| Photos (see all 2 | slideshow) |
| Felicitas Woll | ... | Anna Mauth | |
| John Light | ... | Robert Newman | |
| Benjamin Sadler | ... | Alexander Wenninger | |
| Heiner Lauterbach | ... | Carl Mauth | |
| Katharina Meinecke | ... | Magda Mauth | |
| Marie Bäumer | ... | Maria Goldberg | |
| Kai Wiesinger | ... | Simon Goldberg | |
| Wolfgang Stumph | ... | Pfarrer | |
| Jürgen Heinrich | ... | Gauleiter Martin Mutschmann | |
| Susanne Bormann | ... | Eva Mauth | |
| Paul Ready | ... | William | |
| John Keogh | ... | Flight Lt. Leslie, Master Bomber | |
| Christian Rodska | ... | Arthur Harris | |
| Anja Taschenberg | ... | Grashena | |
| Pip Torrens | ... | Saundby | |
| Bert Böhlitz | ... | Mutschmanns Adjudant | |
| Andreas Günther | ... | 1. Feldgendarm | |
| Gabriela Maria Schmeide | ... | Frau | |
| Sandra Nedeleff | ... | Jüdische Frau | |
| Michael Brandner | ... | Blockwart | |
| Denis Behnke | ... | Engl. pilot in briefing room | |
| Oliver Moser | ... | Junger Soldat (as Marc Oliver Moro) | |
| Louis El Ghussein | |||
| Tomas Spencer | ... | Mann | |
| rest of cast listed alphabetically: | |||
| Lisa Altenpohl | |||
| Harry Capehorn | ... | Charly | |
| Maria Ehrich | |||
| Lars Oostveen | ... | Paul Slater (as Lawrence Ray) | |
| Joachim Schweizer | ... | Feuerwehrmann (as Joachim Schweizzer) | |
| Karl Alexander Seidel | ... | Junge - Robert Stiefel (as Alexander Seidel) | |
Directed by | |||
| Roland Suso Richter | |||
Writing credits(in alphabetical order) | ||
| Stefan Kolditz | writer | |
Produced by | |||
| Nico Hofmann | .... | producer | |
| Nikolaus Kraemer | .... | producer | |
| Oliver Lüer | .... | line producer | |
| Jan Mojto | .... | co-producer | |
| Sascha Schwingel | .... | producer | |
Original Music by | |||
| Harald Kloser | |||
| Thomas Wanker | |||
Cinematography by | |||
| Holly Fink | |||
Film Editing by | |||
| Bernd Schlegel | |||
Casting by | |||
| Nina Haun | |||
Production Design by | |||
| Thomas Stammer | |||
Set Decoration by | |||
| Bernhard Henrich | |||
Costume Design by | |||
| Lucia Faust | |||
Makeup Department | |||
| Brigitte Dettling | .... | makeup artist | |
| Birger Laube | .... | special makeup effects artist: dummies | |
| Gerd Zeiss | .... | makeup department head | |
Production Management | |||
| Elke Andreas-Möller | .... | post-production supervisor | |
| Felix Leitermann | .... | unit manager | |
| Sebastian Werninger | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sven Fehrensen | .... | second assistant director | |
| Hendrik Holler | .... | first assistant director | |
Art Department | |||
| Christian Ehlert | .... | lead set dresser | |
| Marcus Haendgen | .... | property master | |
| Karina Lange | .... | set dresser | |
Sound Department | |||
| Andreas Biegler | .... | sound designer | |
| Andreas Biegler | .... | supervising sound editor | |
| Stephan Fandrych | .... | adr editor | |
| Jo Fürst | .... | foley artist | |
| Michael Hinreiner | .... | sound re-recording mixer | |
| Zach Hunter | .... | second boom operator | |
| Benedikt Just | .... | sound editor | |
| Benedikt Just | .... | sound effects editor | |
| Michael Mitra | .... | adr editor | |
| Matthias Pasedag | .... | sound engineer | |
| Pierre Peters-Arnolds | .... | adr director | |
| Max Rammler-Rogall | .... | sound re-recording mixer | |
Special Effects by | |||
| Michael Apling | .... | special effects technician | |
| Karl-Heinz Bochnig | .... | special effects supervisor | |
| Martin Gaskell | .... | propmaking supervisor | |
| Volker Lorig | .... | special effects | |
| Thomas Thiele | .... | special effects technician | |
| Niklas Voigt | .... | special effects | |
| Bernd Wildau | .... | special effects foreman | |
| Adolf Wojtinek | .... | special effects supervisor | |
Visual Effects by | |||
| Jörg Baier | .... | compositor: CA Scanline Production GmbH | |
| Denis Behnke | .... | visual effects supervisor | |
| Michaela Braun | .... | teamassistenz: CA Scanline Production GmbH | |
| Alessandro Cioffi | .... | compositor: CA Scanline Production GmbH | |
| Moritz Eiche | .... | digital compositor: CA Scanline Production GmbH | |
| Ivo Klaus | .... | 3D artist: CA Scanline Production GmbH | |
| Nina Knott | .... | visual effects project manager: CA Scanline Production GmbH | |
| Jan Krupp | .... | set supervisor: CA Scanline Production GmbH | |
| Sebastian Küchmeister | .... | 3D artist: CA Scanline Production GmbH | |
| Pieter Mentz | .... | 3D artist: CA Scanline Production GmbH | |
| Michel Mielke | .... | Herstellungsleiter VFX: CA Scanline Prodcution GmbH | |
| Andreas Nehls | .... | modeling artist: CA Scanline Production GmbH | |
| Paul Poetsch | .... | compositor: CA Scanline Production GmbH | |
| Christian Pokorny | .... | senior head of animation: CA Scanline Production GmbH | |
| Michael Ralla | .... | compositor: CA Scanline Production GmbH | |
| Julia Reinhard | .... | compositing supervisor: CA Scanline Production GmbH | |
| Benjamin Ross | .... | matte painter: CA Scanline Production GmbH | |
| Johannes Saam | .... | 3D artist: CA Scanline Production GmbH | |
| Michael Scheffler | .... | systems administrator: scan&record35 | |
| Heiko Sülberg | .... | 3D artist: CA Scanline Production GmbH | |
| Georg Wieland | .... | 3D artist: CA Scanline Production GmbH | |
| Bjoern Wortmann | .... | video I/O: CA Scanline Production GmbH | |
| Rainer Zöttl | .... | 3D artist: CA Scanline Production GmbH | |
Stunts | |||
| Jürgen Klein | .... | stunt coordinator | |
| Tanja Pelster | .... | stunts: Steinmeier & Mohr | |
| Siegfried Polap | .... | stunt performer | |
| Marc Sieger | .... | stunt coordinator | |
| Mac Steinmeier | .... | stunts: Stuntteam Steinmeier/Mohr | |
| Vanessa Wieduwilt | .... | stunts | |
Camera and Electrical Department | |||
| Roger Altmann | .... | best boy: Sachsen | |
| Nicolay Gutscher | .... | assistant camera | |
| Sven O. Heinze | .... | electrician: East Germany | |
| Dirk Henkel | .... | lighting assistant | |
| Conny Klein | .... | still photographer | |
| Daniel Pauselius | .... | electrician: East Germany | |
| Florian Prinz | .... | grip | |
| Teja Schwede | .... | additional clapper loader | |
| Janosch Voss | .... | gaffer | |
Casting Department | |||
| Burkhard Eick | .... | casting: extras and bit parts | |
| Delia Eick | .... | casting: extras and bit parts | |
| Johanna Ragwitz | .... | extras casting | |
Editorial Department | |||
| Natalie Helgath | .... | digital colorist | |
Music Department | |||
| David Brandstaetter | .... | composer: additional score | |
| Stefan Broedner | .... | music supervisor | |
| Thomas Wanker | .... | composer: additional score | |
Other crew | |||
| Christopher Berg | .... | project coordinator: ARRI | |
| Dorothee Hufschmidt | .... | production coordinator | |
| Regine Otto | .... | production assistant | |
| Kai Siggelkow | .... | set runner | |
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| The English Patient | Europa Europa | Map of the Human Heart | The Life and Death of Colonel Blimp | British Intelligence |
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| News articles | IMDb Drama section | IMDb Germany section |
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I think a documentary about the bombing of Dresden would not have had the same effect. When you are taken along in a story and you start to identify with the people involved the impact of the Dresden bombardment makes you understand and you sure will remember it. I did not like the fact that the movie was totally in German on TV - well why had they chosen English actors for the English roles then. But I was very happy with the DVD now as here I got what I had expected and which made the whole movie more real. The English really spoke English and the English pilot had the English accent when speaking his role. I have seen Dresden in 1992 and I have seen it today with the newly built church. But born in 1970 I had not much of an idea of what really had happened during WW II there. This movie made me understand. And I really liked that it showed both sides - The German and The English.