Kaj is an alcoholic living on the money the Danish state is providing him. Him and his friends spend their time drinking beer at a public bench. One day Kaj's life turns upside down when a young lady and her child moves in next to him.
Marius Sonne Janischefska,
Stine Holm Joensen
Anna is a recent graduate theologian who are in search of a job. When she is offered a temporary job as a priest at a women's prison, she sees no reason to say no. There she meets Kate, a ... See full summary »
Annette K. Olesen
Ann Eleonora Jørgensen,
32 year old Charlotte (Trine Dyrholm) could have it all, but she doesn't want it. After moving out of her boyfriend's apartment, she becomes the upstairs neighbor of Veronica (David Dencik), who is in the process of transitioning from male to female. Written by
The film starts with Carolina, hectic owner of a beauty parlor having just moved out from boyfriend Kristian, into the apartment over Veronika. Veronika drags along watching soaps, occasionally fulfilling wishes of sex clients, and desperately awaiting her operation transforming her into the woman she wants to be. After yet another confrontation with her well meaning mother Veronika attempts suicide. Carolina above wakes up, finds her, gets her to hospital and takes Veronika's dog, miss Daisy into her care. After Veronika returns, the neighbours find an interest for each other, in the turmoil of their search for affection with others. During a wild party à deux they even come to feel more, for which however there seems to be no room.
At the beginning the film made me fear I'd come to watch a trendy and fatiguing freak show frenzy, but hanging on it got me more and more interested in the slowly developing strand of tenderness in the middle of these rather chaotic scenes.
With the pink borders of kitsch the film owns to its title (the cliffhanger like voice-over asking the viewer what may come next, the zooming in on the blossoms outside the apartment block where it all takes place) the film convinced me eventually with its moving depiction of the ensuing blossoming of feelings between the main characters. All of this filmed with Dogma-inspired directness, closeness en nervousness, which I don't mind at all.
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