| Photos (see all 49 | slideshow) | Videos (see all 2 videos ) |
| Connor Price | ... | Young Charlie | |
| Troy Gentile | ... | Young Stu | |
| Mackenzie Mowat | ... | Birthday Girl | |
| Sasha Pieterse | ... | Goth Girl | |
| Caroline Ford | ... | Jennifer | |
| Dane Cook | ... | Charlie | |
| Chelan Simmons | ... | Carol | |
| Dan Fogler | ... | Stu | |
| Natalie Morris | ... | Natalie | |
| Ellia English | ... | Reba | |
| Chang Tseng | ... | Karaoke Singer | |
| Michael Teigen | ... | Wedding D.J. | |
| Chiara Zanni | ... | Bride | |
| Ben Ayres | ... | Groomsman | |
| Carrie Fleming | ... | Dirty Talker (as Carrie Anne Fleming) | |
| Agam Darshi | ... | Female Wedding Guest | |
| Jessica Alba | ... | Cam | |
| Crystal Lowe | ... | Cam's Wedding Friend | |
| Steve Glenn | ... | Carol's New Man | |
| Téa Helfrich | ... | Screaming Little Girl | |
| Yasmine Vox | ... | Pleasure | |
| Lonny Ross | ... | Joe | |
| Tava Smiley | ... | Woman in Car | |
| Connor Dunn | ... | Frisbee Kid | |
| Norma Cowley | ... | Frisbee Grandmother | |
| Elizabeth Schnitzker | ... | Ceiling Lover | |
| Michelle Andrew | ... | Red Haired Lover | |
| Annie Wood | ... | Lara | |
| Eliza Bayne | ... | Wheelbarrow Lover | |
| Ed Welch | ... | Dirty Talker's True Love | |
| Tammy Morris | ... | Contortionist Lover | |
| Kari-Ann Wood | ... | George W. Lover | |
| Victoria Bidewell | ... | Holy Lover | |
| Chris Olech | ... | Holy Lover's Boyfriend | |
| Camille Atebe | ... | Butch Cop | |
| Jessica Olafson | ... | Kitchen Counter Lover | |
| Susan McLellan | ... | Shower Lover | |
| Zara Taylor | ... | Magazine Lover | |
| Simone Bailly | ... | Matthew / Megan | |
| Viviana Dal Cengio | ... | Thankful Lover | |
| Cassandra Sawtell | ... | Girl in Penguin Habitat | |
| Jodie Stewart | ... | Eleanor Skepple | |
| Ian Farthing | ... | Eleanor's Boyfriend | |
| Charlie Metzger | ... | Singing Quartet | |
| George Metzger | ... | Singing Quartet | |
| George Wakeham | ... | Singing Quartet | |
| Martin Lovick | ... | Singing Quartet | |
| Lindsay Maxwell | ... | McTitty | |
| Aaron Dudley | ... | Not George | |
| Liam James | ... | Boy in Penguin Habitat | |
| Kevin Crofton | ... | Aquaworld Security | |
| June B. Wilde | ... | Desperate Woman | |
| Jodelle Ferland | ... | Lila (as Jodelle Micah Ferland) | |
| Michelle Harrison | ... | Anisha | |
| Steve Bacic | ... | Howard | |
| Georgia Craig | ... | Howard's Wife | |
| Jody Racicot | ... | Ticket Agent | |
| Robert Kelly | ... | Airport Security Guard | |
| Emma Barker | ... | Not Cam | |
| Taayla Markell | ... | Flight Attendant | |
| Heather Doerksen | ... | Woman on Plane | |
| rest of cast listed alphabetically: | |||
| Marcia Moulton | ... | Woman in Waiting Room (uncredited) | |
Directed by | |||
| Mark Helfrich | |||
Writing credits(WGA) | ||
| Josh Stolberg | (screenplay) | |
| Steve Glenn | (short story) | |
Produced by | |||
| Tracey E. Edmonds | .... | producer (as Tracey Edmonds) | |
| Ogden Gavanski | .... | executive producer | |
| Steve Glenn | .... | associate producer | |
| Russell Hollander | .... | executive producer | |
| Cece Karz | .... | co-producer | |
| Mike Karz | .... | producer | |
| Barry Katz | .... | producer | |
| Michael Paseornek | .... | executive producer | |
| Karen Russell | .... | co-producer | |
| Brian Volk-Weiss | .... | producer | |
Original Music by | |||
| Aaron Zigman | |||
Cinematography by | |||
| Anthony B. Richmond | (director of photography) | ||
Film Editing by | |||
| Julia Wong | |||
Casting by | |||
| Matthew Barry | |||
| Heike Brandstatter | |||
| Nancy Green-Keyes | |||
| Coreen Mayrs | |||
Production Design by | |||
| Mark S. Freeborn | |||
Art Direction by | |||
| Tony Wohlgemuth | |||
Set Decoration by | |||
| K.J. Johnson | |||
Costume Design by | |||
| Trish Keating | |||
Makeup Department | |||
| Linda Bourgon | .... | first assistant hair stylist: Edmonton (as Linda Bougon) | |
| Bronwyn Dubrulle | .... | assistant hair stylist (as Brownwyn J. Dubrulle) | |
| Maya Hardinge | .... | makeup artist: Ms. Alba | |
| Tanya Howard | .... | first assistant makeup artist | |
| Michelle Johnson | .... | hair stylist: Ms. Alba | |
| Toby Lindala | .... | special makeup effects artist | |
| Shauna Magrath | .... | assistant makeup artist | |
| Julie McHaffie | .... | key hair stylist | |
| Heather McLellan | .... | second assistant hair stylist | |
| Teresa A. Meyer | .... | first assistant makeup artist (as Teresa Meyers) | |
| Jennifer Muntor | .... | second assistant hair stylist | |
| Cathy Nicoll | .... | first assistant makeup artist: Edmonton | |
| Tamar Ouziel | .... | second assistant makeup artist | |
| Janice Rhodes | .... | second assistant makeup artist | |
| Danna Rutherford | .... | first assistant hair stylist | |
| Margaret Yaworski | .... | key makeup artist | |
Production Management | |||
| Mark McCoy | .... | post-production manager | |
| Padi Mills | .... | unit production manager | |
| Jim O'Grady | .... | unit production manager: Distant Location | |
| Carl Pedregal | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Karin Behrenz | .... | third assistant director | |
| Ashley Bell | .... | additional third assistant director | |
| Richard Coleman | .... | assistant director | |
| Carol Fleming | .... | trainee assistant director | |
Art Department | |||
| Ea Birkett | .... | assistant property master | |
| Nelson Dewey | .... | storyboard artist | |
| Eliza Hooker | .... | set dresser | |
| Nancy C. Lee | .... | graphic designer | |
| Tiara Motem | .... | property buyer | |
| Walter Ockley | .... | set designer | |
| David Paul Hewitt White | .... | on-set dresser | |
Special Effects by | |||
| Bill Mills | .... | special effects coordinator | |
| John Reynolds | .... | special effects best | |
| Edward M. Sweet | .... | special effects technician | |
Visual Effects by | |||
| Jamie Baxter | .... | digital artist | |
| Patrick Clancey | .... | digital opticals | |
| Victor DiMichina | .... | digital imaging supervisor | |
| Donald Fly | .... | general manager: CIS Hollywood | |
| Danny Garcia | .... | visual effects artist | |
| Larry Gaynor | .... | senior paint and roto: CIS Hollywood | |
| Jim Gorman | .... | digital compositor | |
| Daniel D. Gregoire | .... | executive: Halon | |
| Heather Elisa Hill | .... | visual effects project manager: CIS Hollywood | |
| Austin Hiser | .... | digital compositor: Pixel Magic | |
| Brenda Ilic | .... | visual effects coordinator | |
| Joshua Jordan | .... | compositor: CIS Hollywood | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Kevin Kipper | .... | digital effects artist | |
| J. Kitazaki | .... | production assistant: CIS Hollywood | |
| Gregory D. Liegey | .... | visual effects supervisor: CIS Hollywood | |
| Gregg Lukomski | .... | visual effects supervisor: Halon Entertainment | |
| Heather MacPhee | .... | paint and rotoscope artist: CIS Hollywood | |
| George Macri | .... | visual effects producer: Pixel Magic | |
| Lisa Maher | .... | visual effects producer: CIS Hollywood | |
| John R. McConnell | .... | 2D Compositor: Pixel Magic | |
| Ray McIntyre Jr. | .... | visual effects supervisor | |
| Roger Mocenigo | .... | digital compositor: XY&Z | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
| Patrick J. Rodriguez | .... | concept/storyboard artist | |
| Patrick J. Rodriguez | .... | previz artist | |
| Danita Slaughter | .... | digital opticals editor | |
| Neal Sopata | .... | digital artist | |
| Dan Tindell | .... | pre-visualization artist | |
| Mike Uguccioni | .... | visual effects supervisor | |
| Juan Carlos Vargas | .... | digital effects artist (as Juan Vargas) | |
| Matt Ashton | .... | senior systems: CIS Hollywood (uncredited) | |
| Brian Holmes | .... | systems engineer: CIS Hollywood (uncredited) | |
| Robert Minsk | .... | systems: CIS Hollywood (uncredited) | |
| Kyle Yamamoto | .... | programmer: CIS Hollywood (uncredited) | |
Stunts | |||
| Simon Burnett | .... | stunt double | |
| Lauro Chartrand | .... | stunt performer | |
| Chad Sayn | .... | assistant stunt coordinator | |
| Melissa R. Stubbs | .... | stunt coordinator | |
| Marshall Virtue | .... | stunt double | |
Camera and Electrical Department | |||
| Steve Adelson | .... | camera operator: "a" camera | |
| Steve Adelson | .... | steadicam operator | |
| Steven A. Adelson | .... | camera operator | |
| Steven A. Adelson | .... | steadicam operator | |
| Donnie Armstrong | .... | company grip | |
| Raimey Casiro | .... | camera trainee | |
| Herb DeWaal | .... | key rigging grip | |
| Shane Geddes | .... | camera loader | |
| Amie Gibbins | .... | second assistant camera: "a" camera | |
| Stephen J. McKnight | .... | first assistant camera: "b" camera | |
| Brad Oleksy | .... | best boy grip | |
| Brad Oleksy | .... | key grip: second unit | |
| Sean Oxenbury | .... | rigging gaffer | |
| Ian Seabrook | .... | first assistant camera: "a" camera | |
| David Tickell | .... | gaffer | |
| Daniel Volonino | .... | second assistant camera | |
| Roger Wells | .... | rigging best boy | |
| Tony Whiteside | .... | key grip | |
| Martin Wilde | .... | rigging gaffer | |
| Kurt Zelmer | .... | best boy rigging electric | |
Casting Department | |||
| Judy Cook | .... | casting assistant | |
| Sandra-Ken Freeman | .... | extras casting | |
| Kris Rurka | .... | extras casting | |
| Alicia Scott | .... | extras casting assistant | |
| Trica Thompson | .... | casting assistant | |
| Tiffany Mak | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Luisa Dalmagro | .... | costume buyer | |
| Sondra Durksen | .... | costume coordinator | |
| Silke Guglielmo | .... | costumer | |
| Lynnette Kuchera | .... | costumer | |
Editorial Department | |||
| Bryan Cantrall | .... | on-line editor | |
| Jenny Cho | .... | post-production assistant | |
| Beth Dewey | .... | digital intermediate producer | |
| Cortney Haile | .... | post-production coordinator | |
| Paul Klassen | .... | assistant editor | |
| Carmen Morrow | .... | editorial production assistant | |
| Robert E. Phillips | .... | digital intermediate assistant producer: EFILM | |
| Alain J. Romi | .... | first assistant editor | |
| Lisa Tutunjian | .... | digital intermediate editor | |
Music Department | |||
| Jay Faires | .... | music supervisor | |
| Jay Faires | .... | soundtrack producer | |
| David Falzone | .... | film music consultant | |
| Tricia Holloway | .... | additional music supervisor | |
| Bryan Lawson | .... | music editor | |
| Michael Stern | .... | music scoring mixer | |
| Jeanette Surga | .... | music editor | |
| Jesse Voccia | .... | electronic music programmer | |
| Sam Zeines | .... | music editor | |
Transportation Department | |||
| Bruce Scott | .... | construction driver | |
Other crew | |||
| Hannah Rita Rose Amar | .... | production assistant | |
| Julie Ayers | .... | assistant: Mike Karz | |
| Brent Badger | .... | production assistant | |
| Bree Bailey | .... | assistant: Michael Paseornek | |
| Cassandra Barbour | .... | rights and clearances | |
| Jennifer M. Byrne | .... | post payroll accountant | |
| Cary Cooper | .... | scorpio head technician | |
| Dale Cornick | .... | first accountant | |
| Adris Debarge | .... | assistant: Tracey Edmonds | |
| Geoffrey Dodd | .... | trainee assistant locations | |
| E. Laura Dunkelgrun | .... | assistant: Brian Volk-Weiss (as Laura Dunkelgrun) | |
| Yon Elvira | .... | supervisor: assets and productions publicity, Lionsgate | |
| Wesley Emms | .... | production assistant | |
| Terri Garbutt | .... | production coordinator | |
| Elise Gaylie | .... | assistant: Dane Cook | |
| Josh Goldenberg | .... | assistant: Mike Karz | |
| Brandon Gonzales | .... | assistant: cast | |
| Matthew Granger | .... | assistant: Mark Helfrich | |
| Matthew Granger | .... | video segment director | |
| Michael Grigsby | .... | production accountant | |
| Frederick Heartline | .... | production office assistant | |
| Rosemary Lara | .... | director of production: Lions Gate Films | |
| Benjamin Luk | .... | daily production assistant | |
| Daniel MacArthur | .... | assistant: Donna Sloan, Lions Gate Films | |
| Dominic Main | .... | assistant location manager | |
| Robert M. Melnik | .... | executive vice president of business affairs | |
| Carol-Lynne Michaels | .... | assistant: Mike Karz | |
| Curtis A. Miller | .... | director of production: Lions Gate Films | |
| Nadine Moser | .... | production assistant | |
| Heidi Brook Myers | .... | adr loop group | |
| Tammy Nielsen | .... | key production assistant | |
| Tracy Noga | .... | production assistant | |
| Laura Obenaus | .... | assistant: Ogden Gavanski | |
| Hernany Perla | .... | assistant: John Sacchi | |
| Holly Pinder | .... | key production assistant | |
| Gina Powers | .... | credit coordinator | |
| Arden Rhine | .... | production assistant | |
| Michael Roberts | .... | location manager | |
| Darren Robertson | .... | playback coordinator | |
| Derrick Rodger | .... | key production assistant | |
| Kinnon Ross | .... | key production assistant | |
| Brian Sepanzyk | .... | production assistant | |
| Laura Sevier | .... | rights and clearances | |
| Randy Sexsmith | .... | production assistant | |
| Donna Sloan | .... | executive vice president: Lions Gate Films | |
| Christopher K. Stenberg | .... | video/computer playback operator | |
| David Tamkin | .... | assistant location manager | |
| Khene Tan | .... | set location assistant | |
| Larry Tardif | .... | insert car operator | |
| Bill Vigars | .... | unit publicist | |
| Barrie Wells | .... | technocrane operator | |
| June B. Wilde | .... | dialogue coach | |
| Steve Woodley | .... | head animal trainer | |
| Cody Klop | .... | voice-over (uncredited) | |
| Daniel Volonino | .... | body double: Dan Folger (uncredited) | |
Thanks | |||
| Larry Abbott | .... | in memory of | |
| Matthew Granger | .... | acknowledgment: karaoke tv and dental videos created by | |
To make a good romantic flick, you must include a nice blend of humor, heart, romance (obviously), drama, and realism. Good Luck Chuck contains none of this. Packing in excessive nudity, pointless scenes, unnecessary crude humor, and predictable physical humor in a matter of 90-something minutes, this film flounders from the beginning, flops mostly throughout, and begins to reek towards the climax and the ending. Missed opportunities are much more common than laughs in this heap of disaster, which also includes a very generic musical score, wooden acting, and borrowed material. Perhaps the only good that comes from this is Jessica Alba, whose sexy and innocent charm keeps this movie afloat, albeit barely.
Good Luck Chuck is a totally different movie from the one advertised. The ads showed that this movie was going to be a charming romantic movie featuring plenty of Cook and plenty of Alba. Unfortunately, we get crude Dane Cook and very little Jessica Alba, and then plenty of preventable boobs. The story here revolves around Chuck (Dane Cook), a man who from a young age receives a hex that allows for him to get with women, but whenever they leave him the next man that female meets will be "The One." He takes advantage of this curse until he realizes that he will become love-deprived as long as the hex exists. In the middle of the crisis he meets a beautiful penguin expert Cam (Jessica Alba) whom instantly brings out the best in him.
Explaining why the film fails would require a lot more words than allowed, so let's just point out the major issues. Let's begin with the writing. It was a good idea turned sour with filler material, terrible jokes, and no heart. Our main character isn't exactly likable until he is on the brink of destruction over our lead female. Chuck's best friend is an even more disgustingly awful character in more ways than one. The lack of chemistry between everybody in the movie is a major concern, but between the two best friends is far beyond awful. The only consistently likable character once again is Cam. Attempting to reach the college crowd, we see plenty of cleavage, undressing, and Frat pack-style humor. Unfortunately, it fails to bring in the heart and good content that the recent Frat Pack movies contain. Unlike the adult comedies we've seen recently, this movie tries much too hard to earn the "R" rating, and it only takes away from its appeal. Has too much crudeness to be considered a date movie, even with its romantic plot entangled.
Dane Cook is overrated on stand-up, and not any better on-screen. Perhaps with good direction, we can see a decent romantic comedic lead out of him, but that is about it. His improvising fails, his line are sometimes delivered flat, and he just doesn't have the charm that we see in Owen Wilson, Will Ferrell, Steve Carell, or Seth Rogen. On the other hand, Jessica Alba pulls a nice performance as the beautiful yet hard-to-get Cam. A noteworthy oddity is that in the previews it shows that she is very clumsy, yet in the film it's a trait that becomes quickly forgotten. She handles herself well with the little material she is given, as she gives the movie its bit of energy that it desperately needs time and time again. Every other female in the movie was in it only because her jugs were a respectable size or in order to be ridiculed by everyone else.
The main issue of Good Luck Chuck is that it is totally unaware of what it is; it is unsure of what kind of movie it should bethen it winds up failing on every genre it tried imitating. Trailer shows it's a quirky romantic comedyfailure. Then in the movie we see an attempt to gross us out, an attempt to arose us with all the nudity, then tries to teach us about love by offering a bit of sentimental valuefailure. Fires on all cylinders but miss every single time. It is extremely hard to take this movie seriously in terms of the lovey-dovey material when we see an entire montage of Dane Cook sleeping with different women or there is a moment dedicated to seeing a penguin eating his own feces.
First-time director Mark Helfrich should know better than to riddle this good idea with clichés, explored ideas, and Dane Cook material. Helfrich has been in the business for a very long time, and could have really spun this short story by Steve Glenn into a creative romantic comedy. Instead, it tries much too hard to be like Old School, Wedding Crashers, 40-Year-Old Virgin, and other R-comedies that have helmed a good amount of money. To be able to predict the next several scenes in the movie is never really a good sign either.
Bottom Line: A mess from start to finish, we once again see Dane Cook trying to transfer his success from the mic into the movie screens but with no success at all. It does not help that he has an untalented cast of writers and cameramen behind this trash, but Cook's inability to expand his brand of humor isn't exactly easy to work with either. Besides Alba, there are no admirable traits in this movie, and that even includes the grotesque amount of nudityand the critic reviewing this is a male. It takes guts to destroy a film that has beautiful women in almost every scene, but Good Luck Chuck does exactly that. If it had stuck to what the trailer was presenting, there could have been some hope. Good Luck Chuck ends up being like the best friend in the movie: crude, offensive, unworthy, pointless, and just all-around an annoyance. Skip this pile of fish droppings.