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| Jeff Daniels | ... | Sig Mickelson | |
| David Strathairn | ... | Edward R. Murrow | |
| Alex Borstein | ... | Natalie | |
| Rose Abdoo | ... | Millie Lerner | |
| Dianne Reeves | ... | Jazz Singer | |
| Peter Martin | ... | Pianist | |
| Christoph Luty | ... | Bassist | |
| Jeff Hamilton | ... | Drummer | |
| Matt Catingub | ... | Saxophonist | |
| Tate Donovan | ... | Jesse Zousmer | |
| Reed Diamond | ... | John Aaron | |
| Matt Ross | ... | Eddie Scott | |
| Patricia Clarkson | ... | Shirley Wershba | |
| Robert Downey Jr. | ... | Joe Wershba | |
| George Clooney | ... | Fred Friendly | |
| Thomas McCarthy | ... | Palmer Williams (as Tom McCarthy) | |
| Glenn Morshower | ... | Colonel Anderson | |
| Don Creech | ... | Colonel Jenkins | |
| Grant Heslov | ... | Don Hewitt | |
| Robert John Burke | ... | Charlie Mack | |
| Ray Wise | ... | Don Hollenbeck | |
| Robert Knepper | ... | Don Surine | |
| Helen Slayton-Hughes | ... | Mary | |
| Frank Langella | ... | William Paley | |
| Simon Helberg | ... | CBS Page | |
| JD Cullum | ... | Stage Manager | |
| Peter Jacobson | ... | Jimmy | |
| John Kepley | ... | CBS Lawyer #1 | |
| David Christian | ... | CBS Lawyer #2 (as David Paul Christian) | |
| Joyce Lasley | ... | Make-up Girl | |
| rest of cast listed alphabetically: | |||
| Felix J. Boyle | ... | Prominant Chicagoan (uncredited) | |
| Roy M. Cohn | ... | Himself (archive footage) (uncredited) | |
| Ray Donn | ... | Reporter (uncredited) | |
| Joseph Dowd | ... | Reporter (uncredited) | |
| Robert F. Kennedy | ... | Himself (archive footage) (uncredited) | |
| Liberace | ... | Himself (archive footage) (uncredited) | |
| Joseph McCarthy | ... | Himself (archive footage) (uncredited) | |
| John L. McClellan | ... | Himself (archive footage) (uncredited) | |
| Katharine Phillips Moser | ... | Jesse's Wife (uncredited) | |
| Bruna Raynaud | ... | Sig Mickelson's Wife (uncredited) | |
| Alexana Thomas | ... | Senator's wife (uncredited) | |
| Rochelle Warner | ... | Speech Wife (uncredited) | |
| Joseph N. Welch | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| George Clooney | |||
Writing credits(WGA) | ||
| George Clooney | (written by) & | |
| Grant Heslov | (written by) | |
Produced by | |||
| Marc Butan | .... | executive producer | |
| Ben Cosgrove | .... | executive producer | |
| Mark Cuban | .... | executive producer | |
| Jennifer Fox | .... | executive producer | |
| Simon Franks | .... | co-producer | |
| Samuel Hadida | .... | co-executive producer | |
| Victor Hadida | .... | co-executive producer | |
| Barbara A. Hall | .... | co-producer | |
| Grant Heslov | .... | producer | |
| Zygi Kamasa | .... | co-producer | |
| Kiyotaka Ninomiya | .... | co-producer | |
| Chris Salvaterra | .... | executive producer | |
| Jeff Skoll | .... | executive producer | |
| Steven Soderbergh | .... | executive producer | |
| Todd Wagner | .... | executive producer | |
Cinematography by | |||
| Robert Elswit | |||
Film Editing by | |||
| Stephen Mirrione | |||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| James D. Bissell | (as Jim Bissell) | ||
Art Direction by | |||
| Christa Munro | |||
Set Decoration by | |||
| Jan Pascale | |||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Ron Berkeley | .... | key makeup artist | |
| Carolyn Elias | .... | hair stylist | |
| Kimberly Felix | .... | assistant makeup artist (as Kimberly Felix Burke) | |
| Violet Ortiz | .... | hair stylist | |
| Waldo Sanchez | .... | hair department head | |
| Waldo Sanchez | .... | makeup department head | |
| Kathleen Vercruysse | .... | assistant makeup artist | |
| Joy Zapata | .... | key hair stylist | |
| Elena Arroy | .... | additional makeup artist (uncredited) | |
| Barbara Cantu | .... | hair stylist (uncredited) | |
| Carol Collini | .... | additional makeup artist (uncredited) | |
| Ginger Damon | .... | hair stylist (uncredited) | |
| Edward Morrison | .... | personal hair stylist (uncredited) | |
Production Management | |||
| Barbara A. Hall | .... | unit production manager | |
| Peter Phillips | .... | post-production supervisor | |
Art Department | |||
| Alan Alvarado | .... | propmaker | |
| Ellis J. Barbacoff | .... | assistant property master | |
| Heidi Baumgarten | .... | buyer | |
| Jenny Baum | .... | on-set dresser (as Jenny D. Baum) | |
| Tony Bonaventura | .... | property master | |
| Tony Buccola | .... | art production assistant | |
| Gae S. Buckley | .... | set designer (as Gae Buckley) | |
| Alan Burg | .... | set dresser | |
| Louise Del Araujo | .... | lead | |
| Robert Danté Denne | .... | paint foreman | |
| Robert E. Denne | .... | painter | |
| Duane Fellows | .... | painter | |
| Edward A. Giron | .... | labor foreman | |
| Deborah Harman | .... | set dresser | |
| Karen Higgins | .... | construction coordinator (as Karen D. Higgins) | |
| Mats Holmberg | .... | propmaker | |
| Steven Kissick | .... | general foreman | |
| Charlotte Raybourn | .... | art department coordinator | |
| Mark Rodriguez | .... | set dresser | |
| Ronald F. Savini Jr. | .... | plaster foreman (as Ron Savini) | |
| Susie Thompson | .... | set dresser | |
| Brian Tipton | .... | propmaker gang boss | |
| Steven Valenzuela | .... | gang boss (as Steve R. Valenzuela) | |
| Steven Valenzuela | .... | toolman (as Steve R. Valenzuela) | |
| L. David Gordon | .... | draper (uncredited) | |
| Emily Lawless | .... | painter (uncredited) | |
| Gregory Lynch Jr. | .... | carpenter (uncredited) | |
| Richard Robinson | .... | propmaker (uncredited) | |
Sound Department | |||
| Lance Brown | .... | sound re-recording mixer | |
| Robert Corti | .... | audio restorer | |
| Susan Dudeck | .... | dialogue editor | |
| Aaron Glascock | .... | sound re-recording mixer | |
| Aaron Glascock | .... | supervising sound editor | |
| Eric Gotthelf | .... | adr mixer | |
| Randall L. Johnson | .... | boom operator (as Randy Johson) | |
| Pamela Kahn | .... | foley artist | |
| Mary Jo Lang | .... | foley mixer | |
| Oscar Mitt | .... | assistant sound editor | |
| Alyson Dee Moore | .... | foley artist (as Alyson Moore) | |
| Scott Morgan | .... | foley recordist | |
| Rocky Quiroz | .... | utility sound | |
| John Roesch | .... | foley artist | |
| Curt Schulkey | .... | sound re-recording mixer | |
| Curt Schulkey | .... | supervising sound editor | |
| Carolyn Tapp | .... | adr recordist | |
| John Joseph Thomas | .... | sound effects editor | |
| Edward Tise | .... | production sound mixer | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects coordinator | |
| Roy K. Cancino | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Ernie Camacho | .... | visual effects compositor | |
| Trey Freeman | .... | visual effects compositor | |
| Paul Hill | .... | visual effects compositor | |
| Joshua Jordan | .... | visual effects compositor | |
| John Kearns | .... | digital restoration | |
| Kenney Kimble | .... | visual effects compositor | |
| David Lebovitz | .... | visual effects compositor | |
| LaNelle Mason | .... | digital restoration | |
| Eric Myers | .... | visual effects compositor | |
| Elizabeth Ostermann | .... | digital restoration | |
| Steve Rundell | .... | vice president of production: TDI | |
| Brad Sutton | .... | digital restoration | |
| Caoilfhionn Sweeney | .... | visual effects producer | |
| Wilson Tang | .... | digital restoration | |
Casting Department | |||
| Lynne Redding | .... | voice casting | |
| Rachel Tenner | .... | casting associate | |
Costume and Wardrobe Department | |||
| Shandra Beri | .... | costumer | |
| Lucinda Campbell | .... | key costumer | |
| Lynda Foote | .... | costume supervisor | |
| Deborah Latham | .... | costumer (as Deborah Binkley) | |
| Kanani Wolf | .... | costumer | |
Editorial Department | |||
| Matt Absher | .... | second assistant editor | |
| Chris Addis | .... | dailies digitizing | |
| Joe Cook | .... | colorist: dailies | |
| Douglas Crise | .... | first assistant editor | |
| Alex Hernandez | .... | imaging technician | |
| Loc Hoang | .... | imaging technician | |
| Steve Hodge | .... | imaging technician | |
| Christopher Kutcka | .... | imaging supervisor (as Chris Kutcka) | |
| Stephen Nakamura | .... | digital film colorist | |
| Mark Sahagun | .... | digital conform | |
| Gregg Schaublin | .... | digital intermediate producer | |
| Kevin Schwab | .... | imaging technician | |
| Brian Ufberg | .... | assistant editor | |
| Marc Wuertemburg | .... | post-production: 2929 Entertainment | |
Music Department | |||
| Matt Catingub | .... | music arranger | |
| Matt Catingub | .... | musician: saxophone | |
| Jeff Hamilton | .... | musician: drums | |
| Robert Hurst | .... | musician: bass | |
| Kevin Koloff | .... | music counsel | |
| Christoph Luty | .... | musician: bass | |
| Peter Martin | .... | musician: piano | |
| Allen Sviridoff | .... | music supervisor | |
| Peter Rotter | .... | music contractor (uncredited) | |
Transportation Department | |||
| David Florio | .... | driver | |
| Paul Jones | .... | driver | |
| William 'Scott' Pierson | .... | transportation captain (as William Scott Pierson) | |
| Dusty Saunders | .... | transportation coordinator | |
| Paul Saunders | .... | driver | |
| Patrick Sullivan | .... | driver | |
| Brenda Ryan | .... | driver (uncredited) | |
Other crew | |||
| Lonnie Bosak | .... | office production assistant | |
| Brinton Bryan | .... | key set production assistant | |
| Steve Calalang | .... | scanning technician | |
| Tad Driscoll | .... | accountant | |
| Tara Duncan | .... | assistant: Mr. Heslov | |
| Carey Field | .... | set production assistant | |
| Bill Greenfield | .... | set production assistant (as Billy Greenfield) | |
| Shea Kammer | .... | assistant accountant | |
| Richard Kapenas | .... | stock footage restoration | |
| Michelle Lankwarden | .... | assistant production coordinator | |
| Angel McConnell | .... | assistant: Mr. Clooney | |
| Chris Munday | .... | location manager | |
| Diane H. Newman | .... | script supervisor (as Diane Hassinger Newman) | |
| Andrew Noren | .... | additional film researcher | |
| Lisa Oberhofer | .... | liaison: BBC and CBS | |
| Kenn Rabin | .... | archival scene researcher | |
| Jill L. Smith | .... | production counsel | |
| Bill Smythe | .... | projectionist | |
| Andy Tyler | .... | assistant location manager | |
| Lorraine Vos | .... | assistant accountant | |
| Ari Weiss | .... | office production assistant | |
| Joseph Wershba | .... | consultant (as Joe Wershba) | |
| Shirley Wershba | .... | consultant | |
| Nicole Widmyer | .... | production coordinator | |
| Jeff Winn | .... | craft service | |
| Christian Zak | .... | scanning producer | |
| Marc Gaffen | .... | production assistant (uncredited) | |
| Vanessa Grayson | .... | utility stand-in (uncredited) | |
Thanks | |||
| Jason Krieger | .... | thanks | |
| Milo Radulovich | .... | thanks | |
| Joseph Wershba | .... | thanks (as Joe Wershba) | |
| Shirley Wershba | .... | thanks | |
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I've had the "Edward R. Murrow" Collection from CBS for years and have enjoyed watching it's biography of Murrow, the complete Milo Radulovich, McCarthy and Annie Lee Moss shows many times. I'm sure George Clooney must have these as well as he used the actual footage extensively in his fine drama "Good Night and Good Luck". As a previous poster said, by concentrating on what was actually presented, Clooney is able to focus on the ethical issues that were the real substance of the broadcasts, rather than the tragicomic personalities involved. He wants us to see that the same issues are in our lives today, (Clooney has had his own battles with would-be modern McCarthys like Bill O'Reilly), but he isn't going to force the issue. He's doing exactly what Murrow and Friendly did with the McCarthy broadcast: using the actual record to tell the story.
There are minor, but significant embellishments, mostly an impressive cast of actors who can tell us more with one look than an entire speech. Leading the way is David Straithairn as Murrow. Except for possessing a higher pitched voice than the original, he's got his man down cold. I would pick Frank Langella as William Paley, here presented as a man with ideals but who is rooted in the realities of business, the sort of guy who has to make the tough decisions the idealists like Murrow don't have to or want to deal with. Then there is Ray Wise as the vulnerable Don Hollenbeck, who was one of the co-creators of "You Are There", a program this film somewhat resembles. He wound up being "there" when he didn't really want to be.
What really enhances the show is the black and white photography, (actually, according to the notes, it was "The film was shot on color film on a grayscale set, then color-corrected in post" whatever that means). Not only does it heighten the drama, (magazine photographers, in the days when they had a choice, said "black and white for drama, color for excitement"), but the tremendous resolution seems to bring out each furrow and poor on each person's face, allowing the viewer to see into their souls.