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Bill Kelly (written by)
21 November 2007 (USA) more
The real world and the animated world collide. more
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen. Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer. Can a storybook view of romance survive in the real world? full summary | full synopsis
Nominated for 3 Oscars. Another 6 wins & 25 nominations more
Ridley Scott’s ‘Monopoly’ Gets A Plot
(From The Flickcast. 12 November 2009, 8:00 AM, PST)
Exclusive: Guest Blogger Richard Kelly Heaps Praise Upon 'The Box' Star James Marsden
(From MTV Movies Blog. 30 October 2009, 11:00 AM, PDT)
This isn't just a movie...it is a time-machine to the glory days of Disney. more (324 total)
Directed by | |||
| Kevin Lima | |||
Writing credits(WGA) | ||
| Bill Kelly | (written by) | |
Produced by | |||
| Christopher Chase | .... | executive producer (as Chris Chase) | |
| Barry Josephson | .... | producer | |
| Alex Nikolic | .... | media producer: Serbia, Montenegro | |
| Sunil Perkash | .... | executive producer | |
| Susan Ringo | .... | associate producer | |
| Ron Rocha | .... | animation producer | |
| Doug Short | .... | associate producer | |
| Barry Sonnenfeld | .... | producer | |
| Ezra Swerdlow | .... | executive producer | |
Original Music by | |||
| Alan Menken | |||
Cinematography by | |||
| Don Burgess | (director of photography) | ||
Film Editing by | |||
| Gregory Perler | |||
| Stephen A. Rotter | |||
Casting by | |||
| John Papsidera | |||
| Marcia Ross | |||
Production Design by | |||
| Stuart Wurtzel | |||
Art Direction by | |||
| John Kasarda | |||
Set Decoration by | |||
| George DeTitta Jr. | |||
Costume Design by | |||
| Mona May | |||
Makeup Department | |||
| Rick Baker | .... | special makeup effects artist | |
| John Calpin | .... | special makeup effects | |
| Bill Corso | .... | special makeup effects artist (as William Corso) | |
| Robin Day | .... | hair stylist: Ms. Sarandon | |
| Christine Domaniecki | .... | make-up artist: uncredited | |
| Donna Marie Fischetto | .... | hair stylist: Mr. Dempsey | |
| Thom Gonzales | .... | key hair stylist | |
| Nicki Ledermann | .... | makeup department head | |
| Michael Marino | .... | special makeup effects artist (as Mike Marino) | |
| Jim McLoughlin | .... | special makeup effects artist | |
| Sylvia Nava | .... | special makeup effects | |
| Evelyne Noraz | .... | makeup artist | |
| Yoichi Art Sakamoto | .... | prosthetic dental appliances: Susan Sarandon (as Art Sakamoto) | |
| Peggy Schierholz | .... | hair department head (as Peg Schierholz) | |
| Bill Sturgeon | .... | special makeup effects | |
| Kazuhiro Tsuji | .... | special makeup effects (as Kazu Tsuji) | |
| Victoria Wood | .... | wig maker: Amy Adams | |
| Tomasina Smith | .... | makeup artist (uncredited) | |
| Julie Teel | .... | additional makeup artist (uncredited) | |
| Michael R. Thomas | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| G.A. Aguilar | .... | second unit director (as George Aguilar) | |
| Jeffrey T. Bernstein | .... | first assistant director: second unit | |
| Kristin Cameron | .... | second assistant director (as Kristin Bernstein) | |
| Michael DeCasper | .... | first assistant director | |
| Michael Espinosa | .... | second second assistant director | |
| Louis Guerra | .... | first assistant director: second unit (as Louis J. Guerra) | |
| Nancy Herrmann | .... | second assistant director: second unit | |
| Matthew Mason | .... | second second assistant director | |
| Lisa Meier | .... | dga trainee | |
| Craig Miller | .... | second assistant director: reshoots | |
| Maggie Murphy | .... | second assistant director | |
| Tony Phillippe | .... | second second assistant director | |
| Michelle Regina | .... | second second assistant director (as Michelle Lynn Regina) | |
| Derek Wimble | .... | second second assistant director (as Derek R. Wimble) | |
Sound Department | |||
| Jeremy Bowker | .... | sound effects recordist (as Jeremy Paul Bowker) | |
| Timothy R. Boyce Jr. | .... | sound utility | |
| Tim Burby | .... | assistant adr editor | |
| Tim Burby | .... | assistant dialogue editor | |
| Derek Casari | .... | adr engineer | |
| Dustin Cawood | .... | assistant sound designer | |
| Colette Dahanne | .... | sound effects editor | |
| Sean England | .... | foley recordist | |
| Will Files | .... | assistant sound designer (as William Files) | |
| David E. Fluhr | .... | sound re-recording mixer | |
| Kim Foscato | .... | assistant sound effects editor | |
| Andrea S. Gard | .... | foley editor (as Andrea Gard) | |
| Bill Higley | .... | additional dialogue recordist | |
| Doc Kane | .... | adr mixer | |
| Doc Kane | .... | original dialogue mixer | |
| Dennis Leonard | .... | supervising sound editor | |
| Tod A. Maitland | .... | production sound mixer | |
| Zach Martin | .... | sound recordist | |
| Jonathan Null | .... | supervising dialogue & adr editor | |
| Larry Oatfield | .... | foley editor (as E. Larry Oatfield) | |
| Egor Panchenko | .... | ProTools playback mixer | |
| Egor Panchenko | .... | sound utility | |
| Gary Rizzo | .... | sound re-recording mixer (as Gary A. Rizzo) | |
| Ronald G. Roumas | .... | sound re-recordist | |
| Abel Schiro | .... | boom operator | |
| Michael Scott | .... | boom operator | |
| Michael Silvers | .... | supervising adr editor | |
| Michael Silvers | .... | supervising dialogue editor | |
| Steve Slanec | .... | dialogue editor | |
| Clint Smith | .... | sound recordist | |
| Mac Smith | .... | assistant supervising sound editor | |
| Jason Stasium | .... | ProTools playback mixer | |
| Randy Thom | .... | supervising sound designer | |
| Randy Thom | .... | supervising sound editor | |
| Randy Thom | .... | supervising sound mixer | |
| Colette Dahanne | .... | additional re-recording mixer (uncredited) | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Rachael Tate | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Phillip Beck | .... | supervisor: second unit | |
| Mark Bero | .... | special effects foreman | |
| Wilfred Caban | .... | special effects foreman | |
| Carmen M. Campolo Jr. | .... | special effects technician | |
| Richard Bryan Douglas | .... | special effects technician | |
| Scott Dwyer | .... | special effects technician | |
| Steven Kirshoff | .... | special effects coordinator (as Steve Kirshoff) | |
| Matt Kutcher | .... | special effects supervisor | |
| Devin Maggio | .... | special effects technician | |
| Gregory Morell | .... | special effects coordinator (as Greg Morell) | |
| Robert J. Scupp | .... | special effects technician (as Robert Scupp) | |
Visual Effects by | |||
| Nathan Abbot | .... | film I/O supervisor | |
| Gary Abrahamian | .... | animation lead: CIS Hollywood | |
| Blondel Aidoo | .... | visual effects producer (as Blondell Aidoo) | |
| Jeffrey Alcantara | .... | lighting supervisor: Reel FX (as Jeff Alcantara) | |
| Holly Almaguer | .... | lighting technical director: Tippett Studio (as Holly Kim) | |
| Robert Alves | .... | character animator: Tippett Studio | |
| John Anderholm | .... | technical director: Reel FX | |
| Mimia Arbelaez | .... | technical director: Tippett Studio | |
| Tim Archer | .... | post supervisor: Reel FX | |
| John Allan Armstrong | .... | effects animator (as John Armstrong) | |
| Negin Bairami | .... | texture painter: Tippett Studio | |
| Damon Bard | .... | sculptor | |
| Allen Blyth | .... | effects animation supervisor | |
| Jayni Borgaro | .... | compositor: CIS Hollywood | |
| Alan Boucek | .... | compositor: Tippett Studio | |
| Kane Brassington | .... | rotoscope/paint artist | |
| Brian Brecht | .... | production manager: Tippett Studios | |
| Devin Breese | .... | layout artist: Tippett Studio | |
| Devin Breese | .... | matchmove artist: Tippett Studio | |
| Hans Brekke | .... | character animator: Tippett Studio | |
| James W. Brown | .... | lead character animator: Tippett Studio (as James Brown) | |
| Randy Brown | .... | compositor: CIS Hollywood | |
| Daniel Bryant | .... | digital compositor: Tippett Studio | |
| Kimberly Burk | .... | effects assistant (as Kimberly J. Burk) | |
| Elika Burns | .... | roto/paint artist: CIS Hollywood | |
| Julian R. Butler | .... | senior creature technical director: Weta Digital (as Julian Butler) | |
| Joanna 'Joey' Cade | .... | visual effects producer: Reel FX | |
| Howard R. Campbell | .... | lead lighting technical director: Tippett Studio (as Howard Campbell) | |
| Dale Carman | .... | visual effects supervisor: Reel FX | |
| Nicholas Cerniglia | .... | digital artist | |
| Simon Cheung | .... | modeler: Weta Digital | |
| Scott Seungpil Chung | .... | effects artist: CIS Hollywood | |
| Michael Clemens | .... | digital compositor | |
| Sarah Coatts | .... | visual effects producer: main & end title sequences: yU+co. | |
| Shane Cooper | .... | visual effects software engineer | |
| Cynthia Crimmins | .... | visual effects coordinator | |
| Patrick Danaher | .... | animator | |
| John 'JD' Daniel | .... | modeler: Tippett Studio (as John Daniels) | |
| George De Chiara | .... | technical director: Reel FX (as George Dechiara) | |
| Tim de Pala | .... | visual effects production manager: Tippett Studio | |
| Dariush Derakhshani | .... | visual effects supervisor: Radium | |
| Joseph J. DiMattia | .... | effects assistant (as Joseph Dimattia) | |
| Rebecca Downes | .... | associate visual effects producer: Weta Digital | |
| Brennan Doyle | .... | visual effects supervisor | |
| David S. Dranitzke | .... | visual effects producer (as David Dranitzke) | |
| Chuck Duke | .... | character animator: Tippett Studio | |
| Austin Eddy | .... | character animator: Tippett Studio | |
| William Elder-Groebe | .... | character animator: Tippett Studio (as Will Groebe) | |
| Jessica Fernandes | .... | digital models department manager: Weta Digital | |
| Bruce Foster | .... | model engineer | |
| Page Frakes | .... | color grading supervisor: Tippett Studio | |
| Larry Gaynor | .... | senior paint and roto: CIS Hollywood | |
| Adam Gerardin | .... | digital color corrector | |
| Chris Gibbons | .... | compositor: Tippett Studio | |
| Tom Gibbons | .... | animation supervisor: Tippett Studio | |
| David Anthony Gibson | .... | character animator: Tippett Studio (as David Gibson) | |
| Charles Granich | .... | compositor: Tippett Studio | |
| Joseph Hamdorf | .... | effects animator: Tippett Studio | |
| Jeremy Hampton | .... | effects artist | |
| Elizabeth Hauser | .... | lighting and compositing artist | |
| Jotham Herzon | .... | previsualization artist: Proof Inc. | |
| Heather Elisa Hill | .... | visual effects coordinator: CIS Hollywood | |
| Bryan Hirota | .... | visual effects supervisor: CIS Hollywood | |
| Brian Holmes | .... | systems engineer: CIS Hollywood | |
| Ryan Hood | .... | character animator: Tippett Studio | |
| Jeff Howard | .... | effects animator | |
| Wen-Chin Hsu | .... | lighting technical director: Tippett Studio | |
| Shannon Hullender | .... | editorial assistant | |
| Jennifer Hutcheon | .... | visual effects editor | |
| Matt Jacobs | .... | compositing supervisor | |
| Eric Jeffery | .... | character setup and rigging artist: Tippett Studio | |
| Joseph P. Johnston | .... | lead visual effects animator: Reel FX (as Joe Johnston) | |
| Bruce Jones | .... | visual effects plate producer: Tippett Studio | |
| Joshua Jordan | .... | compositor: CIS Hollywood | |
| Joshua Jordan | .... | paint and rotoscope artist: CIS Hollywood (as Josh Jordan) | |
| Tom M. Jordan | .... | modeling supervisor: Reel FX (as Tom Jordan) | |
| Mark Justison | .... | roto/paint artist: CIS Hollywood | |
| Jung Jin Kang | .... | modeler: Tippett Studio | |
| Patrick Kavanaugh | .... | co-visual effects supervisor: CIS Hollywood | |
| Patrick Kavanaugh | .... | digital effects supervisor: CIS Hollywood | |
| Sarah-Jane King | .... | compositor | |
| J. Kitazaki | .... | production assistant: CIS Hollywood | |
| Jonathan Knight | .... | digital compositor | |
| John Koester | .... | lead modeler: Tippett Studio | |
| Peter Konig | .... | sculptor | |
| Dave Kujawski | .... | render technical assistant | |
| Krystine Lankenau | .... | paint and roto artist: CIS Hollywood | |
| Kirk Larkins | .... | layout artist: Tippett Studio | |
| Kirk Larkins | .... | matchmove artist: Tippett Studio | |
| Kim Lavery | .... | effects line producer: Weta Digital | |
| Joshua LeBeau | .... | technical director: Tippett Studio | |
| Mike Leben | .... | motion control operator | |
| Dan Lemmon | .... | visual effects supervisor: Weta Digital | |
| David A. Link | .... | compositor: Tippett Studio (as David Link) | |
| David A. Link | .... | film I/O technician | |
| Aaron Luk | .... | research and development: Tippett Studio | |
| Heather MacPhee | .... | paint and rotoscope artist: CIS Hollywood (as Heather MacPhee Ryan) | |
| Mauro Maressa | .... | animator | |
| Eric Marko | .... | location matchmove artist: Tippett Studio | |
| Mark 'Crash' McCreery | .... | creature concept designer (as Crash McCreery) | |
| Jim McVay | .... | compositor | |
| Jim McVay | .... | effects technical director | |
| Jim McVay | .... | lighting technical director | |
| Brian Mendenhall | .... | character animator: Tippett Studio | |
| Clear Menser | .... | effects animator: Tippett Studio | |
| Diana Miao | .... | texture & lighting supervisor: CIS Hollywood | |
| Kama Moiha | .... | compositor: CIS Hollywood | |
| Chris Morley | .... | lead digital compositor: Tippett Studio | |
| Steve Moros | .... | layout artist: Tippett Studio | |
| Steve Moros | .... | matchmove artist: Tippett Studio | |
| Guido Muzzarelli | .... | character animator: Tippett Studio | |
| Ross Nakamura | .... | roto/paint artist: Tippett Studio | |
| C. Andrew Nelson | .... | digital effects artist | |
| David Richard Nelson | .... | character setup and rigging artist: Tippett Studio (as David Behrens) | |
| Erin L. Nelson | .... | digital restoration | |
| Jane O'Callaghan | .... | lead lighting technical director: Weta Digital (as Jane S. O'Callaghan) | |
| Tim Odell | .... | lead paint artist: Tippett Studio | |
| Gregory Oehler | .... | senior compositor: CIS Hollywood | |
| Julie Orosz | .... | visual effects producer: CIS Hollywood | |
| Chris Paizis | .... | layout supervisor | |
| Chris Paizis | .... | matchmove supervisor | |
| Zoe Peck-Eyler | .... | senior compositor: Tippett Studio (as Zoe Peck) | |
| Annie Pomeranz | .... | lead visual effects coordinator: Tippett Studio | |
| Karen Prell | .... | character animator: Tippett Studio | |
| Konstantin Promokhov | .... | effects animation artist | |
| Yann Provencher | .... | texture painter: Weta Digital | |
| Steven Quinones-Colon | .... | technical director: Tippett Studio (as Steven Quinones) | |
| John Rader | .... | paint artist: Tippett Studio | |
| Jonathan S. Ramos | .... | Render Technical Assistant: Tippett Studio | |
| Steve Reding | .... | lighting supervisor: Tippett Studio | |
| Cory Redmond | .... | technical director | |
| Raine Reen | .... | look development: Weta Digital | |
| Raine Reen | .... | senior texture painter: Weta Digital | |
| Raine Reen | .... | shader writer: Weta Digital | |
| Nate Reid | .... | research & development | |
| David Rey | .... | compositor: CIS Hollywood | |
| Daniel Riha | .... | rotoscope and paint artist | |
| Dylan Robinson | .... | lighting technical director | |
| Dan Rolinek | .... | effects animator: Tippett Studio | |
| Chris Ryan | .... | CG artist: CIS Hollywood | |
| Thomas Schelesny | .... | visual effects supervisor | |
| Augusto Schillaci | .... | CG supervisor: ReelFX | |
| David Schnee | .... | digital compositor: Tippett Studio | |
| Christian Severin | .... | visual effects | |
| Glen Sharah | .... | lighting technical director: Weta Digital | |
| Maryam Sharifi | .... | compositing supervisor | |
| Greg Shimp | .... | senior paint and roto: CIS Hollywood | |
| Van Shirvanian | .... | effects assistant | |
| Cameron Smith | .... | lead compositor: Weta Digital | |
| Joshua Spencer | .... | editorial /imaging coordinator | |
| Tim Stevenson | .... | animator: Weta Digital (as Timothy Stevenson) | |
| S. Forest Swartout | .... | visual effects coordinator: Tippett Studio (as Forest Swartout) | |
| Jeremie Talbot | .... | character technical director | |
| Mark Tamny | .... | compositor: Tippett Studio | |
| Wilson Tang | .... | digital restoration | |
| Radley Teruel | .... | digital artist | |
| Joel H. Thornton | .... | digital artist | |
| Erik Tillmans | .... | compositor | |
| Gerald Tiu | .... | pipeline technical assistant | |
| Ryan Michael Todd | .... | lighting techical director: Tippett Studio (as Ryan Todd) | |
| Matthew Tomlinson | .... | digital imaging supervisor | |
| Bart Trickel | .... | lighting technical director: Tippett Studio | |
| Frederick Vega | .... | render technical assistant: Tippett Studio | |
| Jess Vickery | .... | character animator: Tippett Studio | |
| Phillip Vigil | .... | effects animator | |
| Ben Vonzastrow | .... | paint artist: Tippett Studio | |
| Kenneth Voss | .... | lead rotoscoper: Tippett Studio (as Ken Voss) | |
| Rebecca Warner | .... | assistant visual effects coordinator: Tippett Studio | |
| Davy Wentworth | .... | computer graphics supervisor | |
| Karen A. White | .... | visual effects editor | |
| Claire Williams | .... | compositor | |
| Vicki Wong | .... | editorial/imaging manager | |
| Kyle Yamamoto | .... | research and development programmer: CIS Hollywood | |
| Dong Yon Kang | .... | layout artist: Tippett Studio (as Dong Yon) | |
| Dong Yon Kang | .... | matchmove artist: Tippett Studio (as Dong Yon) | |
| Alfred Young | .... | technical director lighting | |
| David Aughenbaugh | .... | digital artist (uncredited) | |
| Rob Blauser | .... | digital artist (uncredited) | |
| Loring Doyle | .... | digital artist (uncredited) | |
| Colbert Fennelly | .... | effects animation (uncredited) | |
| Jeffrey Louie | .... | senior post production engineer (uncredited) | |
| Jason W. Owen | .... | animator (uncredited) | |
| Michael A. Wallace | .... | layout artist: Reel FX (uncredited) | |
| Shuichi Yoshida | .... | digital artist (uncredited) | |
Animation Department | |||
| Sunny Apinchapong | .... | background painter (as Rungsun Apinchapong) | |
| James Baxter | .... | animation supervisor | |
| Kendra Baxter | .... | general manager: James Baxter Animation | |
| Rune Brandt Bennicke | .... | animator | |
| Sandro Cleuzo | .... | animator | |
| August Coleman | .... | main title graphics | |
| Nicola Courtney | .... | key clean-up artist (as Nicola Jane Courtney) | |
| Laura Craig | .... | ink and paint artist | |
| Mick De Falco | .... | layout artist | |
| Andreas Deja | .... | animator | |
| Simon de Jong | .... | animation production assistant: James Baxter Animation | |
| Roberto Espanto Domingo | .... | animator (as Robert Domingo) | |
| Craig Elliott | .... | layout artist | |
| Raymond Fabular | .... | clean-up assistant | |
| Colin Fleming | .... | animator | |
| Nicola Flynn | .... | clean-up artist | |
| Erik Fountain | .... | rough animation assistant | |
| June Fujimoto | .... | key clean-up artist (as June Fugimoto) | |
| Dean Gordon | .... | background painter | |
| Mark Henn | .... | animator | |
| James Hull | .... | animator | |
| Tim Ingersoll | .... | rough animation assistant (as Timothy J. Ingersoll) | |
| Chelsea Jenkins | .... | animation production assistant: James Baxter Animation | |
| Jakob Hjort Jensen | .... | animator (as Jakob Jensen) | |
| Emily Jiuliano | .... | key clean-up artist | |
| Alison Jota | .... | ink and paint artist | |
| Claudia V. Keene | .... | clean-up assistant (as Claudia Keene) | |
| Marisa Ledina | .... | animation production assistant: James Baxter Animation | |
| Cristy Maltese | .... | background painter (as Christy Maltese) | |
| April Marinoff | .... | ink and paint artist | |
| Lorenzo Martinez | .... | layout supervisor | |
| Helen Michael | .... | clean-up supervisor | |
| Lieve Miessen | .... | key clean-up artist | |
| Eddie Munoz | .... | ink and paint artist | |
| Yoon Sook Nam | .... | clean-up assistant | |
| Kevin O'Hara | .... | animator | |
| Ginny Parmele | .... | key clean-up artist (as Virginia Parmele) | |
| Brian Pimental | .... | storyboard artist | |
| Ron Rocha | .... | animation producer | |
| William Salazar | .... | animator | |
| Andrew Schneider | .... | animator | |
| Richard Smitheman | .... | key clean-up artist | |
| John Smith | .... | development animation producer | |
| Chris Sonnenberg | .... | assistant animation supervisor (as Chris Sonnenburg) | |
| Mac Spada | .... | clean-up assistant (as Margaret 'Mac' Spada) | |
| Tina Staples | .... | ink and paint artist | |
| Trevor Tamboline | .... | key clean-up artist | |
| Marianne Tucker | .... | key clean-up artist | |
| Christophe Vacher | .... | animation art director: James Baxter Animation | |
| Carla Washburn | .... | animation checker | |
| Dan Williams | .... | digital color assistant | |
| Jonathan Archambault | .... | digital ink & paint (uncredited) | |
| Barry Atkinson | .... | background artist (uncredited) | |
| Justin Schultz | .... | digital ink & paint (uncredited) | |
Casting Department | |||
| Melissa Braun | .... | background casting associate | |
| David Cady | .... | dancer casting associate | |
| Jennifer Cram | .... | casting assistant | |
| Donna DeSeta | .... | dance casting | |
| Terri Douglas | .... | adr voice casting | |
| Deanna Gallucio | .... | extras casting associate | |
| Randi Glass | .... | casting assistant: New York | |
| Renee Godbout | .... | extras casting assistant | |
| Carla Lewis | .... | extras casting: Los Angeles, reshoots | |
| Leslie-Ann Reale | .... | casting associate | |
| Tasha Revels | .... | extras casting assistant | |
| Jamie Sparer Roberts | .... | casting executive | |
| Susan Shopmaker | .... | casting: New York | |
| Grant Wilfley | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Evan Boyajy | .... | costume production assistant | |
| Gail A. Fitzgibbons | .... | costume supervisor | |
| Adam Forman | .... | costume illustrator | |
| Hans Haveron | .... | costume illustrator | |
| Marni Joy Hefter | .... | costume production assistant | |
| Rene Marie Irwin | .... | wardrobe | |
| Claire Keane | .... | costume illustrator | |
| Lynn Lambert | .... | costume production assistant | |
| Ellen Mahlke | .... | costumer | |
| Vern Malone | .... | set costumer | |
| Winsome G. McKoy | .... | costume supervisor | |
| James Nadeaux | .... | head tailor | |
| Mirena Rada | .... | assistant costume designer | |
| Amy Ritchings | .... | second assistant costume designer | |
| Jennifer Rogien | .... | costume production assistant | |
| Christine Schultz | .... | key costumer | |
| Mikael Sharafyan | .... | costume cutter | |
| Jessica T. Sinoway | .... | assistant costume designer | |
| Martha Smith | .... | costumer | |
| Amy L. Teets | .... | costume coordinator (as Amy Teets) | |
| Lara Greene | .... | seamstress (uncredited) | |
| Daniel Lawson | .... | assistant costume designer (uncredited) | |
| Angela Mirabella | .... | set costumer (uncredited) | |
| Chuck ReCar | .... | wardrobe assistant (uncredited) | |
| Andrea Rewolinski | .... | wardrobe production assistant (uncredited) | |
| Serge Walker | .... | costume researcher (uncredited) | |
Editorial Department | |||
| Jada Budrick | .... | digital color assist | |
| James Durante | .... | first assistant editor | |
| Chris Farrow | .... | post-production assistant | |
| Chris Gennarelli | .... | dailies colorist | |
| Trent Johnson | .... | digital film colorist | |
| Jennifer Lee | .... | digital intermediate editorial | |
| Ron Leidelmeijer | .... | digital color assist | |
| Timothy Peeler | .... | digital film colorist (as Tim Peeler) | |
| Bob Peishel | .... | digital intermediate producer | |
| Mark Sahagun | .... | digital intermediate editor | |
| Dan Williams | .... | digital color assist | |
Music Department | |||
| Vincent Cirilli | .... | score recordist: scoring stage | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Joanie Diener | .... | production music editor | |
| David E. Fluhr | .... | music re-recording mixer | |
| Mark Hammond | .... | additional music arranger | |
| Tom Hardisty | .... | score recordist | |
| Kenneth Karman | .... | supervising music editor (as Ken Karman) | |
| Kevin Kliesch | .... | orchestrator | |
| Michael Kosarin | .... | conductor | |
| Michael Kosarin | .... | music arranger: vocals | |
| Jeannie Lee Marks | .... | assistant music editor (as Jeannie Marks) | |
| Alan Menken | .... | composer: songs | |
| Chris Montan | .... | executive music producer | |
| Blake Neely | .... | additional conductor | |
| Blake Neely | .... | orchestrator | |
| Bobbi Page | .... | choir contractor | |
| Sandra Park | .... | orchestra contractor (as Sandy Park) | |
| Jason Poss | .... | music transcription | |
| Jeremy Raub | .... | music editor | |
| John Richards | .... | music mixer | |
| John Richards | .... | music recordist | |
| Peter Rotter | .... | music contractor | |
| Stephen Schwartz | .... | lyricist: songs | |
| Dawn Soler | .... | music supervisor | |
| Jason Stasium | .... | recording engineer | |
| Jason Stasium | .... | score recordist: scoring stage | |
| Danny Troob | .... | orchestrator | |
| Danny Troob | .... | song arranger | |
| Tony Von Pervieux | .... | music project manager | |
| Booker White | .... | music preparation | |
Transportation Department | |||
| Edward Fanning | .... | transportation co-captain | |
| James Fanning | .... | transportation captain | |
Thanks | |||
| Michael Bloomberg | .... | special thanks (as Michael R. Bloomberg) | |
| Katherine Oliver | .... | special thanks (as Katherine L. Oliver) | |
Encantada (Argentina) (Mexico) (poster title) (Peru) [es]
Il était une fois... (Canada: French title) (France) [fr]
Bübáj (Hungary) [hu]
Come d'incanto (Italy) [it]
Encantada (Brazil) [pt]
Encantada: La historia de Giselle (Spain) (DVD title) [es]
Eventyr i New York (Norway) [no]
Förtrollad (Sweden) [sv]
Fortryllet (Denmark) [da]
I magemeni (Greece) [el]
Kouzelná romance (Czech Republic) [cs]
Lumottu (Finland) [fi]
Magie în Manhattan (Romania) [ro]
Manhattan'da sihir (Turkey: Turkish title) [tr]
Mechushefet (Israel: Hebrew title) [iw]
Nõiutud (Estonia) [et]
Uma história de encantar (Portugal) [pt]
Verwünscht (Germany) [de]
Zacarana (Slovenia) [sl]
Zacarovaní (Slovakia) [sk]
Zaczarowana (Poland) [pl]
more
Rated PG for some scary images and mild innuendo.
107 min
Color (Technicolor)
1.85 : 1 more
SDDS | Dolby Digital | DTS
Ireland:PG | South Korea:All | Singapore:PG | Germany:o.Al. | Switzerland:0 (canton of Vaud) | Switzerland:0 (canton of Geneva) | Malaysia:U | Philippines:G | UK:PG | Finland:K-7 | Australia:G | Sweden:7 | Brazil:Livre | Argentina:Atp | Peru:PT | Hong Kong:I | Taiwan:GP | Netherlands:6 | Norway:7 | Denmark:7 | Canada:G (all jurisdictions) | South Africa:PG | USA:PG (certificate #43688) | France:U | New Zealand:G | Portugal:M/4 (dubbed version) | Portugal:M/6 (original version) | Iceland:L
In the scene where Robert has to take Giselle to his work place, she is looking at the fish and the song "Part of your World" from The Little Mermaid (1989) is playing. more
Continuity: In the Italian restaurant scene, there are two stacks of bread baskets behind Giselle's shoulder. Almost every shot shows a different bread basket configuration - baskets disappear and reappear. While one shot shows a waiter taking a basket, this cannot explain all the discrepancies. Maybe Robert isn't the only "magician" in the room! more
[first lines]
Narrator:
Once upon a time, in a magical kingdom known as Andalasia, there lived an evil queen. Selfish and cruel, she lived in fear that one day her stepson would marry and she would lose her throne forever. And so she did all in her power to prevent the prince from ever meeting the one special maiden with whom he would share true love's kiss.
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Featured in The 80th Annual Academy Awards (2008) (TV) more
Beauty and the Beast more
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I'm a teenage boy, and the reviews for "Enchanted," along with some friendly persuasion from my sisters, moved me to give this live action/animated combo. a chance. In the first fourteen minutes of Enchanted, there were two things that caught my attention: 1)The never-ending, sugar-coated, sing-along tune and 2) The grainy style of animation that Disney lavished upon the screen(a tribute to the Disney classics, such as Beauty and the Beast and Sleeping Beauty); in this time span, I felt truly embarrassed to be sitting in the theater with the older couples clustered around me. I mean, what kind of boy in his right mind would want to watch a movie with musical numbers and pretty princesses? And yet, there was something about it...the aire of it almost took me back to the days of my childhood when I would smash my face up to the T.V. screen, when Belle and the Beast were having their unforgettable ball dance or when Ariel was brushing her hair with a fork. It was these sorts of memories that surfaced to my mind as I kept watching Enchanted. And it kept getting better and better. When there was a sudden switch to live-action, my heart was captured by Amy Adams, who seems to be, in my opinion, the finest choice for Giselle. Prince Edward and Robert also had their perfect fits (James Marsden and Patrick Dempsey). Even though this movie is close to perfect, it still has its problems. There is an aire of predictability in the storyline, as well as the fact that it's swamped with clichés (some of which are fresh, and some of which are flat). Yet it flows on, innocently, with its strong actors/actresses, decent-enough screenplay that gives you a warm feeling in your heart (which is what Disney is supposed to do, right?), spectacular music numbers that have charm, and the fact that it is suitable for all ages. There is a little something for everyone in this film--and it's not just a film either--it is a time-machine back to the golden era of Disney's animated films, and its live-action ones as well. And it helps me look forward to the new Disney: one that keeps surprising me more and more every single day.