Beowulf (2007)

Director:

Robert Zemeckis

Writers (WGA):

Neil Gaiman (screenplay) &
Roger Avary (screenplay) ...

Release Date:

16 November 2007 (USA)

Genre:

Animation | Action | Adventure | Fantasy

Tagline:

Pride is the curse.

Plot:

The warrior Beowulf must fight and defeat the monster Grendel who is terrorizing towns, and later, Grendel's mother, who begins killing out of revenge.

Plot Keywords:

Beowulf | King | Demon | Warrior | Reward

Awards:

12 nominations

US TV Schedule:

Sat. Nov. 28	3:00 PM	SHOW
Sun. Nov. 29	2:30 AM	SHOW

Cast

Ray Winstone	...	Beowulf / Golden Man / Dragon
Anthony Hopkins	...	Hrothgar
John Malkovich	...	Unferth
Robin Wright Penn	...	Wealthow (as Robin Wright-Penn)
Brendan Gleeson	...	Wiglaf
Crispin Glover	...	Grendel
Alison Lohman	...	Ursula
Angelina Jolie	...	Grendel's Mother
Paul Baker	...	Musician #1
John Bilezikjian	...	Musician #2
Rod D. Harbour	...	Musician #3
Brice Martin	...	Musician #4 (as Brice H. Martin)
Sonje Fortag	...	Gitte
Sharisse Baker-Bernard	...	Hild
Charlotte Salt	...	Estrith

Also Known As:

Beowulf: An IMAX 3D Experience (USA) (IMAX version)
Beowulf: The IMAX Experience (USA) (IMAX version)
La légende de Beowulf (Belgium: French title) (Canada: French title) (France) [fr]
Беовульф (Russia) [ru]
A Lenda de Beowulf (Brazil) [pt]
Beowulf (Greece) [el]
Beowulf (Czech Republic) [cs]
Beowulf (Slovakia) [sk]
Beowulf (Norway) [no]
Beowulf - Ölümsüz savasçi (Turkey: Turkish title) [tr]
Beowulf, la leyenda (Argentina) [es]
Die Legende von Beowulf (Germany) [de]
La leggenda di Beowulf (Italy) [it]

MPAA:

Rated PG-13 for intense sequences of violence including disturbing images, some sexual material and nudity.

Runtime:

115 min

Country:

USA

Language:

English | Old English

Color:

Color (DeLuxe)

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | DTS | Dolby Digital | Sonics-DDP (IMAX version)

Certification:

UK:12A | South Korea:15 | Ireland:12A | Singapore:NC-16 | Malaysia:U | Australia:M | Germany:12 | Finland:K-13 | Philippines:PG-13 (MTRCB) | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Netherlands:12 | Argentina:13 | New Zealand:M (re-rating) | New Zealand:R16 (original rating) | Taiwan:R-12 | Brazil:14 | Sweden:15 | France:U (with warning) | USA:PG-13 (certificate #43938) | Finland:K-15 (director's cut) | Portugal:M/12 (Qualidade) | Norway:15 (TV rating) | Iceland:12 | Canada:18A (director's cut)

Filming Locations:

Culver Studios - 9336 W. Washington Blvd., Culver City, California, USA

Company:

ImageMovers

Trivia:

Crispin Glover's first project with director Robert Zemeckis since Back to the Future (1985).

Goofs:

Factual errors: Convex mirrors present a smaller reflection than a flat surface, but when the old Beowulf tells the queen he must fight, there is a well polished shield hanging on the wall reflecting as a flat surface, although it is slightly curved.

Quotes:

[first lines]
King Hrothgar: I want mead! Give me some mead, my queen!

Movie Connections:

Referenced in The Origins of Beowulf (2008) (V)

Soundtrack:

Gently As She Goes

Better than I expected

I didn't expect a lot from 'Beowulf', for lots of reasons, most of which were to do with the casting: incorrigibly cockney Ray Winstone as a warrior from what's now southern Sweden; wacky John Malkovich as a cynical counselor; loony Crispin Glover as a flesh-rending monster, and weirdest of all, Angelina Jolie as the monster's mother...thaet waes wundorlic castyng, as the poet might have put it. Then there was the way they did the whole thing in CGI, running the risk of making it all look a bit rubbery. Finally, Robert Zemeckis is the director and my great respect for him plummeted through the floor and into the crawlspace after he presided over the insufferable 'Forrest Gump'.

Nevertheless, this is a lot better than I thought it would be. I missed the 3D incarnation as we were watching the DVD rather than the cinema release, but after a while you stop looking at the CGI and start enjoying it. This is a 'Beowulf' where the story, although different from the poem, is actually very far from shabby.

Without giving too much away, the main difference from the poem is that in the poem, there is no connection between the monster Grendel and his mother on one hand, and the dragon in the latter half of the poem on the other hand. In the film, a connection exists. Neil Gaiman and Roger Avary do a professional job of tying it all together in a satisfying Hollywood way, without betraying the basic darkness and sadness of the story; it's not like Beowulf rides off into the sunset with Wiglaf at the end. Crispin Glover is genuinely scary as the tormented and raw-boned Grendel, whose main problem is that he just can't stand the sound of people having fun, although since most of this fun consists of hairy men singing lewd songs you can see his point. Angelina Jolie's animated self spends all her on screen time walking around without any clothes on, something that apparently gave Jolie a blush when she saw a cut of the movie. (One of the more eerie things about this film is that the cartoon Angelina Jolie looks marginally more realistic than the actress herself.)

Despite an accent that's more Stockwell than Geatland, Ray Winstone does a fine, sombre job as the hero, although my wife thought that the animated Winstone looked more like Sean Bean. Brendan Gleeson does a splendid job in the niche he's carved for himself of Hairy Sidekick. The acting honours, or at least the animation honours, go to Robin Wright Penn (or whoever worked on her character) as the pale and melancholy queen; she has moments of subtle hesitation and sadness that struck me as a triumph of CGI acting.

There is much excellent smiting, some of it unfortunately toned down a little in order to keep a PG-13 rating - so we don't actually get to see Grendel biting men's heads off, just people's reactions to him doing so. Most importantly, the story is not a travesty of the original. It's thoughtful and interesting, as you'd expect from a writer of Gaiman's quality (if not from the author of 'Killing Zoe') and contains some striking meditations on the power of legend and reputation. Plus, there's a really huge kick-ass dragon. 'Beowulf' is a strange and unexpected treat.