Match Point (2005)

User Rating:

7.8/10   

Director:

Woody Allen

Writer (WGA):

Woody Allen (written by)

Release Date:

20 January 2006 (USA)

Genre:

Crime | Drama | Romance | Sport | Thriller

Tagline:

Passion Temptation Obsession

Plot:

At a turning point in his life, a former tennis pro falls for a femme-fatal type who happens to be dating his friend and soon-to-be brother-in-law.

Plot Keywords:

Tennis | Actress | Instructor | Tennis Pro | Upper Class

Awards:

Nominated for Oscar. Another 6 wins & 10 nominations

Cast

Jonathan Rhys Meyers	...	Chris Wilton (as Jonathan Rhys Meyers)
Alexander Armstrong	...	Mr. Townsend
Paul Kaye	...	Estate Agent
Matthew Goode	...	Tom Hewett
Brian Cox	...	Alec Hewett
Penelope Wilton	...	Eleanor Hewett
Emily Mortimer	...	Chloe Hewett Wilton
Janis Kelly	...	'La Traviata' Performer
Alan Oke	...	'La Traviata' Performer
Mark Gatiss	...	Ping-Pong Player
Scarlett Johansson	...	Nola Rice
Philip Mansfield	...	Waiter
Simon Kunz	...	Rod Carver
Geoffrey Streatfield	...	Alan Sinclair (as Geoffrey Streatfeild)
Mary Hegarty	...	'Rigoletto' Performer

Also Known As:

Woody Allen Summer Project (USA) (working title)
Balle de match (Canada: French title) [fr]
La provocación (Venezuela) [es]
Maç sayisi (Turkey: Turkish title) [tr]
Match Point (Spain) [es]
Match Point (Greece) [el]
Match Point (Italy) [it]
Match Point (Finland) [fi]
Match Point (Denmark) [da]
Ponto Final - Match Point (Brazil) [pt]
Provocación (Mexico) (festival title) [es]
Punto decisivo (Mexico) [es]
Wszystko gra (Poland) [pl]
Zavrsni udarac (Croatia) [hr]

MPAA:

Rated R for some sexuality.

Runtime:

124 min | Turkey:115 min (TV version) | Finland:126 min (theatrical version)

Country:

UK | USA | Ireland | Russia

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital (Mono)

Certification:

UK:12A | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Ireland:15A | Finland:K-11 | Spain:18 | Germany:6 | Austria:12 | Portugal:M/12 | Singapore:NC-16 | Norway:11 | Australia:M | Sweden:15 | Malaysia:(Banned) | Brazil:14 | Argentina:13 | Hong Kong:IIA | Iceland:12 | Hungary:16 | Greece:K-13 | Canada:14A (Ontario) | South Korea:18 | Japan:PG-12 | New Zealand:M | USA:R

Filming Locations:

Belgravia, London, England, UK

Company:

BBC Films

Trivia:

Kate Winslet was originally cast in this film as Nola Rice, but backed out in order to spend more time with her family. Since this was filmed in England Woody Allen had to have a certain percentage of an English cast and crew, apparently he made his quota before casting Winslet, after she dropped out Woody cast American actress Scarlett Johansson.

Goofs:

Factual errors: When Chris lies to Nola about his overseas holiday she finally calls him on his mobile phone to ask him when he'll be home from Sardinia, when of course he never left the UK. Sardinia has a different dialing tone to the UK, so a frequent international traveler like Nola should instantly know that Chris was in the UK when his cell started ringing.

Quotes:

[first lines]
Christopher "Chris" Wilton: The man who said "I'd rather be lucky than good" saw deeply into life. People are afraid to face how great a part of life is dependent on luck. It's scary to think so much is out of one's control. There are moments in a match when the ball hits the top of the net, and for a split second, it can either go forward or fall back. With a little luck, it goes forward, and you win. Or maybe it doesn't, and you lose.

Movie Connections:

References My Architect (2003)

Soundtrack:

Desdemona

Clever, polished, stunner with a lot to say about morality and fidelity

Match Point just joined Brokeback Mountain and Cinderella Man in the top three films for me this year. Like Brokeback Mountain, however, it is almost impossible to write a reasonably intelligent review without writing a spoiler.

I have been a hot and cold Woody Allen watcher, but was only a fan during his comedic phase. So, despite hearing from a few reliable sources that this is Woody's masterpiece, I was skeptical and went in with few expectations. I am glad. Approaching the movie this way allowed it to creep up on me.

The NYC Jewish dialog is gone. The quirky sense of humor is nowhere to be found. the hypersensitivity is missing. Where's Woody? Well, he's in London, but the place and time, despite the opinions of some critics, are largely irrelevant in this film.

There is only one line in this film that indicates its origin - it has something to do with 'intertwined neuroses' and nearly made me laugh.

The first 3/4ths of this film is almost completely taken up with character development, but also contains all of the basics of the inexorable plot that truly unfolds near the end. The characters are all quite likable, and, if you're like me, you will yearn for a happy ending. Watch out! - you've just been hooked and Woody's about to reel you in!

Match Point draws its audience in quietly and slowly at first, defining its territory as a smart, hip, and sophisticated character study early on (in no way unexpected for Mr. Allen), but then it takes an irreversibly sinister turn as one man threatens to bring everybody we have grown to love and respect down with him.

The performances and cinematography in this film are all-around the best I've seen this year. Allen uses a lot of very close-in face shots, and his cast handles it with ease, performing their parts with accuracy and no lack of passion. Jonathan Rhys Meyers, Emily Mortimer, and Scarlett Johanssen are all excellent, and the rest of the cast lends excellent support. I found no fault in the pace or the plot - this is easily Woody's most plot-heavy film, and you can tell that he had a great time putting it together.

The story line of Match Point is powerful, disturbing, and exceedingly clever. Philosophical folks will likely want to talk about it afterward. Some will find it frustrating and others will find it pretentious. Still others will point to Woody's own life and claim that this film is some form of perverse confession. Well, from my perspective, it is simply damn good story-telling.

Highly recommended for adult audiences.