: there is almost nothing connecting the two things. Give the book a try: you'll be surprised.
Thanks for your time.