8.2/10
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1,127 user 421 critic

Pan's Labyrinth (2006)

El laberinto del fauno (original title)
In the falangist Spain of 1944, the bookish young stepdaughter of a sadistic army officer escapes into an eerie but captivating fantasy world.

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Popularity
143 ( 127)

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Top Rated Movies #130 | Won 3 Oscars. Another 98 wins & 105 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Serrano
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Gonzalo Uriarte ...
Eusebio Lázaro ...
Padre
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Sacerdote (as Paco Vidal)
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Lina Mira ...
Esposa del alcalde
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Storyline

In 1944 falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again. Written by Tim

Plot Summary | Plot Synopsis

Plot Keywords:

fairy | hiding | spain | labyrinth | woods | See All (291) »

Taglines:

In darkness, there can be light. In misery, there can be beauty. In death, there can be life.... See more »

Genres:

Drama | Fantasy | War

Motion Picture Rating (MPAA)

Rated R for graphic violence and some language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

Release Date:

19 January 2007 (USA)  »

Also Known As:

Pan's Labyrinth  »

Filming Locations:

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Box Office

Budget:

€13,500,000 (estimated)

Opening Weekend:

€1,545,313 (Spain), 15 October 2006, Limited Release

Opening Weekend USA:

$779,427, 31 December 2006, Limited Release

Gross USA:

$37,634,615

Cumulative Worldwide Gross:

$87,041,569
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

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Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Javier Navarrete's score is structured around a lullaby. See more »

Goofs

The instructions tell Ofelia to turn the hourglass over when the door opens, but she waits until she has entered the Pale Man's domain. See more »

Quotes

[first lines]
Pan: A long time ago, in the underground realm, where there are no lies or pain, there lived a Princess who dreamed of the human world. She dreamed of blue skies, soft breeze, and sunshine. One day, eluding her keepers, the Princess escaped. Once outside, the brightness blinded her and erased every trace of the past from her memory. She forgot who she was and where she came from. Her body suffered cold, sickness, and pain. Eventually, she died. However, her father, the King, always knew...
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Crazy Credits

The title and the names of the actors and the production staff are not shown until the end of the film. See more »


Soundtracks

Waltz of the Mandrake/Vals de la mandrágora
Written by Javier Navarrete
Produced by Emmanuel Chamboredon Ian P. Hierons
Courtesy of Milan Entertainment
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Frequently Asked Questions

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User Reviews

 
A labyrinth you don't want to leave
19 June 2006 | by See all my reviews

I saw this film toward the end of the Cannes Film Festival; it edged out all the others I'd seen, 30 of them, because of its wonderful story; history, politics and fantasy woven into a fabric spun by a superlative creative team headed by Guillermo del Toro. In comparison to this, his latest effort, del Toro's other films only hinted at the depth and breadth of his talent. In this film, much as I pride myself on foreseeing the outcome of most stories, I could not guess what would happen next. The film is quite long, yet suspense is sustained throughout. The music is some of the best I've heard in years, so well suited to the action that you almost don't notice its specific effect because of how well it is intertwined with the visual, emotional and intellectual experience.

In my opinion, del Toro's "...Labyrinth" deserved to win at Cannes over the Ken Loach film, "The Wind That Shakes the Barley". Actually, everyone I knew at the Festival who had seen both agreed with me. And the 22 minute ovation speaks clearly for the effect on the audience. It's hard to imagine that any film could beat it in a context other than Cannes where they have marked preferences, bordering on obsession, for certain directors.

Let's hope that the late December opening favors an Oscar nomination which it should win hands down, unless some other work of genius appears on the horizon. That doesn't seem likely because at Cannes the somewhat disappointing array of films was attributed to the fact that not much great product is being released this year. I might add that I had already seen Volver prior to Pan's Labyrinth, and I maintain that Pan is the better film. For me, it displaced all three of my top films of the year. I do love The Departed but, luckily, that's in another category which does not threaten Pan's access to Oscar. If I had to choose the very best picture of the year, without limitation by category, it would most assuredly go to Pan's Labyrinth for it demonstrates del Toro's originality and brilliance as both writer and director.


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