Charles Price may have grown up with his father in the family shoe business, but he never thought that he would take his father's place. Yet, the untimely death of his father places him in that position, only to learn that Price and Sons Shoes is failing. While in despair at his failed attempts to save the business, Charles has a chance encounter with the flamboyant drag queen cabaret singer, Lola. Her complaints about the inadequate footwear for her work combined with one of Charles' ex-employees, Lauren, leads to a suggestion to change the product to create a desperate chance to save the business: make men's fetish footwear. Lola is convinced to be their footwear designer and the transition begins. Now this disparate lot must struggle at this unorthodox idea while dealing with both the prejudice of the staff, Lola's discomfort in the small town and the selfish manipulation of Charles' greedy fiance who cannot see the greater good in Charles' dream. Written by
Kenneth Chisholm (firstname.lastname@example.org)
There are two glimpses of The Boot's "Arm Wrestling Champion Board" during the scene with Don (played by Nick Frost) and Lola (played by Chiwetel Ejiofor). During the longer shot at 1:05:55, you can see the records from 1993 to 1999, which include names of many people involved in British film production, including "Kinky Boots"' own Matt Gallagher (production assistant), John Miles (production accountant), and Dan Budd (first assistant accountant). See more »
Charlie's tie changes position during the sequence where he lays off the workers. There is one cut in the sequence where his tie is neater. See more »
'Kinky Boots' is a splendid colourful little film with a big heart. Those who have enjoyed heartfelt films like 'Calender Girls' and 'Billy Elliot' will love this one too. It's also one of the many things I love about little British movies. They have a very simple message, a simple story to tell about real people but they tell it with heart and soul without throwing the message 'in your face'. Director Julian Jarrold does not disappoint in that front and, as is the case with many such films, they strongly rely on performances too. Chiwetel Ejiofor remains one of the underrated talents of the generation and he totally carries the film. All the effort he's gone through for the character has certainly paid off. He looks the part and, next to acting, the guy sure can sing too. Joel Edgerton provides a brilliant contrast to Ejiofor's Lola/Simon (as demanded by the character) and, in a subtle way, he also conveys the similarities and pain that both characters share. Sarah-Jane Potts is a charming delight. The rest of the cast that includes talents like Nick Frost and Linda Bassett lend sufficient support with their strong presence and comedy. The delightful camera-work dances to the tune of the wonderful score. The slick shots of the shoes being manufactures is very notable. There are so many laugh-out-loud sequences especially the hilarious 'drag' sequences (which are funny without making a mockery out of drag queens and transvestites). Even though it's based on a short story, the inspiration clearly shows and the writers have created a great fun story. In the end, I felt a little uplifted and it left a smile.
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