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Michael Clayton (2007)
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Overview
User Rating:
Director:
Writer (WGA):
Tony Gilroy (written by)
Release Date:
12 October 2007 (USA)
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Tagline:
The Truth Can Be Adjusted
Plot:
A law firm brings in its "fixer" to remedy the situation after a lawyer has a breakdown while representing a chemical company that he knows is guilty in a multi-billion dollar class action suit. full summary | full synopsis
Awards:
Won Oscar.
Another 12 wins
&
51 nominations
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NewsDesk:
(254 articles)
trailer break: ‘Up in the Air’
(From FlickFilosopher. 24 November 2009, 7:59 AM, PST)
10 closest Oscar races in the past 20 years
(From Gold Derby. 23 November 2009, 1:12 PM, PST)
(From FlickFilosopher. 24 November 2009, 7:59 AM, PST)
10 closest Oscar races in the past 20 years
(From Gold Derby. 23 November 2009, 1:12 PM, PST)
User Comments:
Excellent Thriller
more (319 total)
US TV Schedule:
Cast
(Cast overview, first billed only)| Tom Wilkinson | ... | Arthur Edens | |
| Michael O'Keefe | ... | Barry Grissom | |
| Sydney Pollack | ... | Marty Bach | |
| Danielle Skraastad | ... | Bridget Klein (voice) | |
| Tilda Swinton | ... | Karen Crowder | |
| George Clooney | ... | Michael Clayton | |
| Wai Chan | ... | Chinese Dealer | |
| Alberto Vazquez | ... | Player #1 | |
| Brian Koppelman | ... | Player #2 | |
| Thomas McCarthy | ... | Walter (voice) (as Tom McCarthy) | |
| Denis O'Hare | ... | Mr. Greer | |
| Julie White | ... | Mrs. Greer | |
| Austin Williams | ... | Henry Clayton | |
| Jennifer Van Dyck | ... | Ivy | |
| Frank Wood | ... | Gerald |
Additional Details
Also Known As:
Avukat (Turkey: Turkish title) [tr]
Conduta de Risco (Brazil) [pt]
Fixer (Japan: English title) [en]
Majkl Klejton (Serbia) [sr]
Michael Clayton (Greece) [el]
Michael Clayton (Germany) [de]
Michael Clayton (Canada: French title) [fr]
Michael Clayton (Norway) [no]
Michael Clayton (Argentina) [es]
Michael Clayton - Uma Questão de Consciência (Portugal) [pt]
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Conduta de Risco (Brazil) [pt]
Fixer (Japan: English title) [en]
Majkl Klejton (Serbia) [sr]
Michael Clayton (Greece) [el]
Michael Clayton (Germany) [de]
Michael Clayton (Canada: French title) [fr]
Michael Clayton (Norway) [no]
Michael Clayton (Argentina) [es]
Michael Clayton - Uma Questão de Consciência (Portugal) [pt]
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MPAA:
Rated R for language including some sexual dialogue.
Parents Guide:
Runtime:
119 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
UK:15 |
Ireland:15A |
Norway:11 |
Finland:K-11 |
Australia:MA |
Canada:14A (Alberta/Manitoba/Nova Scotia/Ontario) |
Canada:G (Quebec) |
Canada:PG (British Columbia) |
Germany:12 |
Denmark:11 |
Netherlands:6 |
Hong Kong:IIB |
USA:R (certificate #43163) |
Sweden:11 |
Argentina:13 |
Taiwan:R-12 (original rating) |
France:U |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
South Korea:15 |
Singapore:NC-16 |
Brazil:12 |
South Africa:13L |
Portugal:M/12 (Qualidade) |
New Zealand:M |
Norway:10 (TV rating) |
India:A
Filming Locations:
Company:
Fun Stuff
Trivia:
The Mercedes-Benz S-Class sedan that is blown up in this film was first used in filming of The Devil Wears Prada (2006). For the earlier film it was cut in two for use in process shots featuring Meryl Streep and Anne Hathaway. It was then welded back together and repainted in order to be blown up in Michael Clayton (2007). The car's preparation was featured on "Shooting Cars" (2006).
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Goofs:
Continuity: When Clayton first gets the booklet from the print shop, it has a black plastic binding. Later it changes to a wire one.
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Quotes:
[first lines]
Arthur Edens: Michael. Dear Michael. Of course it's you, who else could they send, who else could be trusted? I... I know it's a long way and you're ready to go to work... all I'm saying is wait, just wait, just-just-just... please hear me out because this is not an episode, relapse, fuck-up, it's... I'm begging you Michael. I'm begging you. Try and make believe this is not just madness because this is not just madness. Two weeks ago I came out of the building, okay, I'm running across Sixth Avenue, there's a car waiting, I got exactly 38 minutes to get to the airport and I'm dictating. There's this, this panicked associate sprinting along beside me, scribbling in a notepad, and suddenly she starts screaming, and I realize we're standing in the middle of the street, the light's changed, there's this wall of traffic, serious traffic speeding towards us, and I... I-I freeze, I can't move, and I'm suddenly consumed with the overwhelming sensation that I'm covered with some sort of film. It's in my hair, my face... it's like a glaze... like a... a coating, and... at first I thought, oh my god, I know what this is, this is some sort of amniotic - embryonic - fluid. I'm drenched in afterbirth, I've-I've breached the chrysalis, I've been reborn. But then the traffic, the stampede, the cars, the trucks, the horns, the screaming and I'm thinking no-no-no-no, reset, this is not rebirth, this is some kind of giddy illusion of renewal that happens in the final moment before death. And then I realize no-no-no, this is completely wrong because I look back at the building and I had the most stunning moment of clarity. I... I... I... I realized Michael, that I had emerged not from the doors of Kenner, Bach, and Ledeen, not through the portals of our vast and powerful law firm, but from the asshole of an organism whose sole function is to excrete the... the-the-the poison, the ammo, the defoliant necessary for other, larger, more powerful organisms to destroy the miracle of humanity. And that I had been coated in this patina of shit for the best part of my life. The stench of it and the stain of it would in all likelihood take the rest of my life to undo. And you know what I did? I took a deep cleansing breath and I set that notion aside. I tabled it. I said to myself as clear as this may be, as potent a feeling as this is, as true a thing as I believe that I have witnessed today, it must wait. It must stand the test of time. And Michael, the time is now.
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Arthur Edens: Michael. Dear Michael. Of course it's you, who else could they send, who else could be trusted? I... I know it's a long way and you're ready to go to work... all I'm saying is wait, just wait, just-just-just... please hear me out because this is not an episode, relapse, fuck-up, it's... I'm begging you Michael. I'm begging you. Try and make believe this is not just madness because this is not just madness. Two weeks ago I came out of the building, okay, I'm running across Sixth Avenue, there's a car waiting, I got exactly 38 minutes to get to the airport and I'm dictating. There's this, this panicked associate sprinting along beside me, scribbling in a notepad, and suddenly she starts screaming, and I realize we're standing in the middle of the street, the light's changed, there's this wall of traffic, serious traffic speeding towards us, and I... I-I freeze, I can't move, and I'm suddenly consumed with the overwhelming sensation that I'm covered with some sort of film. It's in my hair, my face... it's like a glaze... like a... a coating, and... at first I thought, oh my god, I know what this is, this is some sort of amniotic - embryonic - fluid. I'm drenched in afterbirth, I've-I've breached the chrysalis, I've been reborn. But then the traffic, the stampede, the cars, the trucks, the horns, the screaming and I'm thinking no-no-no-no, reset, this is not rebirth, this is some kind of giddy illusion of renewal that happens in the final moment before death. And then I realize no-no-no, this is completely wrong because I look back at the building and I had the most stunning moment of clarity. I... I... I... I realized Michael, that I had emerged not from the doors of Kenner, Bach, and Ledeen, not through the portals of our vast and powerful law firm, but from the asshole of an organism whose sole function is to excrete the... the-the-the poison, the ammo, the defoliant necessary for other, larger, more powerful organisms to destroy the miracle of humanity. And that I had been coated in this patina of shit for the best part of my life. The stench of it and the stain of it would in all likelihood take the rest of my life to undo. And you know what I did? I took a deep cleansing breath and I set that notion aside. I tabled it. I said to myself as clear as this may be, as potent a feeling as this is, as true a thing as I believe that I have witnessed today, it must wait. It must stand the test of time. And Michael, the time is now.
more
Movie Connections:
Featured in "Siskel & Ebert & the Movies: The Best of 2007" (2007)
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Soundtrack:
Midnight Cocktail
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FAQ
Is the plot of Michael Clayton based on any pre-existing publication such as book or other medium?What crime did Karen implicate herself in?
What's the point of the bar? What happened?
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I just fall in love with this movie, I didn't see a Thriller like this for long time, this movie is really good, I think George Clooney did a terrific job, so as the cost .
This legal thriller was a pleasant surprise. I always expect to enjoy George Clooney's presence in a film. In this case, Clooney's excellent work is in evidence, but also watch for an Oscar-worthy turn from Tom Wilkinson, and a powerful, edgy performance by Tilda Swinton.
Michael Clayton is perfectly paced, and complex without being confusing. The director, Tony Gilroy, chooses lingering and steady shots over in the jumbled, shaky hand-held style that is currently so in vogue -- and his choice works well as the tension and drama build to a climactic, and terrific, final act.
In my opinion, if George Clooney keeps himself in the right direction he will definitely take another Oscar.
Entertainment: 9.7/10
Overall Score: 9.5/10