| Photos (see all 23 | slideshow) | Videos |
| James Franco | ... | Blaine Rawlings | |
| Scott Hazell | ... | Cinema Usher | |
| Mac McDonald | ... | Sheriff Detweiller | |
| Philip Winchester | ... | William Jensen | |
| Todd Boyce | ... | Mr. Jensen | |
| Karen Ford | ... | Mrs. Jensen | |
| Ruth Bradley | ... | Laura | |
| Abdul Salis | ... | Eugene Skinner | |
| Jean-Philippe Écoffey | ... | Skinner's trainer | |
| Tim Pigott-Smith | ... | Mr. Lowry | |
| Tyler Labine | ... | Briggs Lowry | |
| Gail Downey | ... | Mrs. Lowry | |
| David Ellison | ... | Eddie Beagle | |
| Jean Reno | ... | Capt. Thenault | |
| Augustin Legrand | ... | L.T. Giroux | |
| Keith McErlean | ... | Vernon Toddman | |
| Martin Henderson | ... | Reed Cassidy | |
| Shaka | ... | Himself - the Lion | |
| Lex Shrapnel | ... | Grant | |
| Christopher Snell | ... | Bartender | |
| Jennifer Decker | ... | Lucienne | |
| Kate Robbins | ... | Clarise | |
| Christien Anholt | ... | Higgins | |
| Pip Pickering | ... | Nunn | |
| Barry McGee | ... | Dewitt | |
| Michael Jibson | ... | Lyle Porter | |
| Gunnar Winbergh | ... | The Black Falcon | |
| Ian Rose | ... | Wolfert | |
| Daniel Rigby | ... | Ives | |
| Kyle Hensher-Smith | ... | Jacques | |
| Lauren Downing | ... | Marie | |
| Hayley Downing | ... | Marie | |
| Adrien Boublil | ... | Luc | |
| Jake Canuso | ... | French Infantryman | |
| Eric Seror | ... | Doctor | |
| rest of cast listed alphabetically: | |||
| Ralf Rueller | ... | German soldier (uncredited) | |
Directed by | |||
| Tony Bill | |||
Writing credits(WGA) | ||
| Phil Sears | (screenplay) & | |
| Blake T. Evans | (screenplay) and | |
| David S. Ward | (screenplay) | |
| Blake T. Evans | (story) | |
Produced by | |||
| David Brown | .... | executive producer | |
| James Clayton | .... | executive producer | |
| Dean Devlin | .... | producer | |
| Marc Frydman | .... | producer | |
| Phillip M. Goldfarb | .... | executive producer | |
| Rachel Olschan | .... | associate producer | |
| Kearie Peak | .... | co-producer | |
| Duncan Reid | .... | executive producer | |
| Marc Roskin | .... | co-producer | |
Original Music by | |||
| Trevor Rabin | |||
Cinematography by | |||
| Henry Braham | (director of photography) | ||
Film Editing by | |||
| Chris Blunden | |||
| Ron Rosen | |||
Casting by | |||
| Daniel Hubbard | |||
| John Hubbard | |||
| Ros Hubbard | |||
Production Design by | |||
| Charles Wood | |||
Art Direction by | |||
| Ray Chan | (supervising art director) | ||
| Philip Elton | |||
| Matthew Gray | |||
Set Decoration by | |||
| Eliza Solesbury | |||
Costume Design by | |||
| Nic Ede | |||
Makeup Department | |||
| Karen Cohen | .... | hair crowd supervisor | |
| Karen Cohen | .... | makeup crowd supervisor | |
| Patrice Iva | .... | hair stylist | |
| Carmel Jackson | .... | hair stylist | |
| Carmel Jackson | .... | makeup artist | |
| Graham Johnston | .... | hair stylist | |
| Graham Johnston | .... | makeup designer | |
| Lorna McGowan | .... | hair stylist | |
| Lorna McGowan | .... | makeup artist | |
| Laura McIntosh | .... | makeup artist | |
| Vivienne Simpson | .... | hair trainee | |
| Vivienne Simpson | .... | makeup trainee | |
Production Management | |||
| Tania Blunden | .... | post-production supervisor (as Tania Windsor Blunden) | |
| Brian Donovan | .... | unit production manager | |
| Steve Harvey | .... | unit manager | |
Art Department | |||
| Ravi Bansal | .... | concept illustrator | |
| Mark Bartholomew | .... | assistant art director | |
| Steve Bohan | .... | construction manager | |
| Alex Boswell | .... | props | |
| John Botton | .... | props | |
| Antonio Calvo-Dominguez | .... | draftsman | |
| Graham Chalk | .... | set dresser | |
| Roy Chapman | .... | chargehand dressing props | |
| Lisa Chugg | .... | production buyer | |
| Jordan Crockett | .... | draughtsman | |
| Graham Dale | .... | stand-by props | |
| Romek Delmata | .... | illustrator | |
| Paul Duff | .... | supervising carpenter | |
| David E. Duncan | .... | storyboard artist | |
| Colin Ellis | .... | props | |
| Jools Faiers | .... | graphic designer | |
| Laurent Ferrie | .... | drapesman | |
| Martin Foley | .... | stand-by art director | |
| Sarah Forbes | .... | art department assistant | |
| Barry Gibbs | .... | property master | |
| Gavin Gordon | .... | stand-by carpenter: gimbal unit | |
| Jason Hopperton | .... | props | |
| Martin Kingsley | .... | chargehand props | |
| Dougie Lankston | .... | dressing prop daily | |
| Charles Leatherland | .... | draughtsman | |
| Eduardo Lima | .... | graphic artist | |
| Tony Marks | .... | carpenter | |
| Miraphora Mina | .... | graphic artist (as Miraphora Caruso) | |
| Mitch Niclas | .... | chargehand stand-by props | |
| Darryl Paterson | .... | props storeman | |
| Wesley Peppiatt | .... | props | |
| Carl Peters | .... | dressing props | |
| Sally Ross | .... | art department coordinator | |
| Toby Shears | .... | supervising propmaker | |
| Tom Still | .... | set designer | |
| Daniel Swingler | .... | art department attachment | |
| Jason Torbett | .... | dressing propman | |
| Emma Vane | .... | draughtsman | |
| Peter Watson | .... | props | |
| Carl Wilson | .... | modeller | |
Sound Department | |||
| Julie Altus | .... | adr recordist | |
| Jeremy Balko | .... | adr mixer | |
| Courtney Bishop | .... | adr recordist | |
| Ed Colyer | .... | sound mixer | |
| David Evans | .... | supervising sound editor | |
| Iain Eyre | .... | dialogue editor | |
| Simon Firsht | .... | boom operator | |
| Glen Gathard | .... | sound | |
| Stefan Henrix | .... | supervising sound editor | |
| Andy Kennedy | .... | sound designer | |
| Rob Killick | .... | sound mix technician | |
| Jed Loughran | .... | sound effects editor | |
| Michael Miller | .... | adr mixer | |
| Jon Olive | .... | sound effects editor | |
| Mike Prestwood Smith | .... | sound re-recording mixer | |
| Jamie Roden | .... | adr mixer | |
| Brian Simmons | .... | sound mixer: second unit | |
| Jack Stew | .... | foley artist | |
| Dean St. John | .... | adr mixer | |
| Ian Tapp | .... | adr recordist | |
| Mark Taylor | .... | sound editor | |
| Mark Taylor | .... | sound re-recording mixer | |
| David Tyler | .... | sound | |
| Dylan Voigt | .... | cable person | |
| Ian Voigt | .... | production sound mixer | |
| Andrew Caller | .... | sound mix technician (uncredited) | |
Special Effects by | |||
| Terence J. Cox | .... | special effects set foreman | |
| Yves De Bono | .... | special effects supervisor | |
| Yves DeBono | .... | special effects director | |
| Peter Fern | .... | senior technician | |
| Eric Hayden | .... | model painter | |
| Chris Motjuoadi | .... | special effects | |
| Roger Nichols | .... | senior technician | |
| Nigel Nixon | .... | special effects buyer | |
| Stefano Pepin | .... | special effects technician | |
| Stefan Rambousek | .... | model maker: Cinema Production Services | |
| Scott Schutzki | .... | model maker: additional miniatures | |
| Ian Wingrove | .... | supervisor gimble: process unit | |
Visual Effects by | |||
| Douglas Aiken | .... | digital compositor | |
| Diccon Alexander | .... | digital matte painter: Double Negative | |
| Forrest Arnold | .... | digital effects artist | |
| Ronald Arredondo | .... | visual effects gaffer: Cinema Production Services Inc. | |
| Stewart Ash | .... | animator | |
| Oliver Atherton | .... | digital compositor | |
| Suzette Barnett | .... | digital artist | |
| Judy Barr | .... | digital compositor | |
| Hitesh Bharadia | .... | color & lighting technical director: Double Negative | |
| Philip Bland | .... | digital cleanup artist | |
| Cris Borgnine | .... | key grip visual effects | |
| Vanessa Boyce | .... | visual effects artist: Double Negative | |
| Dameon Boyle | .... | visual effects artist | |
| Richard Briscoe | .... | digital compositor: Double Negative | |
| Andre Brizard | .... | digital compositor: Double Negative | |
| Jason Burnett | .... | film recording assistant: Framestore CFC | |
| Andy Burrow | .... | film recording manager: Framestore CFC | |
| Billy A. Campbell | .... | visual effects editor | |
| Peter Chiang | .... | visual effects supervisor | |
| Jeff Clifford | .... | research and development: Double Negative | |
| Emily Cobb | .... | 3-d artist: double negative | |
| Bertrand Cordier | .... | look development technical director: Double Negative | |
| Michael Cowler | .... | engineer: Framestore CFC | |
| Tyson Cross | .... | digital artist | |
| Dimitri Delacovias | .... | digital matte painter | |
| Paul Doogan | .... | film recording assistant: Framestore CFC | |
| Kerry Downing | .... | editorial: Framestore CFC | |
| Jon Doyle | .... | digital compositor | |
| Giovanni Dulay | .... | model maker: Cinema Production Services | |
| Will Elsdale | .... | digital artist: Double Negative | |
| James D. Etherington | .... | digital compositor: Double Negative | |
| Daniel Evans | .... | shader writer: Double Negative | |
| Brian Eyre | .... | CGI animator | |
| Stuart Farley | .... | technical director | |
| Antonella Ferrari | .... | visual effects editorial | |
| Mark Franco | .... | visual effects producer | |
| James Furlong | .... | visual effects artist: Double Negative | |
| Sari Gennis | .... | digital compositor | |
| Ben Gillingham-Sutton | .... | paint artist: Framestore CFC | |
| Joe Godfrey | .... | film recording assistant: Framestore CFC | |
| Kim Gordon | .... | digital compositor | |
| Carey Gosa | .... | visual effects production manager: Electric Effects | |
| Joel Green | .... | matchmove artist | |
| Tom Griffiths | .... | matchmove artist: Double Negative | |
| Pawel Grochola | .... | digital effects artist | |
| Ummi Gudjonsson | .... | digital artist | |
| Charlie Habanananda | .... | data operator: Framestore CFC | |
| Alistair Hamer | .... | film mastering engineer: Framestore CFC | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Jeremy Hattingh | .... | digital compositor: Double Negative | |
| Adam Hawkes | .... | digital paint artist | |
| Jan Hogevold | .... | executive producer: Framestore CFC | |
| Simon Hughes | .... | digital compositor: Double Negative | |
| Michael Hull | .... | animator: Double Negative | |
| Bob Hurrie | .... | miniature effects producer: Cinema Production Services, Inc. | |
| Claire Inglis | .... | digital compositor | |
| Oliver James | .... | research and development supervisor: Double Negative | |
| Jody Johnson | .... | 2D visual effects supervisor | |
| John Joyce | .... | miniature effects coordinator: Cinema Production Services, Inc. | |
| Michael Joyce | .... | miniature effects supervisor: Cinema Production Services, Inc. | |
| John Kilshaw | .... | digital effects artist | |
| Jordan Kirk | .... | technical director: Double Negative | |
| Alec Knox | .... | senior lighting technical director: Double Negative | |
| Brian Krijgsman | .... | assistant colourist: Framestore CFC | |
| Joosten Kuypers | .... | 3D artist: Double Negative | |
| Cyn Langley | .... | engineer: Framestore CFC | |
| Pedro Lara | .... | digital compositor: Double Negative | |
| Emma Larsson | .... | visual effects production assistant | |
| Tracey Leadbetter | .... | visual effects: Double Negative | |
| Rick Leary | .... | CG supervisor | |
| James Lewis | .... | animator | |
| Mattias Lindahl | .... | CG supervisor | |
| John Lockwood | .... | visual effects supervisor: Machine | |
| Sarah Lockwood | .... | digital compositor | |
| Kevin Lowery | .... | film mastering assistant: Framestore CFC | |
| Brian Lutge | .... | lead 3D animator: EFX | |
| Aysha Madina | .... | animator | |
| Helena Masand | .... | digital artist | |
| Helena Masand | .... | matchmover | |
| Ian Masters | .... | visual effects | |
| Mamie McCall | .... | compositor: electric effects | |
| Fay McConkey | .... | visual effects producer: Double Negative | |
| Claire McGrane | .... | senior producer: Framestore CFC | |
| Ivan Mena | .... | digital compositor: Double Negative | |
| Sarah Micallef | .... | digital intermediate producer: Framestore CFC | |
| Maria Michalopoulou | .... | data operator: Framestore CFC | |
| Laura Miles | .... | visual effects coordinator | |
| Luke Millar | .... | lighting | |
| Luke Millar | .... | look development technical director | |
| Carlos Morales | .... | digital compositor | |
| Tristan Myles | .... | digital compositor: Double Negative | |
| Charlie Noble | .... | visual effects supervisor: double negative | |
| Paul Norris | .... | digital compositor | |
| Alban Orlhiac | .... | lead texture artist: Double Negative | |
| Gruff Owen | .... | digital compositor | |
| Aleksandar Pejic | .... | visual effects: Double Negative | |
| Dan Perry | .... | film recording assistant: Framestore CFC | |
| Fred Place | .... | senior digital compositor | |
| Carlos Poon | .... | matchmove artist: Double Negative | |
| Rupert Porter | .... | visual effects producer: Double Negative | |
| David Rand | .... | 3D supervisor: EFX | |
| Laurent-Paul Robert | .... | technical director | |
| Katherine Roberts | .... | visual effects: Double Negative | |
| Tom Rolfe | .... | digital compositor | |
| Gia Sadhwani | .... | effects animator | |
| Foad Shah | .... | digital compositor | |
| Matthew Shaw | .... | digital compositor | |
| Asa Shoul | .... | colourist: Framestore CFC | |
| William Skellorn | .... | visual effects editorial: Double Negative | |
| Tom Steadman | .... | render wrangler: Double Negative | |
| Jim Steel | .... | digital compositor: Double Negative | |
| Jelena Stojanovic | .... | digital compositor | |
| Steve Street | .... | visual effects supervisor: Machine | |
| Christopher Sweet | .... | studio assistant: Double Negative | |
| Toby Taplin | .... | visual effects artist | |
| Scott Taylor | .... | compositor: Double Negative | |
| Clare Tinsley | .... | visual effects coordinator: Double Negative | |
| Eugénie von Tunzelmann | .... | digital artist: Double Negative | |
| Victor Wade | .... | digital compositor | |
| Steve Wagendorp | .... | assistant colourist: Framestore CFC | |
| Ellen Walder | .... | visual effects producer: Double Negative | |
| Thomas Ward | .... | animator: Double Negative | |
| Sharon Warmington | .... | digital compositor: Double Negative | |
| Imery Watson | .... | digital environment technical director: Double Negative | |
| Richenda Wheeler | .... | previs | |
| Andrew Whitehurst | .... | 3D artist: Double Negative | |
| Clare Williams | .... | matchmove artist: Double Negative | |
| Brian Wolf | .... | compositing supervisor | |
| Alex Wuttke | .... | CG supervisor | |
| Jason Yanofsky | .... | visual effects artist | |
| George Zwier | .... | digital compositor | |
| Scott Chambers | .... | visual effects editorial: Double Negative Ltd (uncredited) | |
| Andrew Francis | .... | HDD5 VT operations (uncredited) | |
| Steve Lynn | .... | technical support (uncredited) | |
| Jen Underdahl | .... | model maker (uncredited) | |
Stunts | |||
| Andy Bradshaw | .... | stunt performer | |
| Nick Chopping | .... | stunt performer | |
| Steve Dent | .... | stunt coordinator | |
| Bradley Farmer | .... | stunt performer | |
| James Fiddy | .... | stunts | |
| Paul Herbert | .... | stunt performer | |
| Rowley Irlam | .... | stunts | |
| Adam Kirley | .... | stunt performer | |
| Matthew Sampson | .... | horse and stunt dept coordinator | |
Casting Department | |||
| Kelly Valentine Hendry | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Philip Goldsworthy | .... | costume assistant | |
| Tom Hornsby | .... | wardrobe assistant | |
| Neil Murphy | .... | wardrobe assistant | |
| Wyn Vaughan-Humphreys | .... | costume assistant | |
| Emma Walker | .... | costume breakdown artist | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Aisha Bicknell | .... | post-production coordinator | |
| Tania Clarke | .... | first assistant editor | |
| Matthew Hart | .... | assistant editor | |
| Kevin Holt | .... | assistant editor | |
| Debs Richardson | .... | assistant editor: avid | |
| Paul Swinburne | .... | first assistant editor | |
| Jon Thompson | .... | post-production consultant | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Matt Biffa | .... | music supervisor | |
| Tom Calderaro | .... | orchestrator | |
| Dominic Gibbs | .... | music editor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Don Harper | .... | conductor | |
| Jake Jackson | .... | score recording engineer | |
| Steve Kempster | .... | score mixer | |
| Paul Linford | .... | score producer | |
| Alison Litton | .... | music coordinator | |
| Dave Metzger | .... | orchestrator | |
| Michael Price | .... | music editor | |
| Jeanette Surga | .... | supervising music editor | |
| Margaret Yen | .... | music supervisor | |
Transportation Department | |||
| Mickey Davie | .... | vehicle technician | |
| Phil Evans | .... | driver: cast | |
| Tony Power | .... | driver: construction department | |
| Karen Russell | .... | driver: minibus | |
Other crew | |||
| Julie Adams | .... | dialect consultant: Mr. Henderson | |
| Caridad Angus | .... | stand-in | |
| Philip Ball | .... | stand-in | |
| Linzi Baltrunas | .... | assistant location manager | |
| Zofia Borucka | .... | dialect coach: Jean Reno | |
| Erik Bright | .... | publicist | |
| Bryan Brown | .... | pilot | |
| Eddie Canal | .... | floor runner: Gimbal unit | |
| Leah Chalk | .... | health and safety | |
| Hannah Collett | .... | assistant to producer | |
| William Conacher | .... | dialect coach | |
| Tim Davies | .... | location assistant | |
| John Day | .... | pilot | |
| Clifford De Spenser | .... | language coach | |
| Farnaz Donovan | .... | assistant accountant | |
| Jake Edmonds | .... | health and safety advisor | |
| Peter Edwards | .... | fire safety | |
| Jason Eskin | .... | intern | |
| Ceri Evans | .... | script supervisor: gimbal unit | |
| Elton Farla | .... | construction medic | |
| Mike Fenton | .... | aerial engineer | |
| Bob Gauld Galliers | .... | pilot | |
| Nev Gardener | .... | aerial engineer | |
| Josh Geller | .... | assistant: Dean Devlin | |
| Josh Geller | .... | coordinator: Electric Entertainment | |
| Alex Gladstone | .... | location manager | |
| Peter Graf | .... | aerial Super-G technician | |
| Doug Gregory | .... | pilot | |
| John David Gunkle | .... | location assistant | |
| Lucy Hadden | .... | script supervisor trainee | |
| Ray Hanna | .... | aerial coordinator | |
| Sarah Hanna | .... | aerial team coordinator | |
| Darren Helman | .... | location assistant (as darren hellman) | |
| Christopher Hutchins | .... | assistant to director | |
| Stuart Johnson | .... | fire safety | |
| Sally Jones | .... | script supervisor | |
| Alister Kay | .... | safety pilot | |
| Ken Kellet | .... | pilot | |
| Andrew King | .... | pilot | |
| Jennifer Lambert | .... | construction nurse | |
| Nigel Lamb | .... | chief pilot | |
| Robs Lamplough | .... | pilot | |
| Jack Livesey | .... | historical advisor | |
| Robb Metcalfe | .... | pilot | |
| Robb Millingship | .... | pilot | |
| Paul Mindel | .... | floor runner | |
| Damian Mitchell | .... | assistant armorer | |
| Juliet Morris | .... | daily floor runner | |
| Steve Mortimore | .... | location scout | |
| Simon Neville | .... | set armorer | |
| Laurence Newman | .... | fire safety | |
| Chris Norman | .... | assistant accountant | |
| Mike Patlin | .... | aerial coordinator | |
| Peggy Pere | .... | helicopter coordinator | |
| Philip Pickford | .... | aerial safety | |
| Luc Poullain | .... | helicopter pilot | |
| Dave Proctor | .... | aerial unit runner | |
| Lisa Radin | .... | floor runner | |
| Rebecca Rae | .... | assistant coordinator | |
| Peter Rawlinson | .... | assistant: Marc Frydman | |
| Sandra Reis | .... | digital paint and rotoscope artist: Double Negative | |
| James Richardson | .... | first assistant accountant | |
| Taff Smith | .... | pilot | |
| Bertie Spiegelberg | .... | production runner | |
| Roy Squires | .... | fire safety | |
| Karen Svobodny | .... | assistant to director | |
| Michele Tandy | .... | financial controller | |
| Isobel Thomas | .... | production coordinator | |
| Catherine Tyler | .... | set runner | |
| Tim Van Rellim | .... | production executive | |
| Anna Walker | .... | pilot | |
| Susan Warwicker | .... | special effects production coordinator | |
| Charlotte Wright | .... | location scout | |
| Joseph Henry Anderson | .... | location assistant (uncredited) | |
| Craig john Robinson | .... | location assistant (uncredited) | |
| Craig john Robinson | .... | production assistant (uncredited) | |
|
|
|
|
|
| Der rote Baron | The Dawn Patrol | Wings | Shout at the Devil | Pearl Harbor |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
| Add this title to MyMovies |
When I first saw the previews and read the synopsis, I was expecting a horrible film like Pearl Harbor. Fighter pilots in love with a girl. Happily the love story is not sappy or sickening and actually helps create character development. And how the love story ends is a very nice non-Hollywood ending.
The Planes look magnificent, but could have been done better. The use of German Dr1's (the Fokker Triplanes) as the only German fighter is understandable as distinguishing friend from foe. However, making all of the Dr1's (except for the main villains ) solid red is extremely annoying. While it is up to some discussion if the Red Baron's Dr1 was all red or mostly red, it does not mean that all Dr1's were red, especially all red. The Dr1's came from the Fokker factory usually in an olive drab paint scheme with a light blue underside. The film makers could have added a red scheme to the planes but left a portion olive drab and blue underside, it still would have made the Germans distinctive without being clones of Manfred von Rictoffen.
The dogfights are fun to watch and are fairly exciting, however the planes fly highly unrealistically at times. Overall the CGI is excellent but at times it is noticeable as CGI. The planes that explode (Explosions are such a Hollywood staple :) ) are unrealistic. The planes are traveling 70 t0 100 miles per hour in reality, but the explosions react as if the plane is standing still, going up in a ball instead of being spread along the doomed plane's path.
Over all it was fun to watch and covers a historical period that has long been neglected in film.