| Photos (see all 83 | slideshow) | Videos (see all 12) |
| Bill Murray | ... | Don Johnston | |
| Julie Delpy | ... | Sherry | |
| Heather Simms | ... | Mona (as Heather Alicia Simms) | |
| Brea Frazier | ... | Rita | |
| Jarry Fall | ... | Winston and Mona's Kid (as Jarry) | |
| Korka Fall | ... | Winston and Mona's Kid | |
| Saul Holland | ... | Winston and Mona's Kid (as Saul) | |
| Zakira Holland | ... | Winston and Mona's Kid | |
| Niles Lee Wilson | ... | Winston and Mona's Kid | |
| Jeffrey Wright | ... | Winston | |
| Meredith Patterson | ... | Flight Attendant | |
| Jennifer Rapp | ... | Girl on Bus | |
| Nicole Abisinio | ... | Girl on Bus | |
| Ryan Donowho | ... | Young Man on Bus | |
| Alexis Dziena | ... | Lolita | |
| Sharon Stone | ... | Laura Daniels Miller | |
| Frances Conroy | ... | Dora | |
| Christopher McDonald | ... | Ron | |
| Dared Wright | ... | Rabbit Owner | |
| Chloë Sevigny | ... | Carmen's Assistant | |
| Suzanne Hevner | ... | Mrs. Dorston | |
| Jessica Lange | ... | Carmen | |
| Brain McPeck | ... | Guy in S.U.V. (as Brain F. McPeck) | |
| Matthew McAuley | ... | Guy in S.U.V. | |
| Chris Bauer | ... | Dan | |
| Larry Fessenden | ... | Will | |
| Tilda Swinton | ... | Penny | |
| Pell James | ... | Sun Green | |
| Mark Webber | ... | The Kid | |
| Homer Murray | ... | Kid in Car | |
| rest of cast listed alphabetically: | |||
| Rachel Puchkoff | ... | Girl in House (unconfirmed) (uncredited) | |
Directed by | |||
| Jim Jarmusch | |||
Writing credits | ||
| Jim Jarmusch | (written by) | |
| Bill Raden | (inspired by an idea from) and | |
| Sara Driver | (inspired by an idea from) | |
Produced by | |||
| Jon Kilik | .... | producer | |
| Ann Ruark | .... | co-producer | |
| Stacey E. Smith | .... | producer (as Stacey Smith) | |
| Karen L. Thorson | .... | associate producer (uncredited) | |
Original Music by | |||
| Mulatu Astatke | |||
Cinematography by | |||
| Frederick Elmes | (director of photography) | ||
Film Editing by | |||
| Jay Rabinowitz | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Sarah Frank | |||
Set Decoration by | |||
| Lydia Marks | |||
Costume Design by | |||
| John A. Dunn | (as John Dunn) | ||
Makeup Department | |||
| Milton Buras | .... | hair stylist: Sharon Stone | |
| Judy Chin | .... | key makeup artist | |
| Frances Hannon | .... | hair stylist: Bill Murray | |
| Frances Hannon | .... | makeup artist: Bill Murray | |
| Mandy Lyons | .... | key hair stylist | |
Production Management | |||
| Gwen Bialic | .... | production supervisor | |
| Ann Ruark | .... | unit production manager | |
| Karen L. Thorson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sarah Rae Garrett | .... | second second assistant director | |
| Todd Pfeiffer | .... | first assistant director | |
| Shea Rowan | .... | second assistant director | |
Art Department | |||
| Robert Barnett | .... | camera scenic (as Bob Barnett) | |
| Stephen Barth | .... | scenic artist | |
| Peter Bundrick | .... | head carpenter (as Pete Bundrick) | |
| Dominick Cocuzzo | .... | construction grip | |
| Ralph Contrado | .... | scenic artist | |
| Alex DiGerlando | .... | art department coordinator | |
| Lauren Doner | .... | scenic foreman | |
| Stephen Finkin | .... | on-set dresser (as Steve Finkin) | |
| Tanis Gray | .... | art department assistant | |
| Sandy Hamilton | .... | property master | |
| Richard Hebrank | .... | construction coordinator (as Richie Hebrank) | |
| Arlo Hoffman | .... | set dresser | |
| T.W. John House | .... | construction grip (as John House) | |
| Robert Keller | .... | carpenter (as Bob Keller) | |
| Lisa Kennedy | .... | scenic artist | |
| Jon Kim | .... | set dresser | |
| Rob Landoll | .... | scenic artist | |
| Elizabeth Linn | .... | charge scenic | |
| John Peter Melendez | .... | set dresser (as John Melendez) | |
| Michael Miller | .... | construction grip | |
| Kris Moran | .... | assistant property master | |
| Mark Pollard | .... | graphic artist | |
| Heather Prendergast | .... | assistant set decorator | |
| Will Scheck | .... | leadman | |
| Mark Paul Selemon | .... | set dresser (as Mark Selemon) | |
| Jonathan Tessler | .... | additional props | |
| Ajamu Walker | .... | artwork | |
| Don Zappia | .... | construction grip | |
| Tomas Zeman | .... | art department intern | |
Sound Department | |||
| Coll Anderson | .... | sound effects editor | |
| Ryan Collison | .... | foley recordist | |
| Mark Goodermote | .... | boom operator | |
| Robert Hein | .... | supervising sound editor | |
| Drew Kunin | .... | sound mixer | |
| Terrance Laudermilch | .... | re-recordist (as Terry Laudermilch) | |
| Tommy Louie | .... | sound utility | |
| Jan McLaughlin | .... | sound utility (as Jan Mclaughlin) | |
| Sylvia Menno | .... | dialogue editor | |
| Glenfield Payne | .... | sound effects editor | |
| Jay Peck | .... | foley artist | |
| Kira Smith | .... | sound utility | |
| Dominick Tavella | .... | sound re-recording mixer (as Dominick 'The Dominator' Tavella) | |
| Marilyn Teorey | .... | foley editor | |
| David Wahnon | .... | sound editor | |
| Doug Winningham | .... | sound effects recordist | |
Visual Effects by | |||
| J. John Corbett | .... | visual effects | |
| Mark Tureski | .... | digital film recording | |
| Keith Yurevitz | .... | visual effects | |
| Jan Cilliers | .... | digital compositor: Big Film Design (uncredited) | |
| Chris Halstead | .... | digital compositor: Big Film Design (uncredited) | |
Stunts | |||
| Manny Siverio | .... | stunt coordinator | |
Casting Department | |||
| Jennifer Euston | .... | casting associate (as Jen Euston) | |
| Meghan Rafferty | .... | casting assistant | |
| Kristian Sorge | .... | background casting associate | |
| Grant Wilfley | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Stephanie Biear | .... | seamstress | |
| David Davenport | .... | wardrobe supervisor | |
| Amy Habacker | .... | costumer | |
| Rebecca Hofherr | .... | wardrobe production assistant | |
| Susan J. Wright | .... | key costumer | |
| Debbie Lucas | .... | seamstress (uncredited) | |
Editorial Department | |||
| Noah Amos | .... | apprentice editor | |
| Jennifer Apel | .... | first assistant editor | |
| Sebastian Bear-McClard | .... | editorial assistant | |
| Lance Edmands | .... | post-production intern | |
| Jonathan Keogh | .... | editing intern | |
| Matt Mayer | .... | first assistant editor | |
| Perri Pivovar | .... | first assistant editor | |
| Cathy Rait | .... | color timer | |
| Mike Selemon | .... | editorial assistant | |
| Stan Sztaba | .... | negative cutter | |
| Joe Violante | .... | dailies advisor | |
Music Department | |||
| Evan Greenspan | .... | music clearances | |
| Jay Rabinowitz | .... | music editor | |
Transportation Department | |||
| Frank Appedu | .... | driver | |
| William Baker | .... | driver (as Bill Baker) | |
| Joe Blessington | .... | driver | |
| John Canavan | .... | driver | |
| Thomas Crehan | .... | driver (as Tom Creehan) | |
| James Giblin | .... | driver (as James Giblin Jr.) | |
| Paul Kane | .... | driver | |
| Jim Kelly | .... | driver (as Jim Kelley) | |
| Robert Lapine | .... | driver (as Bob Lapine) | |
| Jimmy Mahr | .... | driver (as Jim Mahr) | |
| Eugene O'Neill | .... | transportation captain (as Gene O'Neill) | |
| Joshua Priestley | .... | picture cars | |
| John Queenie | .... | driver | |
| J.R. Scarlatos | .... | driver (as Stratis Scarlatos Jr.) | |
Thanks | |||
| Paul Auster | .... | personal thanks | |
| Jeanne Campbell | .... | special thanks | |
| Sarah Carlson | .... | special thanks | |
| Alexandra Cassavetes | .... | personal thanks (as Xan Cassavetes) | |
| Helen W. English | .... | special thanks | |
| Jean Eustache | .... | dedicatee: for | |
| Francis Falceto | .... | special thanks | |
| Craig Fox | .... | personal thanks | |
| Rena Fuchs | .... | special thanks | |
| Holly Golightly | .... | personal thanks | |
| Richard W. Haynes | .... | special thanks | |
| Anette Hidary | .... | special thanks | |
| Siri Hustvedt | .... | personal thanks | |
| Rennie Jaffe | .... | special thanks | |
| Ginger Johnson | .... | special thanks | |
| Patrick Keeler | .... | personal thanks | |
| Abebaw Kelkay | .... | special thanks: the Ethiopian Football Federation | |
| Jean Labadie | .... | very special thanks | |
| Jack Lawrence | .... | personal thanks (as Jack 'The Product' Lawrence) | |
| Nemo Librizzi | .... | personal thanks | |
| Julie Lipsius | .... | special thanks | |
| Teodore Ludwiczak | .... | special thanks | |
| Lee Myles | .... | special thanks | |
| James Nares | .... | personal thanks | |
| Anton Newcombe | .... | personal thanks | |
| Pat Padgett | .... | personal thanks (as Pat) | |
| Ron Padgett | .... | personal thanks | |
| Fred Perry | .... | special thanks | |
| James Pollard | .... | special thanks (as Jim Pollard) | |
| Mark Pollard | .... | special thanks | |
| Isabel Riley | .... | special thanks | |
| Joe Sacco | .... | special thanks | |
| Luc Sante | .... | personal thanks | |
| Christie Scheele | .... | special thanks | |
| Lola Schnabel | .... | personal thanks | |
| Jim Sotet | .... | personal thanks | |
| Ajamu Walker | .... | special thanks (as Ajamu Kojo * Chioke Walker) | |
| Bart Walker | .... | titanium respect and thanks | |
| Joan Waltemath | .... | personal thanks | |
| Ron Wilber | .... | special thanks | |
| Linda Williams | .... | personal thanks | |
| Antony Zito | .... | personal thanks (as Zito) | |
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| My Own Private Idaho | Ceux qui m'aiment prendront le train | Savage Grace | Babel | La hija del caníbal |
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Jim Jarmusch returns to the screen with an immensely pleasing film that looks extremely simple, but in fact, it's what is not being said that really is at the center of the picture. Mr. Jarmusch is one director that loves to work with an economy of everything. His films seem to be crying for a set decorator, but that is misleading, because it's the simplicity that seems to work in most cases.
If you haven't seen the film, perhaps you should stop reading here.
At the center of the story is Don Johnston, whose name seems to provoke in most people a recognition by associating it to the actor, Don Johnson. Nothing could be farther from the truth. Don is a taciturn man, who when we meet him is being dumped by his last girlfriend.
Don Johnston, with his deadpan demeanor, appears to be a man that has gone through life on auto pilot. In fact, when he receives the letter that will, in a way, change his life, he doesn't even react. His solution to the problem is to show this letter to his next door neighbor, Winston. Little does Don knows, but Winston maps out a plan to get him involved in the solution of the mystery he is presented. We accompany Don in a trip of discovery to reacquaint himself with former lovers who might have been instrumental in sending the pink letter.
Thus we meet Laura, the closet organizer, a widow now, living with a precocious daughter, Lolita, who seems to have jumped from the Nabokov's book, in all her precociousness. Then, there is Dora, the real estate woman who lives in a development in which all the houses look alike. We meet Carmen, the pet communicator, a sort of animal analyst who has turned her love interest another way. Finally, we are given a glimpse of Penny, who couldn't care less to see Don one more time.
The opening sequence that sets the story in motion is nothing but perfection. We watch the fateful letter at the beginning when it's being dropped in the mail box right up to its delivery through Don's mail slot.
Jim Jarmusch, and his amazing cast have done wonders with this film. Bill Murray is sensational as the jaded Don Johnston. Once again, this actor clearly shows he is at the top of the game. Jeffrey Wright, one of the best young actors working in films and in the theater these days, makes a valuable contribution as Winston. The women in Don's life are fantastic. Sharon Stone, Frances Conroy, Julie Delpy, Tilda Swinton, and Jessica Lange are seen at their best. Finally, two excellent turns by Alexis Dziena as Lolita and Chloe Sevigny as an assistant to Carmen.
Mr. Jarmusch has created a film that says a lot about how modern relationships are being practiced these days.