Following Jigsaw's grisly demise, Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of people are put through a series of gruesome tests.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one suspect: John Kramer, the man known as Jigsaw, who has been dead for ten years.
Callum Keith Rennie
When detective Eric Matthews is called to a crime scene of a victim of Jigsaw, he finds a lead to the place where he is hidden. Once there, he realizes that Jigsaw trapped his son Daniel Matthews with three women and four men in a shelter, and they are inhaling a lethal nerve gas. If they do not use an antidote within two hours, they will die. Eric follows with increasing desperation the death of each member of the group in monitors, while trying to convince Jigsaw to release his son. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The advertising posters for the film had to be recalled on orders from the MPAA because the two severed fingers forming the "II" in the posters did not meet guidelines for film advertising. The new poster makes it more obscure. Also, posters had listed the film as being rated R when at the time the film still hadn't gone before the MPAA for a rating. See more »
(at around 14 mins) When the SWAT team have their guns aimed at Jigsaw's heart (just after Matthews says "Hey - is this close enough?", we can see three laser guides on his chest. Then one of the SWAT team members points his gun down, but there are still three laser guides on Jigsaw's heart. Seconds later there are two lasers, then three again. See more »
The original Saw was probably my most favorite recent "horror" movie, so naturally I was excited when the second one came out. I saw it its opening weekend in theaters, and **THIS WAS IN PREVIEWS, SO I Don't CONSIDER IT A SPOILER** I see a man strapped to a chair, with this "Man in the Iron Mask"-like thing on with all sorts of pretty nails poking toward his face. If you've seen the first one, you can expect what it does. A TV turns on, and there's the puppet thing, and that creepy voice. I'm like "Hell yes!" and it seemed like a great beginning, and it truly does have a great idea going for it, but unfortunately it seems like they got lost in the success of the original and the new bigger budget and lost something. It became the traditional horror movie, with your typical predictable characters, and the innovation and claustrophobic feel of the original was gone. It wasn't scary, but then again I didn't think the first one was to be honest, I think they're more of a mental experience than anything. The weird acid-trip like camera shake still occurs, though thankfully less frequently, and it is like a bigger budget Saw. Think Land of the Dead. Still a Romero movie, but it didn't feel like one as much. Same thing applies here. The ending is cool for most people, but I honestly saw it coming. It gets a bit muddled, and by the end of it you really don't remember much except the very beginning and end. It's fun, and it's an interesting piece of this new Saw series, but it just doesn't seem to live up to the original for me. You watch it yourself and give it a chance. I give it a 6 1/2.
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