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Directed by | |||
| Alejandro González Iñárritu | |||
Writing credits(WGA) | ||
| Guillermo Arriaga | (written by) | |
| Guillermo Arriaga | (idea) and | |
| Alejandro González Iñárritu | (idea) | |
Produced by | |||
| Ahmed Abounouom | .... | line producer: Morocco (as Ahmed Jimmy Abounouom) | |
| Steve Golin | .... | producer | |
| Alejandro González Iñárritu | .... | producer | |
| Norihisa Harada | .... | line producer: Japan | |
| Jon Kilik | .... | producer | |
| Tita Lombardo | .... | line producer: Mexico | |
| Ann Ruark | .... | co-producer | |
| Kay Ueda | .... | line producer: Japan | |
| Corinne Golden Weber | .... | associate producer | |
Original Music by | |||
| Gustavo Santaolalla | |||
Cinematography by | |||
| Rodrigo Prieto | |||
Film Editing by | |||
| Douglas Crise | |||
| Stephen Mirrione | |||
Casting by | |||
| Gigi Akoka | |||
| Gemma Hancock | |||
| Hervé Jakubowicz | |||
| Francine Maisler | |||
| Juliette Ménager | |||
| Yôko Narahashi | |||
| Marc Robert | |||
| Sam Stevenson | |||
Production Design by | |||
| Brigitte Broch | |||
Art Direction by | |||
| Rika Nakanishi | |||
Set Decoration by | |||
| Yoshihito Akatsuka | |||
Costume Design by | |||
| Michael Wilkinson | |||
Makeup Department | |||
| Alessandro Bertolazzi | .... | key makeup artist: Morocco | |
| Jean Ann Black | .... | makeup artist: Mr. Pitt (as Jean Black) | |
| Hiba Boukili | .... | assistant hair stylist: Morocco (as Hiba El Boukili) | |
| Nicola Clarke | .... | hair stylist: Ms. Blanchett | |
| Raul Covarrubias | .... | additional hair stylist: Mexico | |
| Marco Antonio Garcia | .... | makeup artist: Mexico (as Marco Antonio García Munguia) | |
| Giorgio Gregorini | .... | key hair stylist: Morocco | |
| Khadija Hamdan | .... | assistant hair stylist: Morocco (as Khadija Hamdane) | |
| Elvia Felix Herrera | .... | assistant hair stylist: Mexico (as Elvia Felix) | |
| Souad Khattabi | .... | assistant makeup artist: Morocco (as Souad El Khattabi) | |
| Jim Knell | .... | production photographer: Captive Audience Productions | |
| Rebecca Lafford | .... | makeup artist: Ms. Blanchett | |
| Vera Mitchell | .... | hair designer: Brad Pitt | |
| Alfredo Mora | .... | chief makeup artist: Mexico | |
| Steve Painter | .... | prosthetics supervisor | |
| Steve Painter | .... | special makeup effects artist | |
| Darren Robinson | .... | prosthetics senior technician | |
| Maribel Romo | .... | chief hairdresser: Mexico | |
| Bouchra Sakhi | .... | makeup artist | |
| Juan Carlos Trujillo | .... | hair stylist: Mexico (as Juan Carlos Trujillo Trinidad) | |
| Greg Cannom | .... | age makeup: Brad Pitt (uncredited) | |
| Harvey Lowry | .... | director of operations: makeup effects department (uncredited) | |
Production Management | |||
| Ahmed Abounouom | .... | production manager | |
| Moncef Belam | .... | production team | |
| Alejandra Cárdenas | .... | production supervisor | |
| Alex Corven Caronia | .... | production supervisor | |
| Marco Giacalone | .... | second unit manager | |
| Michael Tinger | .... | post-production supervisor | |
Art Department | |||
| Abdellah Achir | .... | architect | |
| Yoshihito Akatsuka | .... | set decorator: Tokyo | |
| Luis Blackaller | .... | graphic artist | |
| Luis Blackaller | .... | storyboard artist | |
| Alisarine Ducolomb | .... | art department coordinator | |
| Otniel Gonzalez | .... | property master | |
| Dereck Hecker | .... | assistant art director | |
| Derek A. Hecker Diaz | .... | assistant set dresser: Mexico | |
| Nazha Kajja | .... | art department coordinator | |
| Elizabeth Keenan | .... | assistant production designer | |
| Rafael Mandujano | .... | assistant art director | |
| René Marquéz | .... | property master | |
| Rika Nakanishi | .... | art department coordinator | |
| Bernardo Trujillo | .... | consulting art director | |
Special Effects by | |||
| James Bomalick | .... | special effects technician: Morocco | |
| Manuel Cordero | .... | special effects coordinator: Mexico | |
| Conor Coughlan | .... | special effects technician: Morocco | |
| Werner Hahnlein | .... | special effects foreman: Morocco | |
| Kevin Hannigan | .... | special effects supervisor: Morocco | |
| Michael Kearns | .... | special effects technician: Morocco | |
| Osamu Kikegawa | .... | special effects coordinator: Japan | |
| Toshio Kishiura | .... | special effects coordinator: Japan | |
| Keiichi Nishioka | .... | special effects coordinator: Japan | |
| Ruben Rodriguez | .... | special effects assistant: Mexico | |
| Mustapha Steila | .... | special effects coordinator: Morocco | |
| Keiko Sumikura | .... | special effects coordinator: Japan | |
| El Hassan Tib | .... | special effects assistant technician: Morocco (as Hassan Tib) | |
| Norimasa Usui | .... | special effects coordinator: Japan | |
Visual Effects by | |||
| Casey Allen | .... | Inferno artist: Lola Visual Effects | |
| Mandy Arnold | .... | digital restoration artist | |
| Greg Astles | .... | senior digital compositor: Intelligent Creatures Inc. | |
| Darren A. Bell | .... | associate visual effects producer: Intelligent Creatures Inc. (as Darren Bell) | |
| Kris Carson | .... | rotoscope artist: Intelligent Creatures Inc. | |
| Dominic Cheung | .... | 3D artist: Intelligent Creatures Inc. | |
| Patrick Flannery | .... | visual effects stills photographer | |
| Raymond Gieringer | .... | visual effects creative advisor: Intelligent Creatures Inc. | |
| Michael Hatton | .... | visual effects technical advisor: Intelligent Creatures Inc. | |
| Chris Ingersoll | .... | Inferno artist: Lola Visual Effects | |
| Jeffrey Klug | .... | systems administrator: Intelligent Creatures Inc. | |
| Lev Kolobov | .... | associate visual effects supervisor: Intelligent Creatures Inc. | |
| Wendy Lanning | .... | executive visual effects producer: Intelligent Creatures Inc. | |
| Danny Lee | .... | digital compositor: Intelligent Creatures Inc. | |
| Mai-Ling Lee | .... | digital artist | |
| Sam Lee | .... | digital compositor: Intelligent Creatures Inc. | |
| Margarida Leong | .... | 3D artist: Intelligent Creatures Inc. | |
| Laurence Lok | .... | lead compositor: Intelligent Creatures Inc. | |
| Jason Maher | .... | 3D artist: Intelligent Creatures Inc. | |
| Lon Molnar | .... | visual effects supervisor: Intelligent Creatures | |
| Thomas Nittmann | .... | visual effects producer: Lola Visual Effects | |
| Chris Nokes | .... | visual effects production manager: Intelligent Creatures Inc. | |
| Brian Nugent | .... | Inferno artist: Lola Visual Effects | |
| Ciaran O'Connor | .... | junior digital matte painter: Intelligent Creatures Inc. | |
| Scott Parker | .... | systems administrator: Intelligent Creatures Inc. | |
| Scott Riopelle | .... | digital compositor: Intelligent Creatures Inc. | |
| Geoff Sayer | .... | digital compositor: Intelligent Creatures Inc. | |
| Michael Shelton | .... | visual effects supervisor: Captive Audience | |
| Vicki Silva | .... | digital compositor: Intelligent Creatures Inc. | |
| Jeremy Smith | .... | digital artist: Cinebyte | |
| Colin Strause | .... | 2D technical supervisor: Lola Visual Effects | |
| Greg Strause | .... | lead Inferno artist: Lola Visual Effects | |
| Mai Suzuki | .... | digital restoration artist | |
| Mehrdad Tavakkolian | .... | 3D artist: Intelligent Creatures Inc. | |
| Mahvash Tehrani | .... | 3D artist: Intelligent Creatures Inc. | |
| Wayne Traudt | .... | 3D supervisor: Intelligent Creatures Inc. | |
| Tim Warnock | .... | digital matte painter: Intelligent Creatures Inc. | |
| Dan Wheaton | .... | digital matte painter: Intelligent Creatures Inc. | |
| Edson Williams | .... | visual effects supervisor: Lola Visual Effects | |
| Linda Williams | .... | digital intermediate editor | |
| Loeng Wong-Savun | .... | Inferno artist: Lola Visual Effects | |
| Diane Wright | .... | digital asset manager: Laser Pacific | |
| Ryan Zuttermeister | .... | visual effects coordinator: Lola Visual Effects | |
Stunts | |||
| Gerardo Albarrán | .... | stunt coordinator: Mexico (as Gerardo Moreno) | |
| Cedric Proust | .... | stunt coordinator: Morocco | |
| Joel Proust | .... | stunt coordinator: Morocco | |
Casting Department | |||
| Merry Alderman | .... | casting assistant | |
| Salah Benchegra | .... | extras casting | |
| Patti Carns Kalles | .... | casting: Seattle | |
| Alfonso Gomez-Rejon | .... | casting consultant | |
| Barbara Harris | .... | adr voice casting | |
| Kimberly Mullen | .... | casting: Florida | |
| Mark Mullen | .... | casting: Florida | |
| Jalila Otky | .... | casting coordinator | |
| Katie Taylor | .... | casting assistant | |
| Alain Aswani | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Blanca Arreola | .... | costume assistant | |
| Christine Bieselin Clark | .... | assistant costume designer (as Christine Bieselin) | |
| Rebecca Hofherr | .... | costumer | |
| Kate Quinlan | .... | dresser: Brad Pitt | |
| Dana Schondelmeyer | .... | costumes | |
| Dulcie Scott | .... | costume supervisor | |
| Stacy Stagnaro | .... | costumer | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Marisa Clayton | .... | post-production coordinator: Modern VideoFilm | |
| Kyle DeVriendt | .... | digital film recordist | |
| Mo Henry | .... | negative cutter | |
| Jamey Hopper | .... | vision mixer | |
| Yvan Lucas | .... | colorist: Laser Pacific | |
| Denise Marquez | .... | assistant editor | |
| Rodolfo Ornelas | .... | post-production assistant | |
| Eric Putz | .... | telecine colorist: dailies | |
| Keith H. Sauter | .... | first assistant editor | |
| Morio Takahashi | .... | workprint timer: Japan | |
| Matthew Walsh | .... | post-production coordinator | |
| Jade Welsh | .... | editorial production assistant | |
| Michael Hatzer | .... | final color timer (uncredited) | |
Music Department | |||
| Lynn Fainchtein | .... | music supervisor | |
| Anibal Kerpel | .... | music co-producer | |
| Anibal Kerpel | .... | music editor | |
| Anibal Kerpel | .... | music mixer | |
| Anibal Kerpel | .... | music programmer | |
| Anibal Kerpel | .... | music recording engineer | |
| Gustavo Santaolalla | .... | music producer | |
Transportation Department | |||
| Hicham Regragui | .... | transportation coordinator | |
Other crew | |||
| Hiam Abbass | .... | acting coach | |
| Richie Adams | .... | title designer: main and end titles | |
| Lucy Amador | .... | production accountant: Mexico | |
| Mohamed Atbir | .... | production assistant | |
| Jose Manuel Ballesteros | .... | craft service coordinator | |
| Jeremy Bau | .... | assistant location manager | |
| Steve Beeson | .... | controller | |
| Jinane Ben Zaida | .... | assistant production coordinator | |
| Géraldine Bergé | .... | assistant to cast | |
| Luis Eduardo Carreola | .... | technician: 3CP | |
| Jan Cerwonka | .... | studio teacher (as Jeannette Cerwonka) | |
| Houssna Choukri | .... | second script supervisor | |
| Nigel Clay | .... | production consultant | |
| James Cutting | .... | close protection officer | |
| Alice Ding | .... | production assistant | |
| Blake Dow | .... | photo double | |
| Maureen Duffy | .... | completion guarantor | |
| Saida Elidrissi | .... | production secretary | |
| Marina Filippelli | .... | assistant to line producer | |
| Marina Filippelli | .... | production translator | |
| Damien Fitzpatrick | .... | helicopter supervisor | |
| Christina Foundation | .... | production office coordinator | |
| Katsumi Furuhashi | .... | production accountant | |
| Edgar Gallaga | .... | set production assistant | |
| Fiona Garland | .... | assistant production coordinator | |
| Luisa Gomez da Silva | .... | assistant production office coordinator | |
| Desmond Griffiths | .... | production coordinator: Los Angeles | |
| Yari Hernandez | .... | assistant: Alejandro González Iñárritu, USA | |
| Patrick Heyerdahl | .... | on-set production assistant | |
| Jim Jaffe | .... | product placement | |
| Elyse Jerry | .... | assistant: Mr. Steve Golin | |
| Hiromi Kamata | .... | key production assistant | |
| Fay Kato | .... | adr voice | |
| Jim Knell | .... | assistant: MUFX producer | |
| Peter Madamba | .... | script researcher | |
| Jennifer Malloy | .... | assistant: Mr. Steve Golin | |
| Emilia McCarthy | .... | photo double | |
| Christian McWilliams | .... | location scout | |
| Eriko Miyagawa | .... | script supervisor: second unit | |
| Zoe Morgan | .... | script supervisor | |
| Abdessalam Ngadi | .... | location manager | |
| Rosalba Nogueda | .... | assistant: Alejandro González Iñárritu, Mexico | |
| Sandra Odelga | .... | production coordinator | |
| Joel Proust | .... | animal wrangler: Morocco | |
| Zeiddy Silva Ríos | .... | office production assistant | |
| Marie-Hélène Riverain | .... | production office coordinator | |
| Ivor Shier | .... | helicopter pilot | |
| Kazuko Shingyoku | .... | script supervisor: Japan | |
| Daniel Trainer | .... | key production assistant: Los Angeles | |
| Fernando Guzman Villegas | .... | location assistant | |
| Héctor Villegas | .... | key set location assistant | |
| Allen Wong | .... | first assistant accountant | |
| Thierry Zemmour | .... | supervising location manager | |
| Noel Davis Poyner | .... | publicity intern (uncredited) | |
| Carlos Tadeo | .... | set production assistant (uncredited) | |
| Yessenia Torres | .... | production assistant (uncredited) | |
Thanks | |||
| Alfonso Cuarón | .... | special thanks | |
| Carlos Cuarón | .... | special thanks | |
| Rodrigo García | .... | special thanks | |
| Brad Grey | .... | thanks | |
| Sean Penn | .... | special thanks | |
| Carlos Reygadas | .... | special thanks | |
| Guillermo del Toro | .... | special thanks | |
| Naomi Watts | .... | special thanks | |
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| Across the Universe | Cidade de Deus | Crash | Romeo + Juliet | House of Sand and Fog |
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Alejandro Gonzalez Inarritu's Babel weaves four disparate and seemingly unrelated tales into a distinct, gritty narrative about the importance of communication - and what can happen when it goes awry. The movie is oftentimes difficult to watch, with ultrarealistic cinematography and gutsy, honest performances from its entire cast, particularly Oscar-nominated actresses Adriana Barraza (Amelia) and Rinko Kikuchi (Chieko).
Told nonlinearly, the movie describes the travails of a troubled married couple with a tour group in Morocco, played by Brad Pitt and Cate Blanchett. Something in their past has driven them apart, and to help deal with the problem they have taken a trip together. Meanwhile, the sons of a shepherd fight over who's the better shot with their new rifle and fire a blast at the couple's tour bus, critically wounding Susan (Blanchett).
Richard (Pitt) calls home in San Diego to notify the nanny of their children, Amelia; Amelia is in a bit of a bind, because she expected the parents home so she could attend the wedding of her son in Mexico. With Richard and Susan not returning soon, and with no one else available to watch the children, she takes them with her to the wedding.
In Japan, a deaf-mute Japanese girl acts out in reaction to her mother's suicide, which she discovered; the virginal Chieko becomes a huge sexual flirt, even removing her panties in a crowded restaurant to flash older boys. Chieko craves human contact but feels that the world's even more shut off to her now than ever before, and she sullenly shuns even her father's attentions.
It should go without saying that this film really isn't for everyone. It's gut-wrenchingly tough to watch at times, especially when Susan's wound is being treated. You can readily imagine how it'd be if you, an unworldly American, were suddenly in dire need of expert medical attention in a part of the world that wasn't really famed for it. That's enough to strike terror in me already, and I haven't even mentioned how Richard and Susan are awaiting help to arrive in a small, impoverished village with no running water or electricity - and only one person who can speak English to them.
How exactly these stories are commingled becomes evident as the movie progresses, but it's not all elegantly laid out for the viewer to immediately grasp; this is accomplished in part by the nonlinear storytelling. We see a scene near the end of the movie that is a mirror image of one from the beginning, except told from a different character's perspective. That's a tribute to the wonderful camera-work and editing by, respectively, Rodrigo Prieto and the team of Douglas Crise and Stephen Mirrone.
Barraza turns in a powerful, heart-breaking performance; at one point, she's stranded in the middle of the Sonoran desert with her two young charges clad in her dress from the wedding. Dazed by the blistering heat, Amelia cannot gain her bearings in the blazing heat, and she despairs. Then she makes a critical decision with devastating consequences.
Kikuchi is absolutely mesmerizing as the silent Chieko. Without uttering one word, she's able to convey a vast array of emotions, from loneliness to hostility to love to lust to affection. She's alternately serene and violent, in charge of and captured by her impediment. Chieko resents her father, her volleyball teammates, and most of all every so-called normal person who looks at deaf-mutes as monsters, creatures to be scorned and taken advantage of. Like Barraza, Kikuchi's role called for a difficult sacrifice: plenty of nudity.
Babel is a spellbinding, multifaceted story with towering, passionate performances by all of the leads. It's full of moxie and stark realism, and despite some minor plot implausibilities, it's a true feather in the cap for Inarritu.