| Photos (See all 64 | slideshow) | Videos (see all 5) |
| Penélope Cruz | ... | Raimunda | |
| Carmen Maura | ... | Irene | |
| Lola Dueñas | ... | Sole | |
| Blanca Portillo | ... | Agustina | |
| Yohana Cobo | ... | Paula | |
| Chus Lampreave | ... | Tía Paula | |
| Antonio de la Torre | ... | Paco | |
| Carlos Blanco | ... | Emilio | |
| María Isabel Díaz | ... | Regina (as Mª Isabel Díaz) | |
| Neus Sanz | ... | Inés | |
| Leandro Rivera | ... | Auxiliar Producción | |
| Pepa Aniorte | ... | Vecina | |
| Yolanda Ramos | ... | Presentadora TV | |
| Elvira Cuadrupani | ... | Vecina | |
| María Alfonsa Rosso | ... | Vecina (as Alfonsa Rosso) | |
| Fanny de Castro | ... | Vecina | |
| Eli Iranzo | ... | Vecina | |
| Carlos García Cambero | ... | Carlos | |
| Magdalena Brotto | ... | Vecina (as Magdalena Broto) | |
| Isabel Ayúcar | ... | Vecina | |
| Concha Galán | ... | Vecina | |
| Mari Franç Torres | ... | Vecina | |
| Natalia Roig | ... | Vecina | |
| rest of cast listed alphabetically: | |||
| Pilar Castro | ... | Ayudante de la presentadora (scenes deleted) | |
| Mila Espiga | ... | Vecina | |
| Agustín Almodóvar | ... | Empleado ferretería (uncredited) | |
| Luis Lattanzi | ... | Hungry second camera assistant (uncredited) | |
| Valeria Vereau | ... | Make-up artist (uncredited) | |
Directed by | |||
| Pedro Almodóvar | |||
Writing credits(in alphabetical order) | ||
| Pedro Almodóvar | ||
Produced by | |||
| Agustín Almodóvar | .... | executive producer | |
| Esther García | .... | producer | |
| Toni Novella | .... | line producer | |
Original Music by | |||
| Alberto Iglesias | |||
Cinematography by | |||
| José Luis Alcaine | |||
Film Editing by | |||
| José Salcedo | |||
Casting by | |||
| Luis San Narciso | |||
Production Design by | |||
| Salvador Parra | |||
Set Decoration by | |||
| Mara Matey | |||
Costume Design by | |||
| Bina Daigeler | |||
Makeup Department | |||
| Jessica Aguirre | .... | trainee hair stylist | |
| Jessica Aguirre | .... | trainee makeup artist | |
| Ana Caballero | .... | assistant makeup artist | |
| Massimo Gattabrusi | .... | key hair stylist | |
| Esther Gázquez | .... | assistant hair stylist | |
| Ana Lozano | .... | makeup supervisor | |
| Mariló Osuna | .... | makeup artist | |
Production Management | |||
| Federico Rozadillas | .... | assistant unit production manager | |
Second Unit Director or Assistant Director | |||
| Rafael Carmona | .... | first assistant director | |
| Eva Sánchez | .... | second assistant director | |
| Mari Franç Torres | .... | third assistant director | |
| Elena Valverde | .... | second assistant director | |
| Bruno Velasco | .... | trainee assistant director | |
| Jacob Santana | .... | third assistant director (uncredited) | |
Art Department | |||
| Alejandra Loiseau | .... | construction manager | |
Sound Department | |||
| José Antonio Bermúdez | .... | sound | |
| Jaime Fernández-Cid Buscató | .... | boom operator | |
| Ruth Márquez | .... | assistant boom operator | |
| Jaime Puig | .... | sound consultant: Dolby | |
| Miguel Rejas | .... | sound | |
Visual Effects by | |||
| Juan Alonso | .... | digital compositor | |
| Aníbal del Busto | .... | digital compositor | |
| Eduardo Díaz | .... | visual effects supervisor | |
| Sergio Garcia Abad | .... | senior cgi artist | |
| Guillermo Orbe | .... | digital compositor | |
| Ramón Ramos | .... | digital compositor | |
| Thorsten Rienth | .... | digital compositor | |
Stunts | |||
| Ángel Plana | .... | stunt coordinator | |
Casting Department | |||
| Ana Sainz-Trápaga | .... | casting assistant | |
| Patricia Álvarez de Miranda | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Ana Cuerda | .... | key costume assistant | |
Editorial Department | |||
| Noemí Dulau | .... | assistant colorist: scanner | |
| Noemí Dulau | .... | digital intermediate colorist assistant | |
| Kathy Thomson | .... | digital colorist | |
Music Department | |||
| Isobel Griffiths | .... | orchestra contractor | |
Other crew | |||
| Patricia Alcolea | .... | production assistant | |
| Yuyi Beringola | .... | continuity | |
| Sergio Díaz | .... | location manager | |
| Verónica Díaz | .... | production coordinator | |
| Juan Gatti | .... | credits | |
| Lara Isabel Gómez | .... | making-of cameraman | |
| Marina H. Molini | .... | production apprentice | |
| Liliana Niespial | .... | international relations assistant | |
| Deborah Palomo | .... | publicist | |
| Juan Varela | .... | personal assistant to director | |
Thanks | |||
| Núria Moreno | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Spain section |
Rare are the movies who celebrate everything that life offers. Joy and despair, love and hate, living and dying, strength and weakness, good and bad. While many movies reduce life to either good or bad, painting a very simple picture of human relationships, Almodovars movies display a wide range of emotions, where a person is a Saint and a Whore, where people laugh and cry at the same time, achieving a sense of truth that other movies seldom touch.
An everlasting wind soughs around a small village in La Mancha and the cemetery, where women are cleaning the graves of their dear ones, fighting the winds destruction of their work. This opening scene already sets the tone of the rest of the movie. There are few scenes with men present, the most prominent dies within the first half hour of the movie. In Almodovars universe the women take care of everything, they are hardworking, caring, difficult and solidarity, sharing their intimate moments with each other.
As usual there are plenty of weird, funny and tragic moments in this story (which makes it almost impossible to give a summary of the incidents). The Return from the title is true in many respects, like in all his movies it has multiple meanings. But unlike his early efforts the story here is less over the top, rings truer and is leaving a big emotional impact on you. It's impossible not to be touched by this film.
As always he assembles plenty of highly talented actresses. The biggest surprise here is Penelope Cruz, who finally fulfills the promise she displayed already in "All about my mother". While her performances in American movies were often rather bleak, here she's a force of nature, strong, full of endless energy, a wide range of emotions constantly on her face. This doesn't mean, that any of the other actresses stand back. They are so perfectly cast that it's easy to see why they were all given an acting award at Cannes.