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Squadron Leader Veer Pratap Singh (Shah Rukh Khan) is a rescue pilot with the Indian Air Force. In the line of duty he comes across a stranded Zaara (Preity Zinta) - a girl from Pakistan who has come to India to fulfill her surrogate mothers dying wish. Veer saves her life and his life is never the same again. Twenty two years later Saamia Siddiqui (Rani Mukerji), a Pakistani human rights lawyer on her first case, finds herself face to face with an ageing Veer Pratap Singh. He has languished in a Pakistan jail cell for 22 years and has not spoken to anyone all these years. And no one knows why. Her mission is to discover the truth about Veer and see to it that justice is served. VEER-ZAARA is a saga of love, separation, courage and sacrifice. A love that is divine, a love that is whole-hearted, a love that is completely consuming, a love that grows with separation and deepens with sacrifice. A love that is an inspiration - and will remain a legend forever. Written by
Year of 2004 was the most successful one for Shah Rukh Khan and it makes him the King Khan of Bollywood with this year. His films, Veer-Zaara, Swades and Main Hoon Naa were the super-dooper hits in 2004. See more »
When Saamiya first asks Veer to talk about his life, her hair fringe is mostly covering the side of her face. In the next shot when Veer looks at her, her hair is tucked neatly to the side. See more »
One early morning / Lifting the dark blanket of the night / From its pillow of mountain peak / The sun lifted its head / And saw... / The valley's heart is filled with the season of love / And the branches of memories have sprouted / Innumerable blossoms of moments past / That begin to scent the air. / Unspoken, unheard yearnings / Half asleep, half awake / Look out sleepily at life / As it flows in wave upon wave / Every moment new, but also the same / Yes, this life! / Which ...
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The end credits also show how Veer and Zaara spend their lives in Veer's home village, including Veer playing cricket with teenagers, discussing about progress of the village and erecting two statues of Chaudhary Sumer Singh and Maati. See more »
The Chopras have proved once again that you can always count on them to provide the highest quality cinema. I'd first like to applaud Shahrukh for outdoing himself once again by playing both a young, simple-natured squadron and an old, tormented prisoner so convincingly. His skillful subtleties and attention to each detail of his performance have undoubtedly turned him to the best actor I have ever seen. I think he has even surpassed Amitabh. Even though Rani and Preity's roles didn't seem to demand too much from them, they gave a wonderful performance. Even Manoj Bajpai did an excellent job. The story is fabulous. Where the traditional Bollywood film could take the same situations with different outcomes for each event to turn the film into the same familiar fare, Veer-Zaara makes turns it into an epic love story where Veer and Zaara's names can be added to the list of Devdas and Paro, Shah Jahaan and Mumtaaz, etc. The main minus point of the film is its music. Warning: Don't listen to the music before watching the film or it will sound horrendous! Tere Liye, however, is extremely beautiful and melodic. After watching the movie, Aisa Des Hai Mera and Main Yahan Hoon are quite likable. Unfortunately, the latter two are not ones that one can keep humming for several months. Another minor yet negligible drawback is that this movie can't appeal as much to the youth as Yash Chopra's previous film, Dil to Pagal Hai. An addicting soundtrack and a youthful appeal were two things that seemed to be missing, which are usually guaranteed in every Chopra extravaganza. Nonetheless, Veer-Zaara is fantastic!
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