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Directed by | |||
| Kevin Smith | |||
Writing credits(WGA) | ||
| Kevin Smith | (written by) | |
Produced by | |||
| Carla Gardini | .... | executive producer | |
| Laura Greenlee | .... | co-producer | |
| Scott Mosier | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| James L. Venable | |||
Cinematography by | |||
| David Klein | (director of photography) | ||
Film Editing by | |||
| Kevin Smith | |||
Production Design by | |||
| Robert Holtzman | |||
Art Direction by | |||
| Marc Fisichella | |||
Set Decoration by | |||
| Susan Lynch | |||
Costume Design by | |||
| Roseanne Fiedler | |||
Makeup Department | |||
| Sarah Ault | .... | assistant hair stylist | |
| Brooke Bell | .... | assistant makeup artist | |
| Amy Harmon | .... | key makeup artist | |
| Janine Rath | .... | key hair stylist (as Janine Rath-Thompson) | |
| Tricia Sawyer | .... | key makeup artist | |
| Nicole Venables | .... | key hair stylist | |
Production Management | |||
| Marjorie Ergas | .... | unit production manager | |
| Michael Jackman | .... | executive in charge of post-production | |
| Alyson Latz | .... | production supervisor: New Jersey | |
| Leslie Rodier | .... | post-production supervisor | |
Art Department | |||
| Nina Alexander | .... | on-set dresser | |
| Noreen Coyne | .... | art department coordinator | |
| Lisa De Alva | .... | property mistress | |
| Justin Fisher | .... | lead set dresser | |
| Heather Hazelwood | .... | set dresser | |
| Brendan Maze | .... | set dresser | |
| Scott Purcell | .... | graphics | |
| Billy Stearne | .... | assistant property master: Red Bank New Jersey | |
Sound Department | |||
| David Acord | .... | sound effects editor | |
| Chris Barron | .... | digital sound transferer (as Christopher Barron) | |
| C. Douglas Cameron | .... | boom operator | |
| John Countryman | .... | digital sound transferer | |
| Kat Craig | .... | utility sound | |
| Luke Dunn Gielmuda | .... | foley editor | |
| Coya Elliott | .... | assistant supervising sound editor | |
| Sean England | .... | foley recordist | |
| Christopher Fondulas | .... | additional utility sound | |
| Jonathan Greber | .... | digital sound transferer | |
| Ellen Heuer | .... | foley artist | |
| David Hunter | .... | digital editorial services | |
| Brian Magerkurth | .... | machine room operator | |
| Alan Mays | .... | engineering services | |
| Steve Morris | .... | engineering services | |
| Tom Myers | .... | sound designer | |
| Tom Myers | .... | sound re-recording mixer | |
| Chris Navarro | .... | adr recordist | |
| Whit Norris | .... | sound mixer | |
| Juan Peralta | .... | sound mix technician | |
| Brandon Proctor | .... | sound mix technician | |
| Richard Quinn | .... | foley editor | |
| Frank Rinella | .... | foley mixer (as Frank Aglieri-Rinella) | |
| Gary Rizzo | .... | sound re-recording mixer | |
| Ronald G. Roumas | .... | machine room operator (as Ron Roumas) | |
| Michael Silvers | .... | dialogue editor | |
| Michael Silvers | .... | supervising sound editor | |
| Mac Smith | .... | sound effects editor | |
| Mac Smith | .... | supervising assistant editor | |
| Eric Thompson | .... | adr mixer | |
| Dennie Thorpe | .... | foley artist | |
| Jana Vance | .... | foley artist | |
| Dustin Cawood | .... | assistant sound editor (uncredited) | |
Visual Effects by | |||
| David Cole | .... | digital colourist | |
| Joseph Grossberg | .... | visual effects supervisor | |
| Kelvin McIlwain | .... | matte painting supervisor | |
| Diane Wright | .... | digital asset manager: Laser Pacific | |
Costume and Wardrobe Department | |||
| Amy Fegely | .... | key costumer | |
| Christine Hawes | .... | set costumer | |
Editorial Department | |||
| Elliot Greenberg | .... | first assistant editor | |
Music Department | |||
| Nathaniel T. Cartier | .... | assistant music editor | |
| Angela Leus | .... | music clearances | |
| Larry Mah | .... | digital score recordist | |
| Joe Rangel | .... | music consultant | |
| Ralph Sall | .... | soundtrack album producer | |
| Erich Stratmann | .... | music editor | |
Transportation Department | |||
| John Embry | .... | driver | |
| David Joseph | .... | driver: production van | |
| Derek Raser | .... | transportation coordinator | |
Thanks | |||
| Graham Hart | .... | special thanks | |
| Aine Leicht | .... | acknowledgment | |
| Ken Leicht | .... | acknowledgment | |
| Dylan Sachse | .... | special thanks | |
| Addison Wylie | .... | additional thanks | |
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| Clerks. | Mallrats | Chasing Amy | Jay and Silent Bob Strike Back | American Wedding |
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I saw an early screening of C2 and I must say that the flick is way better than anyone thought it would be. Mr. Smith is back in prime form and I would dare to say that this is quite possibly his best work yet. Granted, this is not a film for everyone but, if you are not offended by purposefully vulgar humor, C2 should be on your "must see" list. Dante (Brian O' Halloran) and Randal (Jeff Anderson) are back with their humorous banter as if a whole decade had not gone by since we saw them last. Dante/Brian is practically flawless as the straight man while Randal/Jeff is one of the funniest actors around and their on-screen chemistry is simply wonderful. The new guy Elias (Trevor Fuhrman from "Now You Know") is a clever addition to the group while Rosario Dawson shines her irresistible charm on this little world of dysfunctional employees. The combination is a winning one and, if you add an healthy dose of Jay and Silent Bob to the mix, and even a musical number worthy of "The Blues Brothers", you have quite possibly the best comedy of the summer. This film is enjoyable even if you are not familiar with the original Clerks, but it's even better if you are. To top it all off, Kevin Smith shows us that he has learned from his mistakes and has now mastered the fine art of balancing comedy with truly heartfelt moments, staying clear of the sappiness that sunk "Jersey Girl". At the end of the film there were quite a few shiny eyes in the audience... bravo Mr Smith! You pulled off your best trick yet.