When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham, the Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
Set within a year after the events of Batman Begins, Batman, Lieutenant James Gordon, and new district attorney Harvey Dent successfully begin to round up the criminals that plague Gotham City until a mysterious and sadistic criminal mastermind known only as the Joker appears in Gotham, creating a new wave of chaos. Batman's struggle against the Joker becomes deeply personal, forcing him to "confront everything he believes" and improve his technology to stop him. A love triangle develops between Bruce Wayne, Dent and Rachel Dawes. Written by
Heath Ledger posthumously won a total of 32 Best Actor in a Supporting Role awards for his work on this film, including the Oscar, Golden Globe, BAFTA, SAG, and Critics' Choice award. The only awards, for which he was nominated, but didn't win, were the Satellite Award (which went to Michael Shannon for Revolutionary Road (2008)) and the London Film Critics' Circle Award for actor of the year (which went to Mickey Rourke for The Wrestler (2008)). Michael Shannon and Mickey Rourke would later go on to play comic book villains in films of their own; Shannon as General Zod in Man of Steel (2013), and Rourke as Ivan Vanko in Iron Man 2 (2010). See more »
During the SWAT chase scene, the joker fires several rockets at the SWAT caravan. The final rocket is intercepted by the tumbler after it jumps over a car. In the shot where the tumbler gets hit, the SWAT truck is present and right next to the airborne tumbler. In the next shot when the tumbler hits the ground, the SWAT truck is not there. See more »
[with Chuckles, picks up Bozo on the street]
Three of a kind, let's do this!
Huh, that's it? Three guys?
Plus two guys on the roof. Every guy gets a share. Five shares is plenty.
*Six* shares. Don't forget the guy who planned the job.
He thinks he can sit it out and still take a slice? I know why they call him "The Joker".
[up on the roof, breaking open the alarm box with Dopey]
So why do they call him "the Joker"?
I hear he wears makeup.
Yeah, to scare people. You know, war ...
[...] See more »
The DC logo contains two comic-book images: a shot of the Riddler, and picture of Batman punching him out. See more »
It is odd to spend more than two hours watching a film and it slowly dawns on you that you are not particularly bothered how it ends and, if anything, rather wish it would end sooner rather than later. The Dark Knight is that kind of film. Exactly why I lost interest or even when, I'm not too sure, but lose interest I did. This is Christopher Nolan's second stab at Batman as well as Christian 'Rant' Bales, and although all the elements are there, it is simply not as good. Naturally, this being another slug, blast and punchfest - tho' despite it's reputation for being dark, thankfully not a bloodfest - many, many viewers have lauded this as a 'masterpiece', 'the best movie of 2008 so far', 'far surpasses Begins'. No, it isn't and no it doesn't. All I can say is that these people have not seen many 'masterpieces' or many films in 2008. The Dark Knight, in that way which Hollywood has made its sugary own, attempts to flatter the audience by including a 'moral dilemma' and it does so not once, but rather often. This time we are invited - the 'we' being the popcorn-chewing Saturday night crowd who think thought is a luxury - to reflect on moral ambiguity and how relative rather than absolute the notions of good and evil can be. And each time this viewer sighed a little: as the saying goes, you can put lipstick on a pig, but it is still a pig. We get any number of high falutin speeches about heroes and villains but, in truth, is just so much codswallop. In truth this film is just another blockbuster, and, at that, it is not even as good as many other blockbusters. If you want to meditate on the reality of good and evil, of heroes and villains, by all means make a film doing so, but in The Dark Knight it is all, for this viewer at least, all very phoney. Apart from that, this film is a tad confusing, there are too many characters, the plot, or at least what there is of it, really does not bear repeating, the suspense is curiously unexciting, and too often the film drags. The old actors are there, and all with the very honourable exception of the late Heath Ledger, seem to be acting by numbers. (This was, I think, Ledger's last film, and his early death is sad. Undoubtedly he was very talented.) And having said all that, there is not much more to say. It's not bad, it's not particularly good. As part of the series, it stands tall, but then the series is not all that outstanding. See it if you want to, and if, after reading this, you decide not to, well, sorry, but you won't be missing much at all.
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