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John D. Brancato (written by) &
Michael Ferris (written by)
21 May 2009 (USA) more
The End Begins more
After Skynet has destroyed much of humanity in a nuclear holocaust, a group of survivors led by John Connor struggles to keep the machines from finishing the job. full summary | full synopsis
5 nominations more
Interview: The Future of Voltron - Jeremy Corray
(From QuietEarth. 11 November 2009, 12:19 PM, PST)
Avatar Official Movie Trailer
(From toxicshock. 10 November 2009, 11:05 PM, PST)
Enjoyable ride, not quite there but lots of fun... more (744 total)
Directed by | |||
| McG | |||
Writing credits(WGA) | ||
| John D. Brancato | (written by) (as John Brancato) & | |
| Michael Ferris | (written by) | |
Produced by | |||
| Jeanne Allgood | .... | executive producer | |
| Derek Anderson | .... | producer | |
| Moritz Borman | .... | producer | |
| Chantal Feghali | .... | co-producer | |
| Chantal Feghali | .... | post-production producer | |
| Bruce Franklin | .... | associate producer | |
| Steve Gaub | .... | associate producer | |
| Peter D. Graves | .... | executive producer | |
| Thomas Hayslip | .... | line producer: second unit | |
| April A. Janow | .... | associate producer | |
| Mario Kassar | .... | executive producer | |
| Victor Kubicek | .... | producer | |
| Dan Lin | .... | executive producer | |
| Joel B. Michaels | .... | executive producer | |
| James Middleton | .... | associate producer | |
| Anjalika Mathur Nigam | .... | associate producer | |
| Jeffrey Silver | .... | producer | |
| Andrew G. Vajna | .... | executive producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Shane Hurlbut | (director of photography) | ||
Film Editing by | |||
| Conrad Buff IV | (as Conrad Buff) | ||
Casting by | |||
| Justine Baddeley | |||
| Kim Davis | |||
Production Design by | |||
| Martin Laing | |||
Art Direction by | |||
| Troy Sizemore | (supervising art director) | ||
Set Decoration by | |||
| Victor J. Zolfo | |||
Costume Design by | |||
| Michael Wilkinson | |||
Makeup Department | |||
| Georgia Allen | .... | makeup artist | |
| Svetlana Britt | .... | assistant makeup artist | |
| Ken Culver | .... | mold maker | |
| Danielle Friedman | .... | additional makeup artist | |
| Elizabeth Gallegos | .... | assistant hair stylist | |
| Elizabeth Gallegos | .... | assistant makeup artist | |
| Pepper J. Gallegos | .... | assistant makeup artist | |
| Kimberly Greene | .... | makeup department head | |
| Patricia Greer | .... | assistant makeup artist | |
| Allan B. Holt | .... | lab makeup effects | |
| Rolf John Keppler | .... | special makeup effects artist | |
| Aimee Macabeo | .... | special makeup effects artist: Stan Winston Studio | |
| Yvette Meely | .... | assistant hair stylist | |
| Jolynn Nieto | .... | additional hair stylist | |
| Jolynn Nieto | .... | assistant hair stylist | |
| Michael Ornelaz | .... | special makeup effects artist: Stan Winston Studio | |
| Angelique Ortiz | .... | additional makeup artist | |
| Ashlynne Padilla | .... | assistant makeup artist | |
| Deidre Parness | .... | makeup artist | |
| John Rosengrant | .... | special makeup effects supervisor: Stan Winston Studio | |
| Sara Roybal | .... | assistant makeup artist | |
| Betty Lou Skinner | .... | key hair stylist | |
| Mike Smithson | .... | makeup effects department head | |
| Mike Smithson | .... | makeup: Sam Worthington | |
| Arjen Tuiten | .... | special makeup effects artist: Stan Winston Studio | |
| Erin Wooldridge | .... | key makeup artist | |
| Melissa A. Yonkey | .... | department head hair: second unit | |
| Joy Zapata | .... | hair department head: second unit | |
Production Management | |||
| Nadia Paine | .... | production supervisor | |
| Ryan Wiederkehr | .... | associate production manager: ILM | |
| Heather P. Woods | .... | post-production supervisor | |
| Don Zepfel | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stephen P. Dunn | .... | first assistant director: second unit | |
| Bruce Franklin | .... | first assistant director | |
| Charles Gibson | .... | second unit director | |
| Zach Hunt | .... | second second assistant director: second unit | |
| Cyndi Martin | .... | second second assistant director | |
| Adolfo Martínez Pérez | .... | additional unit director | |
| Jeff Okabayashi | .... | second assistant director | |
| Paul Byrne Prenderville | .... | second assistant director: second unit | |
| Katie Pruitt | .... | second second assistant director: second unit | |
| Bryan Snodgrass | .... | second second assistant director | |
| Lily Garcia | .... | additional second second assistant director (uncredited) | |
Visual Effects by | |||
| Lauren Abrams | .... | scenic artist: Kerner Optical | |
| Christian Alzmann | .... | visual effects art director | |
| Cameron Anderson | .... | stage technician: Kerner Optical | |
| Steven Anderson | .... | production assistant: ILM | |
| Tim Angulo | .... | director of photography: New Deal Studios | |
| Francois Antoine | .... | visual effects: ILM | |
| Daphne Apellanes-Ackerson | .... | compositor: Matte World Digital | |
| Eric Aubry | .... | digital effects artist: Rodeo FX | |
| Satish Babu | .... | digital compositor: ILM | |
| Jörg Baier | .... | digital compositor: Rising Sun Pictures | |
| Bekah Baik | .... | 3D lighting artist | |
| Charles Bailey | .... | model maker: Kerner Optical | |
| Robert Baird | .... | texture artist: Rising Sun Pictures | |
| Craig Barron | .... | visual effects supervisor: Matte World Digital | |
| Geeta Basantani | .... | digital matte painter: Matte World Digital | |
| Geeta Basantani | .... | senior compositor | |
| Christopher Batty | .... | previs lead | |
| Scott E. Baxter | .... | digital effects artist: Asylum | |
| Daniel Bayona | .... | digital matte painter | |
| Basel Bazlamit | .... | pre-visualization artist | |
| Greg Beaumonte | .... | camera engineer: Kerner Optical | |
| Brian Bell | .... | lighter: Asylum | |
| Joseph Bell | .... | visual effects coordinator: ILM | |
| Elissa Bello | .... | rotoscope and paint supervisor | |
| John Berri | .... | visual effects editor | |
| Michael Best | .... | visual effects dolly grip: Kerner Optical | |
| Dan Bethell | .... | CG supervisor: Rising Sun Pictures | |
| Jason Bidwell | .... | compositor: Asylum FX | |
| Sarah Birns | .... | digital compositor | |
| Rob Blue | .... | visual effects artist: Asylum | |
| Michael Boggs | .... | scanning manager | |
| Jeremy Boissinot | .... | matte painting td: Rodeo FX | |
| Dana Bonilla | .... | set production assistant: Kerner Optical | |
| Mathieu Boucher | .... | technical director: ILM | |
| E.M. Bowen | .... | visual effects coordinator: New Deal Studios, Inc. | |
| Jason Brackett | .... | special effects technician: Kerner Optical | |
| Phil Brennan | .... | visual effects supervisor: Asylum | |
| Marty Brenneis | .... | camera engineer: Kerner Optical | |
| Chantell Brown | .... | assistant technical director | |
| Mark Buck | .... | model maker: Kerner Optical | |
| Darrin Butts | .... | previsualization artist: Proof | |
| Ben Campbell | .... | lighting technical director | |
| Andrea Caretta | .... | 3d lighting and compositing | |
| Huey Carroll | .... | paint artist | |
| Merlin Carroll | .... | rotoscope artist: Asylum FX | |
| Sean M. Casey | .... | model maker: Kerner Optical | |
| Daniel Cavey | .... | production coordinator: ILM | |
| Joe Ceballos | .... | art director | |
| Lanny Cermak | .... | digital artist: ILM | |
| Can Chang | .... | compositor: ILM | |
| Henry Kwok Ho Chan | .... | digital artist: ILM | |
| Kien Geay Chan | .... | digital artist | |
| Fred Chapman | .... | lead rigger: Rising Sun Pictures | |
| Aharon Charnov | .... | cg generalist: Pixel Liberation Front | |
| Kathy Chasen-Hay | .... | visual effects producer: Asylum | |
| Cheah Chin Chee | .... | digital artist: ILM | |
| Ling Chen | .... | digital compositor: ILM | |
| Leila Chesloff | .... | digital artist | |
| Zac Chowdhury | .... | digital artist | |
| Ian Chriss | .... | visual effects best boy electric: Kerner Optical | |
| Marc Chu | .... | animation director: ILM | |
| Marc Chu | .... | animation supervisor: ILM | |
| Wes Cilldhaire | .... | render wrangler: Rising Sun Pictures | |
| Jessee J. Clarkson | .... | model maker | |
| Timothy Clark | .... | lead matte painter: Asylum | |
| Richard Clot | .... | special effects technician: Kerner Optical | |
| Robbie Clot | .... | special effects technician: Kerner Optical | |
| Tom Cloutier | .... | visual effects key grip: Kerner Optical | |
| Brian Connor | .... | lead compositor: ILM | |
| Jay Cooper | .... | digital artist | |
| Romaine Coston | .... | technical assistant | |
| Glenn Cotter | .... | CG artist: Matte World Digital | |
| Dan Crawley | .... | special effects technician: Kerner Optical | |
| Andrew Crowley | .... | special effects technician: Kerner Optical | |
| Kevin Culhane | .... | rigger: Asylum | |
| Nick D'Abo | .... | model/miniature supervisor: Kerner Optical | |
| Todd D'Amario | .... | model maker: Kerner Optical | |
| Ayse Dedeoglu | .... | production coordinator: Kerner Optical (as Ayse Dedeoglu Arkali) | |
| Stephen DeLuca | .... | digital compositor: Industrial Light and Magic | |
| Bernie Demolski | .... | visual effects best boy grip: Kerner Optical | |
| Heather Dennis | .... | titles coordinator | |
| Justin Denton | .... | pre-vis supervisor | |
| Simon Devault | .... | digital compositor: RodeoFX | |
| Raffael Dickreuter | .... | pre-viz animator: Pixel Liberation Front | |
| Ben Dickson | .... | digital compositor: Rising Sun Pictures | |
| John Dietz | .... | visual effects supervisor: Rising Sun Pictures | |
| Eran Dinour | .... | digital artist: ILM | |
| Frank D'Iorio | .... | digital compositor: ILM | |
| Hugo Dominguez | .... | digital artist: Asylum Vfx | |
| Mark Duckworth | .... | digital artist: Asylum | |
| Kalene Dunsmoor | .... | digital compositor: ILM | |
| Robert Edwards | .... | model maker: Kerner Optical | |
| Dan Enstrom | .... | digital resource assistant: ILM (as Daniel Enstrom) | |
| Christopher Evans | .... | digital matte painter: Matte World Digital | |
| Sean Andrew Faden | .... | CG supervisor: Asylum | |
| Steve Fait | .... | visual effects coordinator: ILM | |
| Nina Fallon | .... | visual effects producer: Rodeo FX | |
| Matt Farell | .... | previs artist | |
| Chantal Feghali | .... | visual effects producer | |
| Sebastian Feldman | .... | digital artist | |
| Todd Fellows | .... | modelmaker: Kerner Optical | |
| Christine Felman | .... | visual effects coordinator: Asylum | |
| Patrick Ferguson | .... | digital compositor | |
| Rick Fichter | .... | special effects technician: Kerner Optical | |
| Simon Fillat | .... | digital artist: ILM | |
| Brad Floyd | .... | compositor: Rising Sun Pictures | |
| Michael Sean Foley | .... | lead lighting artist: AsylumFX | |
| Chris Foreman | .... | digital artist: ILM | |
| John Fragomeni | .... | visual effects supervisor: Asylum | |
| Adam Francis | .... | motion control technician | |
| Ron Frankel | .... | previsualization supervisor: Proof Inc. | |
| Alex Fry | .... | senior compositor | |
| James Furlong | .... | texture artist: Rising Sun Pictures | |
| Warren Fu | .... | visual effects art director | |
| William Gammon | .... | digital compositor | |
| Shannon Blake Gans | .... | visual effects producer: New Deal Studios, Inc. | |
| Danny Garcia | .... | track/matchmove artist | |
| Leo Garza | .... | model maker: Kerner Optical | |
| Brad Gayo | .... | sequence lead compositor | |
| David Geoghegan | .... | digital compositor | |
| Brian Gernand | .... | model/miniature department supervisor: Kerner Optical | |
| Tim Gibbons | .... | digital compositor | |
| Charles Gibson | .... | visual effects supervisor | |
| Nathalie Girard | .... | digital compositor: ILM | |
| Victor Glushchenko | .... | 3d artist: Rising Sun Pictures | |
| David Goodno | .... | stage technician: Kerner Optical | |
| Dustin Gould | .... | visual effects coordinator: Pixel Liberation Front | |
| Susan Greenhow | .... | visual effects producer: ILM | |
| Bryant Terrell Griffin | .... | digital artist | |
| Branko Grujcic | .... | digital artist: ILM | |
| Christopher James Hall | .... | visual effects production supervisor: kerner optical | |
| Nelson Hall | .... | model maker: Kerner Optical | |
| Neal Halter | .... | model maker: Kerner Optical | |
| Éric Hamel | .... | digital matte painter: Matte World Digital | |
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Sam Hancock | .... | digital artist | |
| Chris Hardman | .... | matchmove artist: Rising Sun Pictures | |
| Max Harris | .... | Flame artist: Asylum | |
| Dan Hauck | .... | model maker: Kerner Optical | |
| Dale Haugo | .... | scenic artist: Kerner Optical | |
| Oliver Hearsey | .... | matchmove artist: Rising Sun Pictures | |
| Keith Herft | .... | compositing lead | |
| Andrea Hernandez | .... | rotoscope artist | |
| Luis Hernandez | .... | CG artist: Matte World Digital | |
| Andrew Heron | .... | special effects technician: Kerner Optical | |
| Geoff Heron | .... | practical effects supervisor: Kerner Optical | |
| Geoffrey R. Heron | .... | special effects technician: Kerner Optical | |
| Philip Heron | .... | stage technician: Kerner Optical | |
| Clark Higgins | .... | video assist operator: Kerner Optical | |
| Diana Hinek | .... | digital compositor | |
| Edward Hirsh | .... | visual effects supervisor: ILM | |
| Sam Hodge | .... | lighting td: Rising Sun Pictures | |
| Bruce Holcomb | .... | digital model supervisor | |
| Sean House | .... | model maker: Kerner Optical | |
| Venti Hristova | .... | animation and compositing | |
| Stephanie Ide | .... | lead rotoscope artist: Asylum FX | |
| Myron Seth Isaacs | .... | model maker: Kerner Optical | |
| Jiri Jacknowitz | .... | digital paint & roto artist | |
| Rod M. Janusch | .... | visual effects gaffer: Kerner Optical | |
| Patrick Jarvis | .... | digital paint/rotoscope supervisor: ILM | |
| Jeffrey Jasper | .... | digital artist: New Deal Studios | |
| Erik Jensen | .... | model maker: Kerner Optical | |
| Brad Jerrell | .... | special effects technician: Kerner Optical | |
| Mike Jobe | .... | model maker: Kerner Optical | |
| Llyr Tobias Johansen | .... | visual effects coordinator | |
| Jeff C. Johnson | .... | model maker: Kerner Optical | |
| Dennis Jones | .... | digital compositor | |
| Grzegorz Jonkajtys | .... | visual effects | |
| Shahen Jordan | .... | senior matte painter: Asylum FX | |
| Apirak Kamjan | .... | matchmover: Asylum FX | |
| Samapika Karmakar | .... | lead rotoscope artist | |
| Joe Ken | .... | senior inferno artist: Asylum | |
| Michael Kennen | .... | digital compositor | |
| Mark Kessler | .... | stage technician: Kerner Optical | |
| Ara Khanikian | .... | digital compositor: Rodeo FX | |
| Kareem K.H. | .... | digital compositor: SPII | |
| Steven King | .... | stage technician: Kerner Optical | |
| Shilpa Kirpalani | .... | digital artist | |
| Ranjith Kizakkey | .... | matchmove lead | |
| Katrin Klaiber | .... | sequence supervisor | |
| Cristian A. Kong | .... | compositor | |
| Justin Kosnikowski | .... | digital artist | |
| Marios Kourasis | .... | animation and 3d artist | |
| Makoto Koyama | .... | character animator: ILM | |
| Marshall Richard Krasser | .... | lead digital artist: ILM | |
| E. Suresh Kumar | .... | digital effects artist | |
| Roger Kupelian | .... | digital matte artist | |
| Frankie Kwak | .... | digital artist: ILM | |
| Raphael Lacoste | .... | lead matte painter (rodeofx ) | |
| Jaymie Lam | .... | compositor: Matte World Digital | |
| Pat Lun Lam | .... | digital artist: ILM | |
| John LaNoue | .... | special effects technician: Kerner Optical | |
| Jean Lapointe | .... | digital compositor: ILM | |
| Kimberly Lashbrook | .... | visual effects artist | |
| Ali Laventhol | .... | Flame artist | |
| Stephen Lawes | .... | creative director: Pixel Liberation Front | |
| Mike Leben | .... | motion control operator | |
| Jaewook Lee | .... | digital artist: ILM | |
| Marvin Lee | .... | roto/paint artist: Asylum FX | |
| Duncan Lees | .... | head of 3D services: Plowman Craven and Associates | |
| SeungHun Lee | .... | creature technical director | |
| John M. Levin | .... | digital artist: ILM | |
| Janet Lewin | .... | visual effects executive producer: ILM | |
| Victoria Lewis | .... | model maker: Kerner Optical | |
| Nicholas Loizides | .... | modeler: Asylum FX | |
| Justin Long | .... | visual effects artist: Rising Sun Pictures | |
| Michael Lori | .... | lead 3D tracker | |
| Anthony Lucero | .... | visual effects editor | |
| Gregg Lukomski | .... | pre-vis supervisor: Halon Entertainment | |
| Michael Lynch | .... | model/miniature supervisor: Kerner Optical | |
| Brian Magner | .... | pre-visualisation artist | |
| Greg Maguire | .... | creature technical director: ILM | |
| Dev Mannemela | .... | technical director: ILM | |
| Patrik Marek | .... | digital artist: ILM | |
| Jose Marra | .... | visual effects editor | |
| Craig Mathieson | .... | digital compositor | |
| Pierre Maurer | .... | model maker: Kerner Optical | |
| Kevin May | .... | Inferno artist: ILM | |
| Ryan A. McCoy | .... | pre-visualization artist | |
| Campbell McGrouther | .... | lighting technical director | |
| Nathan McGuinness | .... | visual effects supervisor: Asylum | |
| Sarah McLauchlan | .... | vfx editor | |
| John McLeod | .... | special effects technician: Kerner Optical | |
| Scott McNamara | .... | model maker: Kerner Optical | |
| Tony Meister | .... | designer | |
| Joseph Metten | .... | digital artist: ILM | |
| Ken Mieding | .... | special effects technician: Kerner Optical | |
| Christopher James Miller | .... | technical director: ILM | |
| Jim Milton | .... | visual effects editor | |
| Suzanne Mitus-Uribe | .... | matte painter | |
| Brad Moore | .... | special effects technician: Kerner Optical | |
| Chris F. Moore | .... | visual effects | |
| Samuel Moore | .... | special effects technician: Kerner Optical | |
| Sébastien Moreau | .... | visual effects supervisor: Rodeo FX | |
| Josh Mossotti | .... | visual effects artist | |
| Michelle Motta | .... | digital paint & rotoscope artist | |
| Steve Muangman | .... | digital compositor: Asylum Visual Effects | |
| Norah Mulroney | .... | digital compositor | |
| Laura Murillo | .... | digital effects artist | |
| Dave Murphy | .... | model maker: Kerner Optical | |
| Martin Murphy | .... | texture artist: ILM | |
| Myles Murphy | .... | digital compositor | |
| Nick Murphy | .... | visual effects editor - rising sun pictures | |
| Mark Nettleton | .... | lead digital artist: ILM | |
| Winston Ng | .... | visual effects production assistant | |
| Yoon See Ng | .... | digital compositor: ILM | |
| Blake Nickle | .... | matte painting coordinator | |
| James P. Noon | .... | tracking | |
| Sam Norman | .... | digital compositor | |
| Brett Northcutt | .... | digital matte artist | |
| Erin D. O'Connor | .... | plate coordinator: ILM | |
| Eddie Offermann | .... | software and tracking | |
| Jim O'Hagan | .... | digital compositor: Pacific Title | |
| Chris Olivas | .... | digital painter | |
| Midori Otsubo | .... | digital artist: Asylum (as Midori Witsken) | |
| David Owen | .... | production and technical support | |
| Premamurti Paetsch | .... | effects technical director: Rising Sun Pictures | |
| S. Scott Parrish | .... | lead creature technical director: ILM | |
| Adam Paschke | .... | compositing supervisor: Rising Sun Pictures | |
| Bethany Pederson | .... | digital paint artist: Asylum FX | |
| Nick Pill | .... | concept artist: rising sun pictures | |
| Vance Piper | .... | first assistant camera: Kerner Optical | |
| Nick Pitt-Owen | .... | visual effects artist | |
| Zoltan Pogonyi | .... | digital matte artist: ILM | |
| Vincent Poitras | .... | digital compositor: RodeoFX | |
| Eric Ponton | .... | digital compositor: Rising Sun Pictures | |
| Jason Porter | .... | digital compositor | |
| Tanissa Potrovitza | .... | visual effects producer | |
| Bruce Powell | .... | sequence supervisor | |
| Emily Probert | .... | digital compositor: Rising Sun Pictures | |
| Marc Purnell | .... | modeller | |
| Tim Quarry | .... | animator: Rising Sun Pictures | |
| Balaji Ramakrishna | .... | digital compositor: SPII | |
| Sandesh Ramdev | .... | compositor | |
| Chuck Ray | .... | special effects technician: Kerner Optical | |
| Mathieu Raynault | .... | matte painter: Rodeo FX | |
| Philippe Rebours | .... | digital production supervisor: ILM | |
| Ryan Reeb | .... | visual effects | |
| Spencer Reynolds | .... | clonecam operator: ILM | |
| Tom Richardson | .... | scenic artist: Kerner Optical | |
| Jessica Riewe | .... | technical assistant | |
| Becky Roberts | .... | visual effects production manager: RSP | |
| Ben Roberts | .... | digital compositor: Rising Sun Pictures | |
| Josh Robinson | .... | digital artist: modeler | |
| Loren Robinson | .... | digital compositor: ILM | |
| Barnaby Robson | .... | research and development: ILM | |
| Dennis Rogers | .... | first assistant camera: ILM | |
| Ken Rogerson | .... | visual effects producer: Matte World Digital | |
| Martin Rosenberg | .... | director of photography: Kerner Optical | |
| Jeya Ruban | .... | digital compositor | |
| Leigh Russell | .... | visual effects artist | |
| Gregory Salter | .... | sequence supervisor: ILM | |
| Sean Samuels | .... | digital matte painter: Rodeo FX | |
| V. Samundeswari | .... | senior compositor | |
| Mike Sanders | .... | digital supervisor | |
| David Marcus Santoyo | .... | i/o vfx | |
| Kosta Saric | .... | visual effects editor: Asylum Visual Effects | |
| Julian Sarmiento | .... | senior modeler | |
| Gretchen Scharfenberg | .... | model maker: Kerner Optical | |
| Gunther Schatz | .... | visual effects artist | |
| Junko Schugardt | .... | visual effects artist | |
| Matthew Shaw | .... | digital compositor | |
| Ravi Shekhar | .... | lead rotoscope artist | |
| Michael Shelton | .... | animator: Asylum FX | |
| Shobanbabu | .... | cg supervisor | |
| Aaron Shores | .... | special effects technician: Kerner Optical | |
| Todd R. Smith | .... | compositor: Matte World Digital | |
| Jason H. Snell | .... | layout supervisor | |
| Ben Snow | .... | visual effects supervisor: ILM | |
| Andrew Somers | .... | previz editor | |
| Jim Soukup | .... | layout artist | |
| Donna Sousa | .... | production coordinator: Matte World Digital | |
| Russell Souza | .... | model maker: Kerner Optical | |
| Anthony Sparapani | .... | character animator | |
| Marion Spates | .... | CG generalist: Asylum | |
| Dane Spelman | .... | visual effects key grip: Kerner Optical | |
| Hilary Sperling | .... | inferno artist: Asylum | |
| Laurent Spillemaecker | .... | digital compositor: Rodeo FX | |
| Frederic St-Arnaud | .... | digital matte artist | |
| John Stewart | .... | digital compositor: Asylum | |
| Sam Stewart | .... | digital paint and rotoscope artist: ILM | |
| Florian Strobl | .... | compositor: ILM | |
| Frank Strzalkowski | .... | visual effects gaffer: Kerner Optical | |
| Greg Stuhl | .... | lead modeller: Asylum | |
| Frederick George Stuhrberg | .... | 3D scanning | |
| Bill Sturgeon | .... | visual effects production manager | |
| Andre Surya | .... | digital artist | |
| Jeff Sutherland | .... | compositing supervisor: ILM | |
| Rangi Sutton | .... | visual effects artist | |
| Pat Sweeney | .... | director of photography: Kerner Optical | |
| Frank W. Tarantino | .... | special effects foreman: Kerner Optical | |
| Martin Tardif | .... | lighting technical director: Rising Sun Pictures | |
| Chad Taylor | .... | lead digital artist: ILM | |
| Jon Teer | .... | previsualization artist: Proof | |
| Joel H. Thornton | .... | digital actors | |
| Richard Thwaites | .... | visual effects production manager: Rising Sun Pictures | |
| Dan Tindell | .... | pre-viz animator | |
| Benoit Touchette | .... | operations manager: Rodeo FX | |
| Kyle Traynor | .... | visual effects assistant | |
| Stefano Trivelli | .... | compositor: ILM | |
| Morgan Trotter | .... | CG artist: Matte World Digital | |
| Adrian Tsao | .... | digital artist: ILM | |
| Doug Tubach | .... | digital artist: ILM | |
| Can Tuncer | .... | 3d modeler: Industrial Light & Magic | |
| Graeme Tung | .... | visual effects artist | |
| Les Turner | .... | animator | |
| Trevor Tuttle | .... | model maker: Kerner Optical | |
| Lee Uren | .... | lead digital artist | |
| Jim Van Allen | .... | creature technical director: ILM | |
| Michael Van Eps | .... | digital artist | |
| Lauren van Houten | .... | matchmove artist | |
| I.J. Van Perre | .... | special effects technician: Kerner Optical | |
| Aaron Vest | .... | visual effects | |
| Noah Vice | .... | lighting/effects technical director | |
| Noah Vice | .... | lighting/effects technical director: ILM | |
| Tom Vukmanic | .... | model maker: Kerner Optical | |
| Jaikishan Vyas | .... | digital compositor | |
| Kevin Wallace | .... | production manager: Kerner Optical | |
| Kelly Walsh | .... | technical director: ILM | |
| Ben Warner | .... | digital compositor: Rising Sun Pictures | |
| Nathan Warner | .... | previsualization supervisor: Proof, Inc. | |
| Robert Weaver | .... | sequence supervisor: ILM | |
| Diana Marie Wells | .... | painter | |
| Jason Wesche | .... | previsualization artist: Pixel Liberation Front | |
| Lukas Weyandt | .... | digital compositor | |
| James Whitlam | .... | visual effects producer: Rising Sun Pictures | |
| Bob Wiatr | .... | digital compositor: Pacific Title | |
| Ronnie E. Williams Jr. | .... | digital compositor | |
| Jerry Wiskerson | .... | model maker: Kerner Optical | |
| Eric Wong | .... | creature supervisor: ILM | |
| Xye | .... | tracking | |
| Eddie Yang | .... | digital artist | |
| Alvin Yap | .... | visual effects technical director | |
| Daniel Yates | .... | special effects technician: Kerner Optical | |
| David Yee | .... | concept artist | |
| Teh-wei Yeh | .... | lighting technical director: ILM | |
| Gregory Yepes | .... | visual effects supervisor: Rising Sun Pictures | |
| Jason Young | .... | model maker: Kerner Optical | |
| Mark Youngren | .... | visual effects | |
| Susumu Yukuhiro | .... | matte painting supervisor | |
| Jennie Zeiher | .... | visual effects coordinator: Rising Sun Pictures | |
| Sebastien Betsch | .... | i/o technical specialist (uncredited) | |
| Sean Bittinger | .... | digital artist: ILM (uncredited) | |
| Lersak Bunupuradah | .... | modeler: Asylum (uncredited) | |
| Travis Dutch | .... | digital film scanning (uncredited) | |
| Jerome Moo | .... | digital artist: ILM (uncredited) | |
| Timothy Mueller | .... | digital artist: ILM (uncredited) | |
| Goran Petrushevski | .... | paint artist (uncredited) | |
Animation Department | |||
| Doug Crawford | .... | purchasing forman | |
| Wesley Mandell | .... | animator | |
| Scott Patton | .... | character designer | |
| Kevin Quaid | .... | animator | |
Casting Department | |||
| Chris Bustard | .... | extras casting: Los Angeles | |
| Alex Castillo | .... | extras casting wrangler | |
| Bryan Chacon | .... | extras casting wrangler | |
| Elizabeth Gabel | .... | extras casting | |
| Barbara Harris | .... | adr voice casting | |
| Katy Houska | .... | extras casting assistant | |
| Marie A. Kohl | .... | casting associate | |
| Freya Krasnow | .... | casting assistant | |
| Jacquelyn Palmquist | .... | casting associate | |
Costume and Wardrobe Department | |||
| Pilar Agoyo | .... | head seamstress | |
| Phillip Boutte Jr. | .... | costume illustrator | |
| Dawn Brown | .... | costume concept artist | |
| Patrick Caulfield | .... | costumer | |
| Wynema Chavez | .... | costume ager/dyer | |
| Bren Cook | .... | costume ager/dyer | |
| Lorraine Crossman | .... | costumer | |
| Tom Cummins | .... | set costumer | |
| Emily Egge | .... | set costumer | |
| Ann Foley | .... | assistant costume designer | |
| Blanca Garcia | .... | costumer | |
| Christine Hawes | .... | costumer | |
| Jose S. Hernandez | .... | costumer | |
| Elizabeth Lancaster | .... | costume ager/dyer | |
| Liz Lash | .... | costumer | |
| Robert Q. Mathews | .... | costume supervisor | |
| Melissa Moody | .... | costumer | |
| Nina Padovano | .... | costumer | |
| Kenn Smiley | .... | key costumer | |
| Ivory Stanton | .... | costume ager/dyer | |
| Stevie Sterman | .... | costume assistant | |
| Jack Taggart | .... | head ager and dyer | |
| John M. 'Jack' Wright | .... | key costumer | |
| Michele Flynn | .... | ager/dyer (uncredited) | |
Editorial Department | |||
| Cayley Bell | .... | assistant to editorial executive | |
| Daniel Boccoli | .... | assistant editor | |
| Jennifer Calbi | .... | assistant editor | |
| Des Carey | .... | digital intermediate producer | |
| Dan Goslee | .... | digital intermediate assistant | |
| Carole A. Kenneally | .... | first assistant editor | |
| Alex Romano | .... | digital intermediate on-line editor | |
| Kyle Traynor | .... | post-production assistant | |
| Larry D. Webster | .... | post-production | |
| Lee Wimer | .... | color timer | |
| Christian Bale | .... | assistant editor (uncredited) | |
Music Department | |||
| Bill Abbott | .... | music editor | |
| Jeff Atmajian | .... | orchestrator | |
| Steve Bartek | .... | orchestrator | |
| Peter Cobbin | .... | music engineer | |
| Isobel Griffiths | .... | orchestra contractor | |
| T.J. Lindgren | .... | composer: additional music | |
| Dennis S. Sands | .... | music scoring mixer | |
| Edgardo Simone | .... | orchestrator | |
| David Slonaker | .... | orchestrator | |
| Zachary Gibson Smith | .... | musician: drums, percussion | |
| Erich Stratmann | .... | assistant music editor | |
| Rick Wentworth | .... | conductor | |
| Seth Renov | .... | music consultant (uncredited) | |
Transportation Department | |||
| Catherine Adrian | .... | driver | |
| Patrick D Baker | .... | driver | |
| William Ballard | .... | transportation coordinator | |
| Mike Belt | .... | driver | |
| Tyler W. Gaisford | .... | picture car coordinator | |
| Jason LaFontain | .... | driver | |
| Darin McGuffin | .... | picture car mechanic | |
| Lucas Stein | .... | driver | |
Thanks | |||
| Michael J. Harker | .... | thanks (as Michael Harker) | |
| Seth Renov | .... | the producers wish to thank | |
| Stan Winston | .... | in loving memory of | |
| Orlando Wood | .... | the producers wish to thank | |
Project Angel (USA) (fake working title)
T4: Salvation (USA) (promotional abbreviation)
Terminator 4 (USA) (working title)
Terminator Salvation: The Future Begins (USA) (working title)
Terminator salvation - L'inizio della fine (Italy)
Terminator: Die Erlösung (Germany)
Терминатор: Да придёт спаситель (Russia) [ru]
Exolothreftis: I sotiria (Greece) [el]
Exterminador Implacável - A Salvação (Portugal) [pt]
Exterminador do Futuro - Salvação (Brazil) [pt]
Meiloi jinsi 2018 (Hong Kong: Cantonese title) [zh]
Mogui zhongjiezhe - Weilai jiushu (Taiwan) [zh]
Teomineiteo miraejeonjaeng-ui sijak (South Korea) [ko]
Terminátor - Megváltás (Hungary) [hu]
Terminátor 4 (Czech Republic) [cs]
Terminaator: Lunastus (Estonia) [et]
Terminatör kurtulus (Turkey: Turkish title) [tr]
Terminator - La Salvación (Peru) [es]
Terminator - La salvación (Argentina) [es]
Terminator - Ocalenie (Poland) [pl]
Terminator - Pelastus (Finland) [fi]
Terminator - Salvarea (Romania) [ro]
Terminator - Spasenje (Croatia) [hr]
Terminator 4 (Japan: English title) [en]
Terminator rédemption (Canada: French title) [fr]
Terminator renaissance (France) [fr]
Terminator spasenje (Serbia) [sr]
Weilai zhanshi 2018 (Hong Kong: Mandarin title) [zh]
Zhongjiezhe 2018 (China: Mandarin title) [zh]
more
Rated PG-13 for intense sequences of sci-fi violence and action, and language.; Rated R for some violence and brief nudity. (director's cut)
115 min | 118 min (director's cut)
Color (Technicolor)
2.35 : 1 more
SDDS | Dolby Digital | DTS
USA:PG-13 (certificate #45308) | Finland:K-15 | UK:12A | South Korea:15 | Singapore:PG | Hong Kong:IIB | Norway:15 | Ireland:12A | Philippines:PG-13 (MTRCB) | Netherlands:12 | Portugal:M/12 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Iceland:12 | Brazil:14 | Sweden:15 | Japan:G | Argentina:13 | Peru:14 | Mexico:B | India:UA | Taiwan:PG-12 | USA:R (certificate #45600) (director's cut) | Australia:M | UK:12 (director's cut)
Albuquerque Studios - 5650 University Boulevard SE, Albuquerque, New Mexico, USA more
The appearance of the clown mascot for the abandoned toy factory is based on serial killer John Wayne Gacy. He entertained children as "Pogo the Clown." more
Revealing mistakes: In the first big battle scene, a number of members of "The Resistance" leave their helicopters after they land. But as they are walking/running from the helicopters, their hair (especially the woman with long hair) is blowing toward the helicopters, not away from it. more
Kyle Reese: John Connor... We gotta find this guy. more
Referenced in Spike's Guys Choice (2009) (TV) more
You Could Be Mine more
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| Terminator 3: Rise of the Machines | Terminator 2: Judgment Day | Akira | The Dark Knight | The Terminator |
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| News articles | IMDb Action section | IMDb USA section |
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I was actually rather surprised that this film was as enjoyable as it was. After reading several scathing reviews I was very worried going into this film. Overall I had a good time watching it.
Now I should preface this with the fact that I am a huge fan of the Terminator films/franchise. I think that overall the look was amazing, the action and CG were great and the acting was mostly good. I think the film suffered from not enough character development and I think that McG was on the right track, but needed a tighter script and story to work with. You can tell in the film that he is a fan of the first films... I definitely got a kick out of all the throw backs to the films. Not just the obvious ones like the music choices or one liners, but also subtle things like single handed shotgun cocking or single handed pipe blows, or the choice of settings and shots.
I have to say that Anton Yelchin as Kyle Reese did a fantastic job. He was probably my biggest worry in the film as Michael Biehn's, Kyle Reese is probably my favorite character in anything ever, so basically he had big shoes to fill. Well I didn't think it possible, but he actually made me love that character even more. So mad props to him. Again I think this was a very valiant effort by McG, he needs to work out a couple kinks for the next films, which I really he gets the green light on.
Basically there are a few of loopholes and inconsistencies which could bring you down if you linger too long on them, but if you are able to get past that it is definitely worth watching. But those are in all the films, even the second has some. (I'm not saying it's better than, so don't stone me!) In short I had a lot of fun at Terminator Salvation.