| Photos (see all 53 | slideshow) | Videos (see all 3) |
| Will Ferrell | ... | Harold Crick | |
| William Dick | ... | IRS Co-Worker #1 | |
| Guy Massey | ... | IRS Co-Worker #2 | |
| Martha Espinoza | ... | IRS Co-Worker #3 | |
| T.J. Jagodowski | ... | IRS Co-Worker #4 | |
| Peter Grosz | ... | IRS Co-Worker #5 | |
| Ricky Adams | ... | Young Boy | |
| Christian Stolte | ... | Young Boy's Father | |
| Denise Hughes | ... | Kronecker Bus Driver | |
| Peggy Roeder | ... | Polish Woman | |
| Tonray Ho | ... | IRS Co-Worker #6 | |
| Tony Hale | ... | Dave | |
| Maggie Gyllenhaal | ... | Ana Pascal | |
| Danny Rhodes | ... | Bakery Employee #1 | |
| Helen Young | ... | Bakery Customer #1 | |
| David Pompeii | ... | Bakery Customer #2 | |
| Linara Washington | ... | Bakery Employee #2 | |
| Larry Neumann Jr. | ... | Homeless Man | |
| Emma Thompson | ... | Karen Eiffel | |
| John Mohrlein | ... | Man with Hose | |
| Queen Latifah | ... | Penny Escher | |
| Tom Hulce | ... | Dr. Cayly | |
| Bruce Jarchow | ... | Commuter | |
| Linda Hunt | ... | Dr. Mittag-Leffler | |
| Dustin Hoffman | ... | Professor Jules Hilbert | |
| Kristin Chenoweth | ... | Book Channel Host | |
| Bradley Mott | ... | Large Man on Bus | |
| John M. Watson Sr. | ... | TV Author (as John Watson Sr.) | |
| David Wiegers | ... | Bakery Customer #3 | |
| Jarrett Sleeper | ... | Bakery Customer #4 | |
| Karen Lloyd | ... | Customer with Tan | |
| Keith Kupferer | ... | Demolition Foreman | |
| Danny McCarthy | ... | Demolition Crew #1 | |
| Tab Baker | ... | Demolition Crew #2 | |
| Mark Buettner | ... | Claw Operator | |
| Christian Young | ... | ER Doctor #1 | |
| Arraon Skippa Hixson | ... | Young Man Patient (as Arraon Hixson) | |
| Bryan Kelly | ... | ER Orderly | |
| Whitney Sneed | ... | ER Nurse #2 | |
| Ray Kurut | ... | ER Doctor #2 | |
| Celeste Pechous | ... | ER Nurse #2 | |
| Michael Cook | ... | ER Doctor #3 | |
| Cheryl Lynn Bruce | ... | Head ER Nurse | |
| Chet Dubowski | ... | Man in Tweed | |
| Ora Jones | ... | Banneker Press Receptionist | |
| Jordan Keller | ... | Grocer | |
| Herb Lichtenstein | ... | IRS Co-Worker #7 | |
| Stacey Jackson | ... | IRS Co-Worker #8 | |
| Jordan Teplitz | ... | Old Man on Phone | |
| Ricardo Gutiérrez | ... | Bus Company Manager | |
| James Mazza | ... | Irritated Man on Bus | |
| Oscar Roxas | ... | Another Man on Bus | |
| Nadirah Bost | ... | Accident Witness | |
| Sandra Marquez | ... | Accident Witness | |
| Lacy Coil | ... | Accident Witness | |
| Will Clinger | ... | Accident Witness | |
| Al Samuels | ... | Accident Witness (as Albert Samuels) | |
| Frank Caeti | ... | Accident Witness | |
| Andrew Rothenberg | ... | Doctor Mercator | |
| Rengin Altay | ... | Nurse | |
| Lucinda Kemp | ... | Bus Operator #1 | |
| Donna Watkins | ... | Bus Operator #2 | |
| Julien Heron | ... | Animal Footage Voice Over (voice) | |
| Lora Cain | ... | Animal Footage Voice Over (voice) | |
| Bob Papenbrook | ... | Animal Footage Voice Over (voice) | |
| Mike McColl | ... | Animal Footage Voice Over (voice) | |
| rest of cast listed alphabetically: | |||
| Nathan Adloff | ... | Bakery Patron (uncredited) | |
| Holly Barrett | ... | Truck Driver (uncredited) | |
| Rishi Chitkara | ... | Student (uncredited) | |
| Lori Claussen | ... | Woman with Dog (uncredited) | |
| Sue Durso | ... | IRS Agent (uncredited) | |
| Andrea Frisby | ... | Commuter (uncredited) | |
| Alex Gil | ... | College Student (uncredited) | |
| Eli Goodman | ... | Augustus Chatman (uncredited) | |
| Bob Kolbey | ... | Professor Polo (uncredited) | |
| Tim Krueger | ... | Business Man (uncredited) | |
| Jamie Louachai | ... | Movie Patron / El Passenger (uncredited) | |
| Sergio Mojica | ... | Business Person (uncredited) | |
| Sia A. Moody | ... | Nurse #3 (uncredited) | |
| January Stern | ... | Bus Riding Mom (uncredited) | |
| Ron Valdez | ... | Orderly (uncredited) | |
| Andrea N. Winters | ... | IRS Worker (uncredited) | |
Directed by | |||
| Marc Forster | |||
Writing credits(WGA) | ||
| Zach Helm | (written by) | |
Produced by | |||
| Lindsay Doran | .... | producer | |
| Joseph Drake | .... | executive producer (as Joe Drake) | |
| Aubrey Henderson | .... | co-producer | |
| Nathan Kahane | .... | executive producer | |
| Eric Kopeloff | .... | executive producer | |
| Jim Miller | .... | co-producer | |
Original Music by | |||
| Britt Daniel | |||
| Brian Reitzell | |||
Cinematography by | |||
| Roberto Schaefer | (director of photography) | ||
Film Editing by | |||
| Matt Chesse | |||
Casting by | |||
| Kathy Driscoll | (as Kathleen Driscoll-Mohler) | ||
| Francine Maisler | |||
Production Design by | |||
| Kevin Thompson | |||
Art Direction by | |||
| Craig Jackson | |||
Set Decoration by | |||
| Ford Wheeler | |||
Costume Design by | |||
| Frank L. Fleming | (as Frank Fleming) | ||
Makeup Department | |||
| Laverne Caracuzzi | .... | key makeup artist | |
| Chelo | .... | assistant makeup artist | |
| Deborah K. Dee | .... | key hair stylist | |
| Latrice Edwards | .... | additional makeup artist | |
| Agnes M. Gibicar | .... | additional hair stylist | |
| Lisa Layman | .... | makeup department head | |
| Frances Mathias | .... | hair department head | |
| Valli O'Reilly | .... | makeup artist: Mr. Hoffman | |
| Vicki Vacca | .... | makeup artist (uncredited) | |
Sound Department | |||
| Courtney Bishop | .... | adr recordist | |
| John Cannon | .... | first assistant sound editor | |
| Robert Deschaine | .... | adr mixer (as Bob Deschaine) | |
| Mark DeSimone | .... | sound engineer | |
| Dino Dimuro | .... | sound editor | |
| Lisle Engle | .... | sound editor (as Lyle Engle) | |
| Jonathan Fallon | .... | adr assistant (as Jon Fallon) | |
| Jonathan Fallon | .... | dialogue assistant (as Jon Fallon) | |
| Jonathan Fallon | .... | sound editor | |
| John P. Fasal | .... | sound effects recordist (as John Fassal) | |
| Marilyn Graf | .... | foley mixer | |
| Marc Hayes | .... | sound engineer | |
| Lora Hirschberg | .... | sound re-recording mixer | |
| Richard Jory | .... | ProTools recordist | |
| Richard Jory | .... | sound recordist | |
| Mary Jo Lang | .... | foley mixer | |
| Scott Millan | .... | sound re-recording mixer | |
| Michael Miller | .... | adr mixer | |
| Alyson Dee Moore | .... | foley artist (as Alyson Moore) | |
| Scott Morgan | .... | foley recordist | |
| Bruce Nyznik | .... | supervising adr editor | |
| Bruce Nyznik | .... | supervising dialogue editor | |
| David Obermeyer | .... | sound mixer | |
| Mark Ormandy | .... | sound effects recordist | |
| John Pospisil | .... | special sound effects | |
| Eric Potter | .... | sound effects recordist | |
| Bill Ritter | .... | chief sound engineer | |
| John Roesch | .... | foley artist | |
| Geoffrey G. Rubay | .... | sound designer | |
| Geoffrey G. Rubay | .... | supervising sound editor | |
| Blair Scheller | .... | boom operator | |
| Michael Semanick | .... | sound re-recording mixer | |
| Danny Sheehan | .... | additional adr coordinator | |
| Gary L.G. Simpson | .... | chief sound engineer (as Gary Simpson) | |
| Greg Steele | .... | adr mixer | |
| Matthew E. Taylor | .... | sound effects recordist (as Mathew Taylor) | |
| Jon Title | .... | sound editor (as John Title) | |
| Tami Treadwell | .... | adr recordist | |
| Drew Webster | .... | digital sound mix technician | |
| David Weisberg | .... | adr mixer | |
| Ronald L. Wright | .... | boom operator | |
| Greg Zimmerman | .... | adr recordist | |
| Richard Jory | .... | ProTools engineer (uncredited) | |
Special Effects by | |||
| Joel Bennett | .... | special effects assistant | |
| Jason Breitzman | .... | special effects crew | |
| Chris Cline | .... | special effects technician: reshoots | |
| George DiSalvo | .... | special effects assistant | |
| Ryan Hanson | .... | special effects assistant | |
| Kyle Holden | .... | special effects | |
| Frank Krenmuller | .... | special effects foreman (as Frank R. Krenmuller) | |
| Don Parsons | .... | special effects coordinator | |
| Danny Sokolowski | .... | set special effects (as Dan Sokolowski) | |
| Bruce A. Strong | .... | set special effects (as Bruce Strong) | |
| Rob Yale | .... | special effects crew | |
Visual Effects by | |||
| Krista Allain | .... | visual effects production manager: Intelligent Creatures Inc. | |
| Mandy Arnold | .... | digital restoration artist | |
| Artin Aryaei | .... | digital compositor: Intelligent Creatures Inc. | |
| Greg Astles | .... | lead compositor: Intelligent Creatures Inc. | |
| Sneha Astles | .... | digital compositor: Intelligent Creatures Inc. (as Sneha Prabhakaran) | |
| Stéphane Audit | .... | systems administrator: FX Cartel | |
| Travis Avitabile | .... | digital intermediate support: Laser Pacific | |
| Louise Baker | .... | previsualization artist: Proof | |
| Adrian Banton | .... | visual effects supervisor: Double Negative | |
| Sarah Barker | .... | visual effects editorial: Double Negative | |
| Danny Bergeron | .... | visual effects executive producer: Mokko Studio | |
| Craig Bilsky | .... | digital intermediate support: Laser Pacific | |
| Paul Birkett | .... | rotoscope artist: Double Negative | |
| Andrea Bonetto | .... | visual effects production assistant: BarXseven | |
| Alain Bouchard | .... | visual effects consultant: FX Cartel | |
| Carole Bouchard | .... | executive producer: FX Cartel | |
| Jean Boucher | .... | visual effects coordinator: MOKKO Studio | |
| Jean-Christophe Boue | .... | digital compositor: Mokko Studio | |
| Nik Brownlee | .... | rotoscope artist: Double Negative | |
| Kris Carson | .... | digital compositor: Intelligent Creatures Inc. | |
| Eddy Chan | .... | digital artist: MOKKO Studio | |
| Dominic Cheung | .... | 3D artist: Intelligent Creatures Inc. | |
| Martin Ciastko | .... | digital compositor: BarXseven | |
| Bill Coffin | .... | visual effects | |
| Dayne Cowan | .... | CG supervisor: Double Negative | |
| Etienne Daigle | .... | digital compositor: FX Cartel | |
| Dimitri Delacovias | .... | senior digital matte painter: Double Negative | |
| Angela De Palma | .... | visual effects coordinator: FX Cartel | |
| Philippe Desiront | .... | digital compositor: BarXseven | |
| Louis Desrochers | .... | digital artist: MOKKO Studio | |
| Dan Dixon | .... | associate visual effects supervisor: Intelligent Creatures | |
| Thai Son Doan | .... | digital compositor: Digital Dimension | |
| Danny Duchesneau | .... | digital compositor: BarXseven | |
| Peter Dydo | .... | 3D artist: Intelligent Creatures Inc. | |
| George Fok | .... | additional visual effects designer: FX Cartel | |
| Kevin Footlik | .... | digital stills coordinator | |
| Dan Fortin | .... | additional visual effects designer: FX Cartel | |
| Kathryn Fowler | .... | visual effects coordinator (as Katie Kerr) | |
| Tarn Fox | .... | lead compositor: BarXseven | |
| Ron Frankel | .... | previs supervisor: Proof | |
| Mohammad Ghorbankarimi | .... | associate visual effects supervisor: Intelligent Creatures Inc. | |
| Anne-Marie Ghosn | .... | visual effects consultant: FX Cartel | |
| Raymond Gieringer | .... | visual effects supervisor: Intelligent Creatures Inc. | |
| Benoit Girard | .... | visual effects executive producer: Digital Dimension | |
| Charles Granger | .... | lead compositor: Digital Dimension | |
| Chloe Grysole | .... | visual effects producer: FX Cartel | |
| Andy Hague | .... | visual effects editorial: Double Negative | |
| Gunnar Hansen | .... | visual effects supervisor: FX Cartel | |
| Meinert Hansen | .... | character designer: FX Cartel | |
| Pete Hanson | .... | scan record manager: Double Negative | |
| Michael Hatton | .... | visual effects technical advisor: Intelligent Creatures Inc. | |
| Kevin Tod Haug | .... | visual effects designer | |
| Michel Héroux | .... | visual effects producer: Digital Dimension | |
| Konstantin Hristozov | .... | digital compositor: MOKKO Studio | |
| Christian Irles | .... | CG supervisor: Klon Films | |
| Stephen James | .... | rotoscope artist: Double Negative | |
| David Kessous | .... | additional visual effects designer: FX Cartel | |
| Jeffrey Klug | .... | systems administrator: Intelligent Creatures Inc. (as Jeff Klug) | |
| David Knox | .... | motion control operator: second unit (as Dave Knox) | |
| Lev Kolobov | .... | senior digital compositor: Intelligent Creatures Inc. | |
| Jason Kolodziejczak | .... | 2D technical director: Intelligent Creatures Inc. | |
| Alain Lachance | .... | lead compositor: Mokko Studio | |
| Alain Lachance | .... | visual effects supervisor: MOKKO Studio | |
| Ken Lam | .... | digital matte artist and digital compositor: Intelligent Creatures Inc. | |
| Virginie Lamotte | .... | digital compositor | |
| Wendy Lanning | .... | executive visual effects producer: Intelligent Creatures Inc. | |
| Martin Larrivée | .... | digital compositor: Digital Dimension | |
| Ethan Lee | .... | 3D technical director: Intelligent Creatures Inc. | |
| Mai-Ling Lee | .... | 3D artist: Intelligent Creatures Inc. | |
| Sam Lee | .... | digital compositor: Intelligent Creatures Inc. | |
| Stephane Legault | .... | additional visual effects designer: FX Cartel | |
| Jonathan Legris | .... | additional visual effects designer: FX Cartel | |
| Jonathan Legris | .... | digital artist | |
| Charles Le Guen | .... | CG supervisor: BarXseven | |
| Margarida Leong | .... | 3D artist: Intelligent Creatures Inc. | |
| Danny Levesque | .... | digital effects artist: MOKKO Studio | |
| Jacques Levesque | .... | digital compositor: FX Cartel | |
| Laurence Lok | .... | digital compositor | |
| Sean Looper | .... | pipeline technical director: Digital Dimension | |
| Jason Maher | .... | 3D artist: Intelligent Creatures Inc. | |
| Paul Maples | .... | motion control operator: second unit | |
| Simon Marinof | .... | CG supervisor: Digital Dimension | |
| Jean-Yves Martel | .... | executive producer: FX Cartel | |
| Marc Massicotte | .... | digital compositor: MOKKO Studio | |
| Jim Maxwell | .... | digital matte artist: Intelligent Creatures Inc. | |
| Leslie McMinn | .... | visual effects producer | |
| Lon Molnar | .... | visual effects creative advisor: Intelligent Creatures Inc. | |
| Jerome Morin | .... | visual effects executive producer: Digital Dimension | |
| Jean-Francois Morissette | .... | 3D tracking and layout | |
| Jean-Francois Morissette | .... | CG artist: BarXseven | |
| C. Michael Neely | .... | previs animator | |
| Chris Nokes | .... | visual effects coordinator: Intelligent Creatures Inc. | |
| Pete O'Connell | .... | digital compositor: BarXseven | |
| Ciaran O'Connor | .... | junior matte painter and digital compositor: Intelligent Creatures Inc. | |
| Stéphane Paradis | .... | digital compositor: Digital Dimension | |
| Scott Parker | .... | systems administrator: Intelligent Creatures Inc. | |
| Hojin Park | .... | digital compositor: Intelligent Creatures Inc. | |
| Yvan Pinard | .... | additional visual effects designer: FX Cartel | |
| Helen Raicevic | .... | visual effects consultant: FX Cartel | |
| Jay Randall | .... | visual effects supervisor: BarXseven | |
| Charles Richer | .... | digital compositor: MOKKO Studio | |
| Jean-Pierre Riverin | .... | digital effects artist: MOKKO Studio | |
| Tyler Robb | .... | production assistant: Intelligent Creatures Inc. | |
| Marc A. Rousseau | .... | visual effects producer: Mokko Studio | |
| Gia Sadhwani | .... | senior animator: Double Negative | |
| Sean Samuels | .... | digital matte painter: Intelligent Creatures Inc. | |
| Geoff Sayer | .... | digital compositor: Intelligent Creatures Inc. | |
| Robert Sethi | .... | senior animator: Double Negative | |
| Craig Shumard | .... | motion control technician: second unit | |
| Leonardo Silva | .... | 3D artist: Intelligent Creatures Inc. | |
| Vicki Silva | .... | digital compositor: Intelligent Creatures Inc. | |
| Clancy Silver | .... | lead compositor: Intelligent Creatures Inc. | |
| Phillip Stamp | .... | additional visual effects designer: FX Cartel | |
| Tom Steadman | .... | matchmove artist: Double Negative | |
| Mai Suzuki | .... | digital restoration artist | |
| Christopher Sweet | .... | studio assistant: Double Negative | |
| Mehrdad Tavakkolian | .... | 3D artist: Intelligent Creatures Inc. | |
| Andy Taylor | .... | visual effects producer: Double Negative | |
| Scott Taylor | .... | rotoscope artist: Double Negative | |
| Mahvash Tehrani | .... | 3D artist: Intelligent Creatures Inc. | |
| Zelda Tinska | .... | visual effects scan record assistant: Double Negative | |
| Soufiane Touzline | .... | digital compositor: MOKKO Studio | |
| Wayne Traudt | .... | 3D artist: Intelligent Creatures Inc. | |
| Wayne Traudt | .... | 3D supervisor: Intelligent Creatures Inc. | |
| Andre Tréjo | .... | digital intermediate support: Laser Pacific (as Andre Trejo) | |
| Mathieu Tremblay | .... | visual effects coordinator: MOKKO Studio | |
| Liam Tully | .... | visual effects scan record assistant: Double Negative | |
| Martial Vincent | .... | executive producer: FX Cartel | |
| Tim Warnock | .... | senior digital matte painter: Intelligent Creatures Inc. | |
| Katie Wells | .... | visual effects executive producer: FXCartel | |
| Dan Wheaton | .... | senior digital matte painter: Intelligent Creatures Inc. | |
| Linda Williams | .... | digital intermediate editor | |
| Helen Wood | .... | compositor: Double Negative | |
| Diane Wright | .... | digital asset manager: Laser Pacific | |
| Owen Hammer | .... | rotoscope artist (uncredited) | |
| Craig Kuehne | .... | roto artist: MK12 (uncredited) | |
| Taz Lodder | .... | technical support: Double Negative (uncredited) | |
| Steve Lynn | .... | technical support (uncredited) | |
| Derek Rausch | .... | roto artist: MK12 (uncredited) | |
Stunts | |||
| Frank P. Calzavara | .... | stunts (as Frank Calzavara) | |
| Tobiasz Daszkiewicz | .... | stunt bus driver | |
| Eddie J. Fernandez | .... | stunts (as Ed Fernandez) | |
| James Fierro | .... | stunts (as Jim Fierro) | |
| Mark Harper | .... | stunts | |
| Richard L. LeFevour | .... | stunts | |
| Rick Le Fevour | .... | stunt coordinator (as Rick LeFevour) | |
| Tom Lowell | .... | stunts | |
| Daniel Maldonado | .... | stunts (as Dan Moldonado) | |
| James R. Mammoser | .... | stunts (as Jim Mammoser) | |
| Tom McComas | .... | stunts | |
| Tom McHenry | .... | stunts | |
| Natalie M. Meyer | .... | stunts (as Natalie Meyer) | |
| Carl Paoli | .... | stunts | |
| Linda Perlin | .... | stunts | |
| Alicia Skirball | .... | stunts | |
| Kevin Sorenson | .... | stunts | |
| Jodi Starnes | .... | stunts | |
| Bobby Stuart | .... | stunts (as Bob Stuart) | |
| Rich Wilkie | .... | stunts | |
Casting Department | |||
| Jocelyn Delk | .... | extras casting assistant | |
| Cicely D. Harris | .... | extras casting assistant | |
| Clare Morris | .... | extras casting assistant | |
| Joan Philo | .... | extras casting | |
| Bridget Quinn | .... | extras casting assistant | |
| Loriel Samaras | .... | extras casting assistant | |
| Merry Alderman | .... | casting assistant (uncredited) | |
| Matt Miller | .... | casting associate: Chicago (uncredited) | |
| Mickie Paskal | .... | casting: Chicago, Tenner, Pascal & Rudnicke casting Inc. (uncredited) | |
| Jennifer Rudnicke | .... | casting: Chicago, Tenner, Pascal & Rudnicke casting Inc. (uncredited) | |
| Dave Shin | .... | extras casting intern (uncredited) | |
Costume and Wardrobe Department | |||
| Claire Connelly | .... | costume coordinator | |
| Lizzie Cook | .... | set costumer | |
| Lisa R. Frucht | .... | assistant costume designer (as Lisa Frucht) | |
| Marylou Lim | .... | costumer: Mr. Ferrell | |
| Eileen McCahill | .... | costume supervisor | |
| Sukari McGill | .... | set costumer | |
| Rachael Ohman | .... | costumer | |
| Domenico Vacca | .... | suits: Will Ferrell, Dustin Hoffman and Queen Latifah | |
| Julie Yrjanson | .... | set costumer (as Julie Yrianson) | |
Editorial Department | |||
| Kyle DeVriendt | .... | digital film recordist | |
| Robin Gonsalves | .... | editorial production assistant | |
| Bruce Goodman | .... | colorist: dailies, Laser Pacific | |
| Harry Muller | .... | color timer: DeLuxe | |
| Alex Olivares | .... | first assistant editor | |
| Mike Sowa | .... | digital intermediate color timer: Laser Pacific | |
| Chad Sustin | .... | post-production coordinator | |
| Lawrence Howard Williams | .... | post digital media operator | |
Music Department | |||
| Christine Bergren | .... | music clearance | |
| Erik Gavriluk | .... | score recordist: Bombfactory | |
| Jerry Harrison | .... | score pre-mixer | |
| Stephanie Lowry | .... | music editor | |
| Roger Neill | .... | music arranger | |
| Roger Neill | .... | orchestrator | |
| Brian Reitzell | .... | music supervisor | |
| Brian Reitzell | .... | score mixer | |
| Justin Stanley | .... | score mixer | |
| Eric Thorngren | .... | score pre-mixer (as Eric 'E.T.' Thorngren) | |
| Erica Weis | .... | music editor | |
Thanks | |||
| Jacques Perrin | .... | special thanks | |
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| The Number 23 | Candy | Midnight Cowboy | Big Fish | City of Shoulders and Noses |
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What if you only realised the importance of your life only days before you lost it? Even knowing when or how you will die (not such a fatuous idea with the completion of the Genome Project) raises difficult questions about how much we really want to know about ourselves.
Such a theme is usually simplified and subsumed into religious-based tales such as It's a Wonderful Life, but taken as an idea in its own right it has considerable intellectual weight. Harold Crick finds himself the main character in a story as it unfolds, but his annoyance quickly shifts gear as he is aware of the author saying, "Little did he know . . . it would lead to his imminent death."
Not the mindless comedy that the trailer suggests, Stranger Than Fiction is a precise and fairly cerebral story where the laughs stem more from individually appreciating certain aspects of its cleverness rather than any contrived humour.
The surface story is of a man who lives a humdrum if 'successful' life and is awakened to a more three dimensional existence by falling in love. The additional elements will either delight or annoy. IRS auditor Crick (Will Ferrell) starts hearing a voice in his head. It is that of Kay Eiffel (Emma Thompson), a famous author. She describes exactly what he is doing but with a rather better vocabulary than he possesses. When she announces his imminent death, he takes drastic steps to meet her and persuade her to change the ending of her novel.
The characterisation, casting and acting is spot-on. Thompson is at her most refreshingly deranged as the harassed and reclusive author. With a literary equivalence of method acting, Eiffel balances on the edge of her desk trying to imagine the thoughts of someone about to make a suicide jump. She sits in the freezing drizzle watching cars cross a bridge to imagine an accident. Her rants at her 'editorial assistant' (who uses more traditional methods of accessing imagination) give a convincing insight into the creative process. While the voice in Crick's head is stereotypical Thompson, the fuller, isolated character, when we meet her, is a minor revelation. "I don't need a nicotine patch," she declaims angrily to her assistant. "I smoke cigarettes."
Maggie Gyllenhaal, as law drop-out turned baker Ana Pascal, sparkles, glows and is sexily alluring and radiant with passionate love of life - and she manages to light up the screen faster than, say, even Juliette Binoche in Chocolat. Dustin Hoffman has the least challenging of the main parts, but he endows his character (an eminent professor of literature) with the gravitas needed to take ideas of literary interconnectedness seriously. Will Ferrell gives a remarkable break-out performance in a straight role, reminiscent of Jim Carrey in The Truman Show. He is superbly suited to the part as audiences expect him to be a shallow comedy character and here he is trying the find the substantial person inside himself. Most of the audience are concentrating so much on the film's intricate hypothesis and how it is worked out, that only afterwards do we realise what a range of emotions Ferrell has to portray with complete seriousness.
Novelist Kay Eiffel (Thompson) anthropomorphises things like Crick's watch (similarly the official website says, in real time, "As the cursor waited anxiously for the site to load, it couldn't help but feel an overwhelming sense of elation.") We sense a life-imbuing process that might even be likened to what an actor does with his character; but the film goes a stage further by drawing a similarity with the essentially lifeless, clockwork existence of the IRS auditor whose only escape is discovering love with Pascal. His quest is aided by fictional plot analysis from Professor Jules Hilbert (Dustin Hoffman) and of course begs the question, what is fiction?
Director Marc Forster showed consummate skill in portraying the positive escapism of JM Barrie's creative Peter-Pan-writing in Finding Neverland. With Stranger Than Fiction, he has teamed up with brilliant new dramatist Zach Helm. Helm is fascinated with the writing process in what he calls a larger Post-Modern movement. "From Pirandello, to Brecht, to Wilder, to Stoppard, to Woody Allen to Wes Anderson, we can see the progression of a contemporary, self-aware, reality-bending and audience-involving wave in dramatic literature," he says. "I love to see Homer Simpson reacting to his creator, Matt Groenig, or the cast of 'Urinetown' complaining from the stage about their own title."
Even the street names, business names, and the characters' last names of Stranger Than Fiction are significant Crick, Pascal, Eiffel, Escher, Banneker, Kronecker, Cayly, etc. are all puns on mathematicians who focused on the innate order of things. The invitation is to ask what is beyond the symmetry of things.
Stranger Than Fiction meets even its most formidable challenge - making the ending nail-biting and moving after such surreal content. But the ultimate message of the film seems a little trite if it is supposedly coming from a groundbreaking author. Like the glimpses of Eiffel's book, we are given impressive mountains of style but little substance. As the film doesn't press the strengths forcefully by admitting in so many words what it is getting at, there is a chance you may not bother with the subtleties - in which case it adds up to very little.
A superb testament to inventiveness and worthy of awards in many different categories, Stranger Than Fiction somehow falls short of being a masterpiece.