A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
Arthur Bishop thought he had put his murderous past behind him, until his most formidable foe kidnaps the love of his life. Now he is forced to travel the globe to complete three impossible assassinations, and do what he does best: make them look like accidents.
Tommy Lee Jones
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Arthur Bishop (Jason Statham) is a 'mechanic' - an elite assassin with a strict code and unique talent for cleanly eliminating targets. It's a job that requires professional perfection and total detachment, and Bishop is the best in the business. But when his mentor and close friend Harry (Donald Sutherland) is murdered, Bishop is anything but detached. His next assignment is self-imposed - he wants those responsible dead. His mission grows complicated when Harry's son Steve (Ben Foster) approaches him with the same vengeful goal and a determination to learn Bishop's trade. Bishop has always acted alone but he can't turn his back on Harry's son. A methodical hit man takes an impulsive student deep into his world and a deadly partnership is born. But while in pursuit of their ultimate mark, deceptions threaten to surface and those hired to fix problems become problems themselves. Written by
The text on Harry's gun reads "Victory loves preparation". See more »
After Arthur's first hit in the movie, the (now deceased) victim is seen floating in the water, then suddenly, with help from Bishop, swimming forward. The camera pans underneath, showing Bishop's hands around the wrists of the corpse, but when seen from above, nothing is, as probably intended, visible. See more »
What I do requires a certain mindset. I do assignments; designated targets. Some jobs need to look like accidents. Others must cast suspicion on someone else. A select few need to send a clear message. Pulling a trigger is easy. The best jobs are the ones nobody even knows you were there.
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PIANO TRIO NO. 2, IN E FLAT MAJOR, OP. 100
Andante Con Trio
Written by Franz Schubert (WWPD)
Arranged by Christopher Todd Landor
Published by Landor Music Publishing (BMI) and Willowview Publishing (BMI)
Courtesy of Opus 1 Music See more »
Being a hit-man has its challenges. Like murdering people for money and then not trying to think about it. After all, hit-man ARE human too and have feelings, just like the rest of us who work at more mundane jobs. The problem with this movie is that the story is so weak that not even the nonstop violence is enough to prop it up. Gratuitous scenes of violence is a telltale sign that a movie is in trouble and this movie is in deep trouble. Besides offering the thinnest of stories, the movie contains what has to be some of the cheesiest acting in recent cinematic history. The movie borders on being campy yet fails to attain that dubious status since it's really not goofy enough to be taken with a grain of salt. In short, the story is stale but without being laughable. The characters are two-dimensional, cartoon-like, and are devoid of anything that sparks even the slightest bit of interest. The violence is pervasive and explicit, but when the targets themselves are vicious, the violence fails to generate any sympathy. A hit-man plotting to assassinate another hit-man just does not make for a dramatic story.
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