| Photos (see all 11 | slideshow) | Videos (see all 7) |
| Cyril Raffaelli | ... | Capt. Damien Tomaso | |
| David Belle | ... | Leïto | |
| Tony D'Amario | ... | K2 | |
| Bibi Naceri | ... | Taha Bemamud (as Larbi Naceri) | |
| Dany Verissimo | ... | Lola | |
| François Chattot | ... | Krüger | |
| Nicolas Woirion | ... | Corsini | |
| Patrick Olivier | ... | Le colonel | |
| Samir Guesmi | ... | Jamel | |
| Jérôme Gadner | ... | K2 boy 1 | |
| Tarik Boucekhine | ... | Yoyo (para 1) | |
| Grégory Jean | ... | Para 2 | |
| Warren Zavatta | ... | Para 3 | |
| Dominique Dorol | ... | Cerbère Taha | |
| Ludovic Berthillot | ... | Le gros mercenaire | |
| Azad | ... | Tarik | |
| Turan Bagci | ... | Gorille entrée Marronniers | |
| Gilles Gambino | ... | Garde 1 | |
| Chamsi Charlesia | ... | Garde 2 | |
| Nicolas Wan Park | ... | Le Chinois | |
| Alain Rimoux | ... | Le commissaire | |
| Marc Andréoni | ... | Carlos Montoya | |
| Roberto Gil | ... | Pedro | |
| Patrick Médioni | ... | Le caissier | |
| Bernard Grenet | ... | M. Keijman | |
| Lyes Salem | ... | Samy | |
| Christophe Maratier | ... | Le chef des SWAT | |
| Philippe Soutan | ... | Le conducteur du fourgon | |
| Michel Estrade | ... | Maton 1 | |
| Jean-Marc Bellu | ... | Maton 2 | |
| MC Jean Gab'1 | ... | Nico | |
| Louis-Philippe Manuel | ... | Poursuivant 2 | |
| Olivier Lobe | ... | Poursuivant 1 | |
| Jeffrey Zade Rudom | ... | Le yéti | |
| Jérôme Paquatte | ... | Garde yéti | |
| rest of cast listed alphabetically: | |||
| Jeff Rudom | ... | Yeti | |
| Stephane Vigroux | ... | K2 Boy | |
| Arnaud Klein | ... | Policier / Policeman (uncredited) | |
Directed by | |||
| Pierre Morel | |||
Writing credits(in alphabetical order) | ||
| Luc Besson | writer | |
| Bibi Naceri | writer | |
Produced by | |||
| Luc Besson | .... | producer | |
| Bernard Grenet | .... | executive producer | |
| Mehdi Sayah | .... | assistant producer | |
Original Music by | |||
| Bastide Donny | |||
| Da Octopuss | |||
| Damien Roques | |||
Cinematography by | |||
| Manuel Teran | |||
Film Editing by | |||
| Stéphanie Gaurier | |||
| Frédéric Thoraval | |||
Casting by | |||
| Swan Pham | |||
Production Design by | |||
| Hugues Tissandier | |||
Art Direction by | |||
| Vraciu Eduard Daniel | |||
Set Decoration by | |||
| Gérard Marcireau | |||
Costume Design by | |||
| Martine Rapin | |||
| Alexandre Rossi | |||
Makeup Department | |||
| Frédérique Arguello | .... | key hair stylist | |
| Florence Batteault | .... | makeup artist | |
| Solange Beauvineau | .... | makeup artist | |
| Guillaume Bellu | .... | makeup artist | |
| Andreea Dardea | .... | makeup artist: Romania | |
| Mathieu Gueracague | .... | hair stylist | |
| Myriam Hottois | .... | key makeup artist | |
Production Management | |||
| Eric Bassoff | .... | post-production supervisor | |
| Sonia Duclos | .... | unit manager | |
| Calin Furtunescu | .... | unit production manager | |
| Ismaël Gaïla | .... | assistant unit manager | |
| Marc Guidetti | .... | unit manager | |
| Thierry Guilmard | .... | production manager | |
| Judicaël Noïa | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Fotea Alex | .... | third assistant director | |
| Mathilde Cavillan | .... | second assistant director | |
| Roger Delattre | .... | second assistant director | |
| Claire Galloy | .... | location assistant director | |
| Stéphane Gluck | .... | first assistant director | |
| Theodor Halacu-Nicon | .... | first assistant director: Romania | |
| Rodolphe Kriegel | .... | second assistant director | |
| Sébastien Marziniak | .... | trainee assistant director | |
| Virgil Nicolaescu | .... | second assistant director | |
| Christian Peritore | .... | third assistant director | |
| Jérôme Raffaelli | .... | second assistant director | |
| Lucie Wagner | .... | trainee assistant director | |
Art Department | |||
| Pierre Bandini | .... | props | |
| Jean-Michel Bar | .... | props | |
| Jean-Louis Bergougnoux | .... | props | |
| Jean-Roch Bonnin | .... | property master | |
| Sébastien Borie | .... | property master | |
| Jean-Jacques Chapelle | .... | construction manager | |
| Bertrand Clerq-Roques | .... | first assistant production designer | |
| Zamfir Cornel | .... | props | |
| Daniel Crociati | .... | painter | |
| Hubert Devinck | .... | props | |
| Thierry Doerflinger | .... | plasterer | |
| Gerard Drolon | .... | first assistant production designer | |
| Yvan Dupont | .... | painter | |
| Acacio Francisco | .... | painter | |
| Jean-Louis Frere | .... | painter | |
| Yvan Hart | .... | plasterer | |
| Alexis Jorand | .... | painter | |
| Jérémie Lemoine | .... | property master | |
| Françoise Malaplate | .... | head painter | |
| Gérard Marcireau | .... | set dresser | |
| Régis Mayot | .... | props | |
| Eugen Pisau | .... | property master | |
| Per-Olof Renard | .... | second assistant production designer | |
| Jean Marc Sanchez | .... | second assistant production designer (as Jean-Marc Sanchez) | |
| Monica Sorescu | .... | set dresser | |
Sound Department | |||
| Christophe Bourreau | .... | foley artist | |
| Franck Cartaut | .... | assistant sound | |
| Franck Cartaut | .... | boom operator | |
| Yves Coméliau | .... | assistant sound | |
| Pierre Dachery | .... | boom operator | |
| Matthieu Dallaporta | .... | sound re-recording assistant | |
| Eric Ferret | .... | sound recordist | |
| Loïc Gourbe | .... | sound recordist | |
| Alexandre Hernandez | .... | sound editor | |
| Christophe Leroy | .... | adr editor | |
| Christophe Leroy | .... | dialogue editor | |
| Maud Lombart | .... | sound editor | |
| Didier Lozahic | .... | foley mixer | |
| Didier Lozahic | .... | sound re-recording mixer | |
| Fred Mays | .... | post-synchronization | |
| Vincent Milner | .... | assistant foley artist | |
| Frédéric Ullmann | .... | sound | |
Special Effects by | |||
| Philippe Hubin | .... | special effects supervisor | |
| Denis Le Doyen | .... | special effects | |
| Jean-Christophe Magnaud | .... | special effects coordinator | |
Visual Effects by | |||
| Virginie Allal | .... | visual effects assistant | |
| Odile Beraud | .... | scan and shoot | |
| Pierre Blain | .... | digital artist | |
| Gisèle Courcoux | .... | scan and shoot | |
| Claire Cuinier | .... | digital artist | |
| Stéphanie Dargent | .... | matte painter | |
| Olivier Debert | .... | digital artist | |
| Thibault Deloof | .... | digital artist | |
| Jacques Delzescaux | .... | digital artist | |
| Antoine Douadi | .... | Flame artist | |
| Fabien Eigen | .... | scan and shoot | |
| Roxane Fechner | .... | visual effects supervisor | |
| François Gilguy | .... | digital artist | |
| Luc Guénard | .... | calibration | |
| Sébastien Guyot | .... | scan and shoot | |
| Jérémy Justice | .... | digital artist | |
| Christophe Keichinger | .... | scan and shoot | |
| Robert Kfoury | .... | scan and shoot | |
| Marc Latil | .... | digital artist | |
| Francis Lenoir | .... | digital artist | |
| Joyce Menger | .... | visual effects producer | |
| David Montoya | .... | scan and shoot | |
| Frederic Moreau | .... | visual effects producer | |
| Jean-René Nébot | .... | digital color grader | |
| Aude Nguyen-Ngoc | .... | visual effects artist | |
| Thierry Noblet | .... | digital artist | |
| Ugo Pierantoni | .... | digital artist | |
| Isabelle Ramnou | .... | matte painter | |
| Laetitia Roure | .... | digital grading post-production coordinator | |
| Christophe Sabre | .... | scan and shoot | |
| Gérard Soirant | .... | scan and shoot | |
| Melodie Stevens | .... | digital artist (as Mélodie Stevens) | |
| Morgan Varona | .... | digital artist | |
Casting Department | |||
| Domnica Circiumaru | .... | extras casting: Romania | |
| Brigitte Fourcade | .... | extras casting | |
Costume and Wardrobe Department | |||
| Marie Bouvier | .... | costumer | |
| François-Louis Delfolie | .... | costumer | |
| Aurélie Kerbiquet | .... | costumer | |
| Olivier Ligen | .... | costumer | |
| Amalia Misaila | .... | costumer: Romania | |
| Sophie Mollier | .... | costumer | |
| Jean-Marc Pion | .... | costumer | |
| Annie Thiellement | .... | head costumer | |
Editorial Department | |||
| Susana Antunes | .... | post-production assistant | |
| Nicolas Criqui | .... | digital conformation | |
| Mickael Dumontier | .... | digital conformation | |
| Sylvie Lager | .... | assistant editor | |
| Jean-René Nébot | .... | digital color timer | |
| Stéphanie Pedelacq | .... | assistant editor | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Clara Vincienne | .... | post-production assistant | |
Music Department | |||
| Lohengrin Braconnier | .... | assistant music mixer | |
| Jérôme Devoise | .... | score mixer | |
| Jérôme Lateur | .... | music supervisor | |
| Vincent Lebegue | .... | music legal coordinator | |
| Elise Luguern | .... | music production supervisor | |
| Da Octopuss | .... | music producer | |
| Da Octopuss | .... | musician | |
| Samuel Potin | .... | music editor | |
| Mehdi Sayah | .... | assistant music supervisor | |
Transportation Department | |||
| Andrei Sendrea | .... | driver | |
| Olivier Suffert | .... | picture cars | |
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People people people...anyone expecting Citizen Kane out of this movie needs to have their head examined. BUT...if you were looking for a thrilling, fast paced roller-coaster, that's what you will find.
For the past year, I have been seeking out alternatives to American cinema because it has become so formulaic and awful. I troll IMDb and eBay to see what else is happening in the world. Sure, B13 is derivative, but it is certainly more exciting than another "re-imagining" of a 70s cop show.
The opening sequence took my breath away. I was half-way through the film before I felt it was sage to dart to the kitchen for a drink. I said to my wife "THIS is the movie I've been searching for." Even the subtitles were good. The verbiage and spelling were very authentic and slang-conversational. It did not feel forced as many foreign films do. It was definitely subbed with the British market in mind, as some of the banter evoked thoughts of Lock, Stock or Layer Cake or Football Factory.
If I want a truly compelling story, I'll look elsewhere, but check out B13 for the some great fight scenes, excellent scenery and mind-blowing athleticism.