| Photos (See all 11 | slideshow) | Videos (see all 3) |
| Ulrich Matthes | ... | Abbé Henri Kremer | |
| August Diehl | ... | Untersturmführer Gebhardt | |
| Hilmar Thate | ... | Bischof Philippe | |
| Bibiana Beglau | ... | Marie Kremer | |
| Germain Wagner | ... | Roger Kremer | |
| Jean-Paul Raths | ... | Raymond Schmitt | |
| Ivan Jirík | ... | Armando Bausch | |
| Karel Hromadka | ... | Pater Laurant Koltz | |
| Miroslav Sichmann | ... | Pater Marcel Bour | |
| Adolf Filip | ... | Professor Klimek (Kraków) | |
| Vladimir Fiser | ... | Bischof Kozal | |
| Peter Varga | ... | Józef (Polish Inmate) (as Petr Varga) | |
| Petr Janis | ... | Pater Nansen | |
| Zdenek Pechácek | ... | Lagerführer | |
| Václav Krátký | ... | SS-Mann | |
| Marcel Svidrman | ... | Gestapomann (with Gebhardt) | |
| Karel Dobrý | ... | Raportführer Bertram | |
| Götz Burger | ... | Generalvikar Gerard Mersch | |
| Michael König | ... | Gauleiter Simon | |
| Vladimir Gut | ... | Kapo in Kleiderablage |
Directed by | |||
| Volker Schlöndorff | |||
Writing credits | ||
| Jean Bernard | (memoir "Pfarrerblock 25487") | |
| Eberhard Görner | screenplay | |
| Andreas Pflüger | screenplay | |
Original Music by | |||
| Alfred Schnittke | |||
Cinematography by | |||
| Tomas Erhart | (director of photography) | ||
Film Editing by | |||
| Peter R. Adam | |||
Casting by | |||
| Ulrike Haase | |||
Production Design by | |||
| Ari Hantke | |||
Costume Design by | |||
| Jarmila Konecná | |||
Makeup Department | |||
| Katka Horska | .... | assistant makeup artist | |
| Juraj Steiner | .... | makeup artist | |
| Tatiana Steinerova | .... | makeup artist | |
Production Management | |||
| Franziska An der Gassen | .... | unit manager (as Franziska-Marie Reinhardt) | |
| Dirk Ehmen | .... | production manager | |
| Ivan Filus | .... | production manager | |
| Philip James Morgan | .... | unit manager | |
| Cornelia Schacht | .... | assistant production chief | |
| Jean-Claude Schlim | .... | production manager | |
| Jan Seidl | .... | unit manager | |
| Stephane Wasila | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Michaela Strnadova | .... | first assistant director | |
| Irene Weigel | .... | assistant director | |
Art Department | |||
| Klaus Bienen | .... | construction coordinator | |
| François Dickes | .... | assistant art director | |
| Olivier Printz | .... | picture car coordinator: Luxembourg | |
Sound Department | |||
| Hubert Bartholomae | .... | sound mixer | |
| Pit Kuhlmann | .... | sound designer | |
| Andreas Musolff | .... | sound editor | |
| Philipp Sellier | .... | foley editor | |
| Gunnar Voigt | .... | sound | |
Camera and Electrical Department | |||
| Karsten Danch | .... | assistant camera | |
| Anngret Plehn | .... | still photographer | |
Other crew | |||
| Franziska An der Gassen | .... | location manager (as Franziska-Marie Reinhardt) | |
| Patrick Hoffmann | .... | production coordinator: Luxembourg | |
| Dana Joas | .... | script supervisor | |
| Claude Ludovicy | .... | location consultant | |
| Jarka Rezniková | .... | production secretary | |
| Stephane Wasila | .... | location manager | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Germany section |
In World War II, after a period living hell on earth in the concentration camp of Dachau with other catholic priests, Father Abbé Henri Kremer (Ulrich Matthes) gets a nine days leave to return to his home town for his mother's funeral. Along this period, the SS Gestapo lieutenant Gebhardt (August Diehl) tries to persuade Henri, who was born in silver-spoon and member of an influent Luxembourgian family, to convince the local bishop to give-up resisting to the Germans and write a letter to the Vatican in the name of the Catholic Church of Luxemburg convincing the Pope to support Hitler and the Nazi regime. The ambivalent Henri questions himself and the bishop what he shall do.
Based on a true story, "Der Neunte Tag" is an awesome movie and another impressive example of the powerful German cinema, of which I am a great fan. The philosophical duel between the characters of Ulrich Matthes and August Diehl is simply fantastic, with magnificent silence and dialogs. Sometimes, silence associated to the expression of the face is more significant than words. The direction is stunning and very realistic, particularly in the concentration camp; the music score and the cinematography are very beautiful; and the performances are perfect, with the two lead actors deserving nominations to the Oscar. My vote is nine.
Title (Brazil): "9o Dia" ("9th Day")