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Directed by | |||
| Gary Fleder | |||
Writing credits(WGA) | ||
| Charles Leavitt | (written by) | |
| Robert Gallagher | (book "Ernie Davis: The Elmira Express") | |
Produced by | |||
| Adam Coplan | .... | co-producer | |
| Derek Dauchy | .... | executive producer | |
| John Davis | .... | producer | |
| Ryan Kavanaugh | .... | executive producer | |
| Arne Schmidt | .... | executive producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Kramer Morgenthau | (director of photography) | ||
Film Editing by | |||
| Padraic McKinley | |||
| William Steinkamp | |||
Casting by | |||
| Deborah Aquila | |||
| Jennifer L. Smith | (as Jennifer Smith) | ||
| Mary Tricia Wood | (as Tricia Wood) | ||
Production Design by | |||
| Nelson Coates | |||
Art Direction by | |||
| Seth Reed | |||
Set Decoration by | |||
| Denise Pizzini | |||
Costume Design by | |||
| Abigail Murray | |||
Makeup Department | |||
| Denise Baker | .... | additional hair stylist | |
| Mary 'Dugan' Buono | .... | key hair stylist | |
| Latrice Edwards | .... | makeup artist | |
| Vivian Guzman | .... | additional hair stylist | |
| Lisa Jelic | .... | makeup artist | |
| Kristin Lamar | .... | makeup artist | |
| Aimee Lippert-Bastien | .... | key makeup artist | |
| Dominic Mango | .... | hair department head | |
| Tony Mirante | .... | hair department head | |
| Suzi Ostos | .... | makeup department head | |
| Thomas Terhaar | .... | hair stylist | |
| Tim Toth | .... | hair stylist | |
Production Management | |||
| Billy Higgins | .... | unit production manager | |
| Sean T. Stratton | .... | post-production supervisor (uncredited) | |
Art Department | |||
| Marc Baird | .... | storyboard artist | |
| Jason Breitzman | .... | prop master: second unit | |
| Danny Cavada | .... | additional art department production assistant | |
| David J. Chamerski | .... | assistant property master | |
| Helmer Claesson | .... | on-set dresser | |
| William Dambra | .... | property master | |
| Kyle Holden | .... | assistant property master | |
| Kyle Holden | .... | prop master: second unit | |
| Abbie Jacobson | .... | assistant set decorator | |
| Matthew J. Norskog | .... | second on-set dresser | |
| Paul Sharpe | .... | art department production assistant | |
| Monica Sotto | .... | art department coordinator | |
| Glenn Stevens | .... | construction foreman | |
| Larry Szymanowski | .... | on-set scenic artist | |
| David Tennenbaum | .... | set designer | |
| Scott Troha | .... | leadman | |
| David Utley | .... | assistant art director | |
| Randall D. Wilkins | .... | set designer | |
| Erica Willis | .... | art department production assistant | |
| Jane Wuu | .... | set designer | |
| Cliff Zimowski | .... | set decorating coordinator | |
| Phil Ellman | .... | greensman (uncredited) | |
Visual Effects by | |||
| Gary Abrahamian | .... | animation lead: CIS Hollywood | |
| Jayni Borgaro | .... | paint and roto artist: CIS Hollywood | |
| Steve Bowen | .... | digital intermediate colorist | |
| Melissa Brockman | .... | visual effects producer | |
| Elika Burns | .... | roto/paint artist: CIS Hollywood | |
| Joanna 'Joey' Cade | .... | Massive animation producer: Reel FX | |
| Scott Seungpil Chung | .... | effects artist: CIS Hollywood | |
| Patrick Clancey | .... | digital opticals | |
| Sarah Coatts | .... | visual effects producer: PIC | |
| Shane Cook | .... | compositor: CIS Hollywood | |
| Craig Crawford | .... | compositor: CIS Hollywood | |
| Sara Docksey | .... | visual effects coordinator: CIS Hollywood | |
| Alan Hernandez | .... | texture artist | |
| Heather Elisa Hill | .... | production supervisor: CIS Hollywood | |
| Ian Hubbard | .... | modeler: CIS Hollywood | |
| Ian Hubbard | .... | texture artist: CIS Hollywood | |
| Mark Justison | .... | roto/paint artist: CIS Hollywood | |
| Dan Kaufman | .... | digital vfx supervisor: CIS Hollywood | |
| Heather MacPhee | .... | paint and rotoscope artist: CIS Hollywood | |
| Philippe Majdalani | .... | digital intermediate assistant producer | |
| Steven Messing | .... | matte painting supervisor: Digital Backlot | |
| Kama Moiha | .... | compositor: CIS Hollywood | |
| Kenneth Nakada | .... | digital matte painter: CIS Hollywood | |
| James P. Noon | .... | tracking | |
| Gregory Oehler | .... | senior compositor: CIS Hollywood | |
| Eric Pender | .... | cg artist: CIS Hollywood | |
| Brian Ripley | .... | digital artist | |
| Chris Ryan | .... | cg artist: CIS Hollywood | |
| Rick Sander | .... | visual effects lighter | |
| Greg Shimp | .... | paint & rotoscoping artist: CIS Hollywood | |
| Craig A. Simms | .... | compositor: CIS Hollywood | |
| Thomas J. Smith | .... | visual effects supervisor | |
| Andy Tanguay | .... | lead modeler: CIS Hollywood | |
| James Valentine | .... | paint & rotoscoping artist: CIS Hollywood | |
| Jerry Weil | .... | cg artist: CIS Hollywood | |
| Matt Wilson | .... | compositor: CIS Hollywood | |
| Matt Ashton | .... | senior systems: CIS Hollywood (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Amy Garback | .... | effects liaison: CIS Hollywood (uncredited) | |
| Brian Holmes | .... | systems engineer: CIS Hollywood (uncredited) | |
| J. Kitazaki | .... | production assistant: CIS Hollywood (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Robert Minsk | .... | systems: CIS Hollywood (uncredited) | |
| Kyle Yamamoto | .... | programmer: CIS Hollywood (uncredited) | |
Stunts | |||
| Daniel Abikasis | .... | stunt double | |
| Dedric Anderson | .... | stunts | |
| Warren Anderson | .... | stunts | |
| Angela Batchelor | .... | stunts | |
| Nick Brett | .... | stunt rigging coordinator | |
| Ryan Chibucos | .... | stunt double | |
| Ed Donoghue | .... | stunt performer | |
| Conrade Gamble | .... | stunt double | |
| Garth Gelker | .... | stunts | |
| Allan Graf | .... | stunt coordinator | |
| Derek Graf | .... | stunts | |
| Jason Grimm | .... | stunt performer | |
| Jason Grimm | .... | stunts | |
| Ryan Hamby | .... | stunts | |
| Rob Mars | .... | stunt double | |
| Chad L. Stevens | .... | stunt double | |
| Russell Thomas | .... | stunts | |
| Gino Woulard | .... | stunts | |
Casting Department | |||
| Ranjani Brow | .... | adr voice casting | |
| Tara Feldstein | .... | casting assistant | |
| Samantha Finkler | .... | casting associate | |
| Lindsay Heller | .... | extras casting assistant | |
| Wendy Hoffman | .... | adr voice casting | |
| Darlene R. Hunt | .... | extras casting | |
| Terry L. Lamfers | .... | casting executive | |
| Clare Morris | .... | extras casting associate | |
| Mickie Paskal | .... | casting: Chicago | |
| Marshall Peck | .... | extras casting | |
| Joan Philo | .... | extras casting director | |
| Jennifer Rudnicke | .... | casting: Chicago (as Jennifer S. Rudnicke) | |
| Erin Toner | .... | casting associate | |
Costume and Wardrobe Department | |||
| Nanrose Buchman | .... | assistant costume designer | |
| Lizzie Cook | .... | key costumer | |
| John Darmour | .... | costumer | |
| Gretchen Gain | .... | assistant costume designer | |
| Melissa Grzybek | .... | costumer | |
| Demetricus Holloway | .... | set costumer | |
| Maria Lorenzana | .... | costumer | |
| Eileen McCahill | .... | costume supervisor | |
| Sukari McGill | .... | costumer | |
| Shannon Neubauer | .... | costumer | |
| Gabriel Nieves | .... | production assistant: wardrobe (2007) | |
| Rachael Ohman | .... | set costumer | |
| Vivian D. Pavlos | .... | set costumer | |
| Heather Pollock | .... | key costumer | |
| Damien Quinn | .... | football costumer | |
| Jamie Rush | .... | costume assistant | |
| Nadia Salameh | .... | set costumer | |
| Maryann Scinto | .... | costume dyer and ager | |
| Ericka N. Shane | .... | costume coordinator | |
| Melissa Stinson | .... | costumer | |
| Nancy Takehara | .... | costumer | |
| Valerie Zielonka | .... | costume supervisor | |
Editorial Department | |||
| Banner Gwin | .... | apprentice editor | |
| Jason Joseph | .... | first assistant editor | |
| Brett Lavinthal | .... | first assistant editor | |
| Harry Muller | .... | color timer | |
| Greg Podunovich | .... | first assistant editor | |
| Mike Sowa | .... | digital preview timer | |
| Chris DeLaGuardia | .... | color timer (uncredited) | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Pete Anthony | .... | conductor | |
| Michael K. Bauer | .... | music editor | |
| Dick Bernstein | .... | supervising music editor | |
| Steve Biossat | .... | playback singer | |
| Adam Blau | .... | drumline arranger | |
| Greg Hayes | .... | score recordist | |
| Dave Lawrence | .... | assistant music editor | |
| Alison Litton | .... | associate music supervisor | |
| Cindy O'Connor | .... | additional music arranger | |
| Tyler Parkinson | .... | music pre-recording engineer | |
| Conrad Pope | .... | orchestrator | |
| Peter Rotter | .... | orchestra contractor | |
| Dennis S. Sands | .... | music scoring mixer | |
| Margaret Yen | .... | music supervisor | |
Transportation Department | |||
| James F. Hogan | .... | transportation coordinator | |
| Patrick Lynn | .... | picture car coordinator | |
| Robert Wallace | .... | driver | |
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| Brian's Song | Harmon of Michigan | Something the Lord Made | Leatherheads | That's My Boy |
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This was a very well acted movie. Dennis Quaid did a great job of playing the coach and Rob Brown was the perfect choice for Ernie Davis. The ratings this movie has received so far are not in line with the quality of this film. This movie in no way presented a political point of view. The only thing political was what happened in real life. This was the recognition given to Ernie by the president of the time. (which was JFK) Other than this movie was more inspirational. It showed the character of Ernie Davis and the faith he had in his own abilities, his coach, family and his God. Ernie Davis has reshaped College sports. Due to his ability to cope with hatred and racism in a positive way. The game of college sports has vastly become more professional. The talent of teams today is far greater than the past. Ernie opened the door foe all races in sports; thus increasing the abilities of the teams. I highly recommend this film.