9 Songs (2004)

Director:

Michael Winterbottom

Writer:

Michael Winterbottom (writer)

Release Date:

20 January 2005 (Germany)

Genre:

Drama | Music | Romance

Tagline:

2 Lovers. 1 Year.

Plot:

In London, England, love blooms between an American college student, named Lisa, and a British glaciologist, named Matt, where over the next few months in between attending rock concerts, the two lovers have intense sexual encounters.

Plot Keywords:

Love | Rock Concert | Concert | London England | Song

Awards:

1 win & 2 nominations

Cast

Kieran O'Brien	...	Matt
Margo Stilley	...	Lisa
Huw Bunford	...	Himself (Super Furry Animals)
Cian Ciaran	...	Himself (Super Furry Animals)
The Dandy Warhols	...	Themselves
Elbow	...	Themselves
Franz Ferdinand	...	Themselves
Bobby Gillespie	...	Himself (Primal Scream)
Bob Hardy	...	Himself (Franz Ferdinand)
Dafydd Ieuan	...	Himself (Super Furry Animals)
Alex Kapranos	...	Himself (Franz Ferdinand)
Mani	...	Himself (Primal Scream)
Nick McCarthy	...	Himself (Franz Ferdinand)
Michael Nyman	...	Himself
Guto Pryce	...	Himself (Super Furry Animals)

Also Known As:

Ice (UK) (working title)
Nine Songs (UK) (alternative spelling)
9 Canções (Brazil) (festival title) [pt]
9 Songs (Italy) (DVD title) [it]
9 canciones: Sexo en gira (Argentina) (DVD title) [es]
9 orgasmos (Mexico) [es]
9 orgazmov (Slovenia) [sl]
9 tragoudia (Greece) [el]
Kilenc dal (Hungary) [hu]
Nueve canciones (Spain) (DVD title) [es]

Runtime:

71 min | USA:67 min (DVD version)

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Netherlands:16 | Canada:18 (Nova Scotia) | Canada:18+ (Quebec) | Finland:K-18 | Canada:R (British Columbia/Ontario) | Switzerland:16 (canton of Zurich) | Mexico:D | Australia:X (South Australia) (original rating) | Singapore:(Banned) | Argentina:18 | Taiwan:R-18 | France:-16 (edited version) | Italy:VM18 | Australia:R (re-rating on appeal) | France:-18 | Germany:16 | Hong Kong:III | Iceland:16 | Ireland:18 | Japan:R-18 | Switzerland:18 (canton of Geneva) | Switzerland:18 (canton of Vaud) | UK:18 | USA:Not Rated | New Zealand:R18 | Brazil:18 | Spain:18 | Portugal:M/18

Filming Locations:

Brixton Academy - 211 Stockwell Road, Brixton, London, England, UK

Company:

Revolution Films

Trivia:

The first sexually explicit film to be directly awarded a French mainstream certificate (and not the "X classification" created in 1975 for "pornographic or violence-inciting movies").

Goofs:

Continuity: The clock on the wall goes forth and back in time between shots.

Quotes:

[Lisa is standing in front of a mirror looking at her naked, skinny, flat-chested body]
Lisa: Do I look like a boy?
Matt: [sarcastic] Yeah. That's one of the reasons why I like you.

Movie Connections:

Featured in Indie Sex: Extremes (2007) (TV)

Soundtrack:

Platform

An anti-climax

In the (admittedly unlikely) eventuality that someone wandered into a cinema expecting this to be a musical, a rude shock would ensue, since this is the most sexually explicit mainstream film ever exhibited in Britain. Indeed the only mainstream movie I've previously seen to compare in explicitness was the 1976 Japanese work "Ai No Corrida" ("In the Realm Of The Senses"), but this work goes further with a scene of ejaculation, as well as fellatio, cunnilingus and penetrative sex. Since this is the work of accomplished British director Michael Winterbottom ("In This World"), one cannot possibly regard this is as pornography - besides anything else, porn features far more voluptuous women and portrays the sex from an exclusively male point of view, whereas the sex here is realistic (as well as real) and as female-oriented as much as male.

The problem is that the film appears to be utterly meaningless. A British research geologist Matt (Kieran O'Brien) goes to London gigs and has sex with American student Lisa (Margot Stilley), but there is no characterisation or plot or even a script (the dialogue was improvised and is banal). Even the music seems to bear no relationship to the lovers and - except for some haunting work from Michael Nyman - is dreary gunge. Shot on low budget digital video, the picture is as grey as the subject matter and the only light-hearted aspect is the rather unsubtle joke of the (mercifully short) running time (69 minutes). Come again? No chance.