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Directed by | |||
| Michael Spierig | (as The Spierig Brothers) | ||
| Peter Spierig | (as The Spierig Brothers) | ||
Writing credits | ||
| Michael Spierig | (written by) (as The Spierig Brothers) & | |
| Peter Spierig | (written by) (as The Spierig Brothers) | |
Produced by | |||
| Peter Block | .... | executive producer | |
| Chris Brown | .... | producer | |
| Jason Constantine | .... | executive producer | |
| Todd Fellman | .... | co-producer | |
| Bryan Furst | .... | producer | |
| Sean Furst | .... | producer | |
| Stuart Wood | .... | line producer | |
Original Music by | |||
| Christopher Gordon | |||
Cinematography by | |||
| Ben Nott | (director of photography) | ||
Film Editing by | |||
| Matt Villa | |||
Casting by | |||
| Nikki Barrett | |||
Production Design by | |||
| George Liddle | |||
Art Direction by | |||
| Bill Booth | |||
Set Decoration by | |||
| Matthew Putland | |||
Costume Design by | |||
| George Liddle | |||
Makeup Department | |||
| Gino Acevedo | .... | makeup and prosthetics effects art director | |
| Karen Adcock | .... | make-up/wig artist | |
| Toby Barron | .... | prosthetics technician | |
| Jamie Beswarick | .... | sculptor | |
| Steven Boyle | .... | creative project designer (as Steve Boyle) | |
| Steven Boyle | .... | creative project supervisor (as Steve Boyle) | |
| Steven Boyle | .... | special makeup effects (as Steve Boyle) | |
| Don Brooker | .... | sculptor | |
| Jonathon Brough | .... | paint technician (as Johnny Brough) | |
| Sourisak Chanpaseuth | .... | paint supervisor | |
| Bryce Curtis | .... | molding technician | |
| Melissa Dodds | .... | makeup and prosthetics effects production manager | |
| Natalie Dowell | .... | makeup trainee | |
| Natalie Dowell | .... | prosthetic trainee | |
| Dalia Fernandez | .... | wig supervisor | |
| Verity Fiction | .... | additional makeup artist | |
| Troy Follington | .... | hair stylist | |
| Troy Follington | .... | makeup artist | |
| Troy Follington | .... | prosthetic artist | |
| Ryk Fortuna | .... | sculptor | |
| Ryk Fortuna | .... | silicone fabricator | |
| Simon Godsiff | .... | molding technician | |
| Adam Head | .... | prosthetics technician | |
| Vince Holland | .... | prosthetics technician | |
| Bill Hunt | .... | sculptor | |
| Gary Hunt | .... | sculptor | |
| Gus Hunter | .... | makeup and prosthetics effects designer | |
| Kate Jorgensen | .... | design room coordinator | |
| Simon Joseph | .... | hair stylist | |
| Simon Joseph | .... | makeup artist | |
| Simon Joseph | .... | prosthetic artist | |
| Marina Le Dean | .... | makeup trainee | |
| Marina Le Dean | .... | prosthetic trainee | |
| Grant Lehmann | .... | prosthetic workshop coordinator | |
| Samantha Lyttle | .... | prosthetics coordinator | |
| Samantha Lyttle | .... | special makeup effects cosupervisor | |
| Gareth McGhie | .... | makeup and prosthetics effects workshop supervisor | |
| Antony McMullen | .... | prosthetics technician | |
| Antony McMullen | .... | senior prosthetic makeup artist | |
| David Meng | .... | makeup and prosthetics effects designer | |
| Masayasu Minoura | .... | molding technician | |
| Les Nairn | .... | paint technician | |
| Tess Natoli | .... | hair stylist | |
| Tess Natoli | .... | makeup artist | |
| Tess Natoli | .... | prosthetic artist | |
| Joe Pace | .... | mold technician | |
| Cristina Patterson Ceret | .... | contact lens painter | |
| Christian Pearce | .... | makeup and prosthetics effects designer | |
| Frances Richardson | .... | makeup effects department head | |
| Tania Rodger | .... | makeup and prosthetics effects workshop manager | |
| Darin Rose | .... | makeup artist | |
| Kym Sainsbury | .... | makeup department head | |
| Vicki Sands | .... | additional makeup artist | |
| Brian Stendebach | .... | molding technician | |
| Richard Taylor | .... | makeup effects design supervisor | |
| Richard Taylor | .... | makeup effects supervisor | |
| Greg Tozer | .... | key sculptor | |
| Carla Vicenzino | .... | hair coordinator | |
| Carla Vicenzino | .... | hair stylist: Mr. Hawke | |
| Carla Vicenzino | .... | makeup artist: Mr. Hawke | |
| Carla Vicenzino | .... | makeup coordinator | |
| Michael Wallace | .... | mold department head | |
| Ben Wootten | .... | makeup and prosthetics effects designer | |
Production Management | |||
| Colleen Clarke | .... | post-production supervisor | |
| Basia Plachecki | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Greg Cobain | .... | second second assistant director | |
| Jamie Leslie | .... | first assistant director | |
| Nick McKinnon | .... | second assistant director | |
| Rachael O'Brien | .... | second assistant director: second unit | |
| Brett Popplewell | .... | first assistant director: second unit | |
| Jason Rowling | .... | additional third assistant director | |
| Ian 'Thistle' Thorburn | .... | second unit director | |
| Sarah-Jane Walsh | .... | third assistant director (as Sarah Jane Walsh) | |
Art Department | |||
| Lance Bunyan | .... | set finisher | |
| Gillian Butler | .... | buyer/set dresser | |
| Daniel Cairns | .... | props | |
| Graeme Callander | .... | storyboard artist | |
| Gary Cameron | .... | propmaker | |
| Scott Denby | .... | set builder | |
| Wayne Diskin | .... | stand-by carpenter | |
| Andrew Duncan | .... | set builder | |
| Doug Franks | .... | art department swing gang | |
| Ben Fraser | .... | painter | |
| Simon Gill | .... | assistant set dresser | |
| Matthew Henneken | .... | set builder | |
| Lenny Holmdahl | .... | property master | |
| Fred Hughes | .... | set builder | |
| Luke Hughes | .... | carpenter | |
| Rick Jarvis | .... | carpenter | |
| George Kabot | .... | graphic designer | |
| Klaus Kastberg | .... | set designer | |
| Johann Kwiatkowski | .... | graphic designer | |
| Jacinta Leong | .... | set designer | |
| Adam Mawby | .... | greensman | |
| Noel McCartney | .... | construction foreman | |
| Tricia McInally | .... | art department coordinator | |
| Doug McKinnon | .... | set builder | |
| Phoebe McMahon | .... | set decoration assistant | |
| Chris O'Neill | .... | props buyer | |
| Greg Refeld | .... | assistant stand by props | |
| Mitchell Seeto | .... | graphics | |
| Phil Shearer | .... | concept designer | |
| Trevor Spann | .... | leading hand | |
| Innes Stenhouse | .... | carpenter | |
| Jackson Tuchscherer | .... | art department electrician | |
| Phillip Tuchscherer | .... | art department electrician | |
| Darren Unsgaard | .... | on-set dresser | |
| David Valencia | .... | on-set dresser | |
| Hans Verbeek | .... | set builder | |
| Jodie Whetter | .... | set buyer | |
| Jodie Whetter | .... | set dresser | |
| Paula Whiteway | .... | set designer | |
| Chris Williams | .... | head scenic artist | |
| Harry Zettel | .... | standby props | |
Sound Department | |||
| Nick Breslin | .... | sound designer (as Nicholas Breslin) | |
| Nick Breslin | .... | sound effects editor (as Nicholas Breslin) | |
| Damian Candusso | .... | sound designer | |
| Damian Candusso | .... | sound effects editor | |
| Brad Cohn | .... | assistant adr recordist | |
| Jason Hancock | .... | foley recordist | |
| Phil Heywood | .... | sound re-recording mixer | |
| Sonal Joshi | .... | supervising dialogue editor | |
| Rich Macar | .... | adr recordist | |
| Dan McMahon | .... | sound assistant | |
| Martin Oswin | .... | adr mixer | |
| Wayne Pashley | .... | sound designer | |
| Wayne Pashley | .... | sound re-recording mixer | |
| Wayne Pashley | .... | supervising sound editor | |
| Derryn Pasquill | .... | dialogue editor | |
| John Simpson | .... | foley artist | |
| Peter Spierig | .... | additional atmosphere sound editor | |
| Libby Villa | .... | dialogue editor | |
| Craig Walmsley | .... | sound recordist | |
| Jenny T. Ward | .... | dialogue editor (as Jenny Ward) | |
| William Ward | .... | atmospheres editor | |
| William Ward | .... | sound editor | |
Special Effects by | |||
| Steven Boyle | .... | creatures designer and supervisor | |
| Jac Charlton | .... | designer: vampire teeth | |
| Robert Charlton | .... | designer: vampire teeth | |
| Ryk Fortuna | .... | prosthetics team | |
| Andrew Goodall | .... | special effects technician | |
| Daniel Houweling | .... | special effects coordinator (as Dan Houweling) | |
| Clint Ingram | .... | special effects supervisor | |
| Darren A. Mosher | .... | mold maker | |
| Lee O'Shaughnessy | .... | stunt team | |
| Murray Philip | .... | special effects technician | |
| Jeremy Piggott | .... | special effects technician (as Jeremy 'JJ' Piggott) | |
| Steve Rungwerth | .... | special effects technician (as Steve 'Rungi' Rungwerth) | |
| Phill Rylance | .... | special effects technician (as Phil 'Bluey' Rylance) | |
| Kym Sainsbury | .... | special makeup effects supervisor | |
| Carlos Slater | .... | prosthetic seamer | |
| Bill Thomson | .... | mechanist | |
| Greg Tuckwell | .... | special effects technician | |
| Matt Ward | .... | mechanist | |
| Matt Ward | .... | special effects technician | |
Visual Effects by | |||
| Alicia Aguilera | .... | digital compositor | |
| Naomi Anderlini | .... | compositor: Postmodern | |
| Naomi Anderlini | .... | digital artist | |
| Chris Breeze | .... | digital artist | |
| Aaron Briggs | .... | digital artist | |
| Jessica Curtis | .... | digital artist | |
| Ian Dodman | .... | digital artist | |
| David Edwards | .... | compositor: Postmodern | |
| David Edwards | .... | digital artist | |
| Michael Harkin | .... | compositor: Postmodern | |
| Michael Harkin | .... | digital artist | |
| Makoto Hatanaka | .... | digital artist | |
| Robert James Kelly | .... | senior technical director: Kanuka Studio (as Robert Kelly) | |
| Daniel Loui | .... | compositor: Postmodern | |
| Daniel Loui | .... | digital artist | |
| Demis Lyall-Wilson | .... | digital compositor: Postmodern Sydney | |
| Chad Malbon | .... | visual effects producer | |
| Kirsty Martin | .... | visual effects coordinator | |
| Allan McKay | .... | senior technical director | |
| Orlando Meunier | .... | digital artist | |
| Blake Muir | .... | roto artist | |
| Hajime Nakamura | .... | digital artist | |
| D.J. Nicke | .... | lead animator | |
| Tahl Niran | .... | compositor: Postmodern | |
| Tahl Niran | .... | digital artist | |
| Matthew Ozerski | .... | visual effects editor | |
| Daniel Phillis | .... | visual effects animator | |
| Angus Reid | .... | visual effects operations manager: Postmodern | |
| Kurtis Richmond | .... | lead matte painter | |
| Kurtis Richmond | .... | visual effects art department: Postmodern | |
| Andrew Robinson | .... | visual effects executive producer: Postmodern Sydney | |
| Loren Robinson | .... | digital compositor: Kanuka Studio | |
| Max Robinson | .... | roto artist | |
| James Rogers | .... | senior visual effects supervisor: Postmodern | |
| Andrew Smith | .... | roto artist | |
| Michael Spierig | .... | 2D animator | |
| Michael Spierig | .... | 2D compositor | |
| Peter Spierig | .... | 3D animator | |
| Peter Spierig | .... | 3D compositor | |
| Michael Stanbury | .... | data wrangler | |
| Rangi Sutton | .... | visual effects supervisor | |
| Nick Tabet | .... | digital artist | |
| Jonathan Taranto | .... | matte painter | |
| Jonathan Taranto | .... | visual effects art department: Postmodern (as Jonathan 'Zam' Taranto) | |
| Randy Vellacott | .... | compositor: Postmodern | |
| Randy Vellacott | .... | on-set visual effects supervisor | |
| Koichi Yamagishi | .... | digital artist | |
| Scott Geersen | .... | digital artist (uncredited) | |
Casting Department | |||
| Bud Hopes | .... | extras casting | |
| Benjamin Parkinson | .... | extras casting (as Ben Parkinson) | |
Costume and Wardrobe Department | |||
| Dannielle Alexander | .... | assistant costume stand-by | |
| Matt Appleton | .... | creature suit supervisor | |
| Cathy Harris | .... | creature suit fabricator (as Tree Harris) | |
| Nadine Jaggi | .... | creature suit fabricator | |
| Stephanie Schubert | .... | wardrobe assistant | |
Editorial Department | |||
| Cameron D'Arcy | .... | telecine assistant | |
| Richard Francis-Bruce | .... | additional editor | |
| Heather Galvin | .... | on-line editor | |
| Adrian Hauser | .... | digital intermediate colorist | |
| Alison Ingram | .... | post-production coordinator | |
| Michelle Junee | .... | post-production coordinator | |
| John Lee | .... | digital intermediate supervisor | |
| Justin McDonald | .... | colorist: dailies | |
| Justin Ngy Tran | .... | digital intermediate supervisor | |
| Selina Weller | .... | senior post-production coordinator | |
| Joe Lancaster | .... | post-production assistant (uncredited) | |
| Lance Spindler | .... | color timer (uncredited) | |
Music Department | |||
| Daniel Baker | .... | composer assistant | |
| Craig Beckett | .... | scoring crew | |
| Laura Bishop | .... | music preparation | |
| Daniel Brown | .... | scoring crew | |
| Christo Curtis | .... | score engineer | |
| Christo Curtis | .... | score mixer | |
| Jay Faires | .... | music executive | |
| Christopher Gordon | .... | conductor | |
| Christopher Gordon | .... | orchestrator | |
| Alex Henery | .... | music contractor | |
| Alex Henery | .... | orchestra contractor | |
| Alison Johnston | .... | choir contractor | |
| Jessica Wells | .... | music preparation | |
Transportation Department | |||
| Richard Allsop | .... | mechanic | |
| Scott Dare | .... | mechanic | |
| Brandon Specht | .... | action vehicle assistant | |
| Steve Taylor | .... | action vehicle coordinator | |
Other crew | |||
| Naomi Anderlini | .... | title designer: opening titles | |
| Tara Aucoin | .... | assistant: Mr. Dafoe | |
| Angela Barac | .... | assistant production coordinator | |
| Amanda Bishop | .... | adr loop group | |
| Megan Clarke | .... | clearance coordinator | |
| Tony Clarke | .... | location manager | |
| Anthony Cogin | .... | adr loop group | |
| Kieran Darcy-Smith | .... | adr loop group | |
| James Evans | .... | adr loop group | |
| Alex Fewster | .... | production secretary | |
| Elizabeth Friels | .... | adr loop group | |
| Anita Hegh | .... | adr loop group | |
| Bartholomew John | .... | adr loop group | |
| Wade Krawczyk | .... | assistant armourer | |
| Diana Le Dean | .... | assistant to producer | |
| Danielle Lomas | .... | directors attachment | |
| Troy MacKinder | .... | dialect coach | |
| Brian Meegan | .... | adr loop group | |
| Stuart Monksfield | .... | project manager | |
| Tiriel Mora | .... | adr loop group | |
| Julie O'Reilly | .... | adr loop group | |
| Jason Rowling | .... | production assistant | |
| David Rudduck | .... | IT technical support | |
| Stephen Rutter | .... | travel manager | |
| Rita Siomos | .... | first assistant accountant | |
| Sophie Siomos | .... | production accountant | |
| Nathan Smith | .... | lab liaison | |
| Jackie Sullivan | .... | script supervisor | |
| John Xintavelonis | .... | adr loop group | |
Thanks | |||
| Kirsten Cameron | .... | the producers wish to thank | |
| Stephanie Denton | .... | special thanks | |
| Dale Duguid | .... | thanks | |
| Shyama Friedenson | .... | special thanks | |
| Stephanie Lewis | .... | special thanks | |
| Ineke Majoor | .... | thanks | |
| Joey Monteiro | .... | special thanks | |
| Seth Needle | .... | special thanks | |
| Tom Ortenberg | .... | special thanks | |
| Harry Posadas | .... | thanks | |
| Simon Rosenthal | .... | thanks | |
| John Spierig | .... | the producers wish to thank | |
| Marianne Spierig | .... | the producers wish to thank | |
| Christopher W. Yan | .... | special thanks (as Christopher Yan) | |
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| Full cast and crew | Company credits | External reviews |
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Daybreakers is about a plague that has transformed most every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind....but you already knew that. Like putting a plastic bag over some one's head, things quickly get violent and out of control.
Special effects: Moderate, not much was needed for the movie. The death of the vampires were a little more violent than usual, however the entertainment behind it balanced it out.
Plot: "Find a cure or we all die" has been used frequently before, and there wasn't much of a twist.
Setting: The setting was a dark futuristic setting, Imagine Las Vegas at night...with all white neon. Perfect setting for this movie. Worth seeing? Yes. Not worth sprinting to the theaters, however it is worth seeing. I'd give it a 7/10.
This movie is such a relief from the romantic necrophilia of the Twilight series. It's good to see scary vampires again.