Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Selina, is forced from his imposed exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
Tells the story of Evey Hammond and her unlikely but instrumental part in bringing down the fascist government that has taken control of a futuristic Great Britain. Saved from a life-and-death situation by a man in a Guy Fawkes mask who calls himself V, she learns a general summary of V's past and, after a time, decides to help him bring down those who committed the atrocities that led to Britain being in the shape that it is in. Written by
Alan Moore, writer of the original graphic novel, greatly disliked the film, criticising the script for "having plot holes you wouldn't have got away with on Wizzer and Chips in the 1960s". He ended cooperation with his publisher, DC Comics, after its corporate parent, Warner Bros., failed to retract statements about Moore's supposed endorsement of the film. Joel Silver said at a press conference that Lana Wachowski had talked with Moore, and that "[Moore] was very excited about what [Lana] had to say." Moore disputed this, reporting that he told Wachowski "I didn't want anything to do with films ... I wasn't interested in Hollywood," and demanded that DC Comics force Warner Bros to issue a public retraction and apology for Silver's "blatant lies". Although Silver called Moore directly to apologise, no public retraction appeared. Moore was quoted as saying that the comic book had been "specifically about things like fascism and anarchy. Those words, 'fascism' and 'anarchy,' occur nowhere in the film. It's been turned into a Bush-era parable by people too timid to set a political satire in their own country." This conflict between Moore and DC Comics was the subject of an article in The New York Times on 12 March 2006, five days before the US release. In the New York Times article, Silver stated that about 20 years prior to the film's release, he met with Moore and David Gibbons when Silver acquired the film rights to V For Vendetta and Watchmen. Silver stated, "Alan was odd, but he was enthusiastic and encouraging us to do this. I had foolishly thought that he would continue feeling that way today, not realising that he wouldn't." Moore did not deny this meeting or Silver's characterisation of Moore at that meeting, nor did Moore state that he advised Silver of his change of opinion in those approximately 20 years. The New York Times article also interviewed David Lloyd about Moore's reaction to the film's production, stating, "Mr. Lloyd, the illustrator of V for Vendetta, also found it difficult to sympathise with Mr. Moore's protests. When he and Mr. Moore sold their film rights to the comic book, Mr. Lloyd said: "We didn't do it innocently. Neither myself nor Alan thought we were signing it over to a board of trustees who would look after it like it was the Dead Sea Scrolls." See more »
The files on Percy, Keyes and Rookwood, the three 'black-baggers' who either died or vanished the day after the St. Mary's attack, places the attack in 2014. However, Bishop Lilliman's tax records show the events at Larkhill Camp, which predate the attack, occurred in 2018. See more »
Remember, remember, the Fifth of November, the Gunpowder Treason and Plot. I know of no reason why the Gunpowder Treason should ever be forgot... But what of the man? I know his name was Guy Fawkes and I know, in 1605, he attempted to blow up the Houses of Parliament. But who was he really? What was he like? We are told to remember the idea, not the man, because a man can fail. He can be caught, he can be killed and forgotten, but 400 years later, an idea can still ...
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Like "Batman Begins", the opening Warner Bros. logo is gray on a gray sky. See more »
"Remember, remember, the fifth of November, gunpowder treason and plot. I see no reason why the gunpowder treason should ever be forgot."
I've never read the graphic novel, but I don't think you need to read it to appreciate the movie. I saw the film last night at it's World Premiere at the Berlin International Film festival. Though it became a little weighty in the middle (one part seemed to drag a little) other than that it was a great experience. The story was so topical that I got seriously emotional during a lot of parts. Weaving did an excellent job with the mysterious title character "V", creating a poetic, intelligent, and compassionate yet ruthless character. Portman always seems to surprise me, except with her Star Wars character. She portrays tremendous emotional range and transforms completely throughout the movie. This is one of those movies that really sticks in your head long after you watch it though... and it continues to stir and grow.
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