When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter's old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father's persona as The New Goblin, and Peter must also capture Uncle Ben's real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter's suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter's personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also...himself. Written by
At 140 minutes, (or 2 hours and 20 minutes), this is the longest of the original three Sam Raimi Spider-Man movies. See more »
In the bell tower when Peter's tearing the black suit off, there is a shot from behind where he goes to slam his right fist down, but it's his left fist that lands. See more »
It's me! Peter Parker! Your friendly neighborhood... You know. I've come a long way from becoming the boy who was bitten by a spider. Back then, nothing seemed to go right for me, and now...
Kid in Times Square:
[pointing at a giant screen in Times Square]
Hey look, it's Spider-Man!
People really like me.
See more »
During the opening credits, snippets from the first two films can be seen. Also, some of the filmmaker's names appear and then blow away, as if made of sand. The black symbiote also makes a brief appearance. See more »
Third entry has Peter Parker and alter ego Spider-Man fighting what could possibly be the greatest battle of his life. The intrepid Parker is on top of the world as N.Y.C. citizens have finally come to appreciate all of his heroic deeds, but more importantly he's found a stable relationship with Mary Jane Watson. His seemingly perfect existence comes to an abrupt halt when he learns that his uncle's real killer is still at large, he acquires a rival at the Daily Bugle, and best friend-turned-bitter adversary Harry Osborn comes seeking revenge. Peter also bonds with an unusual black symbiote that unleashes a darker side of him and threatens to destroy everything he holds dear. Some effective moments of intense, exciting action and superior special effects are undermined by overlength, and juxtaposed against moments of corny, unintentionally funny human drama. The ingredients for a success are there, including a good cast and some interesting subplots, but they can't overcome a leaden script which chooses to revel in its mawkish material rather than flesh out its characters or tell a coherent story. Watchable, but never as engaging or spectacular as its predecessors. **½
215 of 349 people found this review helpful.
Was this review helpful to you?