| Photos (See all 21 | slideshow) | Videos (see all 9) |
| Aaron Stanford | ... | Doug Bukowski | |
| Kathleen Quinlan | ... | Ethel Carter | |
| Vinessa Shaw | ... | Lynn Carter | |
| Emilie de Ravin | ... | Brenda Carter | |
| Dan Byrd | ... | Bobby Carter | |
| Tom Bower | ... | Gas Station Attendant | |
| Billy Drago | ... | Papa Jupiter | |
| Robert Joy | ... | Lizard | |
| Ted Levine | ... | Big Bob Carter | |
| Desmond Askew | ... | Big Brain | |
| Ezra Buzzington | ... | Goggle | |
| Michael Bailey Smith | ... | Pluto | |
| Laura Ortiz | ... | Ruby | |
| Gregory Nicotero | ... | Cyst (as Greg Nicotero) | |
| Maisie Camilleri Preziosi | ... | Baby Catherine | |
| Ivana Turchetto | ... | Big Mama | |
| Maxime Giffard | ... | First Victim | |
| Judith Jane Vallette | ... | Small Deformed Child | |
| Adam Perrell | ... | Small Deformed Child |
Directed by | |||
| Alexandre Aja | |||
Writing credits | ||
| Alexandre Aja | (screenplay) & | |
| Grégory Levasseur | (screenplay) (as Gregory Levasseur) | |
| Wes Craven | (1977 film) | |
Original Music by | |||
| tomandandy | |||
Cinematography by | |||
| Maxime Alexandre | |||
Film Editing by | |||
| Baxter | |||
Casting by | |||
| Mark Bennett | |||
Production Design by | |||
| Joseph C. Nemec III | |||
Art Direction by | |||
| Grégory Levasseur | |||
| Tamara Marini | (supervising art director) | ||
Set Decoration by | |||
| Alessandra Querzola | |||
Costume Design by | |||
| Danny Glicker | |||
Makeup Department | |||
| Jaremy Aiello | .... | special makeup effects painter | |
| Jaremy Aiello | .... | special makeup effects sculptor | |
| Ginger Anglin-Cervantes | .... | special makeup effects artist | |
| Chad Atkinson | .... | makeup effects lab technician | |
| Howard Berger | .... | special makeup effects designer | |
| Mark Boley | .... | special makeup effects hair department | |
| Jack Bricker | .... | special makeup effects hair department | |
| Chris Cera | .... | makeup effects lab technician (as Christopher Cera) | |
| Salima Oulad Dahhou | .... | hair stylist (as Salima Ouled Dahhou) | |
| Karl Derrick | .... | on-set special effects makeup artist | |
| Rob Derry | .... | makeup effects mechanical department | |
| Alex Diaz | .... | special makeup effects painter | |
| Alex Diaz | .... | special makeup effects sculptor | |
| Anthony Diaz | .... | makeup effects lab technician | |
| Massimiliano Duranti | .... | hair department head | |
| Jeff Edwards | .... | makeup effects mechanical department | |
| Robert Freitas | .... | mold maker | |
| Jake Garber | .... | special makeup effects shop supervisor | |
| Steve Hartman | .... | makeup effects lab technician | |
| Beth Hathaway | .... | makeup effects lab technician | |
| Grady Holder | .... | dental prosthetics: K.N.B. EFX Group | |
| Akihito Ikeda | .... | special makeup effects painter | |
| Akihito Ikeda | .... | special makeup effects sculptor | |
| Tom Killeen | .... | special makeup effects painter (as Tom Kileen) | |
| Tom Killeen | .... | special makeup effects sculptor (as Tom Kileen) | |
| Jackie Kolompar | .... | assistant special makeup effects coordinator | |
| Derek Krout | .... | makeup effects foam department | |
| Jim Leonard | .... | mold maker (as James Leonard) | |
| Abounouom Mariam Lee | .... | makeup artist (as Mariam Lee) | |
| Tony Matijevich | .... | makeup effects lab technician (as Anthony Matijavich) | |
| Mario Michisanti | .... | makeup department head | |
| Clare Mulroy | .... | on-set special makeup effects artist | |
| Gregory Nicotero | .... | special makeup effects designer (as Greg Nicotero) | |
| Scott Patton | .... | makeup designer | |
| Scott Patton | .... | on-set special makeup effects designer | |
| Scott Patton | .... | on-set special makeup effects supervisor | |
| Gary Pawlowski | .... | mold maker (as Gary Powlowski) | |
| Jason Pinsker | .... | makeup effects lab technician | |
| Ron Pipes | .... | special makeup effects hair department | |
| Ben Rittenhouse | .... | makeup effects foam department | |
| Dirk Rogers | .... | makeup effects lab technician | |
| Frank Rydberg | .... | mold maker | |
| Caleb Schneider | .... | makeup effects lab technician | |
| Andy Schoneberg | .... | special makeup effects painter (as Andy Schoenberg) | |
| Andy Schoneberg | .... | special makeup effects sculptor (as Andy Schoenberg) | |
| Shannon Shea | .... | special makeup effects shop supervisor | |
| Matteo Silvi | .... | key makeup artist | |
| Lino Stavole | .... | mold maker | |
| Kathy Sully | .... | makeup effects lab technician (as Katherine Sully) | |
| Veronica Torres | .... | special makeup effects coordinator | |
| Jenny Wallace | .... | assistant special makeup effects coordinator | |
| Kevin Wasner | .... | on-set special effects makeup artist | |
| David Wogh | .... | makeup effects mechanical department | |
Production Management | |||
| Tina Anderson | .... | post-production supervisor | |
| Moncef Belam | .... | production chief | |
| Fettah Lahouissi | .... | production manager | |
| Alix Taylor | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Adil Abdelwahab | .... | first assistant director: second unit | |
| Olivier Agostini | .... | second assistant director | |
| Bertrant Gagey | .... | second assistant director (as Bertrand Gagey) | |
| Michael Gregory | .... | second assistant director | |
| Grégory Levasseur | .... | second unit director | |
| Dexter Locke | .... | second assistant director | |
| Jon-Luke Lourens | .... | second assistant director | |
| Shamiel Soni | .... | second second assistant director | |
| Franklin A. Vallette | .... | first assistant director (as Franklin Vallette) | |
Art Department | |||
| Jérôme Billa | .... | art department assistant | |
| Cristina Cecili | .... | head painter | |
| Mark Fruin | .... | property master | |
| Khalid Guouram | .... | construction foreman | |
| Said Lahouissi | .... | art department | |
| Harry Pain | .... | assistant art director | |
| Lorenzo Sartor | .... | carpenter | |
| Luigi Sergianni | .... | construction manager | |
Special Effects by | |||
| Mohamed Ali Aguermin | .... | special effects assistant (as Mohamed Ali Aquermin) | |
| Danilo Bollettini | .... | special effects coordinator | |
| Ismail El Ghiachi | .... | special effects assistant (as Ismael El Ghachi) | |
| Belaid Fougdal | .... | special effects assistant | |
| Akihito Ikeda | .... | special effects makeup: KNB EFX Group Inc. | |
| Jason Pinsker | .... | lab technician: KNB EFX Group | |
| Franco Ragusa | .... | special effects supervisor | |
| Dirk Rogers | .... | special effects technician: K.N.B. EFX | |
| Lino Stavole | .... | mold/lab technician: K.N.B. EFX Group | |
| El Hassan Tib | .... | special effects assistant (as Hassan Tib) | |
| Patricia Urias | .... | 3D transfer technician | |
| Patricia Urias | .... | foam runner | |
| Lindsay Vivian | .... | special effects runner | |
| Jenny Wallace | .... | special effects runner | |
Visual Effects by | |||
| Laurent Ben-Mimoun | .... | digital matte painter | |
| Chad Goei | .... | digital artist | |
| Jamison Scott Goei | .... | visual effects supervisor (as Jamison Goei) | |
| Tom Haney | .... | digital compositor | |
| Wing Kwok | .... | digital compositor | |
| Laura LeFaivre | .... | visual effects producer | |
| Noll Linsangan | .... | digital compositor | |
| Darin McCormick-Millett | .... | digital opticals producer: Pacific Title and Art Studio | |
| Sookie Park | .... | lead compositor | |
Stunts | |||
| Guiomar Alonso | .... | stunt double: Laura Ortiz | |
| Joseph Beddelem | .... | stunt rigger | |
| Kai Gaedtke | .... | stunt rigger | |
| Audrey Gautier | .... | stunt rigger | |
| Gilles Gautier | .... | stunt rigger | |
| Philippe Losson | .... | stunt performer | |
| Youssef Marchouki | .... | stunts (as Youssef Merchouki) | |
| Jason Oettle | .... | stunt rigger | |
| Cedric Proust | .... | fight coordinator | |
| Cedric Proust | .... | stunt coordinator | |
| Florian Robin | .... | stunt double: Aaron Stanford | |
| Florian Robin | .... | stunts | |
| Rainer Werner | .... | stunt rigger (as Werner Rainer) | |
| Othman Ilyassa | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Lyamani Bouhmdi | .... | best boy electric (as El Yamani Bouhamdi) | |
| Alessandro Cardelli | .... | gaffer | |
| Andrei Cretan | .... | assistant camera | |
| Ancuta Iordachescu | .... | focus puller: "c" camera, second unit | |
| Ionut Lupulescu | .... | focus puller: "b" camera | |
| Imad Rechiche | .... | assistant camera | |
| Greg Taieb | .... | video assist operator | |
| Lacey Terrell | .... | still photographer | |
| Valerio Villalba | .... | focus puller | |
| Erik Wilson | .... | camera operator | |
| Erik Wilson | .... | director of photography: second unit | |
Costume and Wardrobe Department | |||
| Nancy Au | .... | costume department supervisor: Los Angeles (as Nancy Capper) | |
| Kelly Chambers | .... | wardrobe assistant | |
| Anna Lombardi | .... | costume supervisor | |
| Phyllis Thurber-Moffit | .... | costume textile artist | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Michael Hatzer | .... | color timer | |
| Mark Scovil | .... | first assistant editor | |
| Kathy Thomson | .... | digital colorist | |
| Shepard Hall | .... | assistant editor (uncredited) | |
Music Department | |||
| Jeremy Drake | .... | musician: guitar solos | |
| François Eudes | .... | music designer (as François-Eudes Chanfrault) | |
| David Franco | .... | music supervisor | |
| William Kehoe | .... | score assistant engineer | |
| John Kurlander | .... | score mixer | |
| Dwight Mikkelsen | .... | conductor | |
| Dwight Mikkelsen | .... | orchestrator | |
| Sheri Ozeki | .... | music editor | |
| Robert Puff | .... | music preparation | |
| David Sabee | .... | orchestra contractor | |
| Jamie Steele | .... | score mixer | |
| Matias Vellutini | .... | assistant to composer | |
| Scott Williams | .... | musician | |
Transportation Department | |||
| Omar Darouiche | .... | transportation captain (as Omar Driouche) | |
| Najma El Mahjoub | .... | transportation coordinator | |
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| The Hills Have Eyes | Friday the 13th | Priest | Dawn of the Dead | Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Shocking. Disturbing. At times hard to watch. All words to describe the horror of being forced to watch Michael Moore take his shirt off. But these terms also accurately describe this brutally vicious upgrade on Wes Craven's 1977 low-budget horror classic.
What would you do if you were traveling through the desert and became stranded amongst a group of genetically-mutated freaks who were intent on killing you? You'd probably die. Granted, I would kick all sorts of genetically-mutated butt (not an easy accomplishment when said butt has a foot growing out of it kicking right back), but the average human would be in some major trouble, just like the Carter family.
The father looks like he could handle himself in a fair fight, after all he is a detective, but what are three girls, a boy, a cell phone-selling geek, and a pizza place (maybe two of you will get that lame joke) going to do against a bunch of unnaturally strong psychos? How will they survive? Will it be through might or strategy? You'll have to watch the movie to find out. And if you're squeamish then you'll most likely find yourself cringing in your seat and watching with your hands over your eyes. The Hills Have Eyes is a movie that knows exactly what it needs to do to satisfy its target audience, and it does it well.
Case in point... I'm not very vocal during movies. I usually don't clap and scream and hoot and holler like most the dorks sitting around me, but there were a couple of scenes where I literally said aloud, "Ooooooooooh, crap!" Of course, one of those instances was during a trailer for Phat Girlz, but one scene of violence left my mouth hanging open for about 30 seconds. Then I realized that my mouth was agape like some buffoon, so I quickly closed it.
It takes a lot to shock and disturb me these days, so congrats go to The Hills Have Eyes for accomplishing that. It comes at you fast and hard and isn't interested in sugar-coating the violence it's about to serve up. The intensity level starts high and never gives you an opportunity to take a bathroom break. I highly recommend you address any and all bladder issues before the movie begins.
For me, the main drawback of the movie was the "hero." You can argue that he was more of a "regular guy" and not a typical macho hero, but I felt he transitioned a little too quickly from a gun-hating wuss to an ax-wielding killing machine. My hat's off to the dog though; that canine rocked! Easily the coolest dog in a movie since the German Shepherd in The Lost Boys.
"I like horror movies, Johnny, but I liked to be creeped out more than being subjected to a lot of gore. Would I like this?" It's very doubtful. I'll make this as blunt as possible: this is a movie that contains severed body parts, brutal shootings, axes to the head, a person biting off a bird's head and drinking its blood, and disturbing violence to helpless women.
If that description turns you off then you know to save your money. However, if that fits your style then the movie will succeed in giving you exactly what you want. But I have to say that if you think this sounds like fun for the entire family then I'll have to decline any invitations to sit down with you for a family dinner.