Lakposhtha parvaz mikonand (2004)

Director:

Bahman Ghobadi

Writer:

Bahman Ghobadi (writer)

Release Date:

17 February 2005 (Netherlands)

Genre:

Drama | War

Plot:

Near the Iraqi-Turkish border on the eve of an American invasion, refugee children like 13-year-old Kak (Ebrahim), gauge and await their fate.

Plot Keywords:

Murder Of Family | Child Killing Child | Pre War | Bicycle | Toothache

Awards:

14 wins & 4 nominations

Cast

Soran Ebrahim	...	Satellite
Avaz Latif	...	Agrin
Saddam Hossein Feysal	...	Pashow
Hiresh Feysal Rahman	...	Hengov
Abdol Rahman Karim	...	Riga
Ajil Zibari	...	Shirkooh

Also Known As:

Tortues volent aussi, Les (France) (DVD title)
Turtles Can Fly (International: English title)
Kai oi helones boroun na petaxoun (Greece) [el]
Kai oi helones petane (Greece) (festival title) [el]
Schildkröten können fliegen (Germany) [de]
Skildpadder kan flyve (Denmark) [da]
Skilpadder kan fly (Norway) [no]
Tortugas también vuelan, Las (Argentina) [es]

MPAA:

Rated PG-13 for violence, disturbing images and mature thematic material, all involving children.

Runtime:

98 min | 95 min | Argentina:97 min (Mar del Plata Film Festival)

Country:

Iran | France | Iraq

Language:

Kurdish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

South Korea:15 | Singapore:PG | Taiwan:R-12 | Switzerland:14 (canton of Zurich) | Portugal:M/16 | Germany:12 | Argentina:13 | Australia:M | Finland:K-15 | Spain:13 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:PG-13 | Brazil:14

Company:

Mij Film Co.

Trivia:

All of the child actors in this movie were actual refugees.

Movie Connections:

References Titanic (1997)

Life in Iraq, as seen through children's eyes

"Turtles Can Fly," the haunting new film from Iranian writer/director Bahman Ghobadi ("A Time for Drunken Horses"), begins with an arrestingly beautiful image: A young woman (Avaz Latif), resolute in her manner, stands barefoot on a rocky ledge, contemplating a leap that will surely end in death. The landscape is gray and forbidding; the light is cold; the tone ominous. Then the camera comes closer to the actress' face, wreathed in tangled brown hair, and we realize, with a start, that she is a child.

Ghobadi's film is a story of wounded children, a devastating reminder of the costs of war. It's set in an Iraqi village near the Turkish border, in early 2003, as the villagers await news of an American invasion. As they try to set up a satellite dish, a key player emerges: a boy known as Satellite (Soran Ebrahim), with Coke-bottle glasses and a pushy, ever-yelling confidence. He's the expert in this operation, in the way that kids worldwide seem to know more about technology than their elders, and he's also the ringleader of the village children, who follow him like loyal acolytes.

Satellite, in his bulldozer way, soon catches the eye of Agrin, the girl we saw in the opening scene, and he's dazzled by her, gazing at her with Mooney eyes. "I've been looking for a girl like you," he tells her. She, orphaned by war, takes care of her two brothers — one is armless, maimed by a land mine; the other is a toddler — and ignores Satellite. There's an air of quiet tragedy about her, the reason for which is explained late in the film, in a scene so wrenching it's almost unbearable to watch.

The performances in the film — all by nonprofessional actors — vary in quality. Ebrahim has some touching moments as Satellite but rarely varies his voice from a shout; it suits the character's almost corporate like personality but eventually becomes wearying. But Latif, as the tragic Agrin, makes the most of her few lines; she's calm, astonishingly beautiful and skilled enough to let us see the heavy weight on this grown-up child's shoulders.

Ghobadi and director of photography Shahriar Assadi linger on the vast landscape, with its bleak fields and desolate, branch less trees, and create some beautiful effects with shadows. (In one shot, the hills glow under a night-blue sky as the tiny shadow figure of a child appears between them.) And the director's eye for heartbreaking detail is keen. In this harsh, desperate world, a child cries, with no hands to wipe away his tears. Others stare at the camera, looking far older than they should, as if seeking the end of a nightmare.