Apocalypto (2006)

Director:

Mel Gibson

Writers:

Mel Gibson (written by) &
Farhad Safinia (written by)

Release Date:

8 December 2006 (USA)

Genre:

Action | Adventure | Drama

Tagline:

When the end comes, not everyone is ready to go

Plot:

As the Mayan kingdom faces its decline, the rulers insist the key to prosperity is to build more temples and offer human sacrifices. Jaguar Paw, a young man captured for sacrifice, flees to avoid his fate.

Plot Keywords:

Graphic Violence | Spear | Club | Corpse | Mud

Awards:

Nominated for 3 Oscars. Another 6 wins & 13 nominations

Cast

Rudy Youngblood	...	Jaguar Paw
Dalia Hernández	...	Seven
Jonathan Brewer	...	Blunted
Morris Birdyellowhead	...	Flint Sky
Carlos Emilio Báez	...	Turtles Run
Amilcar Ramírez	...	Curl Nose
Israel Contreras	...	Smoke Frog
Israel Ríos	...	Cocoa Leaf
María Isabel Díaz	...	Mother in Law (as Isabel Diaz)
Espiridion Acosta Cache	...	Old Story Teller
Mayra Serbulo	...	Young Woman
Iazua Larios	...	Sky Flower
Lorena Heranandez	...	Village Girl
Itandehui Gutierrez	...	Wife
Sayuri Gutierrez	...	Eldest Daughter

Also Known As:

Mel Gibson's Apocalypto (USA) (promotional title)
Apocalypto (Argentina) (Colombia) (Venezuela) [es]
Apocalypto (Germany) [de]
Apocalypto (Greece) [el]
Apokalipto (Turkey: Turkish title) [tr]

MPAA:

Rated R for sequences of graphic violence and disturbing images.

Runtime:

139 min

Country:

USA

Language:

Maya

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Canada:18A (British Columbia/Ontario) | France:-12 | Indonesia:Dewasa | Finland:K-15 | Italy:T (original rating) | Canada:14A (Alberta) | Portugal:M/16 (Qualidade) | South Africa:16 (V) | Thailand:R-14 | Australia:MA | Hong Kong:III | Switzerland:16 (canton of Vaud) | Ireland:15A | Switzerland:16 (canton of Geneva) | Argentina:18 | Italy:VM14 (re-rated) (court decision) (2007) | Hungary:18 | Japan:R-15 | Philippines:R-18 | Norway:18 (re-rating) | Norway:15 (original rating) | Israel:18 | South Korea:18 | Taiwan:R-18 | UK:18 | China:(Banned) | Singapore:M18 | New Zealand:R16 | Poland:18 | Netherlands:16 | Malaysia:18PL | Brazil:16 | USA:R (certificate #42915) | Germany:18

Filming Locations:

Catemaco, Veracruz, Mexico

Company:

Icon Entertainment International

Trivia:

In casting, it was important to Mel Gibson that he and Farhad Safinia find actors that matched the archetype each character represented. For instance, Rudy Youngblood struck Gibson as fitting the mythic archetype of a hero. Gibson saw that as necessary to allow people to identify with the film, since the movie's context is unfamiliar to most viewers, being in a foreign language and concerning an indigenous culture in the 16th century.

Goofs:

Factual errors: A nearly-full moon is shown the first night after a solar eclipse; this is impossible as solar eclipses only occur during a new moon.

Quotes:

High Priest: O warrior, unafraid and willing, with your blood you renew the world! From age to age! Thanks be to you.

Movie Connections:

Featured in The 79th Annual Academy Awards (2007) (TV)

Soundtrack:

¿He De Dejar Las Bellas Flores?

I couldn't believe two hours had gone by that quickly

Having some Mexican-Indian blood in me, I've always been interested in what I could read about the Aztecs and Mayans and others. But never did I achieve as elaborate a vision in my head, try as I might, as Mel Gibson has with the beautiful Apocalypto. Is it accurate? I've more than just strong doubts in at least one case, but like all good fiction, it probably tells more truth, despite its inaccuracies, than a dozen scholarly tomes. The movie is engrossing and, even more difficult, plausible and quite evocative. I would have bet any amount of money that this movie was impossible to make. And though some have complained that the film's ending involves an historical inaccuracy, I think there was more than enough reason to put it in.

There's a strong story that reminded me of other Third World folklore I've read, only better. In a lot of ways these people could have been North American Indians, but somehow that's not much of a criticism. And Gibson's recent PR problems only highlighted, for me, how it took an Australian-reared actor to make an exciting film about natives before Columbus. Clearly Hollywood is incapable of even conceiving of such a movie, much less bringing it brilliantly to life. Hollywood has an agenda and very narrow perspectives. It's agenda has no room for illuminating the humanity of non-Westerners, and there's too much relying on the same old set of sensibilities and intuition. I think if Hollywood is up in arms it ought to be because Gibson is making them look inept.

But as to this particular subject matter, there's no doubt in my mind that what fascinates most Anglos about the Aztecs and the Maya is the idea of human sacrifice. Gibson depicts the ritual as having an element of frenzy to it, and he may be right, but what is more convincing to me, at least, is his idea of what a village raid must have been like. His point by point reconstruction is pretty compelling, and I'm quite sure he could make some early American military raids on Indian villages so vivid and unforgettable that grown men would cry. I only hope he does, but as to this film, I would have depicted the human sacrifice with a nod toward a notion most Anglos find completely foreign, namely that these people understood that gain often entails pain, and they were willing to pay the price. Was it really so unreasonable that these people thought God might want them to create pain, and not just endure it, to gain His favor given that life entails so much struggle anyway? That willingness to endure pain clearly survives today, not the desire to create it in others, and that's the only point I would have added to this wonderful film.