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| Ken Takakura | ... | Gou-ichi Takata | |
| Shinobu Terajima | ... | Rie Takata | |
| Kiichi Nakai | ... | Ken-ichi Takata (voice) | |
| Ken Nakamoto | ... | Electrician | |
| Jiamin Li | ... | Li Jiamin | |
| Jiang Wen | ... | Jasmine | |
| Lin Qiu | ... | Lingo | |
| Li Bin Li | ... | Director Li (as Bin Li) | |
| Ziliang Chen | ... | Warden Chen | |
| Zezhou He | ... | Village Chief | |
| Zhenbo Yang | ... | Yang Yang |
Directed by | |||
| Yimou Zhang | |||
Writing credits | ||
| Yimou Zhang | (story) and | |
| Jingzhi Zou | (story) and | |
| Bin Wang | (story) | |
| Jingzhi Zou | (screenplay) | |
Produced by | |||
| William Kong | .... | producer (as Bill Kong) | |
| Jian Xiu | .... | producer | |
| Weiping Zhang | .... | producer | |
| Yimou Zhang | .... | producer | |
| Zhenyan Zhang | .... | associate producer | |
Original Music by | |||
| Wenjing Guo | |||
Cinematography by | |||
| Xiaoding Zhao | (director of photography) | ||
Film Editing by | |||
| Long Cheng | |||
Production Design by | |||
| Li Sun | |||
Makeup Department | |||
| Mitsue Sato | .... | makeup artist: Japan | |
| Fumi Takeshita | .... | hair stylist: Ms. Terajima, Japan | |
| Fumi Takeshita | .... | makeup artist: Ms. Terajima, Japan | |
| Xiaoxi Yu | .... | assistant makeup artist | |
Production Management | |||
| George Awburn | .... | supervising editor: Digital Pictures | |
| Tianhui Ge | .... | production manager | |
| Xinming Huang | .... | assistant unit manager | |
| Takahiro Kawada | .... | production manager: Japan | |
| Atsuo Kikuchi | .... | unit manager: Japan | |
| Jane Maguire | .... | post-production supervisor | |
| Akira Morishige | .... | unit manager: Japan | |
| Lun Pu | .... | production manager | |
| Kerri Schwarze | .... | post-production supervisor: Complete Post | |
| Ken'ichi Yamada | .... | unit manager: Japan (as Kenichi Yamada) | |
Art Department | |||
| Zhongshan Guo | .... | assistant art director | |
| Zhongquan Hu | .... | set dresser | |
| Yasuo Kashima | .... | assistant set dresser: Japan | |
| Chieko Kashiyama | .... | assistant art director: Japan | |
| Minglai Li | .... | assistant set dresser | |
| Yuping Liu | .... | props assistant | |
| Ke Mu | .... | property master | |
| Yukiharu Seshimo | .... | assistant art director: Japan | |
| Taichi Utsunomiya | .... | props assistant: Japan | |
| Takaichi Wakamatsu | .... | production design: Japan | |
| Geming Wang | .... | assistant set dresser | |
| Wenyi Wang | .... | props assistant | |
| Takeshi Yanagisawa | .... | props assistant: Japan | |
| Min Yang | .... | props assistant | |
| Shuping Yao | .... | set dresser | |
| Quanrong Yu | .... | assistant set dresser | |
| Chaochen Zhang | .... | assistant set dresser | |
| Lisen Zhang | .... | assistant set dresser | |
Visual Effects by | |||
| Clayton Bell | .... | digital data management: Digital Pictures | |
| Terence Cheng | .... | 3D animator/compositor: Asia Legend Limited | |
| Bessie Cheuk | .... | visual effects controller: Asia Legend Limited | |
| Manny Espino | .... | digital technical director: Digital Pictures | |
| Fiona Fry | .... | digital intermediate producer: Digital Pictures | |
| Ron Korpi | .... | digital data systems: Digital Pictures | |
| Ringo Lee | .... | 3D animator/compositor: Asia Legend Limited | |
| Eric Leung | .... | 3D animator/compositor: Asia Legend Limited | |
| Leo Lo | .... | visual effects producer: Asia Legend Limited | |
| Florian Martin | .... | consulting digital technical director: Digital Pictures (as Florian 'Utsi' Martin) | |
| Ross Mitchell | .... | optical effects: Cinevex Film Laboratories | |
| Peter Peric | .... | digital technical assessment: Digital Pictures | |
| Graeme Pitt | .... | digital data supervisor: Digital Pictures | |
| Tony Poriazis | .... | film recording supervisor: Digital Pictures | |
| Sarah Robertson | .... | image repair and negative dirt removal: Digital Pictures | |
| Henny Van Teyfingen | .... | digital technical support: Digital Pictures | |
| Lisa Ying | .... | 3D animator/compositor: Asia Legend Limited | |
| Donald Yip | .... | 3D animator/compositor: Asia Legend Limited | |
Casting Department | |||
| Hoei Project | .... | extras casting: Japan (as Project Hoei) | |
Costume and Wardrobe Department | |||
| Jin-Hua Gu | .... | costumer (as Jinhua Gu) | |
| Tomoko Suzuki | .... | stylist: Ms. Terajima, Japan | |
| Kyoko Takahashi | .... | costumer: Japan | |
| Jianghong Zhou | .... | assistant costumer | |
Editorial Department | |||
| Ian Anderson | .... | laboratory post-production manager: Cineves Film Laboratories | |
| Billy Browne | .... | editing assistant: Australia | |
| Paul Cross | .... | negative matching supervisor: Cinevex Film Laboratories | |
| Kerry Dibbs | .... | post-production assistant | |
| Franco Diciero | .... | negative matcher: Cinevex Film Laboratories | |
| John Fleming | .... | digital intermediate project manager: Digital Pictures | |
| Ling Geng | .... | post-production coordinator | |
| Al Hansen | .... | digital colorist | |
| Adrian Hauser | .... | senior colorist: Complete Post | |
| Akimasa Kawashima | .... | editor: Japan | |
| Rachel Knowles | .... | digital intermediate coordinator: Digital Pictures | |
| Eugene Leonello | .... | negative matcher: Cinevex Film Laboratories | |
| Stanley Lopuszanski | .... | colorist: Digital Pictures | |
| Gu Pinghu | .... | dv editor | |
| Gu Pinghu | .... | on-set editor | |
| Leigh Segal | .... | post-production facilities manager: Complete Post | |
| Chieko Suzaki | .... | assistant editor: Japan | |
| Caroline Whiteley | .... | color grader | |
| Ligen Zhao | .... | assistant editor | |
Music Department | |||
| Wei Chen | .... | musician: percussion | |
| Ross Cockle | .... | score remix engineer: opening and closing titles | |
| Ya Dai | .... | musician: flute | |
| Sida Guo | .... | musician: midi | |
| Xiaopei Li | .... | music recordist | |
| Fei Song | .... | musician: zhong hu | |
| Sha Yuan | .... | musician: string | |
| Quansheng Zhang | .... | musician: ma tou qin | |
| Jiazhen Zhao | .... | musician: gu qin | |
Transportation Department | |||
| Masanobu Amemiya | .... | transportation: production, Japan | |
| Koji Sekiguchi | .... | transportation chief: Japan | |
| Mitsunobu Tono | .... | transportation: cast, Japan | |
Other crew | |||
| Lesley Aitkin | .... | script services: post-production | |
| Tom Alper | .... | insurance: Speare and Company | |
| Jia Cui | .... | assistant to director | |
| Zhao Danian | .... | second production assistant | |
| Yexin Fan | .... | catering assistant | |
| Howard Frumes | .... | legal services: Alexander, Nau, Lawrence & Frumes | |
| Ke Gao | .... | production assistant | |
| Pamela Hammond | .... | client liaison: Digital Pictures | |
| Katsuko Hatayama | .... | production assistant: Japan | |
| Zhihua Hou | .... | assistant to director | |
| Wenrui Jia | .... | caterer | |
| Xiaowei Kang | .... | accountant | |
| Tomoko Katahara | .... | production assistant: Japan | |
| Emi Kawano | .... | script supervisor: Japan (as Emi Kawano) | |
| Shirô Kido | .... | talent manager: Japan | |
| Takahiro Komura | .... | assistant to director: Japan | |
| Yanlong Li | .... | catering assistant | |
| Yinghui Li | .... | assistant to director | |
| Mingna Liu | .... | accountant | |
| Chris Lu | .... | subtitles: English | |
| Dan Lu | .... | script supervisor | |
| Shasha Luo | .... | documentary filmmaker | |
| Atsushi Naito | .... | legal services: Aoyama Law Offices | |
| Youko Nakagawa | .... | translator: Japanese script | |
| Kaoru Nakamura | .... | production coordinator: Japan | |
| Guanghe Ni | .... | second production assistant | |
| Liwei Pang | .... | assistant to director | |
| Li'an Qin | .... | interpreter | |
| Toshifumi Shimizu | .... | assistant to director: Japan | |
| Shuo Tian | .... | production interpreter | |
| Zhaojun Tian | .... | accountant | |
| Bin Wang | .... | story consultant | |
| Jianguo Wang | .... | second production assistant | |
| Gang Xu | .... | location production assistant | |
| Xiaoshun Xu | .... | production assistant | |
| Cloudy Yang | .... | translator: English script | |
| Alice Yeung | .... | production coordinator | |
| Yefei Yin | .... | interpreter | |
| Xiangchun Zeng | .... | location production assistant | |
| Jihu Zhang | .... | catering assistant | |
| Jingsheng Zhang | .... | chief interpreter | |
| Jingsheng Zhang | .... | subtitles: Japanese | |
| Xuemei Zhang | .... | accountant | |
| Shufen Zhao | .... | accountant | |
| Ping Zhou | .... | physical therapist | |
| Jiajun Zhu | .... | second production assistant | |
| Renqiao Zuo | .... | location production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Hong Kong section |
In a village of fishermen in Japan, Takata (Ken Takakura) misses his son Kenichi, to whom he has been estranged for many years. When his daughter-in-law Rie (Shinobu Terajima) tells him that Kenichi is sick in the hospital, she suggests Takata to come to Tokyo to visit his son in the hospital where he would have the chance to retie the relationship. However, Kenichi refuses to receive his father in his room, and Rie gives a videotape to Takata to know about the work of his son. Once at home, Takata sees a documentary in the remote village Lijiang, in the province of Younnan, about the passion of Kenichi, the Chinese opera, where the lead singer Li Jiamin (Jiamin Li) promises to sing an important folk opera on the next year. When Rie calls Takata to tell that her husband has a terminal liver cancer, Takata decides to travel to Lijiang to shoot Li Jiamin singing the opera to give to Kenichi.
"Qian Li Zou Dan Qi" is a magnificent movie about fathers and sons in a wonderful journey to understanding and redemption that will certainly bring tears and smiles to the viewer. The screenplay perfectly discloses in an adequate pace the touching and heartbreaking story of a man that tries reconciliation with his son filming the opera in China and finally understands the feelings of his son. It is also a story about lost chances in life to be close to those we love since people usually forget that time is irreversible and life is unique. The cinematography is amazing, as usual in Yimou Zhang movies. Ken Takakura gives a top-notch performance supported by the excellent acting of a few professional actors and actresses and an amateurish cast. The music score is very peaceful and beautiful. I have just included this gem in the list of my favorite movies ever. My vote is nine.
Title (Brazil): "Um Longo Caminho" ("A Long Way")