Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
When two brothers organize the robbery of their parents' jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.
Philip Seymour Hoffman,
Werner Ernst is a young hospital resident who becomes embroiled in a legal battle between two half-sisters who are fighting over the care of their comatose father. But are they really ... See full summary »
The mobster Jackie DiNorscio is shot by his own cousin at home while in probation but survives. Later he is arrested dealing drugs and sentenced to thirty years in prison. The prosecutor Sean Kierney proposes a deal to Jackie, immediately releasing him if he testifies against the Lucchese family and other mafia families but Jackie does not accept to rat his friends that he loves. When the trial begins, he asks the judge Finestein to defend himself without the assistance of a lawyer. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the end titles "DiNorscio" is misspelled as "DiNorcio". See more »
You know what I heard one of the lady jurors say today. She said he was cute.
Cute? What the fuck is wrong with these people? Does she have any idea how much money these bastards cost her? If a hammer and a nail are used on her house, her daughter's apartment, every fuckin' thing is costing her more because of these cute guys. She sees a truck carrying concrete, she's paying for it. Garbage being picked up at a restaurant, she's paying for it. She buys perfume from France, gloves from Italy, ...
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When You're Smiling (The Whole World Smiles with You)
Written by Mark Fisher, Joe Goodwin and Larry Shay
Used by permission of EMI Mills Music, Inc.
Performed by Louis Prima
Courtesy of Capitol Records
Under License from EMI Film & Television Music See more »
When I first heard of Sidney Lumet's unorthodox casting lead for this film, I was intrigued because Van Diesel's selection was indeed a daring move. There was little doubt Lumet would err, and he has truly come up with a sensational film and presented us with an outstanding turn by Diesel. The film would have worked and been at least a decent movie because of Lumet's expertise. Getting Diesel to take command of the screen, channel the spirit of the infamous defendant to ultimately convince the audience in both the movie and the theater audience that we were witnessing a rather unique individual.
The success of the film hangs on every single line that Diesel delivers. There is conviction and sincerity in his delivery. Here is a character that has a tarnished background, ultimately finds an outlet for a new perspective in life, and runs with it. Eventually, we get to discover he is a more powerful force than we expected.
Lumet once again shapes the film with his assured hand, allowing the actors to shine in their respective roles, not interfering with dialog that is practically taken from original transcripts by adding over-dramatic touches or unnecessary inspirational music. There are long silences when we are allowed to reflect on what is taking place in front of us. We see a situation change, witness how the players moves are changed because of unexpected twists in the story, and never is the intensity of true emotions and the power of relationships diluted by a false note. There is a superb scene between Diesel and his ex wife, in a great performance by Sciorra that is both incredibly moving and sexy. These are real people with overpowering feelings and passionate exchanges, and it all comes through because of these two performers' chemistry and electrifying delivery.
This is a film that will probably divide its audiences, depending on what you think of the defendant and his connections, but most people will probably agree that a star has been born, and with the support of a masterful director, we can see that he deserves to have a long and fruitful career in front of him. Many people heaped praise on Hoffman not too long ago. I felt Diesel outdid Hoffman because this time the gimmick and the make up felt apart by the soulful approach of a real actor.
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