| Tarek Hadj Abdelhafid | ... | Ramdane | |
| Khaled Benaïssa | ... | Fawzi | |
| Nacer Chenouf | |||
| Hichem Mesbah | |||
| Samia Meziane | ... | Asma | |
| Sofia Nouacer | ... | Bouchraa |
Directed by | |||
| Belkacem Hadjadj | |||
Writing credits(in alphabetical order) | ||
| Salim Aïssa | ||
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| Persepolis | Des hommes et des dieux | Ae Fond Kiss... | 8½ | Gegen die Wand |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb Algeria section |
hello; this piece is definitely not a good picture, actually it is not even a picture. i wished i read it as a novel rather than watching it as a movie. the plot is fine and will coherent to a certain extent but it lacks all film-making characteristics, or to say it in a different way this piece of work is not in consistency with pictures' artistic form. still the theme of the story is so important, and having it done in CENIMATIC FORM is probably a necessity. as to fill the rest of the required lines in order to submit this comment; the character of Ramadan is of great importance since it carries the theme of un-exchanged emotions (love) and repressed sexual desires.