| Photos (see all 4 | slideshow) |
| Gérard Lanvin | ... | Michel Saint-Josse | |
| Mathilde Seigner | ... | Sophie Gatineau | |
| Franck Dubosc | ... | Patrick Chirac | |
| Claude Brasseur | ... | Jacky Pic | |
| Mylène Demongeot | ... | Laurette Pic | |
| Antoine Duléry | ... | Paul Gatineau | |
| Frédérique Bel | ... | Christy Bergougnoux | |
| Christine Citti | ... | Madame Châtel | |
| Laurent Olmedo | ... | Le 37 | |
| Eliott Parillaud | ... | Sébastien Gatineau | |
| Béatrice Costantini | ... | Madame de Brantes | |
| Abbes Zahmani | ... | Mendez, le garagiste | |
| François Levantal | ... | Boyer | |
| Armonie Sanders | ... | Vanessa Saint-Josse | |
| Edéa Darcque | ... | Sidy Mendez | |
| Noémie Elbaz | ... | Jessica | |
| Michael Hofland | ... | Cornelius | |
| Ida Techer | ... | Cornelia | |
| Charlie Barde | ... | Aurélie Gatineau | |
| Dominique Orsolle | ... | Madame Ballot | |
| Dominique Régnier | ... | Secrétaire clinique Michel | |
| Olivier Doran | ... | L'animateur du shogun | |
| Emmanuelle Galabru | ... | Séverine | |
| rest of cast listed alphabetically: | |||
| Perrine Blondel | ... | Fétarde. | |
| Emanuel Booz | ... | Le maître d'hôtel | |
| Nadine Girard | |||
| Bernard Montiel | ... | Himself / En personne | |
| Sophie Nollet | ... | Nudist | |
| Ari Vatanen | ... | Himself / En personne | |
Directed by | |||
| Fabien Onteniente | |||
Writing credits(in alphabetical order) | ||
| Emanuel Booz | writer (as Manu Booz) | |
| Franck Dubosc | writer | |
| Philippe Guillard | writer | |
| Fabien Onteniente | writer | |
Produced by | |||
| Françoise Galfré | .... | executive producer | |
| Patrick Godeau | .... | producer | |
Original Music by | |||
| Frédéric Botton | |||
Cinematography by | |||
| Jérôme Robert | |||
Film Editing by | |||
| Nicole Saunier | |||
| Vincent Tabaillon | |||
Casting by | |||
| Gérard Moulévrier | |||
Production Design by | |||
| Jean-Marc Kerdelhue | |||
Art Direction by | |||
| Arnaud Le Roch | |||
Costume Design by | |||
| Jacqueline Bouchard | |||
Production Management | |||
| Nicole Firn | .... | production manager | |
| David Le Gall | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Felix Baudouin | .... | second second assistant director | |
| Véronique Labrid | .... | first assistant director | |
Art Department | |||
| Lilith Bekmezian | .... | assistant art director | |
| Agnès Conan | .... | trainee art department assistant | |
| Lionel Pouchard | .... | storyboard artist | |
Sound Department | |||
| Julien Bourdeau | .... | dialogue editor | |
| Hervé Buirette | .... | sound re-recording mixer | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Carl Goetgheluck | .... | sound re-recording mixer | |
| François Groult | .... | sound mixer | |
| Philippe Heissler | .... | sound editor | |
| Guillaume Hurmic | .... | second sound assistant | |
| Paul Lainé | .... | sound | |
| Nicolas Leroy | .... | sound editor | |
| Gaël Sicot | .... | boom operator | |
Special Effects by | |||
| Pascal Fauvelle | .... | special effects technician | |
| Charles-Axel Vollard | .... | special effects technician | |
| Olivier Zenenski | .... | special effects coordinator | |
Visual Effects by | |||
| François Cailleau | .... | digital compositor | |
| Berengere Dominguez | .... | visual effects coordinator | |
| David François | .... | digital compositor | |
| Sergeï Lourié | .... | digital compositor | |
| François Vagnon | .... | visual effects supervisor | |
Costume and Wardrobe Department | |||
| Sabrina Riccardi | .... | costumer | |
| Florie Vaslin | .... | assistant costume designer | |
Editorial Department | |||
| Nadine Mahé | .... | second assistant editor | |
| Elodie Mittet | .... | assistant editor | |
| Fabien Perniceni | .... | editing supporter | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Grégoire Sivan | .... | assistant editor | |
| Raymond Terrentin | .... | colorist | |
Transportation Department | |||
| Ghislain Le Guisquet | .... | picture car | |
| Olivier Suffert | .... | picture car | |
Other crew | |||
| Géraldine Depardon | .... | script supervisor assistant | |
| Stéphanie Fouet | .... | administrator | |
| Françoise Thouvenot | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| TV5Monde USA is airing 'Camping' this month | neil57 |
| Camping | kpd_1 |
| DVD with English subtitles? | will-379 |
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| Conte d'été | Embrassez qui vous voudrez | Le corniaud | Les bronzés | Ragtime |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
This vehicle chiefly destined to highlight the humorist Franck Dubosc whose irresistible one-man shows partly revolved around his experiences as a camper flocked millions of French viewers in the French theaters (more than about 5 millions). Dubosc was the main attraction and from a popular standpoint, the experience galvanized him to work with the director Fabien Onteniente for his stale "Disco" (2008).
However, from an artistic perspective, "Camping" will never revolutionize French comedy. Actually, it's a comedy in which one never really laughs even if several cues or sequences make smile. I dig the moments when Dubosc introduces his tent and the rules of life to Gérard Lanvin and his wife. The latter comes from an upper-class milieu and because his car broke down, has no other choice than to stay for a few days in a camp with French common people. As Pulp sang in their terrific song: "you'll never do what common people do", that's exactly the same with him. Anyway, the tenet of a man who has to cope with a new world is so hackneyed that Onteniente doesn't try to renew it. His film accumulates the different predictable links of the chain of the story following an ultra-mapped scheme. Ditto for the other campers whose "problems" make me yawn. Too bad for Mathilde Seigner and Claude Brasseur who deserve better than this. At best, Onteniente tries to follow other narrative directions but quickly gives them up.
Lanvin offers a wooden acting and Dubosc gives us his little act but in a more subdued way than in his shows. His aficionados may want to watch this corny piece of work and it's perhaps the category of viewers the film is mostly destined to.