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Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Letty Aronson | .... | producer | |
| Nicky Kentish Barnes | .... | co-producer | |
| Charles H. Joffe | .... | co-executive producer | |
| Duncan Reid | .... | executive producer: Ingenious Film Partners | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | co-executive producer | |
| Stephen Tenenbaum | .... | executive producer | |
| David M. Thompson | .... | executive producer: BBC Films | |
| Peter Touche | .... | executive producer: Ingenious Film Partners | |
| Gareth Wiley | .... | producer | |
Cinematography by | |||
| Remi Adefarasin | |||
Film Editing by | |||
| Alisa Lepselter | |||
Casting by | |||
| Patricia Kerrigan DiCerto | |||
| Gail Stevens | |||
| Juliet Taylor | |||
Production Design by | |||
| Maria Djurkovic | |||
Art Direction by | |||
| Nick Palmer | |||
Set Decoration by | |||
| Philippa Hart | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Polly Earnshaw | .... | makeup artist | |
| Charlotte Hayward | .... | makeup trainee | |
| Sallie Jaye | .... | hair designer | |
| Sallie Jaye | .... | makeup designer | |
| Chris Lyons | .... | special effects teeth | |
| Tracy Smith | .... | hairdresser (as Tracey Smith) | |
| Lisa Tomblin | .... | hairdresser | |
Production Management | |||
| Tori Parry | .... | unit production manager | |
| Finlay Pile | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Tamana Bleasdale | .... | second assistant director | |
| Dan Channing-Williams | .... | crowd assistant director | |
| Chris Croucher | .... | crowd assistant director | |
| Michael Elliott | .... | first assistant director (as Mike Elliott) | |
| Samar Pollitt | .... | third assistant director | |
Art Department | |||
| Louise Begbie | .... | art department assistant | |
| Mat Bergel | .... | stand-by props | |
| Hannah Capron | .... | graphic artist: newspapers | |
| David Creed | .... | construction manager | |
| Chris Cull | .... | property master | |
| Gill Farr | .... | production buyer | |
| Simon Riley | .... | stand-by props | |
| Sarah Stuart | .... | stand-by art director | |
| Ian Taylor | .... | set carpenter | |
| Stephen Thomson | .... | dressing propman | |
| Martin Tronquart | .... | assistant property master | |
| Billy Wilson | .... | dressing prophand | |
Sound Department | |||
| Coll Anderson | .... | foley editor | |
| Esther Asiedu-Ofei | .... | sound trainee | |
| Carlos M. Cano | .... | apprentice sound editor | |
| Ryan Collison | .... | foley engineer | |
| Lee Dichter | .... | sound re-recording mixer | |
| Peter Glossop | .... | sound mixer | |
| Robert Hein | .... | supervising sound editor | |
| Stephane Malenfant | .... | sound assistant | |
| Sylvia Menno | .... | dialogue editor | |
| Shaun Mills | .... | boom operator | |
| Eytan Mirsky | .... | assistant sound editor | |
| Glenfield Payne | .... | sound effects editor | |
| Jay Peck | .... | foley artist | |
| David Wahnon | .... | foley editor | |
| David Wahnon | .... | sound editor | |
Special Effects by | |||
| Neil Toddy Todd | .... | special effects technician | |
Visual Effects by | |||
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Michelle Corney | .... | visual effects producer | |
| Adam Gascoyne | .... | digital compositor: MPC | |
| Tim Hey | .... | digital compositor: MPC | |
| Martin Hobbs | .... | executive producer: MPC | |
| Gemma James | .... | visual effects coordinator | |
| Tom Kimberley | .... | digital compositor: MPC | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Jennifer Loughnan | .... | visual effects coordinator (as Jen Loughnan) | |
| Alasdair McNeill | .... | roto/prep supervisor: MPC | |
| Andy Middleton | .... | texture artist: MPC | |
| Victoria Mowlam | .... | visual effects coordinator: MPC | |
| Adrian Pinder | .... | 3D artist: MPC | |
| Scott Pritchard | .... | digital compositor: MPC | |
| John Roberts-Cox | .... | 3D artist: MPC (as John Roberts Cox) | |
| John Roberts-Cox | .... | lead lighting technical director: MPC | |
| Aled Robinson | .... | visual effects editor: MPC | |
| Richard Stammers | .... | visual effects supervisor | |
| Miquel Ubeda | .... | digtial compositor: MPC London | |
| Sheila Wickens | .... | digital compositor: MPC (as Sheila Gorman) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
Camera and Electrical Department | |||
| Ben Adefarasin | .... | camera trainee | |
| John Adefarasin | .... | clapper loader | |
| John Arnold | .... | key grip | |
| Chris Bain | .... | daily focus puller | |
| Chris Clarke | .... | clapper loader: dailies | |
| Clive Coote | .... | still photographer | |
| David Cozens | .... | focus puller | |
| Ian Franklin | .... | rigging gaffer | |
| Mark Funnell | .... | best boy | |
| Chris Hammond | .... | electrician | |
| Tobias Marshall | .... | camera trainee | |
| Paul Molloy | .... | electrician | |
| Gary Parnham | .... | rigging electrician | |
| John Saunders | .... | electrician | |
| Llewellyn Thomas | .... | camera car | |
| Alf Tramontin | .... | Steadicam operator | |
| David Wall | .... | chief rigging electrician | |
| Ben Wilson | .... | additional camera operator | |
| Ben Wilson | .... | electrician | |
| Jimmy Wilson | .... | gaffer | |
Casting Department | |||
| Peter Bevan | .... | casting assistant | |
| William Davies | .... | casting associate | |
| Julie Dunne | .... | additional casting | |
| Julie Schubert | .... | casting assistant | |
| David Wheal | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Karen Beale | .... | wardrobe assistant | |
| Tracey Millar | .... | costume assistant | |
| Charlotte Sewell | .... | assistant costume designer | |
Editorial Department | |||
| Lisa Clifford-Owen | .... | assistant editor | |
| Kate Rose Itzkowitz | .... | apprentice editor | |
| Scott Kordish | .... | post-production coordinator | |
| Morgan Neville | .... | first assistant editor | |
| James Nichols Jr. | .... | assistant editor | |
| Tina Pacheco | .... | assistant editor | |
| Lawrence Howard Williams | .... | post digital media operator | |
| Phil Ashton | .... | color grader (uncredited) | |
Transportation Department | |||
| Lawrence Duncan | .... | facilities captain | |
| Richard Eksteen | .... | facilities driver | |
| Lee Isgar | .... | driver: Scarlett Johansson | |
| Gary Mavor | .... | facilities driver | |
Other crew | |||
| Sarah Allentuch | .... | assistant: Mr. Allen | |
| Kim Armitage | .... | script supervisor | |
| Carrie-Ann Banner | .... | assistant production coordinator | |
| Menna Bevan | .... | floor runner: dailies | |
| Matthew Bristowe | .... | title producer | |
| Bruno Cassoni | .... | location assistant | |
| Leah Chalk | .... | health and safety | |
| Francesca Dowd | .... | production coordinator | |
| Jake Edmonds | .... | health and safety advisor | |
| Richard Etchells | .... | title designer (as Dickie Etchells) | |
| Lucy Foulds | .... | location coordinator | |
| Flax Glor | .... | publicist | |
| Max Greenhalgh | .... | production runner | |
| Michael J. Harker | .... | completion bond company representative | |
| Michael Harm | .... | location manager | |
| Lisa Heathcote | .... | food stylist | |
| Natalie Kavanagh | .... | floor runner: dailies | |
| Begoña Lopez | .... | title producer | |
| Pietro Lorino Jr. | .... | post-production accountant | |
| Reel Meals | .... | caterer | |
| Louise O'Malley | .... | production accountant | |
| Scott Penrose | .... | magic consultant | |
| Dave Shaw | .... | diving advisor | |
| Cassandra Sigsgaard | .... | clearances coordinator | |
| Kerry Smith | .... | assistant accountant | |
| Aurelia Thomas | .... | assistant location manager | |
| David Wilcock | .... | cashier | |
| Alexandra Ducocq | .... | executive assistant: hugh jackman (uncredited) | |
| David Joy | .... | location runner (uncredited) | |
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| Rivelazioni di un maniaco sessuale al capo della squadra mobile | The Quiet American | Rebecca | Dial M for Murder | Australia |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
I thought this was a wonderful way to spend time on a too hot summer weekend, sitting in the air conditioned theater and watching a light-hearted comedy. The plot is simplistic, but the dialogue is witty and the characters are likable (even the well bread suspected serial killer). While some may be disappointed when they realize this is not Match Point 2: Risk Addiction, I thought it was proof that Woody Allen is still fully in control of the style many of us have grown to love.
This was the most I'd laughed at one of Woody's comedies in years (dare I say a decade?). While I've never been impressed with Scarlet Johanson, in this she managed to tone down her "sexy" image and jumped right into a average, but spirited young woman.
This may not be the crown jewel of his career, but it was wittier than "Devil Wears Prada" and more interesting than "Superman" a great comedy to go see with friends.