Directed by | |||
| Antón Reixa | |||
Writing credits(in alphabetical order) | ||
| Xose Morais | writer | |
| Carlos Portela | writer | |
| Antón Reixa | writer | |
Produced by | |||
| Miguel Mariño | .... | assistant producer | |
| Antón Reixa | .... | producer | |
| Alicia Rodríguez Jarillo | .... | second assistant producer | |
Original Music by | |||
| Xavier Capellas | |||
| Lucio Godoy | |||
Cinematography by | |||
| Marcelo Iaccarino | |||
Film Editing by | |||
| Alejandro Lázaro | |||
Casting by | |||
| Mercè Espelleta | |||
Art Direction by | |||
| Alexandra Fernández | |||
Costume Design by | |||
| Lola Dapena | |||
| Marisa Urruti | |||
Makeup Department | |||
| Almudena Fonseca | .... | makeup artist | |
Production Management | |||
| María Liaño | .... | production manager | |
| Rita Simão | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Joanna Mikolajczyk | .... | second assistant director | |
| Jacob Santana | .... | third assistant director | |
Art Department | |||
| Fernanda Castelo | .... | assistant art director | |
| Juan Manuel Castelo | .... | assistant art director | |
| Sofía Vicini | .... | set dresser | |
Sound Department | |||
| Guido Berenblum | .... | sound: Argentina | |
| Mark Kenna | .... | consultant: Dolby film sound | |
| Branko Neskov | .... | sound re-recording mixer | |
| Victor Alejandro Tendler | .... | sound: Argentina | |
Camera and Electrical Department | |||
| Javier Arroyo | .... | HD technician | |
| Mariano De Luca | .... | electrician | |
| John Rockwell Harris | .... | still photographer: Argentina | |
Costume and Wardrobe Department | |||
| Marisa Urruti | .... | costume designer: Argentina | |
Editorial Department | |||
| Samuel Martínez | .... | first assistant editor | |
Music Department | |||
| Olga de Bartolomé | .... | music consultant | |
| Guy Wenger | .... | score mixer | |
Other crew | |||
| Catarina Barros | .... | production coordinator | |
| Henrik Bergqvist | .... | extras coordinator: Denmark | |
| Thomas Caspersen | .... | operador: ARRI Laser | |
| Elena Couto | .... | development manager | |
| Sara Dantas | .... | administrator: Portugal | |
| Anne-Marie Ubbe | .... | script supervisor | |
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| Visions of Europe | Auberge espagnole, L' | Método, El | Niño de barro, El | Todo sobre mi madre |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Spain section | Add this title to MyMovies |
*** This comment may contain spoilers ***
This is quite the most absurd piece of nonsense I have seen in a long time. Only a Spanish filmmaker could get funding to "follow" the life of a cigarette lighter as various tedious people discard it after use only for it to continue its journey with another tedious smoker. I mean really.. None of the "stories" of the cigarette lighter's various owners are remotely interesting as they are all dealt with too briefly for us to become engaged. So we don't care.. Well, I didn't anyway. The lighter never becomes damaged, never runs out of gas (so more nonsense) and the fatuous plot devices and clunking dialogue left me flabbergasted.. I mean, really.. a film about a cigarette lighter! Only in Spain.....