| Photos (See all 22 | slideshow) | Videos (see all 3) |
| Belén Rueda | ... | Laura | |
| Fernando Cayo | ... | Carlos | |
| Roger Príncep | ... | Simón | |
| Mabel Rivera | ... | Pilar | |
| Montserrat Carulla | ... | Benigna | |
| Andrés Gertrúdix | ... | Enrique | |
| Edgar Vivar | ... | Prof. Leo Bálaban | |
| Óscar Casas | ... | Tomás | |
| Mireia Renau | ... | Laura niña | |
| Georgina Avellaneda | ... | Rita | |
| Carla Gordillo | ... | Martín | |
| Alejandro Camps | ... | Víctor | |
| Carmen López | ... | Alicia | |
| Óscar Lara | ... | Guillermo | |
| Geraldine Chaplin | ... | Aurora | |
| Enric Arquimbau | ... | Jefe Grupo Terapia | |
| Blanca Martínez | ... | Mujer Grupo Terapia | |
| Carol Suárez | ... | Benigna joven | |
| Isabel Friera | ... | Antonia cuidadora | |
| Fernando Marrot | ... | Doctor (as Fernando Marriot) | |
| Jordi Cardus | ... | Niño ciego (as Jordi Cardús) | |
| Pedro Morales | ... | Padre 2 |
Directed by | |||
| Juan Antonio Bayona | (as J.A. Bayona) | ||
Writing credits(in alphabetical order) | ||
| Sergio G. Sánchez | screenplay | |
Produced by | |||
| Belén Atienza | .... | line producer | |
| Álvaro Augustín | .... | producer | |
| Sandra Hermida | .... | line producer | |
| Elena Manrique | .... | line producer | |
| Joaquín Padró | .... | producer | |
| Mar Targarona | .... | producer | |
| Guillermo del Toro | .... | executive producer | |
Original Music by | |||
| Fernando Velázquez | |||
Cinematography by | |||
| Óscar Faura | |||
Film Editing by | |||
| Elena Ruiz | |||
Casting by | |||
| Geli Albaladejo | |||
Production Design by | |||
| Josep Rosell | |||
Art Direction by | |||
| Iñigo Navarro | |||
Set Decoration by | |||
| Iñigo Navarro | |||
Costume Design by | |||
| Maria Reyes | |||
Makeup Department | |||
| Itziar Arrieta | .... | hair stylist | |
| Lola López | .... | makeup artist | |
| David Martí | .... | special makeup effects artist | |
| Montse Ribé | .... | special makeup effects artist | |
Production Management | |||
| Sandra Hermida | .... | production manager | |
| Marta Sánchez | .... | production manager | |
Art Department | |||
| Pau Albin | .... | set dresser | |
| Sol Caramilloni | .... | set dresser | |
| Paula de la Fuente | .... | set designer | |
| Blanca Francolí | .... | set designer | |
| Carlos Grané | .... | props (uncredited) | |
| Guy Pérez | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Jordi Bosch | .... | sound effects editor | |
| Juan Carlos Cid | .... | sound consultant: DTS | |
| Manel López | .... | boom operator (dailies) | |
| Virgilio Martínez | .... | mixing assistant | |
| Xavier Mas | .... | dialogue editor (as Xavi Mas) | |
| Xavier Mas | .... | sound recordist (as Xavi Mas) | |
| Yvonne Miralles | .... | recording operator | |
| Marc Orts | .... | sound mixer | |
| Jaime Puig | .... | stereo sound consultant: Dolby | |
| Filippo Restelli | .... | boom operator | |
| Jordi Ribas | .... | sound edit assistant (as Jordi Riba) | |
| Oriol Tarragó | .... | sound designer | |
| Oriol Tarragó | .... | sound post-production supervisor | |
| Edgar Vidal | .... | sound effects designer | |
| Kiku Vidal | .... | sound effects technician | |
Special Effects by | |||
| Xavi Bastida | .... | special effects makeup | |
| Lluís Castells | .... | special effects | |
| Anthony S. Ciccarelli | .... | special effects technician | |
| Pau Costa | .... | special effects technician | |
| Ismael Ferrer | .... | special effects makeup | |
| Raquel Guirro | .... | special effects makeup | |
| Javier Jal | .... | special effects technician | |
| Enric Masip | .... | special effects technician | |
| Jordi Morera | .... | special effects makeup: DDT SFX | |
| Joan Mosull | .... | special effects technician | |
| Pablo Perona Navarro | .... | special effects makeup (as Pablo Perona) | |
| Josep Olivé | .... | special effects technician | |
| Juan Serrano | .... | special effects makeup | |
Visual Effects by | |||
| Jesús Luque | .... | visual effects | |
| Quico Noizeux | .... | digital compositor | |
| Sandra Picher | .... | visual effects coordinator | |
| Lucas Pigliacampo | .... | digital artist | |
| Lucas Pigliacampo | .... | digital compositor | |
| Jordi San Agustín | .... | visual effects supervisor | |
Stunts | |||
| Marina de Mendialdúa | .... | stunts | |
| Laura Dursi | .... | stunt double | |
| Marian Elshove | .... | stunts | |
| Desirée Guirao | .... | stunt double | |
| Antonio Higueruelo | .... | stunt coordinator | |
| Juan Antonio López | .... | stunts | |
| Sergio G. Sánchez | .... | stunt double | |
| Marta Vilajoana | .... | stunt double | |
Camera and Electrical Department | |||
| Eduardo Bonilla | .... | gaffer | |
| Albert Carreras | .... | camera operator | |
| Francesc Carreras | .... | first assistant camera | |
| Beatriz Delgado | .... | assistant camera | |
| Llúcia Faraig | .... | still photographer | |
| Javier González Leonardo | .... | key grip | |
| Juan Carlos Gorriz | .... | first assistant camera | |
| Javier Guerrero | .... | electrician | |
| José Manuel Herrero | .... | underwater camera operator | |
| Gris Jordana | .... | second unit: camera assistant | |
| Roger Martínez | .... | additional first assistant camera | |
| Pablo Montesinos | .... | video assist | |
| Ferran Rial | .... | still photographer | |
| Bet Rourich | .... | cinematographer: second unit | |
| Ramón Sánchez | .... | steadicam | |
| Debora Witte | .... | electrician | |
Casting Department | |||
| Cristina Baeza | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Adolfo Domínguez | .... | wardrobe: Fernando Cayo | |
| Desirée Guirao | .... | costume assistant | |
| Aurora Pedredo | .... | tailor | |
Editorial Department | |||
| Quique Cañadas | .... | digital intermediate colorist | |
| Guillermo de la Cal | .... | first assistant editor | |
| Jorge Ortiz Yus | .... | colorist: dailies | |
| Marta Ramírez | .... | post-production coordinator | |
| Laura Sanchez | .... | digital intermediate editor | |
| Marga Villalonga | .... | digital intermediate coordinator | |
| Javier Ugarte | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Félix Divar | .... | musician: percussion | |
| Asen Kanchev | .... | music production manager | |
| Juan Antonio Ros | .... | music producer (as Juanan Ros) | |
Other crew | |||
| Glòria Blanes | .... | script supervisor | |
| Núria Costa | .... | press | |
| Raúl Díaz | .... | production assistant | |
| Goyo Gamez | .... | first production assistant | |
| Laura Jou | .... | child acting coach | |
| Rubén Lardín | .... | script supervisor | |
| Kike Maíllo | .... | script supervisor | |
| George Nicholis | .... | film publicist | |
| Jaime Ortiz de Artiñano | .... | business affairs | |
| Trini Solano | .... | press | |
| Sergio G. Sánchez | .... | making-of | |
| Francesc Talavera | .... | making-of | |
| Sonia Uría | .... | press | |
Thanks | |||
| Dolors Arena | .... | thanks | |
| Inés Barber | .... | thanks | |
| Ángeles Blanco | .... | thanks | |
| Christian Moyès | .... | thanks | |
| Maribel Robles | .... | thanks | |
| Juanjo Sáez | .... | thanks | |
| Pere Torrebadella | .... | thanks | |
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| The Innocents | Stir of Echoes | Profondo rosso | Don't Look Now | El espinazo del diablo |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
I went into a screening of this today knowing only that it was about a woman who buys the home she lived in as an orphaned child, planning to open it to other orphans, that it mixed fantasy and reality, and that Guillermo del Toro of 'Pan's Labyrinth' had a hand in it. I didn't have any expectations. Even if I did, I certainly not have expected what I got. 'El Orfanato' surprised me first in successfully thrilling me with its surface, and surprised me again in how deeply it moved me with its core.
When Laura (the marvelous Belén Rueda) moves back into the house that used to be the orphanage she lived in as a girl, she is thirty-seven, married, and she and her husband have adopted a son - Simón, a little boy with HIV who doesn't know that he's terminally ill or adopted. Simón is wildly creative - he has several imaginary friends and a penchant for treasure hunts, mind games, and the story of Peter Pan. One day shortly after a mysterious visit from a social worker and Simón's revelation that he knows the truth about his adoption and illness, Simón disappears. The rest of the film follows Laura's desperate search for her son as she comes to terms with her loss and her own past as well.
Screenwriter Sergio G. Sánchez does a masterful job of balancing the thriller with the drama. Laura's attempts to connect with everything that haunts her and her home are darkly touching, though slightly psychologically twisted. The acting is strong, and the directing, editing, cinematography, and music all work together well. Some of the sound effects - the constant creaking, wind blowing, etc. - got wearisome as the film went on, and some of the thrills were a little cheap - I won't ruin it for anyone by revealing them - though, admittedly, they were effective all the same. The story dragged a little towards the end and during the scene with the medium - cutting it just a little shorter might have been equally as effective and easier on the viewer.
Bottom line: even if you don't like "scary" movies (like me), you'll probably still appreciate and enjoy the more thrilling aspects. If you're a horror flick buff, you'll probably find some of the thriller elements a little tired and overdone. Either way, it's still worth seeing - the exploration of Laura's heart and mind are both lovely and tragic to behold, and though the film is morbid, it is beautiful as well.