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Directed by | |||
| Aaron Seltzer | |||
| Jason Friedberg | (co-director) (uncredited) | ||
Writing credits(WGA) | ||
| Jason Friedberg | (written by) & | |
| Aaron Seltzer | (written by) | |
Produced by | |||
| Dawn Carter | .... | producer liaison | |
| Jason Friedberg | .... | producer | |
| Arnon Milchan | .... | executive producer | |
| Jack L. Murray | .... | co-producer (as Jack Murray) | |
| Paul Schiff | .... | producer | |
Original Music by | |||
| David Kitay | |||
Cinematography by | |||
| Shawn Maurer | |||
Film Editing by | |||
| Paul Hirsch | |||
Casting by | |||
| Amanda Harding | |||
| Amanda Koblin | |||
Production Design by | |||
| William A. Elliott | |||
Art Direction by | |||
| Daniel A. Lomino | |||
Set Decoration by | |||
| Teresa Visinare | |||
Costume Design by | |||
| Alix Friedberg | |||
Makeup Department | |||
| Rebecca Alling | .... | key makeup artist | |
| Suzan Bagdadi | .... | hair stylist: second unit | |
| Valerie Crawford | .... | hair technician | |
| Iraina Crenshaw | .... | hair stylist: Mr. Griffin | |
| Roxy D'Alonzo | .... | prosthetic makeup artist | |
| Gabriel De Cunto | .... | makeup artist | |
| Dalia Dokter | .... | prosthetic application | |
| Romy Fleming | .... | hair stylist | |
| Jake Garber | .... | makeup artist | |
| Teressa Hill | .... | hair department head | |
| Aaron Koons | .... | makeup effects lab technician | |
| Eric Lusk | .... | prosthetic lab work | |
| Scott McGowan | .... | special makeup effects artist | |
| Geneva Nash Morgan | .... | makeup artist: Mr. Griffin | |
| Matthew W. Mungle | .... | fat makeup creator and applicator | |
| Candace Neal | .... | department head hair stylist | |
| Elaina P. Schulman | .... | hair stylist | |
| Eddie Vargas | .... | prosthetic lab work | |
| Clinton Wayne | .... | special makeup effects artist | |
| Debbie Zoller | .... | makeup department head | |
Production Management | |||
| Steve Barnett | .... | post-production supervisor | |
| Todd Lewis | .... | production supervisor: second half only | |
| Jack L. Murray | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| David Berke | .... | second second assistant director | |
| Greg Guzik | .... | second assistant director | |
| Terry Leonard | .... | second unit director | |
| Hal Olofsson | .... | first assistant director | |
| Michael Phillips | .... | additional second assistant director | |
| Jeff Shiffman | .... | assistant director | |
| Jeff Shiffman | .... | first assistant director: second unit | |
| Donald Sparks | .... | first assistant director: second unit | |
Art Department | |||
| Bennett Andrews | .... | on-set greensman | |
| Jamie Archer | .... | construction coordinator | |
| Dawn Ascher-Trevino | .... | art department coordinator (as Dawn Ascher) | |
| P. Scott Bailey | .... | lead man | |
| Frank Capiello | .... | key greens | |
| Keith Christensen | .... | sculptor | |
| Paul A. Cooper | .... | on-set painter | |
| Alan Day | .... | leadman | |
| Carl Denooyer | .... | set dresser | |
| Damon Hight | .... | construction foreman | |
| Chad Koch | .... | graphic designer | |
| Don Miloyevich | .... | property master | |
| Michele Mulkey | .... | props | |
| Peter Nesmith | .... | greensman | |
| J. Michael O'Brien | .... | propmaker | |
| Glenn H. Roberts | .... | on-set dresser | |
| Graham Robertson | .... | set dresser | |
| Lori Rozzi | .... | props | |
| James Salter | .... | painter foreman | |
| Michael Samarzich | .... | greensman | |
| Doug Sieck | .... | set dresser | |
| Sondra Thorpe | .... | set dresser | |
| James Tripaon | .... | propmaker gangboss | |
| Thomas 'Noe' Welch | .... | set dresser | |
| Kirk Wyninegar | .... | paint gangboss | |
| Monica Yergo | .... | propmaker | |
Sound Department | |||
| Robert Althoff | .... | sound recordist | |
| Bryan Bowen | .... | sound editor | |
| Tom Fox | .... | utility sound | |
| Robert Janiger | .... | production sound mixer | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Anna MacKenzie | .... | supervising sound editor | |
| Jeff Malham | .... | re-recording engineer | |
| Charleen Richards | .... | adr mixer (as Charleen Richards-Steeves) | |
| Greg Steele | .... | adr mixer | |
| Orest Sushko | .... | sound re-recording mixer | |
| Tami Treadwell | .... | adr recordist | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Mark R. Byers | .... | special effects coordinator | |
| Mark Byers | .... | special effects director | |
| Val Crawford | .... | fur technician | |
| Val Crawford | .... | hair/fabrication: Creature FX | |
Visual Effects by | |||
| Ulysses Argetta | .... | digital compositor | |
| Ozzie Carmona | .... | digital compositor | |
| Carin Davis | .... | visual effects producer | |
| Scott Dougherty | .... | visual effects executive producer: Furious FX | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Kent Johnson | .... | visual effects supervisor | |
| Jennifer Lee | .... | editorial conform | |
| David Lingenfelser | .... | executive visual effects supervisor: Furious FX | |
| Kevin Lingenfelser | .... | creative director: Furious FX | |
| Doug Luberts | .... | video & data I/O supervisor | |
| Josh Mossotti | .... | visual effects artist | |
| Jim O'Hagan | .... | digital compositor: Pacific Title | |
| Terry Shigemitsu | .... | digital effects artist | |
| Mark Shoaf | .... | CG supervisor: Furious FX | |
| Tiffany Smith | .... | visual effects producer: Furious FX | |
| Bill Spradlin | .... | lighting technical director | |
| Wilson Tang | .... | digital restoration | |
| Antonio Torres | .... | digital artist: Pacific Title | |
| Bob Wiatr | .... | digital compositor: Pacific Title | |
Stunts | |||
| Keith Adams | .... | stunt coordinator | |
| Sam Ayers | .... | stunt double | |
| Helena Barrett | .... | stunt double: Alyson Hannigan | |
| Stacey Carino | .... | utility stunts | |
| Jared S. Eddo | .... | stunt rigger | |
| Jeremy Fry | .... | utility stunts | |
| J. Armin Garza II | .... | stunt driver: ATV | |
| Dorian Kingi | .... | stunt double | |
| James Logan | .... | stunt rigger | |
| Jalil Jay Lynch | .... | stunt double: Eddie Griffin | |
| Tim Mikulecky | .... | stunt actor | |
| Heidi Moneymaker | .... | stunts | |
| Sonja Munsterman | .... | stunt double: Sophia Monk | |
| Doug O'Dell II | .... | stunts | |
| Nicole Randall | .... | stunt double: Carmen Electra | |
| Carl Rice | .... | motorcycle stunts | |
| Crystal Santos | .... | stunt double: Meera Simhan | |
| Ryan Watson | .... | stunts | |
Camera and Electrical Department | |||
| Myles Aronowitz | .... | still photographer | |
| William D. Barber | .... | camera operator | |
| Ken Bazal | .... | second assistant camera | |
| Mike Benson | .... | director of photography: second unit (as Michael A. Benson) | |
| Scott R. Boettle | .... | assistant camera | |
| Glenn Cannon | .... | video assist operator | |
| Donovan Davis | .... | grip | |
| Kristen Eccker | .... | second assistant camera: "b" camera | |
| Chris Goe | .... | company grip | |
| Joe Kelly | .... | grip | |
| Michael Kennedy | .... | electrician | |
| Jeremy Launais | .... | gaffer | |
| Greg Lopez | .... | lamp operator | |
| Peter McAdams | .... | dolly grip: "b" camera | |
| Paul A. Rychlec | .... | company grip | |
| Aaron Schulte | .... | electrician | |
| Dennis Skog | .... | rigging grip | |
| Tim Speed | .... | best boy electric | |
| Joseph D. Urbanczyk | .... | camera operator | |
| Anthony Van Dyk | .... | set lighting technician | |
| Mike Visencio | .... | electrician | |
| Thomas D. Wazney | .... | key rigging grip | |
Casting Department | |||
| Dan Gore | .... | casting associate | |
| Michael Hothorn | .... | casting executive | |
| Taiya Jones | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Sean Coyle | .... | costumes | |
| Nikoya Gonzalez | .... | costumer | |
| Maria Lorenzana | .... | costumer | |
| Kelly Mijailovic | .... | costume supervisor | |
| Molly O'Haver | .... | costumer | |
| Neil Tansey | .... | set costumer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Thomas Calderon | .... | assistant editor | |
| John Persichetti | .... | digital colorist | |
| Mark Sahagun | .... | digital intermediate editor | |
| Jon Schwartz | .... | apprentice editor | |
| Jim Passon | .... | color timer (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Dave Jordan | .... | music supervisor | |
| William Levine | .... | orchestrator | |
| Michael T. Ryan | .... | supervising music editor | |
| Jojo Villanueva | .... | music supervisor | |
| Dan Wallin | .... | music scoring mixer | |
Transportation Department | |||
| Bruce Callahan | .... | driver co-captain | |
| Lonnie Craig | .... | driver | |
| Rita Lundin | .... | transportation | |
| Derek Raser | .... | transportation coordinator | |
| Carlos Williams | .... | driver | |
| Robert A. Wood | .... | driver: production van | |
| Damian Baxter | .... | driver: cast (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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Are you short for cash, Alyson? Is that why your beautifal face had to be seen on screen in this joke of a parody movie? I went to this movie with high expectations. I mean very high. I am a sucker for the parody genre. Ever since The Naked Gun films and Airplane!, Wrongfully Accused, Spy Hard, Scary Movie.. I've been a nut for these types of movies. So why was this one so bad? I can't really explain.. I saw all the movies they parodied, and still.. it just wasn't funny. I am absolutely in love with Alyson Hannigan. She's a very beautifal and very talented actress. Eddie Griffin is one of the funniest comedians to grace the silver screen in years. And please, Lil' Jon is in the movie! What's not to like? Well, the fact that basically, a lot of the parodies were just word for word retellings of some of the movies. The dinner scene was an ENTIRE ripoff of the Meet the Parents scene to a t. This movie tries too hard to be funny, and at sometimes its okay (the Pimp My Ride scene comes to mind), but honestly.. it just tries too hard and doesn't go anywhere. I can't say I was disappointed, it was beyond that. If there's a sequel to this atrocious comedy I'll eat my hat.