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Michael Carnes (written by) &
Josh Gilbert (written by)
14 September 2007 (USA) more
Letting Go Of Your Past Is Hard... Especially When It's Dating Your Mom. more
Taken aback by his mother's wedding announcement, a young man returns home in an effort to stop her from marrying his old high school gym teacher, a man who made high school hell for generations of students. | full synopsis
Prokop to join Fraser in 'Vengeance'
(From Monsters and Critics. 11 June 2009, 10:34 AM, PDT)
Matt Prokop Has Furry Vengeance
(From MovieWeb. 10 June 2009, 6:17 PM, PDT)
A Nutshell Review: Mr. Woodcock more (63 total)
Directed by | |||
| Craig Gillespie | |||
Writing credits(WGA) | ||
| Michael Carnes | (written by) & | |
| Josh Gilbert | (written by) | |
Produced by | |||
| Kent Alterman | .... | executive producer | |
| Bob Cooper | .... | producer | |
| David Dobkin | .... | producer | |
| Toby Emmerich | .... | executive producer | |
| Keith Goldberg | .... | co-executive producer | |
| Brian Inerfeld | .... | co-producer | |
| Karen Lunder | .... | executive producer | |
| Diana Pokorny | .... | executive producer | |
| Michele Weiss | .... | co-executive producer | |
Original Music by | |||
| Theodore Shapiro | |||
Cinematography by | |||
| Tami Reiker | (director of photography) | ||
Film Editing by | |||
| Alan Baumgarten | |||
| Kevin Tent | |||
Casting by | |||
| Mary Vernieu | |||
Production Design by | |||
| Alison Sadler | |||
Art Direction by | |||
| Gaston Langer | |||
| James F. Truesdale | |||
Set Decoration by | |||
| Jay Hart | (as Jay R. Hart) | ||
Costume Design by | |||
| Wendy Chuck | |||
Makeup Department | |||
| Patricia Androff | .... | key makeup artist | |
| Fríða Aradóttir | .... | hair stylist: Ms. Sarandon (as Frida Aradottir) | |
| Marilyn Carbone | .... | makeup artist: Ms. Sarandon | |
| Robin Day | .... | hair stylist: Ms. Sarandon, additional photography | |
| Cammy R. Langer | .... | hair stylist (as Cammy Langer) | |
| Amy Lederman | .... | makeup artist | |
| Deborah Ann Piper | .... | department head hair | |
| Keith Sayer | .... | key makeup artist: additional photography | |
| Janeen Schreyer | .... | makeup artist: Mr. Thornton | |
| Joani Yarbrough | .... | hair stylist: Mr. Thornton | |
Production Management | |||
| Jan Foster | .... | unit production manager | |
| Robin Mulcahy Fisichella | .... | production supervisor: additional photography | |
| Rick Reynolds | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Bac DeLorme | .... | second assistant director | |
| Jonathan McGarry | .... | first assistant director | |
| Paul Schmitz | .... | second second assistant director | |
Sound Department | |||
| Candice Baldwin | .... | additional sound | |
| Gregg Barbanell | .... | foley artist | |
| Ron Bedrosian | .... | adr mixer | |
| Steve Cantamessa | .... | sound mixer | |
| Kerry Ann Carmean | .... | sound effects editor | |
| Patrick Cyccone Jr. | .... | sound re-recording mixer | |
| Victor Ray Ennis | .... | supervising sound editor | |
| Nerses Gezalyan | .... | foley mixer | |
| Michael Hertlein | .... | dialogue editor | |
| Daniel S. Irwin | .... | adr & dialogue editor | |
| Kenneth L. Johnson | .... | sound editor | |
| Scott La Rue | .... | boom operator | |
| Daryl Lathrop | .... | adr recordist | |
| Daniel J. Leahy | .... | sound re-recording mixer | |
| Mark Ormandy | .... | additional sound | |
| Lucy Sustar | .... | foley mixer | |
| Matthew E. Taylor | .... | sound effects recordist | |
| Gary Thomas | .... | boom operator | |
| Eric Thompson | .... | adr mixer | |
| Lisa Varetakis | .... | dialogue editor | |
| Jeffrey Wilhoit | .... | foley artist | |
| Andrew Garrett Lange | .... | post sound intern (uncredited) | |
Special Effects by | |||
| Jeremy Hays | .... | special effects director | |
| Brendon O'Dell | .... | special effects technician | |
| Ken Rudell | .... | special effects | |
Visual Effects by | |||
| Justin DeLong | .... | digital artist | |
| John Healy | .... | restoration | |
| Gerald Ragland | .... | digital intermediate support colorist | |
| Stefan Sonnenfeld | .... | digital intermediate colorist | |
| Antonio Torres | .... | digital artist: Pacific Title | |
| Susan M. Weeks | .... | digital effects artist | |
Stunts | |||
| Chris Carnel | .... | stunt double: Billy Bob Thornton | |
| Steve M. Davison | .... | stunt coordinator | |
| Donald Erfert | .... | utility stunts | |
| Houston Hooker | .... | stunt double | |
| Kanan Hooker | .... | stunt double | |
| Gary Jensen | .... | stunt coordinator | |
| Brett Smrz | .... | stunt performer | |
| Justin Sundquist | .... | stunt double | |
| Thom Williams | .... | stunt double: Ethan Suplee | |
Casting Department | |||
| Sasha Adkinson | .... | extras casting | |
| Venus Kanani | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jeannine Bourdaghs | .... | costume supervisor | |
| Toby Bronson | .... | set costumer | |
| Carrie Grace | .... | assistant costume designer | |
| Brad Holtzman | .... | set costumer | |
| Jeannie H. Kelly | .... | costumer | |
| Ann Miller | .... | key set costumer | |
| Reiko Porter | .... | costume production assistant | |
| Ivory Stanton | .... | costume ager/dyer | |
| Susan Strubel | .... | costumer: Mr. Thornton (as Susan M. Strubel) | |
Editorial Department | |||
| Salvatore Catanzaro | .... | on-line editor | |
| Kevin Gasca | .... | post-production assistant | |
| Elana Joy Livneh | .... | assistant editor | |
| David Marks | .... | post-production assistant | |
| Nick Monton | .... | digital intermediate supervisor | |
| Missy Papageorge | .... | digital intermediate producer | |
| Jim Passon | .... | color timer | |
| Dov Samuel | .... | associate editor | |
| Stefan Sonnenfeld | .... | digital intermediate colorist | |
| Jimmy Tom | .... | additional colorist | |
| Kristen Young | .... | assistant editor | |
| Ian Turpen | .... | digital intermediate scanner: Company 3 (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor: orchestra | |
| Pete Anthony | .... | orchestrator | |
| Lee Blaylock | .... | music clearances | |
| Bob Bowen | .... | music executive | |
| Bryan Carrigan | .... | digital score recordist | |
| Bryan Clements | .... | scoring crew | |
| Bruno Coon | .... | music editor | |
| Mark Eshelman | .... | scoring crew | |
| Chris Fogel | .... | music scoring mixer | |
| James Fogel | .... | assistant scoring engineer | |
| Mark Graham | .... | music preparation | |
| Jon Kull | .... | orchestrator | |
| Greg Loskorn | .... | scoring technician | |
| Adam Michalak | .... | score recordist | |
| Peter Rotter | .... | orchestra contractor | |
| Steven L. Smith | .... | music preparation | |
Transportation Department | |||
| Vaughn Bladen | .... | driver | |
| Denny Caira | .... | transportation coordinator | |
| Karen K. Chang | .... | transportation office coordinator | |
| Ken Farnell | .... | driver: re-shoots | |
| Tyler W. Gaisford | .... | picture car coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
| Joe Meylor | .... | transportation co-captain reshoots | |
| Mike Shannon | .... | transportation captain | |
| Tim Sisson | .... | transportation captain | |
| James Waitkus | .... | driver | |
| Bonnie Yamahiro | .... | driver: re-shoots | |
Thanks | |||
| Tyra Banks | .... | special thanks | |
| Lisa Beach | .... | special thanks | |
| Garth Craven | .... | special thanks | |
| Greg Hayden | .... | special thanks | |
| Sarah Katzman | .... | special thanks | |
| Eric Zumbrunnen | .... | special thanks | |
Adivina con quién salgo (Mexico) [es]
Anyámon a tanárom (Hungary) [hu]
Beden ögretmeni bay Woodcock (Turkey: Turkish title) [tr]
Cuestión de pelotas (Spain) [es]
Em pé de guerra (Brazil) [pt]
Enemigo en casa (Argentina) [es]
Monsieur Woodcock (Canada: French title) [fr]
Mr. Woodcock (Greece) (DVD title) [el]
Mr. Woodcock - Stefaren fra helvete (Norway) (TV title) [no]
more
Rated PG-13 for crude and sexual content, thematic material, language and a mild drug reference.
USA:87 min
2.35 : 1 more
Dolby Digital | SDDS | DTS
Ireland:15A | Singapore:NC-16 | UK:12A | Canada:14A (Ontario) | Canada:G (Quebec) | Finland:K-11 | Canada:PG (Alberta/British Columbia/Manitoba) | USA:PG-13 (certificate #42285) | Singapore:PG (edited version) | Philippines:R-13 | Taiwan:PG-12 | South Korea:15 | Argentina:13 | Australia:M | Norway:10 (TV rating) | Iceland:L
David Dobkin directed three weeks of re-shoots, according to Patrick Goldstein in the Los Angeles Times 10 August 2007 more
Errors in geography: When John arrives home at the airport in Nebraska, there are palm trees in the background. more
John Farley:
Lets go, Woodcock.
Mr. Woodcock:
You must like getting spanked, Farley. I guess it runs in the family.
more
Featured in "Siskel & Ebert & the Movies: (2007-09-15)" (2007) more
Treading Water more
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"Take a lap!" "Set of 10!"
With a name like W-o-o-d-c-o-c-k (roll it off your tongue slowly for maximum effect), you'd have expect the jokes to come fast and furious about the appendage. Well there are, however, the best parts of Mr Woodcock are not the sexual innuendos, but come from the various gymnasium scenes, where Jasper Woodcock (Billy Bob Thorton) the PE teacher runs his classes like a sadistic drill sergeant, and all the misfits tremble in fear and loathe as he puts them through the paces, with physical, mental and emotional abuse dished out in deadpan manner. The filmmakers know this, and set the bar high enough from the get go, but only for the movie to spiral in the general southwards direction.
Thirteen years after his unforgettable years of growing up under Mr Woodcock's insults, John Farley (Seann William Scott) becomes a renowned self help guru and published a bestseller called "Letting Go: How to Get Past Your Past", because it takes one successful loser to teach the rest how to move on. During a journey back home where you're hit with a barrage of literally corny jokes, John realizes to his horror that his mother Beverly (Susan Sarandon) is now dating Mr Woodcock, and he makes it his mission to dissuade her from giving him a new stepdad, one who has been the bane of his childhood.
That basically becomes the premise of the movie, and a highly predictable one at that. You'll see from a mile away every conceivable plot development coming toward you, and it doesn't help that the short run time of under 90 minutes probably meant some material were reserved for the DVD release. You can tell by some of the continuity errors, helped in no part by John's bad haircut episode.
Billy Bob Thorton owns the movie as Woodcock, delivery his deliciously acidic remarks with aplomb. Alpha-male type roles are nothing new to Thorton, and bullying or whipping losers to shape are part of the game, just like School for Scoundrels. And here he plays the unapologetic teacher with EQ problems, taking perverse delight in seeing his charges suffer. Sean William Scott is better known unfortunately for his loud and over the top Stifler from the American Pie movies, but given a rather muted character like John Farley, he fades away quicker than you can spell l-o-s-e-r. Susan Sarandon rounds up the lead cast as the woman caught between two men, and frankly I thought it was like an extension of her mother's role in Elizabethtown. Look out for more Sarandon in an upcoming movie called Enchanted, which takes the mickey out of a Disney movie. Most of the other supporting cast like Amy Poehler and Ethan Suplee got wasted, with the former being a self-professed alcoholic Barbie doll, while the other a fanatic who had read John's book 900 times and counting.
Mr Woodcock isn't laugh out loud or laugh a minute, but it has its moments. Sadly, most of the best bits made their way to the trailers, making the movie seem like an empty shell. And given the editing fiasco of late, Mr Woodcock suffers from censorship too, with what I thought was just verbal expressions of ecstasy being snipped off and left on the cutting room floor. Pity.