Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
Kazakh TV talking head Borat is dispatched to the United States to report on the greatest country in the world. With a documentary crew in tow, Borat becomes more interested in locating and marrying Pamela Anderson.
Homer adopts a pig who's run away from Krusty Burger after Krusty tried to have him slaughtered, naming the pig "Spider Pig." At the same time, the lake is protected after the audience sink the barge Green Day are on with garbage after they mention the environment. Meanwhile, Spider Pig's waste has filled up a silo in just 2 days, apparently with Homer's help. Homer can't get to the dump quickly so dumps the silo in the lake, polluting it. Russ Cargill, the villainous boss of the EPA, gives Arnold Schwarzenegger, president of the USA, 5 options and forces him to choose 4 (which is, unfortunately, to destroy Springfield) and putting a dome over Springfield to prevent evacuation. Homer, however, has escaped, along with his family. Can he stop the evil Cargill from annihilating his home town, and his family, who have been forced to return to Springfield? Written by
At one point, the Springfield Book Club says they're going to discuss the play Tuesdays with Morrie. Hank Azaria, who voices many of the major supporting characters, including Chief Wiggum, Apu, and Moe, once co-starred in a television production of Tuesdays with Morrie with Jack Lemmon in 1999. See more »
(at around 35 mins) When they flee the house and jump into the car, the house is on fire, even when Marge runs back into the house to save her and Homer's wedding video, it is on fire. When the townspeople carry the car to the backyard, the house is not on fire. See more »
[having just landed on the Moon]
We come in peace for cats and mice everywhere.
[Itchy impales and beats Scratchy with flag pole]
See more »
During the credits, there is a clip of Tom Hanks saying "if you see me in person, please leave me be". See more »
There was a time when "The Simpsons" stood for the funniest, most original comedy on the planet. Somewhere around season 8 the show passed its prime, though, and since then it varies from good to okay and sometimes even insipid. I was hoping that for the movie the writers would really push themselves and come up with some really clever and new ideas one more time, but for all the years of developing that supposedly went into this, the movie seems like nothing more than an extended TV episode of latter day "Simpsons".
I have to admit that I'm not really convinced of the concept of putting an animated TV series on the big screen in the first place. Even the "South Park" movie that tried to incorporate theatrical elements such as the musical numbers didn't really justify the need for a cinematic adventure. Most animated comedy shows have a very fast paced humor with quick editing. This works for an episode of 25-30 minutes, but in a movie with 90 minutes running time it would become too exhausting for the audience. Therefore the whole thing has to be slowed down, which in return takes away a lot of the show's comedic appeal. It's a lose-lose situation as they say.
As a consequence "The Simpsons Movie" is unusually slow at times. At the same time the storyline is not really stretched to cinematic proportions. Epic as it may be, similar topics have already been dealt with in the TV show (and better). It's been said before and it's true: nothing here tries to push any boundaries and except for the length of the whole thing (and maybe some annoying people in the theater who watch the movie with you) you would never realize that this is a "Simpsons"-motion picture.
Other flaws include the fact that some inhabitants of Springfield have only very brief cameos (Mr. Burns!) and that some ideas have been used in a fairly similar way before. As entertaining as the movie still may be, it is also pretty predictable at times. This kind of "underachieving", as some critic called it, may have its own charm, but in the end one would have hoped for this to be a bit more special. The movie is by no means a catastrophe, but by "Simpsons"-standards it's just not good enough.
"The Simpsons" have become a brand. People know what to expect and therefore applaud even a relatively average movie like this one. To rely on that is a bit lazy, however, and one wishes that producers put an end to Homer's adventures as long as we can still remember him and the other beloved inhabitants of Springfield as characters that completely revolutionized comedy at one point and not as money making merchandising props.
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