Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
28 Weeks Later picks up six months after the Rage Virus has decimated the city of London. The US Army has restored order and is repopulating the quarantined city, when a carrier of the Rage Virus enters London and unknowingly re-ignites the spread of the deadly infection and the nightmare begins... again. Written by
All of the night scenes involving Andy, Tammy, Scarlet, Doyle and Sam's journey across London to escape the bombs were shot day-for-night using a new technique created specifically for the film by director of photography Enrique Chediak. The scenes were shot day-for-night for three reasons. Firstly, because the filmmakers weren't allowed to use Mackintosh Muggleton (Andy) at night time. Secondly, because there is supposed to be a total shut down of all power in London, hence every building must appear light-less. However, if one were to actually shoot at night time in London, this would be impossible to capture photo-realistically and would hence involve complex post-production work removing all of the lights. By shooting during the day time however, there are few lights on in most buildings anyway, and as such, when the day-for-night treatment is applied to the film stock, everything in the image darkens equally, thus giving the impression that all of the buildings are in total darkness. Thirdly, director Juan Carlos Fresnadillo has always been a big fan of the 'ghostly' quality day-for-night shooting has, and he felt it would create the perfect sense of unease for the film. See more »
When the children are riding the motorbike through the cemetery, fresh flowers are on one of the graves. Since the cemetery is outside the quarantine zone, there should be no-one around to visit the deceased. See more »
I believe 28 Weeks Later did appreciate as a sequel (with only a couple very minor depreciative concepts), and that was a surprise.
I'm admittedly a zombie film fan (especially the serious, non A-Team variety). And although the Rage virus in these two films does not produce an 'undead' zombie, the 'infected' nevertheless present a similarly formidable and threatening antagonist. If you haven't seen either film, Boyle's 'infected' are far less like the traditional lumbering Romero zombies, and closer to the Zack Snyder zombies of 2004's Dawn of the Dead. Note that if you were able to get away with seeing 28 Days Later as a date movie, you may not pull it off with 28 Weeks. There is very little breathing room, and some of it is more disturbing and far less bridled than you might be expecting, especially if you are used to the character-based 'safety' of most films.
Unlike 28 Days, a flashpan start to 28 Weeks Later sets the tone for the entire film... Which although short in running time (at just over 1:30) with quite a fast pace, still seemed very much long enough to be perfectly enjoyable, especially for any fan of the genre. Other than a brief, but informative back-story conversation near the beginning, there is almost no down time spent (wasted?) on emerging relationships or overly granular side-stories. Overall the most powerful element of the film isn't really character based, but rather the theme of a terrible pandemic that, besides a small twist, isn't much changed from the first movie.
There is one facet of the film that I did not really appreciate, but can't really detail without a spoiler warning. Let's just say that London is a fairly large playground for certain (coincidental?) events to happen (and not just once). However, there's a possibility I may be missing some concept that made these events intentional--I hope it's some twist of the virus and isn't just star power.
I'll be purchasing the DVD, but probably won't offer to watch it with any of my family and couldn't recommend it as a party movie :)
Post Script: If you had ever wondered why the rest of the world was not affected by this virus, consider the geographically isolating nature of the British Isles and the extremely short incubation period of this virus. A truly viable pandemic must have a longer incubation period and optimally be airborne or at least infect multiple disparate species. So the Rage virus, while perfectly suited in close quarters would likely not travel much farther than a pair of human legs could travel.
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